Author Archive: Glamour

5-STAR THEATRICALS presents THE SOUND OF MUSIC

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5-STAR THEATRICALS

presents one of the most beloved family musicals of all time!

 THE SOUND OF MUSIC

Music by Richard Rodgers   
Lyrics by Oscar Hammerstein II
Book by Howard Lindsay and Russel Crouse
Suggested by “The Trapp Family Singers” by Maria Augusta Trapp
Musical Direction by Anthony Lucca
Choreography by Christopher Albrecht
Directed by Richard Israel 

“The Hills are Alive” starting Friday, July 19

at the Bank of America Performing Arts Center!

 

OPENS: FRIDAY, JULY 19 at 7:30pm (press opening) and runs through 

SUNDAY, JULY  28 at 1:00pm

 

Performances are Fridays at 7:30pm; Saturdays at 1:00pm and 7:30pm; Sundays at 1:00pm; with an added performance on Thursday, July 25 at 7:30pm.

 

BANK OF AMERICA PERFORMING ARTS CENTER – KAVLI THEATRE

2100 Thousand Oaks Blvd, in Thousand Oaks

Tickets range from $17 – $90

For tickets, please call (805) 449-2787. 

 

For theatre information, call (805) 449-ARTS (2787) or buy online at www.5startheatricals.com.  

Student, Senior and Group discounts are available.

Fringe Review: Grape Culture

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Grape Culture. Written by Toni Nagy and Sarah Buckner. Produced by Mike Blaha of Fringe Management and Lee Costello.

One of the reasons theatre has survived for more than 2,000 years is the fact that this artistic expression reflects society in all of its beauty and ugliness. In Grape Culture, performers Toni Nagy and Sarah Buckner take the audience out of their comfort zone to explore the struggles of coping with rape in a society that stills puts the blame on the victims.

From sexual remarks to a little girl to harassment in the workplace, this play conveys the uncomfortable situations faced by many women as a result of society’s objectification and ownership of the female body. In some instances, the non-consensual ownership of the body is exercised in medical settings, like when sedated women are used to practice gynecological procedures by medical students.

The stage serves as a platform to emphasize the fact that women own their bodies, and only them can use and manage them as they please. Whether is sex or medical procedures, the woman should be in control to avoid sexual abuse, even in relationships with sexual partners. The key is consent.

Even though the show presents the traumas generated by rape, one positive element is finding the way to heal. For Nagy and Buckner, this can be achieved by somatics and sharing the experiences with the audience to break the cycle of complicit silence. Grape Culture is an effort to dig deep and find the root cause of the toxic attitudes that promote and celebrate abuse.

One of the messages that comes across is that when women expose their bodies, it is not a permit to use them for exploitation, it might be just a way to regain ownership and the narrative about their bodies and womanhood.

For this radical, funny, and entertaining show, Nagy and Buckner use tap, modern dance, film, comedy, and storytelling to represent the challenges of being a woman and the opportunities to heal and find peace. The material might be uneasy for some, but shows like this one present an opportunity to start a meaningful and empathetic conversation.

Grape Culture

Broadwater (Second Stage)
6320 Santa Monica Blvd.
Los Angeles, CA 90038

Dates:

Monday June 17 2024, 6:30 PM

Friday June 21 2024, 9:00 PM

Wednesday June 26 2024, 9:30 PM

Saturday June 29 2024, 5:00 PM

Sunday June 30 2024, 12:30 PM

Tickets: hollywoodfringe.org/projects/10853

Written and performed by Toni Nagy and Sarah Buckner. Produced by Mike Blaha of Fringe Management and Lee Costello.

Theatre Review: The Outsider

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The Los Angeles premiere of The Outsider is presented by International City Theatre. Written by Paul Slade Smith. Directed by Brian Shnipper. Produced by caryn desai [sic].

Ned Newley (Stephen Rockwell) is afraid of public speaking, and his poll numbers are really bad. Even his chief of staff, Dave Riley (Nikhil Pai), thinks that Newley is destined for failure. However, political consultant Arthur Vance (Jonathan Bray) sees something special about Newley that might click with the voters. For that reason, Vance suggests that Newley should run for governor. Not only that, Vance also suggests that the bubbly but inept temp, Louise Peakes (Susan Huckle), should run for lieutenant governor. All she needs is some color-coded cards so she can answer the reporter’s questions.

