Author Archive: Glamour

Theatre Review: The Winter’s Tale

Posted on by

Will Geer Theatricum Botanicum presents A Winter’s Tale. Written by William Shakespeare. Directed by Ellen Geer.

Rage takes over Leontes (Aaron Hendry) and all hell breaks loose in this story of jealousy and redemption. Director Ellen Geer presents a fine ensemble to extract the humor and drama of the script and delivers an engaging rendition of Shakespeare’s psychological and romantic play.

One of the highlights of this production is Sophia Dawson‘s performance as Perdita. The role suits her well and she looks comfortable on stage. She projects convincingly the innocence and playful spirit of her character. Her speech and movements add magnetism to the iconic heroine. Visually speaking, Dawson has an astonishing resemblance to Edmund Leighton’s My Fair Lady, a romanticized depiction of a young woman from the Middle Ages.

Aaron Hendry offers an excellent performance as King Leontes, showing the dramatic transformation from an enraged husband consumed by jealousy to a repentant man consumed by sadness and regrets. Willow Geer as Hermione, explores the nuances of tragedy in a display of utter despair, reflecting the time when women had little choices to protect themselves against abuse and defamation.

The comedic relief comes mainly from Autolycus (Gerald C. Rivers), a pickpocket, Old Shepherd (Earnestine Phillips), and Clown (Daniel Ramirez), three actors with excellent timing. The comedy turns things around and the play takes a lighter tone, leading to the unexpected resolution of the story.

As usual, Geer stages this production with period costumes, making the play more appealing to the audience. The music and the dances keep things exciting and add kinetics to the performances. This Modern American staging of Shakespeare offers a sophisticated version of the drama and comedy of the text. It’s entertaining and visually exuberant.

Keep in mind that it’s an open stage surrounded by nature, so bring warm clothes; it can get chilly at night.

A Winter’s Tale

Will Geer Theatricum Botanicum
1419 N. Topanga Canyon Blvd.
Topanga CA
(midway between Pacific Coast Highway and the Ventura freeway).
Exit the 101 at Topanga Canyon Blvd. South to access Theatricum from the Valley.

June 1–September 30 (see website for full schedule)

Tickets: theatricum.com

Written by William Shakespeare. Directed by Ellen Geer. Presented by Will Geer Theatricum Botanicum.

Cast: Aaron Hendry, Willow Geer, Max Lawrence, Sophia Dawson, Earnestine Phillips, Christian Jordan Smith, Gerald C. Rivers, Daniel Ramirez, Aubrey Sage, Liza Rash, Tim Halligan, Michelle Jasso, Melora Marshall, Franc Ross, Andy Stokan, Kevin Rauch, Timothy Willard, Aralyn Wilson, and Julius Geer-Polin.

Creative team: Composer and musical arranger Marshall McDaniel; costume designer A Jeffrey Schoenberg; lighting designer Zach Moore; sound designer Grant Escandón; prop master Ian Geatz; and wardrobe supervisor Beth Eslick. The assistant director is Sara Carpenter and the production stage manager is Karen Osborne, who is assisted by Sky Wahl.

IMPACT ANAHEIM  Giving Day

Posted on by
Chance Website Header.png

FOR IMMEDIATE RELEASE

Chance Theater is proud to participate in the

impACT Anaheim  Giving Day

driving creativity and community for an inspiring future!

ANAHEIM, CA: Anaheim’s official resident theater company is thrilled to announce its participation in the impACT Anaheim Giving Day, a community-wide event dedicated to supporting local nonprofits and their impactful initiatives. As one of Anaheim’s premier cultural institutions, we are committed to enriching the community through the transformative power of live theater.

Taking place on June 5th, impACT Anaheim Giving Day provides an opportunity for individuals and businesses to unite in support of causes that resonate with them. Known for its commitment to artistic excellence, education, and community engagement, our theater invites supporters to join in this collective effort to make a positive difference in Anaheim and beyond.

By contributing on impACT Anaheim Giving Day, donors play a vital role in sustaining our mission-driven programs and initiatives. These contributions will help us continue to:

Provide Accessible Youth Theater Programs: Our Speak Up programs are a significant part of our educational outreach, designed to give voice to various community members.

Veterans Speak Up offers veterans a platform to share their stories, promoting social healing and deeper community understanding. Participants can record meaningful conversations, and collaborate with theater artists.

Spectrum Speak Up is a free summer theater camp for teens on the Autism Spectrum, focusing on acting, writing, directing, and team-building. This program helps participants find their unique voice and talent, culminating in an original show.

