Governor Newsom Urged to Reverse Arts Funding Cuts

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NEWS RELEASE

 Arts advocates launch campaign urging Governor Newsom to reverse arts funding cuts proposed in May revise

Newsom’s draconian 58% cuts to critical arts programming to have catastrophic consequences on creative industry that supports 847,688 jobs

Rural communities and communities of color to be most impacted

CALIFORNIA (May 15, 2024) — On Friday, May 10, 2024, Governor Gavin Newsom presented his May Revision proposal for the 2024-25 State Budget. With a remaining $27.6 billion dollar deficit in the current year, the arts were among the hardest hit in Newsom’s proposed spending cuts. The May Revise proposes fully cutting the state’s innovative Performing Arts Equitable Payroll Fund ($12.5 million), plus a reduction of 38% in state grant funding for small arts nonprofits through the California Arts Council (CAC).

“In total, we’re looking at budget cuts upwards of 58% that will decimate California’s small nonprofit arts organizations and industry workers reliant on this funding,” said Julie Baker, CEO, CA Arts Advocates. “While we understand that every agency and sector must play their part to balance the budget, the cuts to arts and culture are massively disproportionate. We had hoped we were long past the days when the arts were the first to be cut and undervalued. The state’s recent investments recognized the creative industry’s essential service for bolstering the economic and social health of local communities, especially as an industry still very much in post-pandemic recovery.”

Since 2020, a broad coalition of arts and culture workers, entertainment unions, producers, nonprofits, live entertainment venues, music  film, tv, and movie theater representatives have worked together on public policies and resources to ensure the recovery and sustainability of the creative industries. However, while some parts of the arts and culture ecosystem have recovered from the impact of COVID, many have not, most notably the nonprofit performing arts. The sweep of the $12.5 million intended for the Performing Arts Equitable Payroll Fund, a groundbreaking program that supports live arts workers at smaller, nonprofit companies, was approved just a few years ago with a strong, bipartisan vote from the Legislature. This policy innovation remains critical to stabilizing the performing arts workforce. The Governor’s cut erases five years of building a legislative solution to address the deleterious impacts of both rising labor and operational costs and the pandemic on California’s small performing arts organizations.

“Over the past four years, our small performing arts nonprofits have suffered severe losses. During this time, our coalition urged the Legislature to act or risk decimating the live arts sector. The stakes today remain high: artists make up one of the most vulnerable populations in California and their jobs are crucial to preserve the State’s creative workforce. Last September, pilot funding for the Performing Arts Equitable Payroll Fund (EPF) was welcomed as a strategy to restore sustainability. Though $12.5M won’t balance the state budget, it will save the EPF and many arts workers’ livelihoods,” says Martha DemsonBoard President of Theatre Producers of Southern California.

Currently, Arts & Culture production drives 8% of California’s economy, producing over $290 billion in direct impact and supporting 847,688 jobs; it also drives 7.3% of state tax revenues.  Meanwhile, the California Arts Council is already functioning at a cut-level and the performing arts community is facing unprecedented challenges.

“The state’s commitment to the arts through modest investments deliver outsized impacts for California and must be protected to ensure a future that integrates arts and culture into solving civic issues, fostering social cohesion, revitalizing neighborhoods and ensuring access to the tools of creative expression and innovation for all,” says Al Vincent Jr., Executive Director, Actors’ Equity Association. “When people go to see live arts events, they generate economic activity – everything from spending on dinner and drinks to parking and childcare. When there is less arts funding, there is less economic activity in small cities and towns across the state. California has a chance to be a leader that prioritizes the arts and artists, not just when times are easy, but when times are hard. As the budget process proceeds, we look forward to engaging the Newsom Administration and the Legislature to restore this critical funding for the arts.”

In total, the Governor’s proposed $10 million cut to the California Arts Council’s budget for Local Assistance Funding represents a greater than 38% reduction to the $26 million allocation level at which it has been stalled for the past seven years. The highpoint of support for the California Arts Council’s programming was at $30.7 million in the 2000-2001 budget, which in today’s dollars counting for inflation would be $54.7 million. Since 2018-19, general fund support has plateaued at $26 million – just .67 cents per California resident.  At this level, California ranks 36th in the nation in per capita arts spending. In contrast, Florida spends almost $2.00 per resident. The $10 million cut to this program would position California at 45th in the nation in local arts assistance funding, just above Kentucky, Kansas and Georgia.

