Author Archive: Glamour

Design for Living

Posted on by

‘Design for Living’

WHAT:
Odyssey Theatre Ensemble presents Design for Living, a witty and charming romantic comedy by Noël Coward that was banned in 1930s London for its risqué content and bawdy themes. Otto loves Gilda. But… so does Leo. Gilda loves Otto… but she also loves Leo. And what’s going on between Otto and Leo? Filled with Coward’s scintillating dialogue, Design for Living is an emotional, dramatic, hilarious and scandalous love triangle. Or as the threesome’s longtime friend Ernest Friedman calls it, “a three-sided, erotic hotch-potch.” It’s a revolving door of passion, treachery and never-ending champagne. Can love prevail against the norms of society?

WHO:
• Written by Noël Coward
• Directed by Bart DeLorenzo
• Starring Brooke Bundy, Sheelagh Cullen, Shireen Heidari, Kyle T. Hester, Andrew Elvis Miller, Garikayi Mutambirwa, Max Pescherine
• Produced by Beth Hogan
• Presented by the Odyssey Theatre Ensemble, Ron Sossi Artistic Director

WHEN:
Previews: July 3 and July 5
Performances: July 6 – Aug. 25
• Wednesdays at 8 p.m.: July 3 (Preview), July 17* and Aug. 7 ONLY
• Fridays at 8 p.m. (wine nights): July 5 (Preview), 12, 19, 26; Aug. 2, 9*, 16, 23
• Saturdays at 8 p.m.: July 6 (Opening Night), 13, 20, 27; Aug. 3, 10, 17, 24
• Sundays at 2 p.m.: July 7, 14, 21, 28; Aug. 4, 11, 18, 25
*Post-performance discussions on Wednesday, July 17 and Friday, Aug. 9
Wine Night Fridays: Enjoy complimentary wine and snacks following all Friday night performances.

WHERE:
Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

TICKET PRICES:
• Saturdays and Sundays: $20–$37
• Fridays: Pay-What-You-Can (reservations open online and at the door starting at 5:30 p.m.)
• Previews: $20

HOW:
OdysseyTheatre.com
(310) 477-2055 ext. 2

Eisenhower: This Piece of Ground and What the Constitution Means to Me

Posted on by

ENSEMBLE THEATRE COMPANY 

Presents Two Very Special Events!

John Rubinstein starring in

EISENHOWER: THIS PIECE OF LAND

by Richard Hellesen

Directed by Peter Ellenstein

July 11 – 14, 2024

&

WHAT THE CONSTITUTION MEANS TO ME

by Heidi Schreck

Directed by Matt Hawkins

August 15 – 18, 2024

 

Performances begin Thursday, July 11 at The New Vic Theatre in Santa Barbara

 

June 6, 2024…Santa Barbara, Calif… Santa Barbara, CA – The Ensemble Theatre Company (ETC) of Santa Barbara announced today the addition of two captivating special event presentations: Eisenhower: This Piece of Ground by Richard Hellesen, directed by Peter Ellenstein and What the Constitution Means to Me by Heidi Schreck and directed by Matt Hawkins. ETC invites the Santa Barbara community and visitors to experience these extraordinary productions. Both plays are being presented outside ETC’s 5-play season and offer unique insights into American life and governance, encouraging audiences to reflect on the past and consider the future. Individual and group tickets are on sale now through the company’s ticket office and website.

 

“These powerful – and timely – performances truly resonated with me, and not just my artistic side,” said Scott DeVine, ETC’s executive director. “Having received my undergraduate degree in political science, I’m a firm believer that the lessons of our past are destined to be repeated if we do not share them with future generations. These special productions deliver on ETC’s mission to share theatrical events that entertain, educate, provoke thought, ignite imagination, and encourage conversation. I believe our diverse audience will find them to be thought provoking, historically accurate, creative renditions of our collective history at a time when being familiar with and discussing our past is essential.”                                                                                                 

Eisenhower: This Piece of Ground is a compelling exploration of one of America’s most influential leaders and a poignant reminder of the resilience and vision required to lead a nation. This one-man show delves into the life and legacy of Dwight D. Eisenhower, offering an intimate portrayal of the man behind the presidency. The production features Tony Award winner John Rubinstein (Pippin, Children of a Lesser God) in A New Los Angeles Repertory Company production. 