Engage with the Community: Through post-show talkbacks, outreach initiatives, and partnerships with local organizations, we foster meaningful connections and dialogue both on and off the stage.

Support Emerging Artists: By offering mentorship opportunities, collaborative projects, and professional development initiatives, we nurture a vibrant and diverse artistic ecosystem.

Produce Innovative Theatrical Productions: Our upcoming summer musical production is “Sweeney Todd, the Demon Barber of Fleet Street,” directed by James Michael McHale. This thrilling musical masterpiece will captivate audiences with its gripping narrative, intense score, and stellar performances, running from July 20 to August 11, 2024.

“Alma”: This powerful play explores the bond between a mother and daughter as they navigate the complexities of the American Dream. With a litany of amazing reviews and recommendations, this sold out extended production touched the hearts of our community and has stirred numerous patrons to reflect on the society that want to contribute to.

OTR Series: Our On The Radar series showcases new and groundbreaking works, providing a platform for emerging voices in the theater community, including Dustin H. Chinn, the Chance’s 2024 Resident Playwright. Past Resident Playwrights include Keiko Green, Exal Iraheta, B.J. Tindal, Krista Knight, Jessica Huang, Joanna Garner, Ted Malawer, Jenny Connell Davis, Lauren Yee, Nick Jones, Marshall Pailet, Zayd Dohrn, and Adam Szymkowicz.

How to Participate:

To learn more about our participation in impACT Anaheim Giving Day and how to make a donation, visit the Chance Theater Giving Day page. As we navigate the challenges posed by the ongoing pandemic, community support becomes more crucial than ever. By participating in impACT Anaheim Giving Day and contributing to our theater, individuals can directly impact the cultural landscape of Anaheim and contribute to the resilience and vitality of the arts.

Hold Me Down

Posted on by

HOLD ME DOWN

Get Wrapped Up in a Healing Journey of Kink and Bondage at This Year’s Hollywood Fringe; Knot One to Miss!

Los Angeles, CA. May 29, 2024. Jackie Yangyuen presents “Hold Me Down,” a one-woman musical debuting at this year’s Hollywood Fringe. This autobiographical musical explores a woman’s journey to healing through bondage and kink. In “Hold Me Down,” Jackie Yangyuen performs original music, embodies multiple characters, and showcases captivating choreography, all set against a backdrop of ropes symbolizing her emotional freedom.

VENUE:  Asylum @ Stephanie Feury Studio Theatre – 5636 Melrose Ave, Los Angeles, CA

PERFORMANCES:
Sun, June 9, 5:30 PM (Preview Show)
Sat, June 15, 7:30 PM
Mon, June 17, 8:30 PM
Sat, June 22, 10:00 PM (Plus an additional 30 min Q&A segment)
Sun, June 30, 2:30 PM

TICKET PRICES:
$15 (regular)
$20 (ticket + bondage plushie)
$22 (ticket + bondage earrings)

TICKET LINK: https://www.hollywoodfringe.org/projects/10490

Content Warning: 18+ (rape/sexual assault, verbal abuse, gambling addiction, mental health (depression, suicide), bondage and fetish)

A Transcriber’s Tale

Posted on by

A TRANSCRIBER’S TALE  

A Seriocomic Solo Show with Music by Joanna Parson

Prepare to embark on a rollercoaster ride through the tumultuous world of mass media and the resilient spirit of New York City in “Transcriber’s Tale,” a seriocomic solo show with music, written by Joanna Parson with developmental help from director Aimee Todoroff opens at the Broadwater Black Box on June 10, 2024.

Blending humor with poignant drama, “Transcriber’s Tale” delves into Joanna’s experiences as a transcriber amidst the chaos of ’90s New York, through the seismic events of 9/11. With seven captivating songs seamlessly woven into the narrative, Joanna accompanies herself on stage, ensuring a dynamic and engaging performance.

Transcriber’s Tale” is a testament to resilience, humor, and the power of storytelling. Audiences can expect to be entertained, moved, and inspired to reclaim their voices in an increasingly noisy world.

WHO: Written by: Joanna Parson; Produced by Michael Blaha of Fringe Management and Lee Castello, Directed by Aimee Todoroff, Music Direction by Drew Wutke.