“It is unthinkable that California would fall to 45th in the nation when it comes to funding for the arts, trailing behind Alabama and Florida. The California Arts Council’s budget is already too small to meet the needs of this state with close to 850,000 workers employed in the arts and culture industry alone. In the 2023 grant cycle, roughly 54% of applicants were denied due to a lack of available funding. If this program is cut further, this will have a devastating impact on the field, especially in rural communities and communities of color,” says Jennifer Laine, Board President, CA Arts Advocates and Executive Director of the San Benito County Arts Council.

‘The Winter’s Tale’ & ‘A Midsummer Night’s Dream’

WHAT:
Celebrated for lively, expansive productions by William Shakespeare that fill the outdoor stage and spill over into the surrounding woods, Will Geer Theatricum Botanicum opens its 2024 summer repertory season with two productions by the Bard. The Winters Tale is a sweeping romance of passion and forgiveness. A Midsummer Nights Dream –– an audience favorite year after year — is Shakespeare’s most entertaining and beguiling comedy. There’s no better way to watch Shakespeare come alive than by spending a summer afternoon or evening at Theatricum’s spectacular amphitheater, carved into a rustic hillside in Topanga.

WHEN:
♦ The Winters Tale
Performances: June 1–September 30:
• Saturday, June 1 at 7:30 p.m.
• Saturday, June 8 at 7:30 p.m.
• Saturday, June 15 at 7:30 p.m.
• Sunday, June 23 at 7:30 p.m.
• Sunday, June 30 at 7:30 p.m.
• Sunday, July 7 at 7:30 p.m.
• Sunday, July 14 at 3:30 p.m.
• Friday, July 19 at 7:30 p.m.
• Sunday, July 28 at 7:30 p.m.
• Friday, Aug, 2 at 7:30 p.m.
• Saturday, Aug, 10 at 7:30 p.m.*
• Friday, Aug. 16 at 7:30 p.m.
• Saturday, Aug, 24 at 3:30 p.m.
• Saturday, Sept. 7 at 3:30 p.m.
• Sunday, Sept. 15 at 3:30 p.m.
• MondaySept. 30 at 7:30 p.m.
Prologue 
(pre-show discussion):SaturdayAug. 10 from 6:30 p.m.–7 p.m.

 A Midsummer Nights Dream
Performances: June 2–September 23:
• Sunday, June 2 at 3:30 p.m.
• Sunday, June 9 at 3:30 p.m.
• Sunday, June 16 at 3:30 p.m.
• Sunday, June 23 at 3:30 p.m.
• Sunday, June 30 at 3:30 p.m.
• Sunday, July 7 at 3:30 p.m.
• Thursday, Aug. 1 at 7:30 p.m.
• Thursday, Aug. 8 at 7:30 p.m.
• Thursday, Aug. 15 at 7:30 p.m.
• Thursday, Aug. 29 at 7:30 p.m.*
• Monday, Sept. 2 at 7 p.m.
• Sunday, Sept. 8 at 3:30 p.m.
• Monday, Sept. 23 at 7:30 p.m.
*Prologue 
(pre-show discussion):Thursday, Aug. 29 from 6:30 p.m.–7 p.m.

WHERE:
Will Geer Theatricum Botanicum
1419 N. Topanga Canyon Blvd.
Topanga CA 90290
(midway between Pacific Coast Highway and the Ventura freeway)*
*Please note: Topanga Canyon Blvd is currently closed between the theater and PCH; until further notice, exit the 101 at Topanga Canyon Blvd. South to access Theatricum from the Valley.

TICKET PRICES:
• Adults: $48 (lower tier); $30 (upper tier); $60 (premium seating)
• Seniors (65+), Students, Military Veterans, Teachers, AEA Members: $35/$20
• Children (5-15): $15
• Children 4 and under: Free
• The Winter’s Tale on Friday, July 19 and Monday, Sept. 30: Pay-What-You-Will
• A Midsummer Night’s Dream on Monday, Sept. 23: Pay-What-You-Will
(Pay What You Will ticketing, funded by the City of Los Angeles Department of Cultural Affairs, is available online the week of the performance or pay cash at the door.)