Playwright Paul Slade Smith sees a trend in current politics, not only in America but in other countries as well, and writes an accurate description of the machinations of the political system to attract popular votes. By looking insecure or even ignorant, the character Newley appears to come to the voters’ level, less intellectual, more average-person type. And, how about Louise Peakes? Clueless and inept, she connects with the public almost instantly. These two characters represent the characteristics that people want from their elected officials nowadays.

The play goes beyond simple comedy. Analyzing what’s seen on stage, a question lingers in the air. What is democracy and who gets to define it? Both characters Newley and Peaks might not be the most prepared candidates to run the government, but what if they are exactly what the people want? In the end, who really runs the government?

The set is one single room, the Governor’s office, but is full of details and it looks stately. The comedy is always there, scene after scene. Susan Huckle steals the show with her hilarious interpretation of a character in a constant state of confusion and cluelessness.

In this election year, The Outsider fits perfectly in the collective consciousness. Its themes and characters feel familiar and are a vivid representation of the trickeries used by the political system to gain popular support for whatever interests the candidates and their respective teams are promoting.

The political animals observed in The Outsider are either oblivious of the current state of things or genuinely interested in satisfying people’s needs. Whatever the case, The message is the same: There will always be someone manipulating the threads of power from the shadows, for better or worse.

The direction by Brian Shnipper is a great example of how to utilize the space to create fluidity, leaving enough room for physicality to give that additional punch to the comedic situations. Even though the whole play happens in one single room, Shnipper makes sure the brilliant cast and the amusing comedy keep the audience entertained.

The Outsider

International City Theatre in the Beverly O’Neill Theatre
Long Beach Convention & Entertainment Center
330 East Seaside Way
Long Beach, CA 90802

Performances: June 14 – June 30
• Thursdays at 7:30 p.m.: June 20, June 27
• Fridays at 7:30 p.m.: June 14 (Opening Night), June 21, June 28
• Saturdays at 7:30 p.m.: June 22, June 29
• Sundays at 2 p.m.: June 23, June 30

Tickets: ictlongbeach.org

Written by Paul Slade Smith. Directed by Brian Shnipper. Produced by caryn desai [sic]. Presented by International City Theatre.

Cast: Thomas Anawalt, Jonathan Bray, Susan Huckle, Nikhil Pai, Taylor Popoola, Stephen Rockwell, Natalie Storrs.

Creative team: Set designer John Patrick, lighting designer Crystal R. Shomph, costume designer Claire Fraser, sound designer Dave Mickey, and prop designer Patty Briles. Casting is by Michael Donovan, CSA, and Richie Ferris, CSA. The stage manager is Pat Loeb.

“My (unauthorized) Hallmark Movie Musical” and Dr. Love’s Rom-Com Experience

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“My (unauthorized) Hallmark Movie Musical” and Dr. Love’s Rom-Com
WHAT: “My (unauthorized) Hallmark Movie Musical” and Dr. Love’s Rom-Com Experience
A Rom-Com Experience you will never forget! Whether you’re looking to spice up your date night, find that special someone, or you’re just a fan of everything romantic and cheesy… love is in the air at Irvine Theater Company. The delightful new show, “My (unauthorized) Hallmark Movie Musical” will fill your heart with joy and “Dr. Love’s Rom-Com Experience” will provide a unique blend of mingling, games, and a chance to use the cutting-edge Tuesday app (developed by Dr. Paul J. Zak, aka “Dr. Love” from “The Bachelor”) to test your compatibility with others. This one-of-a-kind event is only available at Irvine Theater Company, so get your tickets now!
WHEN: July 26 – August 10, 2024
Fridays at 7:30 p.m., Saturdays at 2:30 p.m. and 7:30 p.m.
FULL EVENT RUNNING TIME: 2 hours, 30 minutes
WHERE: Canvas, 17332 Von Karman Avenue #115, Irvine, CA 92614.
TICKETS: $35-$60
MORE INFO: www.IrvineTheater.com or ‭(949) 422-6896‬

Fringe Review: Ice Cats

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Orgasmico Theatre Company proudly presents Ice Cats, A Dead Mother Traumedy. Written and performed by Alli Miller-Fisher. Directed by Marissa Jaret Winokur. Produced by Chadd McMillan and Michael Shaw Fisher.

A eulogy turned into a comedy, or vice versa. This solo show delves into the processed and unprocessed emotions of loosing one’s mother. With her characteristic witty humor, Alli Miller-Fisher (CLUELESQUE, The Nightlesque Before Grinchmas) relates the emotional journey of dealing with her mom’s passing.