WHERE: The Broadwater (Black Box) 6322 Santa Monica Blvd., Los Angeles, CA

WHEN:

Monday June 10 2024, 6:30 PM

Sunday June 16 2024, 8:00 PM

Friday June 21 2024, 10:30 PM

Wednesday June 26 2024, 8:00 PM

Saturday June 29 2024, 3:00 PM

Show runs 60 minutes; Admission: 12+

TICKET: $15 –  https://www.hollywoodfringe.org/projects/10852?tab=tickets

“This show is a love letter to New York,” Joanna explains. “It’s about secondhand trauma and the importance of navigating the relentless media landscape with discernment. I want to entertain my audience while inspiring them to critically examine today’s toxic media environment and reconnect with their own voices and communities.”

Originally conceived in 2012, Joanna’s vision for “Transcriber’s Tale” faced skepticism about its ability to address the sensitive topic of 9/11. However, it wasn’t until the global upheaval of the Coronavirus pandemic that audiences began to resonate with Joanna’s mission. “I thought I had something to say about transcribing around 9/11 and its relationship to secondhand trauma,” Joanna reflects. “But it wasn’t until after the world endured the second biggest traumatic event of my lifetime that people truly understood the relevance and urgency of this story.”

You Can’t Take It With You

Posted on by

YOU CAN’T TAKE IT WITH YOU

Running May 31 through July 7 on the Main Stage (First Floor) of the Lonny Chapman Theatre, 10900 Burbank Blvd., in North Hollywood 91601.

YOU CAN’T TAKE IT WITH YOU May 31 – July 7, 2024

Friday and Saturday at 8pm.  Sunday at 2pm. Talkbacks with cast staff 6/2 and 6/9.

Running time:  Approximately 2 hours.  There will be one 10 minute intermission in the middle of Act 2 included in the overall running time.

Friday, May 31 at 8pm – Opening Night w/reception to follow

Saturday, June 1 at 8pm

Sunday, June 2 at 2pm (Talkback w/cast & staff)

Friday, June 7 at 8pm

Saturday, June 8 at 2pm

Sunday, June 9 at 2pm (Talkback w/cast & staff)

Friday, June 14 at 8pm

Saturday, June 15 at 8pm

Sunday, June 16 at 2pm (Father’s Day)

Friday, June 21 at 8pm

Saturday, June 22 at 8pm

Sunday, June 23 at 2pm

Friday, June 28 at 8pm

Saturday, June 29 at 8pm 

Sunday, June 30 at 2pm

Friday, July 5 at 8pm (Fourth of July Weekend)

Saturday, July 6 at 8pm

Sunday, July 7 at 2pm (Show closes)

Dance at the Odyssey

Posted on by


NEWS RELEASE


‘Dance at the Odyssey’ summer mini–fest: first looks
at cutting edge work over the course of 3 weekends

LOS ANGELES (May 28, 2024) — Odyssey Theatre Ensemble’s ongoing Dance at the Odyssey series, curated by series co-founder Barbara Mueller–Wittmann, has established West L.A.’s Odyssey Theatre as the go-to place to view contemporary dance. This summer, the series presents first looks at new work by cutting-edge choreographers over the course of three weekends.

Saturday, June 29 at 8 p.m.

♦ Marianna Varviani and Selcouth Dance Theatre Company present MARK. What marks do we carry? What marks do we leave behind? Inspired by street dance vocabularies and Krump, everyday gestures and contemporary dance perspectives, MARK is conceived and choreographed by Marianna Varviani with movement vocabulary co-creators Tyler Law, Maya Peterson and Kai Toles. Performed by McKenzie Barkdull, Ariana Chavez, Mason Lee, Sophia Fan Lin and Anna Simonova. Original music composed by Yvonne Yifeng Yuan. Watch the promo trailer here.

Sunday, June 30 at 2 p.m.

♦ Choreographers Breayre Tender and Anthony Hernandez present Dear Life,. In this interactive dance experience inspired by deufert&plischke’s “Letters to Dance” project (seen at the Odyssey in 2018) and other of their works, dancer/choreographers Tender and Hernandez, joined by Lisa Gwynn–Tender and Andante Petit–Homme, will guide the audience through a reflection of our past and present to collectively write a message to the future we wish to create.

Saturday, July 6 at 8 p.m.

♦ Queer Black choreographer Bernard Brown presents Sugar Odyssey (or the undrowning), a multi-sensory experience excavating our society’s contemporary relationship to power, slavery, and otherness created in collaboration with Black Queer sound artist DeFacto X.
AND
♦ Mexican American dance artists Joey Navarrete–Medina and Rosa Rodríguez–Frazier present Fluid Identities: a dance of belonging, a collaborative project that celebrates and explores the fluidity of identity, gender, composition and energy through dance.