HOW:
theatricum.com
(310) 455-3723

THE OUTSIDER

WHAT:
International City Theatre presents the Los Angeles premiere of The Outsider, a wildly funny and frighteningly timely satire by Paul Slade Smith about a flawed candidate who might just be the perfect fit for the job. Ned Newly is terrified of public speaking, and his poll numbers are impressively bad. But political consultant Arthur Vance sees things a bit differently. Sure, Ned might possibly be the worst candidate to ever run for office — but what if that’s exactly what the public is looking for?

WHO:
• Written by Paul Slade Smith
• Directed by Brian Shnipper
• Starring Thomas AnawaltJonathan BrayTaylor Leigh EdwardsSusan HuckleNikhil PaiStephen RockwellNatalie Storrs
• Produced by caryn desai [sic]
• Presented by International City Theatre

WHEN:
Previews: June 12 and June 13 at 7:30 p.m.
Performances: June 14 – June 30
• Wednesday at 7:30 p.m.: June 12 ONLY (preview)
• Thursdays at 7:30 p.m.: June 13 (preview), June 20, June 27
• Fridays at 7:30 p.m.: June 14 (Opening Night), June 21, June 28
• Saturdays at 7:30 p.m.: June 15, June 22, June 29
• Sundays at 2 p.m.: June 16, June 23, June 30

WHERE:
International City Theatre in the Beverly O’Neill Theatre
Long Beach Convention & Entertainment Center
330 East Seaside Way
Long Beach, CA 90802

TICKET PRICES:
• Opening Night (June 14): $55 (includes post-show reception with the actors)
• Thursdays, Fridays and Saturdays (except Friday, June 14): $49
• Sunday matinees: $52
• Previews: $37

HOW:
InternationalCityTheatre.org.
(562) 436-4610

A Transcriber’s Tale

WHAT: Theater Performance: A TRANSCRIBER’S TALE

DESCRIPTION: Welcome to a bustling transcription office in New York City in 2001, where typists are busy listening to — and typing out — raw interviews for pulpy television shows and other mass media. The ultimate eavesdropper in a storm of sound bites, cliches and unexpected confessions, Joanna Parson presents a unique musical monologue that shows you what happens when a young woman with a sense of humor and a Guild guitar tries to keep her sanity and heart intact in the center of the news cycle.

WHO: Written by: Joanna Parson; Produced by Michael Blaha of Fringe Management and Lee Castello, Directed by Aimee Todoroff, Music Direction by Drew Wutke.

WHERE: The Broadwater(Black Box) 6322 Santa Monica Blvd., Los Angeles, CA

WHEN:

Monday June 10, 2024, 6:30 PM

Sunday June 16, 2024, 8:00 PM

Friday June 21, 2024, 10:30 PM

Wednesday June 26, 2024, 8:00 PM

Saturday June 29, 2024, 3:00 PM

 

Show runs 60 minutes.  Admission: 12+

TICKET INFO: $15  https://www.hollywoodfringe.org/projects/10852?tab=tickets

FATHERLAND


NEWS RELEASE

Fountain Theatres hit play Fatherland
earns second extension through July 21

WHAT:
Last call: The Fountain Theatre has announced the second extension of its world premiere hit play, Fatherland. Audiences have been mesmerized since February by the riveting true story of the 19-year-old son who testified against his father in federal court after informing the FBI of his dad’s involvement in the Jan 6 attack on the Capitol. Following a three-week hiatus, the production will return for an additional five weeks of performances from June 22 through July 21. Fast-moving, powerful, and theatrical, Fatherland erupts verbatim from official court transcripts, case evidence, and public statements.