 

“With such division in the country today, I wanted to go back in our history and look at an individual who led with faith and optimism during a very crucial time,” says playwright Richard Hellesen. “Despite the Cold War, McCarthyism and the start of the Civil Rights movement, Eisenhower believed in Democracy. On our stage, Eisenhower says ‘some days it feels like democracy is going to have a hell of a time persevering. But this piece of ground, that we all share…if we’re going to leave our young people something better, then we just can’t be complacent. …We have to keep choosing the harder right instead of the easier wrong. Never be content with half-truth when the whole truth can be ours.’” 

 

Eisenhower: This Piece of Ground provides an engaging historical narrative that will resonate with audiences of all ages and will take the stage at The New Vic for a limited run from July 11 – 14, 2024.

 

Next, we present the University of Notre Dame Production of the Tony-nominated and Pulitzer Prize finalist play What the Constitution Means to Me by Heidi Schreck, directed by Matt Hawkins and starring Stacy Stoltz, Paul Fagen and featuring a local student debater. What the Constitution Means to Me is a deeply personal and timely piece recounting Schreck’s teenage years participating in constitutional debate competitions.  The production examines the profound ways the U.S. Constitution shapes our lives.

 

“This play is part memoir and part societal commentary, blending personal reflection and historical facts to deliver a powerful reflection of America,” said DeVine. “What the Constitution Means to Me is an importance play for all Americans to see, it is universal, no matter our differences; it will have you thinking about the foundation and the future of our democracy and I hope inspiring conversation within our theater and our community.”   

 

What the Constitution Means to Me will take the stage at The New Vic for a limited run from August 15 – 18, 2024.

ABOUT THE PERFORMANCE SCHEDULE AND TICKETS

 

Eisenhower: This Piece of Ground – Showtimes

Thursday, July 11 at 7:30 pm
Friday, July 12 at 8:00 pm
Saturday, July 13 at 2:00 pm and 8:00 pm
Sunday, July 14 at 2:00 pm and 7:00 pm

 

Ticket prices range from $40 – $86

What the Constitution Means to Me – Showtimes

Thursday, August 15, 7:30 pm
Friday, August 16, 7:30 pm
Saturday, August 17, 2:00 pm
Saturday, August 17, 7:30 pm
Sunday, August 18, 2:00 pm

To ensure access to everyone in our community, especially younger audiences, ETC is pricing every seat for the run of What the Constitution Means to Me at $30, and anyone under 18 can get a free ticket.  This special pricing is made possible thanks to the generosity of our Producers, Susan Lichtenstein and John Rokacz, and Supporting Producer, Paula Bruice. 

 

Single tickets for both shows are available through the ETC box office at (805) 965-5400, or online at etcsb.org. Prices subject to change. 

SAM

Posted on by

“SAM”

Premieres at the Hollywood Fringe Festival

Prepare for an unparalleled theatrical experience with “SAM”, a one-woman musical that defies conventions and captivates audiences with its blend of existential comedy, showbiz satire, and meta musical numbers. Join Sam Labrecque, a seasoned actor, singer, and comedian, on a voyage through her career featuring the eclectic voices in her head. Through an inspiring exploration of identity, “SAM” unveils the raw struggles of a pre-successful career as an actor, taking you beyond the glitz of Hollywood. “SAM” opens June 6th for nine performances at the Broadwater Studio.