Sunday, July 7 at 2 p.m.

♦ Choreographer Olivia Liberati presents Mafiosi, exploring the hidden work of the Italian-American mafia, a world in which five families evolved into one of the most in-depth criminal organizations of its century. Danced by Amy Magsam, Tori Gorny, Tayler McGuire, Ande Godwin, Julia Gaspari and Olivia Liberati
AND
♦ Intrepid Dance Project presents Taking Flight. Based on the belief that everyone can dance, Intrepid welcomes all performers, including those who may have previously been turned away from the traditional world of dance and performing arts, regardless of age, size, ability, training or gender.

Thursday, July 11 at 8 p.m.

♦ Choreographer Leah Zeiger explores the body’s memory, daily habits and mindsets, both physically and emotionally, with You Live in My Spine. Zeiger’s somatic technique, the Body Memory Method, was crafted from her approach to understanding her own body’s lived experience as a survivor of an abusive relationship and sexual violence. Featuring dancers Alexis Amundarain, Alondra Perez, Amanda Sun and Amina Yufanyi. Original music composed by Max Berlin.

Friday, July 12 at 8 p.m.

♦ hasten dance and Kaia Makihara delve into a shared physical theater work exploring human grief, regret and finality with Bounded by Intervals. Dance artists include Makihara, Chelsea Roquero and Krystal Masteller (“hasten dance”), Jen Lacy, Orlando Agawin and Toby Echevarria, with music composed by Echevarria.

Saturday, July 13 at 2 p.m. and 8 p.m.

♦ T O R R E N T and choreographer Caitlin Javech present Rupture, a highly physical duet that investigates the impact of catastrophic events and ruptures — in nature, in our lives and in our relationships — on the body and psyche. Featuring dancers Joe Davis and Rebecca Lee, with an original composition by Tyler Sanders.
AND
♦ Choreographer Gianna Burright presents As if everything was perfect, created in collaboration with performers Natalie Allen, Nicole Hagen and Alex Rix. Raw and intimate, the work reveals a sense of curiosity, joy and despair, silliness and serenity, revealing fantasies, nightmares, memories and utopias, real and imagined. Original music is composed by Sio Tepper.

Sunday, July 14 at 2 p.m.

♦ Choreographer Hélène Bouboulis dances Dégagez, il n’y a rien à voir (“Move along, there is nothing to see”), revisiting the precision, speed, balance and control of classical ballet after a 28-year hiatus.
AND
♦ Genna Moroni and G.U.M. (Gorgeous Ugly Movement Collective) present calling from the void. Welcome to the void. Where we all experience absurd contradictions, the complexities of the human condition, and grapple with life’s toughest questions. Featuring Marlie Couto, Maija Knapp, Baylie Olsen, Jordan Saenz and Marirosa Crawford.

WHERE:
Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

PARKING:
On-site parking lot: $5.
Street parking available.

TICKET PRICE:
Single tickets: $25
Dance Festival Pass: Choose 3 shows for $60

HOW:
www.OdysseyTheatre.com
(310) 477-2055 ext. 2

Theatre Review: Fancy Nancy, The Musical

Posted on by

Chance Theater presents Fancy Nancy, The Musical. Book & lyrics by Susan DiLallo. Music by Danny Abosch. Music direction by Robyn Manion. Based on the popular “Fancy Nancy” books by Jane O’Connor and illustrated by Robin Preiss Glasser. Based on original staging by Kelly Todd. Directed by Laura M. Hathaway.

The most fancy Francophile (that’s fancy for a person who loves everything French) is back in Anaheim at the Chance Theater. Joining Nancy (Jillian Batt) on stage are her friends Bree (Juliet Parker), Lionel (Matt Takahashi), Rhonda (Fiona Burrows), Wanda (Alyssa Corella), and of course, her favorite doll Marabelle Lavinia Chandelier. Overseeing the little rascals is Nancy’s mom, Mrs. Clancy (Katelyn Spurgin).

Nancy and Bree get excited about the upcoming school dance titled “Deep Sea Dances”, in which they wish to play the main character of the dance, a fancy mermaid. However, the role goes to another girl. When that girl gets injured and is unable to play the role, Nancy hopes to be the replacement. What happens next will challenge her sense of true friendship, and with the help of her mom, Nancy will learn an important life lesson.