Cancer, with its ups and downs, becomes pretty intense. Loosing the battle is the end of a journey and the beginning of another one. For Alli, the second journey started with cleaning her mom’s house, where surprises were abundant. Mice, letters, bills, newspapers, you name it. Oh, and the cats. Frozen cats. Ice cats. Was mom waiting for a burial special?

The show combines black humor, tender memories, and even music thrown in the mix. The healing process might take time, but it’s a learning curve, exhausting, rewarding. The discovery of material things it’s also the discovery of hidden feelings that need to be addressed and come to terms with. The more the time advances, the more we understand our parents, in life, in grief, in healing.

Miller-Fisher presents a deeply personal and relatable account of her struggles coping with her loss, but in a funny and entertaining way. She pays tribute to the cherished memories with her mom, connecting with the audience instantly. Above all, her story reminds us that despite the pain, the show must go on.

Ice Cats, A Dead Mother Traumedy

The Three Clubs
1123 Vine Street
Los Angeles, CA 90038

Dates: June 15th 6:30PM, June 21st 8:30PM, June 23rd 2:30PM, June 26th 7:30PM

Tickets: hollywoodfringe.org/projects/10563

Written and performed by Alli Miller-Fisher. Directed by Marissa Jaret Winokur. Produced by Chadd McMillan and Michael Shaw Fisher.

Brainwashed

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Brainwashed

Written and Performed by Alina Konon

Directed by Nathan Mohebbi

Hollywood Fringe Festival

Brainwashed is a solo clown show about growing up in a dictatorship.

Alina brings her personal sometimes bizarre experiences from living in Belarus under a brutal regime to the stage. Her dark comedy explores the surreal and disturbing reality of growing up under dictatorship. She shares her childhood love for all things communist, and, through a series of absurd clown bits, she engages the audience in the process of brainwashing. The show features a mix of silly elements, including live cooking of soup, which is shared with the audience, creating an interactive and intimate setting.

Trigger warnings:  This is a dark comedy based on a personal experience, there will be mentions of death, murder, self-harm, and police brutality.  Also partial nudity.

Dates:

Saturday June 15 2024, 8:30 PM | 1hr

Friday June 21 2024, 7:00 PM | 1hr

Thursday June 27 2024, 5:30 PM | 1hr

Saturday June 29 2024, 10:00 PM | 1hr

Location: ACTORS COMPANY (THE LITTLE THEATER), 916 N. Formosa Ave, Los Angeles, CA 90046, 323-463-4639

Tickets: hollywoodfringe.org/projects/10475

Wendy’s Peter Pan

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Wendy’s Peter Pan

WHAT:
Calling all young-at-heart: Will Geer Theatricum Botanicum has transformed its uniquely beautiful outdoor amphitheater into the imaginary isle of Neverland for a magical production of Wendy’s Peter Pan.

WHO:
• Adapted from J.M. Barrie’s 1904 play by Ellen Geer
• Directed by Ellen Geer
• Presented by Will Geer Theatricum Botanicum

WHEN:
Performances: June 22 – October 4
• Saturday, June 22 at 7:30 p.m.
• Saturday, June 29 at 7:30 p.m.
• Saturday, July 6 at 7:30 p.m.
• Sunday, July 14 at 7:30 p.m.
• Sunday, July 21 at 8 p.m.
• Friday, July 26 at 7:30 p.m. * **
• Friday, Aug. 9 at 7:30 p.m.
• Sunday, Aug. 18 at 7:30 p.m.
• Sunday, Aug. 25 at 7:30 p.m.
• Sunday, Sept. 1 at 7:30 p.m.
• Sunday, Sept. 8 at 7:30 p.m.
• Saturday, Sept. 14 at 7:30 p.m. 
• Saturday, Sept. 21 at 7:30 p.m.
• Saturday, Sept. 28 at 7:30 p.m.
• Friday, Oct. 4 at 7:30 p.m.
*Prologue (pre-show discussion): Friday, July 26 from 6:30 p.m.–7 p.m.
**Pay-What-You-Will performance: Friday, July 26 

WHERE:
Will Geer Theatricum Botanicum
1419 N. Topanga Canyon Blvd.
Topanga CA 90290
(midway between PCH in Santa Monica Canyon and the 101 in the San Fernando Valley)

TICKET PRICES: 
• Adults: $48 (lower tier); $30 (upper tier); $60 (premium seating)
• Seniors (65+), Students, Military Veterans, Teachers, AEA Members: $35/$20
• Children (5-15): $15
• Children 4 and under: Free
• Friday night, July 26: Pay-What-You-Will (cash only at the door)

OTHER:
• The outdoor amphitheater at Will Geer Theatricum Botanicum is terraced into the hillside of the rustic canyon. Audience members are advised to dress casually (warmly for evenings) and bring cushions for bench seating.
• Patrons are welcome to arrive early to picnic in the gardens before performances.