WHERE: The Broadwater Studio – 1078 Lillian Way, Los Angeles, CA 90038

PERFORMANCE DATES::  Tickets go on sale May 1, 2024

Thursday | June 6th @ 6:30pm (SOLD OUT)

Monday | June 10th @ 8pm (SOLD OUT)

Friday | June 14th @ 7pm (OPENING NIGHT)

Sunday | June 16th @ 12:30pm

Wednesday | June 19th @ 6:30pm

Saturday | June 22nd @7:30pm

Sunday | June 23rd @ 11:00am

Saturday | June 29th @ 2:00pm

Sunday | June 30th @ 8:00pm (Closing Night)

Starring: Sam Labrecque

Composer: Edith Mudge

TICKET INFO: $15.00 –  The Hollywood Fringe Festival – sam

Admission age: 13+ (some profanity use for comedic effect).

Running time 60 minutes.

Theatre Review: Duran DurAntony & Cleopatra

Posted on by

Troubadour Theater Company presents the World Premiere of Duran DurAntony & Cleopatra. Musical Direction by Ryan Whyman. Directed and Adapted by Matt Walker.

Matt Walker rewrites the love story of Mark Antony and Cleopatra, adding the music of Duran Duran to energize the characters and the plot. Based on Shakespeare’s Antony and Cleopatra, this slapstick musical is a fine example of a theatrical form known as commedia dell’arte.

The action on stage is reminiscent of The Carol Burnett Show sketches, with actors occasionally breaking character due to funny dialogue or even hecklers pitching in. And it’s exactly that, audience participation, one of the main attractions of the show.

Antony (Matt Walker) falls in love with Cleopatra (Cloie Wyatt Taylor), but for political convenience, Antony ends up marrying Octavius Caesar’s (Rick Batalla) sister, the sultry Octavia (Philip McNiven). From there, misunderstandings, rage, and killer songs become the norm. The dialogue is peppered with sexual innuendos, adding a mischievous element to match the action on stage. The music, the dances, and the physical comedy make it a highly kinetic play to keep things engaging and entertaining. Walker, Batalla, and Beth Kennedy lead the comedy, delivering an outstanding performance.

The background graphics and the special effects contribute  creativity and comedy to the production. There’s ocean breeze, waves, a shooting where bullets don’t make it to the other side, snake bites (not real), and self-inflicted wounds (not real either). The costumes and live music also capture the exceptional effort of the production to put together a mesmerizing spectacle that combines a classical story and the timeless music of one the most influential rock bands of recent history.

In Duran DurAntony & Cleopatra, tragedy becomes an excuse to unleash mayhem, leaving behind a trail of fun, comedy, and music in an exciting and festive environment.

Duran DurAntony & Cleopatra

The Colony Theatre

555 N Third St.

Burbank, CA 91502

June 7th through June 16th

Thursdays and Fridays at 8:00 pm, Saturdays at 4:00 pm & 8:00 pm, and Sundays at 4:00 pm & 7:30 pm.

Tickets: troubie.com

Musical Direction by Ryan Whyman. Directed and adapted by Matt Walker.

Cast: Beth Kennedy, Rick Batalla, Mike Sulprizio, Rob Nagle, Cloie Wyatt Taylor, John Paul Batista, Katie Kitani, Mark McCracken, Philip McNiven, Suzanne Jolie, and adaptor/director Matt Walker. Troubadorchestra: Kevin Stevens on drums, Ryan Whyman on piano/MD, Carlos Rivera on bass, and Mike Abraham on guitar.

Creative team: Lighting Design by Bo Tindell; Sound Design by Robert Arturo Ramirez; Projection Design is by Rick Batalla; Costumer: Suzanne Narbonne (Using designs by Sharon McGunigle); Wig Design is by Suzanne Jolie Narbonne. The Music Supervisor is Eric Heinly. The Production Stage Manager is Corey Womack.

Theatre Review: The Spy Who Went Into Rehab

Posted on by

The Spy Who Went Into Rehab is presented by Pacific Resident Theatre. Written by Gregg Ostrin. Directed by Cyndy Fujikawa.

Simon Cross (Satiar Pourvasei) is sent to the most challenging mission to date: Cure his addiction to women, gambling, drinking, and killing the most dangerous criminals. Will he be able to survive the grueling therapy at the rehab center?

