RACHEL BLOOM & MATTHEW MORRISON to play “JESUS” in “REEFER MADNESS THE MUSICAL”

KRISTEN BELL, CHRISTIAN CAMPBELL, ALAN CUMMING, ANDY FICKMAN, 

KEVIN MURPHY, AMERICA OLIVO and DAN STUDNEY 

PRAISE “JESUS” AS THEY WELCOME

RACHEL BLOOM 

WEDNESDAY, SEPTEMBER 4 – SUNDAY, SEPTEMBER 8

& MATTHEW MORRISON

WEDNESDAY, SEPTEMBER 11 – SUNDAY, SEPTEMBER 15

TO THE ICONIC ROLE IN UPCOMING PERFORMANCES

OF THEIR CRITICALLY ACCLAIMED, SMASH-HIT PRODUCTION OF

REEFER MADNESS 

THE MUSICAL

Book by Kevin Murphy & Dan Studney

Lyrics by Kevin Murphy    Music by Dan Studney

Musical Direction by David Lamoureux

Direction and Choreography by Spencer Liff

 

The RAPTUROUS Theatrical HIT of the Summer has EXTENDED through 

SUNDAY, OCTOBER 27 at the Whitley Theatre in Hollywood!

REEFER MADNESS THE MUSICAL

Book by Kevin Murphy & Dan Studney

Lyrics by Kevin Murphy

Music by Dan Studney

Musical Direction by David Lamoureux

Direction and Choreography by Spencer Liff

 

EXTENDED through SUNDAY, OCTOBER 27, 2024

 

PERFORMANCES: Wednesdays, Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm.

 

RACHEL BLOOM (Crazy Ex-Girlfriend) will play the role of “Jesus” this weekend only:  Wednesday, September 4 through Sunday, September 8 (with the exception of Friday, September 6).

 

MATTHEW MORRISON (“Glee) will play the role of “Jesus” Wednesday, September 11 through Sunday, September 15.

 

Arrive up to 2 hours early to enjoy food and libations in the theatre adjacent “Victory Garden” restaurant and also enjoy a post-show live music in “The Reefer Den.”

 

The Historic Whitley Theatre

6555 Hollywood Blvd., Hollywood, CA  

 

Ticket Prices: $39 – $175 (with limited premium seats available)

Prices subject to change; Special group rates available for parties of 8 or more.  

 

For tickets – visit www.reefermadness.com

Stage Play “A Fundamental Right to Choose” to Address Abortion Ban

A Fundamental Right to Choose

WORLD PREMIERE OF NEW STAGE PLAY TO ADDRESS NATIONWIDE ABORTION
BANS IN A COMPELLING & THOUGHT PROVOKING PRODUCTION

BURBANK, CA – 8/21/24 – In light of recent legislation heavily restricting access to abortion care across the country, The Taylor Studio, in Burbank, CA is set to house the World Premiere of a powerful new stage production: “A Fundamental Right to Choose.”

Written and directed by Jennifer Taylor, the production aims to shed light on the mass impact the reversal of Roe vs. Wade has had on the American public – with a heavy emphasis on the effect it’s had on women’s reproductive rights, their healthcare, and their everyday lives. Told through a series of connected vignettes, the play follows the stories of five different women, from five different states where abortion is now deemed illegal. Each of the women is faced with a dire need for abortion care, but are unable to obtain one due to the various challenges and obstacles presented by the legislation of their respective states. Audiences are taken on an emotional journey that explores the complexities
and nuances of choice, autonomy, and the fatal consequences of restrictive legislation.

“This play is a powerful and timely exploration of the consequences of abortion bans on both individuals and society as a whole,” said Jennifer Taylor. “Through the lens of these women’s experiences, we hope to provoke thought, spark conversation, and inspire action to protect reproductive rights for all.”

Featuring a talented cast of actors, including Delante Desouza of HBO’s Emmy Nominated series Winning Time & Eugenia Kuzmina of Universal’s Bad Moms, “A Fundamental Right to Choose” promises to engage and challenge audiences to consider the implications of constrained abortion laws. The production is a call to action for communities to stand up for women’s rights and advocate for access to safe and legal abortion.

Don’t miss the opportunity to experience this important and impactful play. Tickets are now available for performances running from Sept 13th to Oct 19th 2024 at Living-Truthfully Theatre at The Taylor Studio.