The musical has been played at the Chance Theater since 2015. For the 2024 performance, Director Laura M. Hathaway uses a colorful stage design to highlight Nancy’s fancy world. The lyrics by Susan DiLallo and the music by Danny Abosch set a playful and energetic tone, infusing fun and movement to the play with the catchy songs and the amusing dances. The energy on stage is contagious and the audience—both kids and adults—ends up singing and dancing to the tunes.

The musical is based on the book Fancy Nancy and the Mermaid Ballet, one in a series of books about Nancy. The play captures the fantastical world of the six-year-old and her friends. It’s a fun and simple story with a heartfelt message at the center, an ideal excuse to get out of the house and bring the kids to the theatre to experience a live performance of one the most famous and loved characters in recent history.

Fancy Nancy, The Musical

Chance Theater @ Bette Aitken Theater Arts Center on the Cripe Stage
5522 E. La Palma Ave.,
Anaheim, CA 92807

Performances: May 24 – June 9, 2024

Fridays 7 p.m (only May 24), Saturdays at 11 a.m., 1 p.m., 4 p.m., and 6 p.m. & Sundays at 1 p.m., 4 p.m., and 6 p.m.

Tickets: chancetheater.com

Book & lyrics by Susan DiLallo. Music by Danny Abosch. Directed by Laura M. Hathaway. Music direction by Robyn Manion. Based on the popular “Fancy Nancy‘ books by Jane O’Connor and illustrated by Robin Preiss Glasser. Based on original staging by Kelly Todd. Executive Season Producers: Bette & Wylie Aitken. Associate Season Producers: The Family of Mary Kay Fyda-Mar.

Cast: Jillian Batt/Kristin Cortines (Nancy), Juliet Parker/Zoe Godfrey-Grinage (Bree), Fiona Burrows/Cecily Dowd (Rhonda), Alyssa Corella/Claire Manson (Wanda), Matt Takahashi/Elijah Douglas (Lionel), Katelyn Spurgin/Haley Katherine (Mrs. Clancy).

Creative team: Scenic Designer: Megan Hill. Costume Designer: Christina Marie Perez. Lighting Designer: Masako Tobaru. Stage Manager: Ben Green.

Theatre Review: The Last Five Years

Posted on by

Sierra Madre Playhouse presents The Last Five Years. Book, lyrics, and music by Jason Robert Brown. Directed by Josh Shaw. Music Director is Joshua Foy.

The last Five Years is the story of Playwright Jason Robert Brown‘s first marriage. The play is so much his personal experience that he was sued by his first wife and the lawsuit had to be settled just before the New York premiere back in 2002. The story is simple, two characters, Cathy (Jackie Bonsignore) and Jamie (Jayde Mitchell) get married. He becomes a successful novelist while Cathy continues to be a struggling actress. His success and her failure take a toll on their marriage and start to drift them apart.

As simple as it might sound, the story travels because relationships are a central part of our lives, so all of us can easily relate to the characters and start feeling for them. Jamie and Cathy sing their story separately except for “A Miracle Would Happen/When You Come Home to Me”, where they sing together. The musical contains 14 songs in total.

Brown used a clever storytelling tool to make the musical even more appealing. Cathy tells the story backwards, beginning the play with “Still Hurting”, a song about the end of their marriage. Jamie, on the other hand, tells the story in chronological order beginning with “Shiksa Goddess”, a song about his happiness find a girl like Cathy. The contrast in emotions of those two first songs sets the tone of the play.

Bonsignore shows her soprano skills and delivers a magnetic performance. She is able to portray the nuances of a woman in love and the devastating crash that comes after a stagnant career and marital failure. Her voice effectively communicates the emotional states of excitement and sadness, the two ironic elements of her character.

As for Mitchell, his voice sounds full and rich, matching the attributes of his character. He blends with ease the transition from an optimistic novelist to a man consumed in his own success, unable to resist the temptations of fame.

The music direction by Joshua Foy is fantastic. The musicians bring an air of romanticism and fill the stage with a magical score that transmits the ebbs and flows of an intense relationship. Director Josh Shaw put together an excellent group of artists dedicated to their craft who deliver a fascinating production in the iconic Sierra Mare Playhouse. This musical with relatable topics engages and entertains to make it an excellent experience in an intimate theater. Due to the length of the run, the show is double cast. Margaret Berkowitz and Jackie Bonsignore play Cathy and Jayde Mitchell and Bryan Mittelstadt play Jamie. Bonsignore and Mitchell performed on Saturday May 25, the day we attended to review the play.