Under the strict guidance of therapist Stella (Jill Renner), Simon will go through a radical transformation. At the rehab center, Simon will interact with other addicts that will teach him a lesson on sensitivity and empathy. There is Gary (Stuart W. Howard), Yvonne (Rachel Townsend), and Pixie (Alondra Andrade). Insensitive to their feelings, Simon’s macho attitude triggers the trauma on these three addicts, a signal that he needs an urgent intervention to change his toxic masculinity.

Playwright Gregg Ostrin has created a mesmerizing and relatable play that gives a new look at the typical spy character that has been so popular in movies and TV. One of the most interesting features of this play is not only Simon’s transformation through his interaction with the other characters, but also how he is able to help the other addicts to overcome their fears and achieve a positive transformation for themselves.

Pourvasei’s performance is one of a kind. His nonchalant demeanor and clueless notion of his negative behavior at the beginning of the play heightens the comedic aspect of his character. Overall, the dialogue and physical comedy delivered by the rest of the cast combine perfectly to treat the audience to an exhilarating performance. Director Cyndy Fujikawa is able to translate the text effectively into an energetic visual experience that highlights the comedy and the intriguing aspects of the story. Fujikawa also acts in this production as Z, the person behind the organization that sends Simon to special missions.

The story and the plot get the audience invested in the characters. Will Simon manage to complete his therapy? Is he still relevant, or is he just a toxic relic from the past? Is therapy working for the other addicts? And how about Stella, the therapist?

The play has comedy, suspense, addiction, a Mexican standoff, and a surprise visit of Simon’s nemesis, Lazarus (with a cat). The question is, who will save the world if Simon retires?

The Spy Who Went Into Rehab

Pacific Resident Theatre
703 Venice Blvd.
Venice, CA 90291

Opening: 8pm on Friday, June 7, 2024
Schedule: 8pm Fridays, Saturdays; 3pm Sundays
Closing: July 7, 2024
Written by Gregg Ostrin. Directed by Cyndy Fujikawa.
Cast: Satiar Pourvasei, Jill Renner, Stuart W. Howard, Rachel Townsend, Alondra Andrade, and Cyndy Fujikawa.
Creative team: Michael Franco (Lighting Design), Jason Culp (Sound Design), Rachel Townsend (Choreography).

Theatre Review: Nora and Jim

Posted on by

Nora and Jim is presented by The Irish Sea, in association with the Contemporary Irish Arts Center, Los Angeles (CIACLA) with ongoing guidance and support from Kevin Cronin and Dublin Theatre Productions. Written by Nora Connolly. Directed by Ronan Wilmot. Musical accompaniment by Dermot Kiernan. Produced by Marcus Fox.

As a prelude to Bloomsday, Playwright Nora Connolly and Director Ronan Wilmot present Nora and Jim, a poignant and lyrical play relating the intense and often troubling relationship between celebrated Irish writer James Joyce (Johnny O’Callaghan) and his muse and wife Nora Barnacle (Lisa Dobbyn).

The play is narrated by both characters, mainly by Nora. It’s a recollection of their continuous travels through London, Paris, Zurich, Pula, Trieste, and Rome. It’s an entertaining depiction of Joyce’s struggles as a writer and his sexual obsession with Nora. Analyzing his writings, the sexual undertones of his work relates to his understanding of human nature. For Joyce, the imagination and sexual instinct are two of the most powerful driving forces in life.

Joyce’s genial writings, however, were met with scrutiny and he struggled to secure a fixed income. Two kids and health issues made it even more difficult for the couple to be financially stable. In addition, Joyce spent the little money they had on alcohol, stressing Nora’s frustrations with him.

The play has numerous references to Joyce’s writings. As they moved around, he continued to write and look for publishers willing to accept his radical views on religion and politics, especially his criticism of Catholicism and British colonialism. Working in a bank and as a teacher, he finished writing Dubliners, Stephen Hero, Ulysses, and Exiles. All of this while experiencing a declining health and dealing with the mental instability of his daughter Lucia. Other challenges included living through the two most devastating wars of the 20th century, WWI and WWII.