For more information and to purchase tickets, visit www.thetaylorstudio.com

Living-Truthfully Theatre is an intimate theatre located in Burbank, CA. Dedicated to producing thought-provoking and socially relevant works, and is committed to fostering dialogue and promoting positive change through the arts.

Odyssey Theatre Ensemble Presents “Being Piaf”

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NEWS RELEASE
September 3, 2024

Odyssey TheatreMusic at the Odyssey
presents Eleanora Owen in ‘Being Piaf 

WHAT:
Odyssey Theatre Ensemble’s ongoing “Music at the Odyssey” series presents a two-weekend engagement of Being Piaf. Actress, singer and writer Eleanora Owen channels the “little sparrow,” sharing her life story and repertoire with the audience. Tim Byron Owen directs this original solo play with music that highlights Piaf’s joie de vivre, resilience, and triumph over a life of abject poverty and despair.

WHO:
• Written and Performed by Eleanora Owen
• Directed by Tim Byron Owen
• Produced by Beth Hogan in association with Georganne Aldrich Heller and The Sarah Fulton Group
• Presented by the Odyssey Theatre EnsembleRon Sossi Artistic Director

WHEN:
Oct. 18 – Oct. 27:
• Fridays at 8 p.m.: Oct. 18* and Oct. 25
• Saturdays at 8 p.m.: Oct. 19 and Oct. 26
• Sundays at 4 p.m.: Oct. 20 and Oct. 27
*Wine Night Fridays: Enjoy complimentary wine and snacks after the show on the third Friday of every month.

WHERE:
Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

TICKET PRICES
$30 (plus $3 credit card fee if applicable)

HOW:
OdysseyTheatre.com
(310) 477-2055 ext. 2

Fountain Theatre presents U.S. premiere of powerful, timely ‘I, Daniel Blake’


Fountain Theatre presents U.S. premiere
of powerful, timely I, Daniel Blake 

WHAT:
The Fountain Theatre presents the U.S. premiere of I, Daniel Blake, a powerful, timely and poignant story about people coming together in the face of a Kafkaesque government bureaucracy that refuses to see them as human beings. Daniel is a caring, warm-hearted middle-aged man who suddenly finds himself unable to work. Katie hopes for a fresh start for herself and her teenage daughter. Together, they attempt to navigate the nightmarish unemployment and public housing system while clinging to their dignity and humanity. We are all Daniel Blake.

WHO:
• Written by Dave Johns
• Adapted from the 2016 Palme d’Or and BAFTA award-winning film by Paul Laverty
• Directed by Simon Levy
• Starring JD CullumMakara GambleJanet GreavesWesley GuimaraesPhilicia SaundersAdam Segaller
• Presented by The Fountain Theatre

WHEN:
Previews: Oct. 9 – Oct. 12
Performances: Oct. 13 – Nov. 24
• Wednesday at 8 p.m.: Oct. 9 (preview) ONLY
• Thursday at 8 p.m.: Oct. 10 (preview) ONLY
• Fridays at 8 p.m.: Oct. 11 (preview), Oct. 18, Oct. 25; Nov. 1, Nov. 15, Nov. 22 (dark Nov. 8)
• Saturdays at 8 p.m.: Oct. 12 (preview), Oct. 19, Oct. 26; Nov. 2, Nov. 16, Nov. 23 (dark Nov. 9)
• Sundays at 2 p.m.: Oct. 20, Oct. 27; Nov. 3, Nov. 17, Nov. 24 (no 2 p.m. show on Oct. 13, dark Nov. 10)
• Sunday at 7 p.m.: Oct. 13 (opening night) ONLY
• Mondays at 8 p.m.: Oct. 21, Oct. 28; Nov. 4, Nov. 18 (dark Oct. 14 and Nov. 11)

WHERE:
The Fountain Theatre
5060 Fountain Ave.
Los Angeles CA 90029
(Fountain at Normandie)

TICKET PRICES:
$25 – $45:
• Premium Seating: $45
• Regular Seating: $40
• Seniors 65 or older: $35 (regular seating only)
• Students: $25 (valid ID required)
• Monday nights: Regular seating ($40) and PayWhatYouWant (subject to availability)
• Previews: PayWhatYouWant

PARKING:
• Secure, on-site parking: $5
• Street parking available in the neighborhood north of Fountain Ave.
• No parking after 6 p.m. on Mariposa or Alexandria Avenues south of Fountain Ave.
• Allow extra time to find street parking; make sure to read all parking signs