POWERFUL… WILL LEAVE YOU SHAKEN… unleashes the power of well-crafted documentary theater… a trenchant cautionary tale.” — Los Angeles Times

A STUNNING AND IMPORTANT WORK… seamlessly and masterfully blends the political with the personal… STAGE RAW TOP 10.” — Stage Raw

WOW!… RIVETING AND GUT-WRENCHING… seventy of the most electrifying minutes of live theater you’re likely to see all year… Los Angeles theater at its most presidential-election-year powerful.” — Stage Scene LA

A POWERFUL PIECE OF THEATER… adds detail and nuance to the news coverage.” —Larchmont Buzz

CHILLING… A MUST-SEE EVENT… AN EXTRAORDINARY PRODUCTION.” — On Stage Los Angeles

HARROWING … A riveting performance and a timely story that serves as a warning for our next election cycle.” — Showmag

AN OUTSTANDING THEATRICAL EXPERIENCE… explosive … hair-raising … a cautionary tale of the danger that could lie ahead for our country.” — Santa Monica Mirror

INSIGHTFUL AND TIMELY…  hits hard at the dangerous divide in political ideology that seems to be tearing this country apart.” — The Hollywood Times

REMARKABLY DRAMATIC… in-your-face performances.” — Angeles Stage

POWERFUL AND EFFECTIVE… a strong, strong play!” — Discover Hollywood

A PROFOUND PIECE OF ART outstanding.” —  2 Urban Girls

TIMELY, CLEVERLY CRAFTED [ANDWELL-EXECUTED… a glimpse into the intimate worlds of two individuals who got carried away by a powerful current of sociopolitical forces.” —  Stage and Cinema

A MILESTONE OF EXCELLENCE… a modern day Greek tragedy… a provocative must-see play.” — Splash Magazines

HUMAN AND HUMANE… emotionally eviscerating.” — The World Through Night-Tinted Glasses

WHO:
• Conceived by Stephen Sachs from official court transcripts, case evidence, and public statements
• Directed by Stephen Sachs
• Starring Ron BottittaPatrick KeleherAnna KhajaLarry Poindexter
• Presented by The Fountain Theatre

WHEN:
Extended through July 21
Remaining performances:

• Thursday at 8 p.m.: May 16 ONLY

• Fridays at 8 p.m.: May 17, May 24, June 28, July 12, July 19
(dark May 31, June 7, June 14, June 21, July 5)

• Saturday at 3 p.m.: May 18 ONLY

• Saturdays at 8 p.m.: May 18, May 25, June 22, June 29, July 13, July 20
(dark June 1, June 8, June 15, July 6)

• Sundays at 2 p.m.: May 19, May 26, June 23, June 30, July 7, July 14, July 21
(dark May 12, June 2, June 9, June 16)

• Mondays at 8 p.m.: May 13, May 20, June 24, July 8
(dark May 27, June 3, June 10, June 17, July 1, July 15)

WHERE:
The Fountain Theatre
5060 Fountain Ave.
Los Angeles CA 90029
(Fountain at Normandie)

TICKET PRICES:
$25 – $45:
• Premium Seating: $45
• Regular Seating: $40
• Seniors 65 or older: $35 (regular seating only)
• Students: $25 (valid ID required)
• Monday nights: Regular seating ($40) and PayWhatYouWant (subject to availability)

PARKING:
• Secure, on-site parking: $5
• Street parking available in the neighborhood north of Fountain Ave.
• No parking after 6 p.m. on Mariposa or Alexandria Avenues south of Fountain Ave.
• Allow extra time to find street parking; make sure to read all parking signs

HOW:
(323) 663-1525 or www.FountainTheatre.com

RECTANGLES

WHAT: Theater Performance: “RECTANGLES”

DESCRIPTION: Get ready for a mind-bending journey into the surreal with ‘Rectangles,’ a solo Art-Pop Clown Opera unlike anything you’ve seen before. Join Maddie Mutations as she creates an absurdist narrative around a simple shape. Through avant-garde music and performance-art, her powerful voice leads you through a worm-hole of self-discovery and growth in a way that is both comical and deeply profound. From bizarre lullabies to feminist anthems, ‘Rectangles’ promises to slap you.

WHO: Starring Maddie Forrest. Music Co-Produced by Cleo Henman.