On June 6th, The Glendale Room was the stage for Nora and Jim; it’s a small space that makes it feel even more intimate, like a private and exclusive performance. A touch of class to the production is the background music by Dermot Kiernan, playing a selection of traditional Irish pieces from the era.

Featuring an exciting all-Irish team, this production offers poetry and comedy in a sophisticated theatre experience not to be missed. It’s a moving performance to celebrate one of the greatest writers of the 20th century. James and Nora’s legacy continue to inspire people from all over the world. It’s a story of romance, eroticism, radicalism, and more importantly, a reflection of the human experience.

Nora and Jim

Performances at The Glendale Room
The Glendale Room – 127 Artsakh Avenue, Glendale 91206
WHEN: June 6th, 7th, 8th,13th, 14th, 15th @ 8:00PM

Tickets: eventbrite.com/e/nora-and-jim-tickets

Performances at The Hollywood Fringe Festival
The Broadwater Studio -1078 Lillian Way, Los Angeles, CA 90038
WHEN: June 9th @12:30pm
June 16th @ 2:00pm (*special Bloomsday performance)
June 17th @ 9:30pm

Tickets: hollywoodfringe.org/projects

Written by Nora Connolly. Directed by Ronan Wilmot. Musical accompaniment Dermot Kiernan. Produced by Marcus Fox. Presented by The Irish Sea, in association with the Contemporary Irish Arts Center, Los Angeles (CIACLA) with ongoing guidance and support from Kevin Cronin and Dublin Theatre Productions.

Cast: Lisa Dobbyn and Johnny O’Callaghan.

Theatre Review: The Sandwich Ministry

Posted on by

Skylight Theatre Company presents The Sandwich Ministry. Written by Miranda Rose Hall. Directed by Katie Lindsay. Produced by Gary Grossman and Armando Huipe for Skylight Theatre Company.

When Claudia (Maha Chehlaoui) tells the story of the widow that put into the temple treasury the two small copper coins she had, Hannah (Jordan Hull) loses her patience, and an argument ensues. Caught in the middle is Joyce (Jayne Taini), a close friend of both Claudia and Hannah. The three women gather to make sandwiches for the neighbors that have been displaced by the storm that flooded the town.

Claudia is the wife of the church’s minister. Joyce has been attending the same church for a long time and has known Claudia for years. Hannah, on the other hand, has not been attending the ministry for quite some time. As the three women prepare the sandwiches, the tension is evident between Claudia and Hannah. The exposition reveals that the two of them were once very close friends, but their relationship started to fall apart as Claudia became more distant.

As they gather for the sandwich ministry, their respective backgrounds are disclosed. The play delves into the complexities of human relationships and how hard it is to fix them. Playwright Miranda Rose Hall uses the church and a storm as the environment to explore the possibilities of a hopeful reconciliation.

The script is extraordinary, the story and the plot create rich characters that explore themes of friendship, faith, and the importance of mutual support in times of crisis. The direction by Katie Lindsay captures effectively the relationship dynamics of three women whose lives and faith are succumbing to the disappointments of unrealized dreams.

The performances are moving, capturing the essence of the text. The three thespians excel in portraying the sense of community and the urgent need for human connections.

The Sandwich Ministry

Skylight Theatre
1816 1⁄2 North Vermont Ave.
Los Angeles, CA. 90027

Opening: 8:30pm Saturday, June 1, 2024
Schedule: 8:30pm Fridays and Saturdays, 3:00pm Sundays, 7:30pm Mondays
(no performances on Mondays, June 3 & 10)
Closing: July 7, 2024

Tickets: skylighttheatre.org

Written by Miranda Rose Hall. Directed by Katie Lindsay. Produced by Gary Grossman and Armando Huipe for Skylight Theatre Company.

Cast: Maha Chehlaoui, Jordan Hull, Jayne Taini.