HOW:
www.FountainTheatre.com
(323) 663-1525

World Premiere of “TH IR DS” at the Zephyr

“TH IR DS”
Written by Ben Edlin / Story by Deborah Aquila and Ben Edlin
Opening at 8pm on Friday, September 6th with reception to follow
8pm Fridays & Saturdays, 2pm Sundays through September 29, 2024
 
Zephyr Theatre 7456 Melrose Avenue, Los Angeles, CA 90046

In an alternate timeline of American history in which the Civil War was never fought, America stands divided into three separate countries: The Union, The Confederate, and The Pacific States of America. When an historic drought threatens the citizens of the Confederate States, Catherine Shepard, the world’s most powerful water tycoon and citizen of the Pacific States, must travel into the Confederacy to negotiate a secret deal with the government to provide their people with clean water before it’s too late.

480x720 TodayTix.jpgPlaywright Ben Edlin explains, “TH IR DS is an exploration of the ties that bind us together and the forces that pull us apart: of the hope that lies in understanding when our bitterness departs. Of the dangers we may drown in when we all decline to say, ‘I’m not sure I agree, but still, our brotherhood should stay.’ It’s a story of survival and of reaping what we sow: of a question, that if where we are is where we want to go?”

Deborah Aquila (Story Creation) has a unique aptitude for weaving a narrative that transports spectators to these familiar lands of different epochs in TH IR DS. Nominated 18 times for the Artios Award by the CSA, and winning for the features “Red,” “My Week with Marilyn,” “CODA,” and “La La Land,” Aquila was awarded the CSA’S Hoyt Bowers Award for Career Achievement in 2020. In 2021, the Sundance Film Festival honored “CODA” with the U.S. Dramatic Special Jury Award for Ensemble Cast. While studying at NYU’s Tisch School of the Arts and the Adler Conservatory, Deborah embraced script analysis and dramaturgy.  Adler was insistent that actors understand the themes of the plays and the ‘big idea,’ being presented. Understanding and examining the nuance of a character’s backstory within the larger context of the narrative has always informed her approach to storytelling. Deborah’s independent casting director career began with Steven Soderbergh’s “Sex, Lies, and Videotape,” and Uli Edel’s “The Last Exit to Brooklyn,” before moving to Los Angeles to cast Frank Darabont’s “The Shawshank Redemption.” She is a proud member of the Academy of Motion Picture Arts and Sciences, BAFTA, The Television Academy, and the Casting Society of America.

Ben Edlin (Playwright/Story) recently premiered his latest play, Conversations in Exile, an original adaptation of Chekhov’s Three Sisters. The first film he wrote, “The Union,” won the “Audience Award” at the Hoboken International Film Festival, as well the “Best New Voice Award” at the Long Beach International Film Festival. As an actor, Ben’s TV credits include a recurring role on the Bad Boys spinoff series, L.A.’s FinestNBC’s Chicago Med, and Department of One, opposite Ed Begley Jr. He has appeared in several short films, including “Two Days,” “Down & Out,” and the upcoming “Scott,” directed by George Sear. Other film credits include “Anywhere with You,” which premiered at the Los Angeles Film Festival. He can currently be seen in the lead role of “Mindwash” for the Arcane Company, streaming now on Amazon, and the soon to be released film “Riding Shotgun.”

Jessica Aquila Cymerman (Director) co-founded the theatre company Untold Wants, in Dublin (now world traveling), where she continues to direct and produce contemporary theatre. Selected Theatre directing credits include Hedda Gabler, Julie: After Strindberg (North American premiere), Gruesome Playground Injuries, Cock, The Human Ear (North American premiere), Reasons to be Pretty (all for Untold Wants Theatre), The Gift, Strange Relations (staged readings, IAMA Theatre,  LA), Ted and the Right to Die (RCS, Glasgow), Il Cambiale di Matrimonio (Raucous Rossini,  Glasgow), The Seagull: A Musical Adaptation (co-writer, Original Production, RCS), Urinetown The  Musical; Reefer Madness! The Musical, and The Goat, or Who is Sylvia? (Sarah Lawrence College). Selected Film directing credits include the shorts “The Den,” in 2022, Winner “Best Director”  Vesuvius Int’l film festival; Official selection: Seattle Film Festival, Austin FF, Sarasota FF, Tall  Grass FF, Albuquerque FF, and many more), “The Stairs,” Winner “Humanitarian Award,” “Best  Child Actor,” and “Best Costume Design” at the Idyllwild Film Festival, “Best Female Director”  Stockholm Short Festival; Jury Award Nominee for Best Narrative Short at the Rome  International FFOfficial selection: Dances with Films, Poppy Jasper Int. FF, Garden State FF,  Irish Film Fest, SOHO International FF, Albuquerque FF, Mallorca Evolution FF, Queens World FF,  and Manhattan FF. She holds an MA in Directing from the Royal Conservatoire of Scotland in  Glasgow, with training from Shakespeare’s Globe, UK. jessicaaquilacymerman.com