WHERE: Los Angeles LGBT Center (Davidson / Valentini Theatre) – 1125 North McCadden Place

WHEN:
Saturday June 8 2024, 4:30 PM
Monday June 17 2024, 8:00 PM

Saturday June 22 2024, 9:30 PM

Thursday June 27 2024, 6:30 PM

Sunday June 30 2024, 5:30 PM

TICKETS: $15 – Buy Tickets

Show runs 45 mins

Ages: 18+

“THE PRINCESS STRIKES BACK: ONE WOMAN’S SEARCH FOR THE SPACE COWBOY OF HER DREAMS”

“THE PRINCESS STRIKES BACK: ONE WOMAN’S SEARCH FOR THE SPACE COWBOY OF HER DREAMS”

Makes Its Los Angeles Debut at the Hollywood Fringe Festival

Hollywood, CA. May 11, 2024. In 1997, 13-year-old Victoria Montalbano was introduced to her perfect man, Han Solo, and she’s been looking for him ever since. Watch her grow from awkward theatre kid to professional out of work actress while swiping her way through a galaxy far, far away! “I’ve spent the last three years touring this show in the Midwest and East Coast”, says Montalbano. “Bringing it to Los Angeles and San Diego Fringes will be a new experience. I’m so excited to introduce the show to a whole new part of the country!”

WHO: Written and performed by: Victoria Montalbano, Directed by Vincent J. Greco, Costume Design by Emily Nelson

WHERE: Asylum @ Stephanie Feury Studio Theatre, 5636 Melrose Los Angeles, CA. 90038

WHEN:

Saturday, June 8 at 4:00 PM  (Press Preview)

Thursday, June 13 at 10:00 PM

Sunday, June 16 at 1:00 PM

Friday, June 21 at 8:30 PM

Sunday, June 23 at 2:00 PM

Thursday, June 27 at 7:00 PM

Saturday, June 29 at Midnight

TICKETS:  $12.00 The Hollywood Fringe Festival – the princess strikes back: one woman’s search for the space cowboy of her dreams

Running time 60 Minutes

Admission age: 13+

Disney’s THE LITTLE MERMAID

Disney’s THE LITTLE MERMAID

Book by Doug Wright

Music by Alan Menken
Lyrics by Howard Ashman and Glenn Slater

Musical Direction by Brent Crayon

Choreography by John MacInnis
Direction by Glenn Casale

 

OPENS: Saturday, June 1 at 8 pm (Press Opening)

and runs through Sunday, June 23 at 6:30 pm

 

PREVIEWS: Friday, May 31 at 8 pm & Saturday, June 1 at 2 pm

 

PERFORMANCES: Thursdays at 7:30 pm; Fridays at 8 pm; 

Saturdays at 2 pm & 8 pm; Sundays at 1:30 pm & 6:30 pm.

 

There is no performance on Sunday, June 2 at 6:30 pm. 

 

There will be an Open-Captioned performance on Saturday, June 15 at 

2:00 pm.  

 

Talkbacks with the cast and creative team will be on Thursday, June 6 at

7:30 pm and Thursday, June 20 at 7:30 pm.   

               

LA MIRADA THEATRE FOR THE PERFORMING ARTS

14900 La Mirada Blvd. in La Mirada, CA 90638.  

Arrive Early to Find Best Parking — It’s Free!

Tickets range from $22 – $129 (prices subject to change).

$19 Student Tickets are available.

Children under 3 will not be admitted into the theatre.

 

For tickets, please call (562) 944-9801 or (714) 994-6310 or buy online at LaMiradaTheatre.com.  Group and military discounts are available.

“WHERE Y’ALL FROM?”

WHAT: Theater Performance: “WHERE Y’ALL FROM?”

DESCRIPTION: Yelba Zoe McCourt’s solo play, “WHERE Y’ALL FROM?” delves into identity, culture, and the immigrant narrative. Audiences follow Zoe, daughter of Latin American immigrants, through her life, marked by the question: “Where are you from?” Encountering iconic figures like Big Bird, Zoe grapples with the contrast between ideals and reality. Moved by a viral video, she explores her family’s immigrant journey, prompting reflections on race and the American Dream. McCourt’s storytelling blends humor and pathos, creating an unforgettable experience.

WHO: Written and performed by: Yelba Zoe McCourt. Directed by: Jessica Lynn Johnson.

WHERE: Zephyr Theatre – 7456 Melrose Avenue

WHEN:

Thursday June 6, 2024, 8:15 PM

Saturday June 15, 2024

Sunday June 23, 2024, 9:00 PM

Ages 14+. Show runs 75 minutes

TICKETS: $15.00 The Hollywood Fringe Festival – “Where Y’all From?”