The Last Five Years

Sierra Madre Playhouse
87 West Sierra Madre Boulevard
Sierra Madre, CA 91024

May 17 – June 16, 2024 (see Sierra Madre Playhouse’s website for full schedule)

Tickets: sierramadreplayhouse.org

Book, lyrics, and music by Jason Robert Brown. Directed by Josh Shaw. Music Director is Joshua Foy.

Cast (double cast): Cathy: Margaret Berkowitz. Cathy: Jackie Bonsignore. Jamie: Jayde Mitchell. Jamie: Bryan Mittelstadt.

Musicians: Jon Lee Keenan (Bass), Jessica Chen (Violin), Alexander Elliott Miller (Guitar), Betsy Rettig (Cello 2), and Derek Stein (Cello 1).

Creative team: Set/Props: Josh Shaw. Costume Design: Hailey Springer. Lighting Design: Grace Berry. Stage Manager: Bri Westad. Assistant Stage Manager: Carolyn Wasson. Substitute Stage Manager: Colton Bassett.

Audio Theater Recording of Journey’s End

Posted on by


NEWS RELEASE

Audio theater recording of riveting World War I drama
‘Journey’s End’ now available from L.A. Theatre Works 

LOS ANGELES (May 22, 2024) — The newest audio theater recording from L.A. Theatre Works is a powerful rendition of Journey’s End, the groundbreaking 1928 World War I drama by R.C. Sherriff. Adapted and directed by Martin Jarvis OBE and featuring an all-British cast of distinguished actors, Journey’s End is now available for digital download for $4.99 at latw.org.

Set in 1918 near the end of the war, Journey’s End charts the overpowering tension and claustrophobia in the British trenches over the course of four days, as a group of officers await an expected German attack. Based on Sherriff’s personal experience, the play is considered to be one of the best examples in modern dramatic literature of the true horror and tragedy of war.

“R.C. Sherriff was one of Britain’s great playwrights, and Journey’s End is one of the greatest war plays,” says Jarvis. “It may be set during World War I, but it’s clearly about the experience of war for all time, any time. About a group of soldiers in a horrific situation and how they deal with it, revealing every aspect of human nature including fear, huge courage, crippling cowardice, heroism and, maybe most important, humor. The play is surprisingly funny. The characters are British, but they could be Ukrainian, Palestinian, Israeli. It’s universal.”

Jack Cutmore–Scott stars as the young Captain Stanhope, doing his best to hold it together for his men. When the even younger Lieutenant Raleigh (Josh Cole), a former childhood friend of Stanhope’s, joins the company, he finds the older boy he used to worship changed almost beyond recognition. Also in the cast are James Callis, Tobias Echeverria, Adam Godley, Ian Ogilvy, Darren Richardson, Simon Templeman and Matthew Wolf.

When the play premiered at London’s Apollo Theatre in 1928, it starred a very young Laurence Olivier as Stanhope. In 2017, it was adapted into a film starring Sam Claflin.

L.A. Theatre Works stands apart in its approach to making great theater widely accessible and affordable, bringing audio recordings of plays into homes and classrooms of millions of theater lovers, teachers and students each year. The company’s syndicated audio theater series broadcasts weekly on public radio stations across the U.S. (locally, in Southern California, on KPFK 90.7 FM); can be downloaded as a podcast via Apple Podcasts, NPR One, or wherever you get your podcasts; and can be streamed on demand at latw.org. The L.A. Theatre Works catalog of nearly 600 recorded plays is the largest archive of its kind in the world. AudioFile magazine calls L.A. Theatre Works productions “the gold standard for fine audio theater recordings.”

To download a digital copy of Journey’s End, go to latw.org.

Black Bastard

Posted on by

“BLACK BASTARD”

Takes Audiences on a Poetic, Comedic Odyssey of Identity

A humorous, heartfelt solo performance set in 1990s Houston. Playing over ten characters, Gentry explores themes of identity, masculinity, and self-discovery through a coming-of-age tale filled with nostalgic references and artful techniques.

WHO: Written and Performed by Jon Joseph Gentry. Directed by Shinelle Azoroh.

WHERE: Stephanie Feury Studio Theatre (5636 Melrose Ave, Los Angeles, CA 90038)

PERFORMANCES
June 6th at 7pm
June 19th at 8:30pm
June 30th at 4pm

TICKETS: $20 at https://www.hollywoodfringe.org/projects/7367.
Ages 18+, 55 minutes.