“TH IR DS is a reflection of a pervasive undercurrent in the United States right now,” says director Jessica Aquila Cymerman. “More than an alternative history exploration, this play is a deeply human examination. What makes us believe biased truths about each other? What drives our actions, passions, joy, rage? Which issues make us go to the polls? Which ones make us bury our heads in the sand? What is it about Americans that we can hate one another, yet address ourselves as one, on the global scale? This play conveys our greatest fears as a nation that is designed to be aligned; it speaks to the sentiments of an election year. Its relevance is timely, and its message universal. Are we not better together, supporting each other, sharing resources? Especially when humanity’s next hurdle will be the elements, now is the time to learn how to band together, united.”

OUR CAST: Derek Webster as Professor William Seward (bio); Tess Harrison as Patricia Todd (starred in “This Is A Film About My Mother” currently available on Amazon and Vudu and featured on the site, Girls In Film. “It’s Perfect Here,” was Tess’s award-winning debut short film, and other shorts include “Take Me Out with the Stars,” “Things Break In,” and Dog, programmed at over fifty festivals worldwide. Her music videos have generated over 14 million views); Éanna O’Dowd as Peter Todd (selected theatre: Hedda Gabler trans. Brian Friel, Gruesome Playground Injuries by Rajiv Joseph, The Human Ear by Alexandra Wood, Reasons to Be Pretty by Neil LaBute, all with Untold Wants Theatre, national tours of Vernon God Little adapted by Tanya Rodner and The Dead School by Patrick MacCabe with Decadent Theatre. Co-founder of Untold Wants Theatre); Ben Edlin as David Cohen (Lead role of “Mindwash” for the Arcane Company, streaming now on Amazon, and the soon to be released film “Riding Shotgun”); Brian Yeun as Steven Choi (title roles in the short film “Bartleby,” an adaptation of the Herman Mellville story, and Book of Job); Corbin Reid as Catherine Shepard (Broadway: American IdiotSister Act, and RentFor the Record: Tarantino in West Hollywood, and Hair at the Hollywood Bowl. TV: Sondi Hill in the Starz comedy series, Run the World, and in the Lifetime thriller “She Went Missing.” Series regular on the CW series Valor, and recurring on Season 3 of Shonda Rhimes’ How to Get Away with Murder. Film: Ashley in the “Blair Witch” sequel for Lionsgate, and “My Fiona”); Carlo Mancasola as James Cross (leading role in the Rosario Dawson produced feature film “Midnight.” He is soon to be seen in “Maya,” and “Spin the Bottle,” set to release in 2024).

OUR PRODUCTION TEAM: Gabrieal Griego (Producer), Jeff G. Rack (Scenic and Prop Design), Derrick McDaniel (Lighting Design), Joseph ‘Sloe’ Slawinski (Sound Design), Emilyna Zoë Cullen (Costume Design), Andrew Marsh (Composer), Michelle Hanzelova-Bierbauer (Projection and Graphic Design).

TH IR DS opens at 8pm on Friday, September 6 and runs Fridays and Saturdays at 8pm, Sundays at 2pm through September 29, 2024 (Post show talkbacks every Sunday). The Zephyr Theatre is located at 7456 Melrose Avenue in Los Angeles. Street parking. Tickets are $35 and reservations can be made at https://thirdstheplay.com

Run time approximately 100 Minutes (and one intermission).