Creative team: Carolyn Mraz (Scenic Design), R.S Buck (Lighting Design), Hope Kozielski (Assistant Lighting Design), Mylette Nora (Costume Design), Noel Nichols (Sound Design),
Benjamin Rawls (Technical Director), Victoria Hoffman (Casting), Cedes Sifuentes (Production Manager).

Theatre Review: The Winter’s Tale

Posted on by

Will Geer Theatricum Botanicum presents A Winter’s Tale. Written by William Shakespeare. Directed by Ellen Geer.

Rage takes over Leontes (Aaron Hendry) and all hell breaks loose in this story of jealousy and redemption. Director Ellen Geer presents a fine ensemble to extract the humor and drama of the script and delivers an engaging rendition of Shakespeare’s psychological and romantic play.

One of the highlights of this production is Sophia Dawson‘s performance as Perdita. The role suits her well and she looks comfortable on stage. She projects convincingly the innocence and playful spirit of her character. Her speech and movements add magnetism to the iconic heroine. Visually speaking, Dawson has an astonishing resemblance to Edmund Leighton’s My Fair Lady, a romanticized depiction of a young woman from the Middle Ages.

Aaron Hendry offers an excellent performance as King Leontes, showing the dramatic transformation from an enraged husband consumed by jealousy to a repentant man consumed by sadness and regrets. Willow Geer as Hermione, explores the nuances of tragedy in a display of utter despair, reflecting the time when women had little choices to protect themselves against abuse and defamation.

The comedic relief comes mainly from Autolycus (Gerald C. Rivers), a pickpocket, Old Shepherd (Earnestine Phillips), and Clown (Daniel Ramirez), three actors with excellent timing. The comedy turns things around and the play takes a lighter tone, leading to the unexpected resolution of the story.

As usual, Geer stages this production with period costumes, making the play more appealing to the audience. The music and the dances keep things exciting and add kinetics to the performances. This Modern American staging of Shakespeare offers a sophisticated version of the drama and comedy of the text. It’s entertaining and visually exuberant.

Keep in mind that it’s an open stage surrounded by nature, so bring warm clothes; it can get chilly at night.

A Winter’s Tale

Will Geer Theatricum Botanicum
1419 N. Topanga Canyon Blvd.
Topanga CA
(midway between Pacific Coast Highway and the Ventura freeway).
Exit the 101 at Topanga Canyon Blvd. South to access Theatricum from the Valley.

June 1–September 30 (see website for full schedule)

Tickets: theatricum.com

Written by William Shakespeare. Directed by Ellen Geer. Presented by Will Geer Theatricum Botanicum.

Cast: Aaron Hendry, Willow Geer, Max Lawrence, Sophia Dawson, Earnestine Phillips, Christian Jordan Smith, Gerald C. Rivers, Daniel Ramirez, Aubrey Sage, Liza Rash, Tim Halligan, Michelle Jasso, Melora Marshall, Franc Ross, Andy Stokan, Kevin Rauch, Timothy Willard, Aralyn Wilson, and Julius Geer-Polin.

Creative team: Composer and musical arranger Marshall McDaniel; costume designer A Jeffrey Schoenberg; lighting designer Zach Moore; sound designer Grant Escandón; prop master Ian Geatz; and wardrobe supervisor Beth Eslick. The assistant director is Sara Carpenter and the production stage manager is Karen Osborne, who is assisted by Sky Wahl.

IMPACT ANAHEIM  Giving Day

Posted on by
Chance Website Header.png

FOR IMMEDIATE RELEASE

Chance Theater is proud to participate in the

impACT Anaheim  Giving Day

driving creativity and community for an inspiring future!

ANAHEIM, CA: Anaheim’s official resident theater company is thrilled to announce its participation in the impACT Anaheim Giving Day, a community-wide event dedicated to supporting local nonprofits and their impactful initiatives. As one of Anaheim’s premier cultural institutions, we are committed to enriching the community through the transformative power of live theater.