HOW:
theatricum.com
(310) 455-3723

Summer Playwrights Festival

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THE ROAD THEATRE COMPANY 

Taylor Gilbert and Sam Anderson Present 

The Fifteenth Anniversary of the Annual 

SUMMER PLAYWRIGHTS FESTIVAL 

23 Plays in 10 Days! 

SPF15 Festival Committee

Cherish Monique Duke – Festival Director

Festival Producers/Play Selection Committee – Frank Collison & Krishna Smitha 

Associate Producer – Haowen Luo 罗浩闻

One of the Largest Playwright’s Festivals in the U.S. 

 
All Play Readings Will Be Held 
At The Road Theatre on Magnolia!! 
 
Friday, July 12th through Sunday, July 21st, 2024
June 13, 2024…North Hollywood, CA…THE ROAD THEATRE COMPANY and Taylor Gilbert, Founding Artistic Director, together with Sam Anderson, Artistic Director, remain committed to their meaningful mission to develop and produce New Works for the Stage.  This July they invite you to the 15th Anniversary of the Annual Summer Playwrights Festival where they will present 23 plays over the span of 10 days.  “It is with great pride that we are able to bring you premieres of all kinds and appreciate your participation in this important process.” says Taylor Gilbert. “Supporting New Work and new voices is essential to our community and we hope to see you here.”                                                                        
 
The 15th Anniversary of the annual Summer Playwrights Festival will take place from Friday, July 12- Sunday July 21, 2024. The festival is now one of the largest staged reading festivals in the nation, with playwrights from across the country and around the world participating. Each reading is followed by a talk-back with the playwright, cast and director. All play readings will be held at The Road Theatre – 10747 Magnolia Blvd, Los Angeles, CA 91601.

The Road Theatre has gone on to produce numerous plays over the years from the Summer Playwrights Festival including, High Maintenance by Peter Ritt (SPF 14) Beloved by Arthur Holden (SPF12), Death House by Jason Karasev (SPF8), Stupid Kid by Sharr White (SPF7) and Through the Eye of a Needle by Jami Brandli (SPF7). “We are very proud to be bringing these new plays from the festival to our audiences.” 

SUMMER PLAYWRIGHTS FESTIVAL (SPF 15):

This year’s festival features all New Works by playwrights from across the United States. Taylor Gilbert, Founding Artistic Director, recalls the very moment the festival launched in 2009: “It’s just an idea” said Scott Alan Smith, Associate Artistic Director emeritus, “Let’s start a playwrights festival!” We said “Sure, why not?” Now, 15 years later we are continuing our tradition of bringing New Works to the stage for your enjoyment. We are excited to present 23 new plays up close and personal in our beautiful Magnolia Space.  So join us, get comfortable in one of our seats and enjoy this year’s ride at The Road’s 15th Annual Summer Playwrights Festival!”

“Festival Pass’s” are available for only $75.00 to have access to all the full-length readings, or buy an individual ticket for a suggested donation of $15.00. For more information and to RSVP go to: https://roadtheatre.org/event/15th-annual-summer-playwrights-festival/

FESTIVAL SCHEDULE:

Friday, July 12, 8:00PM PT
The Totality of All Things by Erik Gernand

Directed by Taylor Nichols                                                                                                                                                                                                                                                                   
 
Saturday, July 13, 12:00PM PT

 

Nüwa in Fairyland by Brandon Zang
Directed by Elana Luo

Saturday, July 13, 4:00PM PT
Lifeline by Robert Axelrod
Directed by Ken Sawyer

Saturday, July 13, 8:00PM PT
BLACK BEAR ISLAND by Karissa Murrell Myers
Directed by Margaret Starbuck

Sunday, July 14, 12:00PM PT
Some Other Woman Like Me by Katherine Swan
Directed by Elizabeth Herron