Music Review: The Redline Syndicate

The Redline Syndicate is a band from Moscow, Idaho. They played at the famous Whiskey A Go Go on Aug 15, 2024. Their performance was electrifying, as the band is a reminiscence of the classic rock bands that have played at the Whiskey. Guitar, bass, keyboards, drums, and an energetic vocalist make up the band that draws attention from the get-go.
Coming from different music influences, the members of the band bring a dynamic range of styles to the stage, all unified in a pure rock baseline, musically and lyrically speaking.
Below is the interview with Jeff Mack, vocalist/songwriter of The Redline Syndicate:
Glamgical: Your music is a mix of blues, hard rock, and metal, and even a bit of country. Musically, what is your background?
  • Jeff: We all have a diverse collection of musical interests. I have mainly been influenced by some of the greats in the 70’s 80’s and 90’s. Black Sabbath, Rainbow, Bad Company, Alice In Chains, Soundgarden. I have always been receptive to good music no matter the genre. Chris Chalmers is my song writing partner. He also has a diverse catalog of influence, but I would say the country influence comes mainly from him.
 
Glamgical: How did you guys come together to form The Redline Syndicate?
  • Jeff: The Redline Syndicate was started by Chris and I. We have been playing together for a number of years and we were in a harder more metal type band called Vial 8 and we both wanted to branch out to a little more accessible sound and venture into some of our deeper influences. I had known Dan Mullan (drums) from a previous band situation, so I got a hold of him and he was available and knew a bass player so we got together and right from the get go we clicked. We started writing songs and added Kent Nelson (guitar) whom I had known from a previous band. We wanted to add Keyboards and Dan’s wife Linda Mullan (keys, background vocals) was added  and we were off to the races. Daryl Mead (bass) has been added recently to replace the original bass player. I knew Daryl from a previous band that I was in called Scatter Creek that Kent was also involved in.
Glamgical: There is a great deal of energy in your performance, who is your influence, visually speaking?
  • Jeff: My stage performance is influenced by Robert Plant, David Lee Roth, Paul Rodgers, David Coverdale etc.  I have mixed their influences and then added my own personality to it.
Glamgical: Where have you guys played? Festivals, venues, cities?
  • Jeff: The Redline Syndicate is really just getting started playing festivals and shows. Chris and I have done multiple shows opening for nationals such as Joan Jett, Godsmack, Tesla, Living Colour, Theory of a Deadman and many others. I’m hoping to branch out to national opening shows and possible travel with The Redline Syndicate, but it’s a slow process getting your foot in the door. I really think this band’s Music and performance capabilities will eventually enable us to get through some of those doors.
Glamgical: How much do you guys practice for your performances?
  • Jeff: We all live in a few different towns so we don’t get to practice a lot but we try and practice a few times a month.
Glamgical: How do you release your music?
  • Jeff: We have released 12 original songs on all of the digital platforms: Spotify, Apple Music, YouTube Music, etc.
Glamgical: Who writes the lyrics?
  • Jeff: Primarily I write the lyrics and melodies, and Chris writes the music, then we bring it to the band and the other players add their own spin.
Glamgical: Are there any recurrent themes in your lyrics?
  • Jeff: I rarely write with a specific theme, but I would say all of the lyrics stem from personal experience. The song “The Unknown” was specifically written about anxiety because I thought it was a theme that touches a lot of people.
Glamgical: What are the advantages and disadvantages for bands that are far from major music centers?
  • Jeff: The biggest obstacle is getting the exposure for larger markets to even consider letting you play. It’s a lot harder to get the word out in smaller markets via shows and word of mouth.
Glamgical: How did you guys book the gig at the Whiskey A Go Go in Hollywood?
  • Jeff: I saw a flyer on Facebook where the Whisky was asking for opening bands so I submitted our music and they let us on the bill. 
Glamgical: In terms of promotion, what’s the difference between social media and a label?
  • Jeff: I think the availability of social media makes it easier for bands to get their music out, but it is still hard to get noticed because of the volume of music on social media. I think the music industry has had a major shift since social media, but having a label for promotion is still something that is helpful for consideration to get shows or airplay on a broader scale.
Glamgical: What’s next for you guys?
  • Jeff: What’s next for us is to continue to build our presence through shows, social media and keep writing good songs. We are very close to going back in to record another batch of 12 songs. 
Glamgical: Where can people find your music?
  • Jeff: To access our music we are on all the digital platforms, Facebook, Instagram etc. If people go to www.redlinesyndicate.com there are links to all of that.

Musical Review: Reefer Madness, The Musical

The war on drugs, whether real or imaginary, is not a new concept in America. Reefer Madness, the original film, was premiered in 1936 as a cautionary tale. In 1937, the Marihuana Tax Act came into effect, leading to the criminalization of the drug. With this federal prohibition in mind, Reefer Madness, The Musical takes the audience back in time, presenting the use of cannabis not as a moral lesson, but as a parody of the general panic of the 1930s.