Taking place on June 5th, impACT Anaheim Giving Day provides an opportunity for individuals and businesses to unite in support of causes that resonate with them. Known for its commitment to artistic excellence, education, and community engagement, our theater invites supporters to join in this collective effort to make a positive difference in Anaheim and beyond.

By contributing on impACT Anaheim Giving Day, donors play a vital role in sustaining our mission-driven programs and initiatives. These contributions will help us continue to:

Provide Accessible Youth Theater Programs: Our Speak Up programs are a significant part of our educational outreach, designed to give voice to various community members.

Veterans Speak Up offers veterans a platform to share their stories, promoting social healing and deeper community understanding. Participants can record meaningful conversations, and collaborate with theater artists.

Spectrum Speak Up is a free summer theater camp for teens on the Autism Spectrum, focusing on acting, writing, directing, and team-building. This program helps participants find their unique voice and talent, culminating in an original show.

Engage with the Community: Through post-show talkbacks, outreach initiatives, and partnerships with local organizations, we foster meaningful connections and dialogue both on and off the stage.

Support Emerging Artists: By offering mentorship opportunities, collaborative projects, and professional development initiatives, we nurture a vibrant and diverse artistic ecosystem.

Produce Innovative Theatrical Productions: Our upcoming summer musical production is “Sweeney Todd, the Demon Barber of Fleet Street,” directed by James Michael McHale. This thrilling musical masterpiece will captivate audiences with its gripping narrative, intense score, and stellar performances, running from July 20 to August 11, 2024.

“Alma”: This powerful play explores the bond between a mother and daughter as they navigate the complexities of the American Dream. With a litany of amazing reviews and recommendations, this sold out extended production touched the hearts of our community and has stirred numerous patrons to reflect on the society that want to contribute to.

OTR Series: Our On The Radar series showcases new and groundbreaking works, providing a platform for emerging voices in the theater community, including Dustin H. Chinn, the Chance’s 2024 Resident Playwright. Past Resident Playwrights include Keiko Green, Exal Iraheta, B.J. Tindal, Krista Knight, Jessica Huang, Joanna Garner, Ted Malawer, Jenny Connell Davis, Lauren Yee, Nick Jones, Marshall Pailet, Zayd Dohrn, and Adam Szymkowicz.

How to Participate:

To learn more about our participation in impACT Anaheim Giving Day and how to make a donation, visit the Chance Theater Giving Day page. As we navigate the challenges posed by the ongoing pandemic, community support becomes more crucial than ever. By participating in impACT Anaheim Giving Day and contributing to our theater, individuals can directly impact the cultural landscape of Anaheim and contribute to the resilience and vitality of the arts.

Hold Me Down

Posted on by

HOLD ME DOWN

Get Wrapped Up in a Healing Journey of Kink and Bondage at This Year’s Hollywood Fringe; Knot One to Miss!

Los Angeles, CA. May 29, 2024. Jackie Yangyuen presents “Hold Me Down,” a one-woman musical debuting at this year’s Hollywood Fringe. This autobiographical musical explores a woman’s journey to healing through bondage and kink. In “Hold Me Down,” Jackie Yangyuen performs original music, embodies multiple characters, and showcases captivating choreography, all set against a backdrop of ropes symbolizing her emotional freedom.

VENUE:  Asylum @ Stephanie Feury Studio Theatre – 5636 Melrose Ave, Los Angeles, CA

PERFORMANCES:
Sun, June 9, 5:30 PM (Preview Show)
Sat, June 15, 7:30 PM
Mon, June 17, 8:30 PM
Sat, June 22, 10:00 PM (Plus an additional 30 min Q&A segment)
Sun, June 30, 2:30 PM

TICKET PRICES:
$15 (regular)
$20 (ticket + bondage plushie)
$22 (ticket + bondage earrings)

TICKET LINK: https://www.hollywoodfringe.org/projects/10490

Content Warning: 18+ (rape/sexual assault, verbal abuse, gambling addiction, mental health (depression, suicide), bondage and fetish)