Sunday, July 14, 4:00PM PT
You May Find This Hard to Believe, or Moor’s the Pity by Scott Gibson
Directed by Victoria Hoffman

Sunday, July 14, 8:00PM PT
The Patriarch by Shayne Kennedy
Directed by Tally McCormack

Monday, July 15, 8:00PM PT
The Ragged Claws by Lina Patel
Directed by Daniel Talbott

Tuesday, July 16, 8:00PM PT
You Welcome by Anne Valentino
Directed by Denise Blasor

Wednesday, July 17, 8:00PM PT
burn for You by Regan Moro

Directed by India Kotis
 
Thursday, July 18, 8:00PM PT
Incredible Finds, Inc. by Casey J. Adler
Directed by Dana Schwartz

 

Friday, July 19, 8:00PM PT
THE POINT by Ali MacLean
Directed by Ryan McGree

Saturday, July 20, 12:00PM PT
The Life You Gave Me by Novid Parsi
Directed by Ann Hearn Tobolowsky

Saturday, July 20 4:00PM PT
L’HÔTEL by Marisol Medina
Directed by Carlos Lacámara

Saturday, July 20, 8:00PM PT
1980 (Or Why I’m Voting For John Anderson) by Patricia Cotter
Directed by Meeghan Holaway

Sunday, July 21, 11:00AM PT
Otherkin by N.T. Vandecar
Directed by Christina Carlisi

Sunday, July 21, 3:00PM PT
In Case of Bruising by Kamila Boga
Directed by Gerard Joseph

Sunday, July 21, 8:00PM PT
This is an evening of one-act play readings

If You See a Hyena by Bara Swain
Directed by Allan Wasserman   

USE AS DIRECTED by DeLane McDuffie
Directed by Darryl Johnson

The Artemis Cult by Jeanette Farr
Directed by Ru Kazi

H-O-R-S-E by Kathleen Cahill
Directed by Mark Irvingsen

The Previous Incident Versus a Recent Development by Deborah Dashow Ruth
Directed by Avery Clyde

Think It Through by Craig Gustafson
Directed by John Gowans

TALKBACKS
Each play reading will be followed by a moderated discussion with the director and cast. Some discussions will include playwrights.

PRICING:
Buy a festival pass for only $75.00 to experience all the full length shows (One Act night must be purchased separately). Individual play tickets are suggested donation of $15. No donation is too small, but if you can’t afford to donate at this time we understand. Please come anyways and enjoy some live play readings! Reservations are strongly suggested by using the link below.

https://roadtheatre.org/event/15th-annual-summer-playwrights-festival/

THE ROAD THEATRE COMPANY:

Located in the heart of the North Hollywood Arts District, L.A. County’s fastest growing arts community, The Road is an ensemble of 150+ theatre artists fiercely committed to the creation and development of new plays. To further that mission, The Road has launched Under Construction, a diverse collaborative group of new and established playwrights dedicated to socially and politically relevant storytelling for the American stage. Celebrating 33 years of groundbreaking work and led by Founding Artistic Director Taylor Gilbert along with Artistic Director Sam Anderson, The Road is a multi award-winning theatre named as one of the top ten intimate theatre companies in Los Angeles (LA Weekly). Visit www.roadtheatre.org for more info.
 
FOLLOW THE ROAD FOR THE LATEST UPDATES:

 

www.facebook.com/roadtheatre
www.instagram.com/roadtheatre
www.twitter.com/roadtheatre
www.youtube.com/roadtheatrecompany

#RoadTheatre #SPF15 #Playwrights #LATheatreLivesOnstage #LAthr #Theatre #TheatreIsVital

SUPPORT
This program is made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs and support from the Office of Councilmember Paul Krekorian.

For more information, please visit us at 

https://roadtheatre.org/event/15th-annual-summer-playwrights-festival/

Roger Q. Mason’s Night Cities

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Casting Announced for Roger Q. Mason’s Night Cities

A New Play About Queer Civil Rights Activist Bayard Rustin

Sunday, June 23 at 7pm

Acclaimed Black Filipinx playwright and Kilroys List honoree Roger Q. Mason will receive an industry reading of Night Cities, a new play about Queer civil rights activist Bayard Rusin, as part of the Not a Moment, But a Movement Festival presented by Center Theatre Group In collaboration with The Fire This Time Festival and Watts Village Theater Company. The reading, directed by Nancy Keystone, will take place on Sunday, June 23 at 7pm at the Kirk Douglas Theatre (9820 Washington Blvd, Culver City, CA 90232) in Los Angeles. Tickets ($15) are available for advance purchase at www.centertheatregroup.org.