With a few tweaks here and there, the musical sticks pretty much to the original story. Jack (David T. Crane) and Mae (Nicole Parker) are pushing marijuana out of their home, marked with the number 420. Hanging out at their place is Ralph (Andre Joseph Aultmon), a college dropout hooked on weed. Another character in the house is Sally (Jane Papageorge), also addicted to marijuana. She ends up selling her kid while heavily stoned. Jimmy (Anthony Norman) and Mary (Darcy Rose Byrnes) are the lovebirds who also succumb to the Devil’s lettuce.

The choreography is energetic, including tap dancing and some disco moves during Jesus’ (Rory O’Malley) number, “Listen to Jesus, Jimmy”. The inclusion of Jesus and the Devil as the two moral opposites give the musical an edge and a satirical element to the core of the story.

The red lighting symbolizing the sexual awakening and the dangers of criminal activity conveys effectively the situation of the characters: Living in the fast lane; tragedy just around the corner. The innuendos of BDSM and the presence of the Devil make the musical numbers even more sinful and attractive.

In terms of text, the book by Kevin Murphy & Dan Studney is playful and gives the actors plenty of opportunities to shine through the delivery of their lines and the physical comedy involved in the action. The two characters showing the most important transformations are Mary and Jimmy, but it is Mary who changes more dramatically. From a naïve girl to the vixen sadist with a whip, she embodies the aggressive loss of inhibitions, all thanks to the use of marijuana. The text pays homage to Mae West as well. Sally delivers one of West’s most famous lines involving feet and inches, but backwards.

Director and choreographer Spencer Liff does a fantastic job utilizing the excellent elements at his disposal. He unifies the talent and creative components of this production to present a kinky, hilarious, and engaging performance. The limits of legality and the temptation of illegality contribute to create an alluring story that becomes timeless and reflects our complicated relationship with a humble plant that has been used by humans for thousands of years.

Reefer Madness, The Musical

The Historic Whitley Theatre

6555 Hollywood Blvd., Hollywood, CA

Extended through Sunday, October 27

Wednesdays, Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm.

Ticketsreefermadness.com

Book by Kevin Murphy & Dan Studney. Lyrics by Kevin Murphy. Music by Dan Studney. Musical Direction by David Lamoureux. Direction and Choreography by Spencer Liff. REEFER MADNESS THE MUSICAL is executive produced by Wendy Parker and co-produced by Maia Falconi-Sachs, Madison Mohn, Nick Padgett, Matthew A. Rosenthal, Jason Turchin, Amirose Eisenbach, Josie Yount, and Raji Kalra. Presented by Kristen Bell, Christian Campbell, Alan Cumming, Andy Fickman, Kevin Murphy, America Olivo, and Dan Studney.

Cast: Anthony Norman, Darcy Rose Byrnes, J. Elaine Marcos, Nicole Parker, Thomas Dekker, Bryan Daniel Porter, Andre Joseph Aultmon, Claire Crause, Jane Papageorge, Alex Tho, David T. Crane, Rory O’Malley, and Natalie Holt MacDonald.

Creative team: Production Design by Mark A. Dahl; Lighting Design by Matt Richter; Sound Design by Charles Glaudini; Costume Design by Pinwheel Pinwheel. The Casting is by Michael Donovan, CSA and Richie Ferris, CSA. The Production Stage Manager is Melissa Ritcher. The Company Manager is Paul Nygro.

Music band: David Lamoreaux (Conductor/Drums), Jordan Lamoreaux (Bass), Max Wagner (Guitar), Andrew Lederman (Keyboard 1), and David Catalan (Keyboard 2).

International City Theatre’s 2025 Season

I N T E R N A T I O N A L   C I T Y   T H E A T R E

 

 

International City Theatre celebrates 40th
anniversary with 2025 season of premieres 

LONG BEACH, Calif. (August 23, 2024) – Celebrating its 40th anniversary in 2025, International City Theatre will present a season of five world, American and Los Angeles premieres.

“For the first time in our 40-year history, all five plays in one season will be premieres,” says artistic director caryn desai [sic]. “Our mantra this year is ‘see it first at ICT’. The plays may all be new, but the season’s eclectic mix of genres — one musical, two comedies, and two dramas — is not. It’s that combination of escapist fun and thought-provoking fare that has kept our audiences coming back year after year.”

Launching the season in February, the Los Angeles premiere of Desperate Measures is a foot-stompin’, knee-slappin’ musical inspired by Shakespeare’s Measure for Measure. Saddle up for this joyous musical comedy with a score by award-winning composer David Friedman and book and lyrics by two-time Tony nominee Peter Kellogg. When the dangerously handsome Johnny Blood’s life is on the line, he must put his fate into the hands of a colorful cast of characters. Laws are broken and hearts are won as they try to find justice in a world that often doesn’t seem just. Winner of two Drama Desk Awards, for “Outstanding Musical” and “Outstanding Lyrics”; the Outer Critics Circle Award for “Outstanding New Off-Broadway Musical”; and the Off-Broadway Alliance Award for “Best New Musical.” (February 21 through March 9; previews on February 19 and February 20.)

Next up is the American premiere of The Violin Maker by Lisa Pearl Rosenbaum and Ronda Spinak. Real-life Israeli violin maker Amnon Weinstein gathered and restored violins that were damaged during the Holocaust, creating a remarkable collection that became known as the “Violins of Hope.” Weinstein died in 2024 at age 84, but his extraordinary story and the true tales behind each of the violins are masterfully interwoven with music in this powerful and uplifting new play. (April 25 through May 11; previews on April 23 and April 24.)

From playwright Paul Slade Smith, author of last season’s hit production of The Outsider, comes the Los Angeles premiere of The Angel Next Door, a screwball romantic comedy inspired by a 1924 drawing room comedy by Ferenc Molnar. When a writer is commissioned to adapt his novel for the stage, it’s soon revealed that the “angel” cast as the lead may not be all that angelic. Only the power of theater can save the play, the novel and — perhaps most importantly — the writer’s heart. (June 13 through June 29; previews on June 11 and June 12.)

August will see the world premiere of the newest family drama by multiple award-winning playwright Wendy Graf (ICT productions of Closely Related Keys, Exit Wounds), in which members of a mixed race family see themselves reflected in stories from the past — each inspired by a spice in their grandmother’s “masala dabba,” or Indian spice box. (August 29 through September 14; previews on August 27 and August 28.)

Closing out the season in October, the Los Angeles premiere of Ms. Holmes & Ms. Watson–Apt. 2B by Kate Hamill is an irreverent, darkly comic, modern take on Sir Arthur Conan Doyle’s famous sleuth and sidekick that re-examines the world’s most famous detective story through a bold new feminist lens. In this highly theatrical escapade, oddball female roommates Sherlock Holmes and Joan Watson join forces to emerge from pandemic fog as a deeply codependent, quasi-dysfunctional “Odd Couple” adventure duo solving mysteries and kicking butts—until they come face to face with a villain who seems to have all the answers. (October 17 through November 2; previews on October 15 and October 16.)

Recognized by Long Beach as the City’s resident professional theater company, International City Theatre is the recipient of over 500 awards, including the Los Angeles Drama Critics Circle’s prestigious Margaret Harford Award for “Sustained Excellence” and the LADCC’s 2016 Polly Warfield Award for an “Excellent Season.” In addition to its professional theater productions, ICT offers six community and educational outreach programs each year. The company’s commitment to the community also includes ongoing collaborations with Long Beach’s African American community and other groups and organizations. Former Los Angeles County Supervisor Don Knabe called ICT “a cultural treasure.”

All performances take place Thursdays through Saturdays at 7:30 p.m. and Sundays at 2 p.m.

For more information about ICT’s 2025 season and to purchase subscriptions or single tickets, call (562436-4610 or visit www.InternationalCityTheatre.org

Chance Theater presents GLORIA

05cs Gloria.png

Chance Theater presents…

Gloria

by Branden Jacobs-Jenkins

OC Premiere of The Pulitzer Prize finalist

ANAHEIM, CA: Chance Theater, Anaheim’s official resident theater company, is thrilled to announce the Orange County Premiere of Gloria, the provocative and darkly comedic play by Branden Jacobs-Jenkins. Directed by the award-winning Marya Mazor, Gloria will run at the Bette Aitken theater arts Center from September 27 to October 20, 2024.