A young Bayard Rustin—before Civil Rights Movement fame—must choose between his private desires as a queer black man and his public calling as an agent of social justice and civic change. Set against the vibrant labor movement of the 1930s and 40s, this piece embraces the musicality, dream imagery, and liberation of jazz playwriting to explore one man’s quest for complex humanity in a world that limits who we are to how we can be used for the good of others.

The cast will feature Christopher Livingston (Julius Caesar at The Public), James Patrick Nelson (Memorial with Pan Asian Rep), Larry Powell (Brokeology with Lincoln Center), and Dennis Renard (Come Get Maggie with Rogue Machine).

Roger Q. Mason (they/them) is a writer and performer who uses the lens of history to disrupt the biases that divide rather than unite us. Their playwriting has been seen on Broadway (Circle in the Square Reading Series), Off and Off-Off-Broadway, and regionally. Mason’s World Premiere of Lavender Men was lauded by the Los Angeles Times as “evoking the mingled visions of Suzan-Lori Parks, Jeremy O. Harris and Michael R. Jackson.” They are a recipient of the inaugural Catalyst Fellowship, awarded by the Dramatists Guild Foundation, in celebrations of theater makers whose work impacts social justice and civic change through art. As a filmmaker, Mason has been recognized by the British Film Institute, Lonely Wolf International Film Festival, SCAD Film Festival, AT&T Film Award, and Atlanta International Film Festival. Their films have screened in the US, UK, Poland, Brazil, and Asia. Mason holds degrees from Princeton University, Middlebury College, and Northwestern University. They are a member of the Dramatists Guild of America, and an alum of the Ma-Yi’s Writing Lab, Page 73’s Interstate 73 Writers Group, and Primary Stages Writing Cohort. Mason currently produces a memoir/cooking segment on Instagram called Cooking with Q: A Playwrights Guide to Telling My Trouble. Previously, they co-hosted the podcast Sister Roger’s Gayborhood and hosted This Way Out Radio’s Queerly Yours: Portraits in Courage. Mason has served as lead mentor of The Marsha P. Johnson Institute’s Starship Fellowship, the New Visions Fellowship, and the Shay Foundation Fellowship. They are currently on faculty at CalArts. Instagram: @rogerq.mason

The Ghee Ghee Pik

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THE GHEE GHEE PIK

The Group Rep’s world premiere play THE GHEE GHEE PIK written by Suzy London, directed by Kathleen R. Delaney and produced for The Group Rep by Lloyd Pedersen.  What happens when the technology of Artificial Intelligence (A.I.) is implanted in the human brain? Inspired by actual events, THE GHEE GHEE PIK dramatizes the true story of one woman’s quest to vastly improve her challenged life and the unexpected consequences of such a union.  The play runs June 13 – July 14, Thursdays and Sundays 7:00pm, Saturdays 4:00pm, Upstairs on the second floor of the Lonny Chapman Theatre, 10900 Burbank Blvd, North Hollywood 91601.  Free early bird lot parking and free street parking.

 

Show Schedule:

Thursday, June 13 at 7pm (newish time)

Saturday, June 15 at 4pm

Sunday, June 16 at 7pm – Talkback w/cast & staff

Thursday, June 20 at 7pm (newish time)

Saturday, June 22 at 4pm

Sunday, June 23 at 7pm (newish time) – Talkback w/cast & staff

Thursday, June 27 at 7pm (newish time)

Saturday, June 29 at 4pm

Sunday, June 30 at 7pm

Thursday, July 4 at 7pm (newish time)

Saturday, July 6 at 4pm

Sunday, July 7 at 7pm

Thursday, July 11 at 7pm (newish time)

Saturday, July 13 at 4pm

Sunday, July 14 at 7pm – SHOW CLOSES

The cast features the talents of Diana Angelina (Barbara Kelly), Davino Buzzotta (Trevor Dickson), Mandy Fason (Margaret Kelly), Doug Haverty (Joel Mackson), Cierra Lundy (Angela Donaldson), Jason Madera (Dr. Bennett Kenilworth), Kevin Michael Moran (Kendrick Gold), Helen O’Brien (Roberta Link), Stevie Stern (Dr. Jennifer Atchison) and Cathy Diane Tomlin (Judge Dana Smythe).