A Riveting Satire on Modern Media

Set in the bustling world of a New York City magazine office, Gloria uncovers the cutthroat ambitions of a group of editorial assistants, whose ordinary day spirals into chaos with a shocking event. This sharply satirical play examines the dark underbelly of the media industry, exploring themes of ambition, exploitation, and the stories we tell ourselves and others. Gloria was a finalist for the 2016 Pulitzer Prize for Drama and has been described by The New York Times as “whip-smart,” The Hollywood Reporter calls it “provocative and playfully theatrical.”

With its biting humor and intense commentary on the cost of success, Gloria offers audiences a gripping experience that will challenge their views on modern-day media and the personal toll of ambition.

WHAT: Gloria

Style. Status. Success. A group of twentysomething editorial assistants are pursuing it all at one of New York’s most esteemed cultural magazines. When a seemingly normal day at the office turns out to be anything but, these aspiring journalists recognize an opportunity to seize a career-defining moment. Who has the right to tell whose story? Simultaneously funny and shocking, Gloria is an adrenaline rush of a show as MacArthur “Genius” grant winner Jacobs-Jenkins skewers the cutthroat, opportunistic culture of modern media.

WHEN:

Previews: September 27 – October 4, 2024; Friday 8 p.m., Saturday at 8 p.m.  Sunday 7 p.m.

Performances: September 27- October 20, 2024

Fridays at 7 p.m. (only Sep 29) and 8 p.m., Saturdays at 3 p.m. and 8 p.m. & Sundays at 3 p.m.

RUNNING TIME: 2 hours, 10 minutes with intermission

WHERE: Chance Theater @ Bette Aitken theater arts Center on the Cripe Stage

5522 E. La Palma Ave., Anaheim, CA 92807

TICKETS: $41-44

MORE INFO: www.ChanceTheater.com or call (888) 455-4212

¡Pasaje! a New Musical about a Young Man who Discovers Family Secrets

Sierra Madre Playhouse
Presents the World Premiere of

¡Pasaje!
a New Musical about a Young Man who Discovers Family Secrets

Written by San Gabriel Valley Native and First-Generation Salvadoran American J. Quiroz

Music and Lyrics by Multi-GRAMMY Award-Winning LA Native Asdru Sierra
Directed by Hacienda Heights Raised Benjamin Perez

 The Two-Act Musical Is a Riveting Coming-of-Age Story
Deeply Rooted in LA and Celebrating Southern California’s Vibrant Latiné Community.

October 4 – November 3, 2024

WHAT:

Sierra Madre Playhouse Presents
¡Pasaje!
Book by J. Quiroz

Music by Asdru Sierra

 

PRODUCTION TEAM:

Director: Benjamin Perez

Music Director: Greg Poree

Choreographer: Tania Possick

Costume Designer: Diana Gomez

 

CAST:

Seth Keller (Andy Martin)

Kayla Christine Quiroz (Marcelina)

Karol Avila (Hustler Uno)

Daniel Moises (Hustler Dos)

Sandra Dar (Angela Martin)

Lisa Rodriguez (Beatriz Gonzalez)

Noah Peralta (Guicho)

Andrew M. Garcia (Ensemble/Andy Understudy)

Pablo Milla (Ensemble/Hustler Dos Understudy)

Ixchel Valiente (Ensemble/Marcelina Understudy)

Itzel Ximena Gonzalez (Ensemble/Hustler Uno Understudy)

Joshua Duron (Don Miguel)

Maximiliano Garcia (Freddy)

 

WHEN:

Friday, October 4, 8:00 PM

Saturday, October 5, 8:00 PM

Sunday, October 6, 4:00 PM

Friday, October 11, 8:00 PM

Saturday, October 12, 8:00 PM

Sunday, October 13, 4:00 PM

Friday, October 18, 8:00 PM

Saturday, October 19, 8:00 PM

Sunday, October 20, 4:00 PM

Friday, October 25, 8:00 PM

Saturday, October 26, 8:00 PM

Sunday, October 27, 4:00 PM

Friday, November 1, 8:00 PM

Saturday, November 2, 8:00 PM

Sunday, November 3, 4:00 PM

 

WHERE:

Sierra Madre Playhouse
87 West Sierra Madre Boulevard
Sierra Madre, CA 91024

 

RUN TIME:

Approximately 2 hours with intermission.
ADVISORY:
some language

 

TICKETS & INFORMATION:

Tickets are $12 – $45

626.355.4318

www.sierramadreplayhouse.org