Admission Age:  14+.

Running time: 75 minutes.

Contact information: Yelba Zoe McCourt – yelbazoe@gmail.com

 

Theatre Review: Alma

Chance Theater presents the Orange County premiere of Alma. Written by Benjamin Benne. Directed by Sara Guerrero. Produced by Steven & Louise Koch.

For most of the people, a knock on the door is nothing to worry about; it could be the neighbor or a salesperson. For Alma (Marta Portillo) and her daughter Angel (Heather Lee Echeverria), however, it could mean the dreadful time to say goodbye.

Director Sara Guerrero uses the small stage to bring the audience closer to the emotions of the characters. Together with Portillo and Echeverria, Guerrero translates the humor and drama of the script into an intimate display of courage, fear, and unconditional love.

In Alma, Playwright Benjamin Benne explores the dynamics of mother-daughter relationships, politics, and the American Dream. The character of Alma is the face of countless immigrants pursuing a dream that sounds great on paper but is evasive in practice. In her particular case, Alma is more invested in creating a dream for her daughter; a dream of opportunities and a better life. In the undocumented immigrants narrative, Benne emphasizes the human factor, the sacrificial love of a mother. Due to the fear of deportation, Alma and Angel are pushed to the limits, taking a toll on their emotional and mental health.

Alma crossed the desert and was already pregnant when she arrived in the US. As the only provider, she takes menial jobs to secure food and shelter for Angel. Alma’s dream is to send Angel to UC Davis to become a veterinarian. Trying to achieve that goal is a point of nurturing and contention between them, something that could break their relationship and change the course of their lives.

Alma is a mother with the usual worries. She needs to work hard to provide for both of them. In addition, she is also concerned about Angel’s future. To Alma, a degree from UC Davis is the key to unlock a world of opportunities and she is determined to ensure that Angel stays on track to achieve that goal. What stands on the way is her condition as an undocumented immigrant. Her potential deportation could throw everything off, a devastating end to her sacrifices.

Angel is in that phase where she is derailing to explore other things in life besides school and homework. Angel takes in her surroundings and questions the validity of authority. Not just the authority imposed by her mom, but the one imposed by society as well. For Angel, her mom’s immigration status and the possibility of getting separated is taking over her life, a fact that is influencing her decisions.

Alma has different layers. One of them is about broken dreams. This is linked to a political commentary.  As controversial as it was back then, former president Barack Obama was seen by many immigrants as a hope, an opportunity to regularize their immigration status. However, by the end of his term, he was called by some activists Deporter-In-Chief due to the millions deported during his administration. On the other hand, President Donald Trump‘s tough stance on immigration sent shock among immigrants for the fear of massive deportations. Alma delves into the fact that a president, whether Democrat or Republican, could mean hope or fear. Oftentimes, it is just another broken dream.

What exactly is the American Dream? Is it money, a college degree, a house, a green card? Who has the right to achieve that dream? The play does not answer those questions. What Alma does is to bring forward issues that are relevant in the immigration narrative. For the approximately 10.5 million undocumented immigrants living in the US, family separation is a real fear. This play explores what that means and how it affects the daily lives of those living in the shadows of legality.

Alma opens up another conversation: Is all that sacrifice worth it if families are separated?

Alma

Chance Theater @ Bette Aitken Theater Arts Center on the Fyda-Mar Stage
5522 E. La Palma Ave.,
Anaheim, CA 92807

— 

Fridays at 8 p.m., Saturdays at 3 p.m. & 8 p.m., Sundays at 3 p.m.

Ticketschancetheater.com

Written by Benjamin Benne. Directed by Sara Guerrero. Produced by Steven & Louise Koch.

Cast: Marta Portillo and Heather Lee Echeverria.

Creative team: Scenic designer Christopher Scott Murillo, costume designer Jeanette Godoy, lighting designer Kara Ramlow, sound designer Melanie Falcón, stage manager
Cynthia C. Espinoza, and dramaturg Karli Jean Lonnquist. Bette & Wylie Aitken are Executive Season Producers for the entire 2024 schedule. Laurie Smits Staude is Associate Producer, and The Family of Mary Kay Fyda-Mar is this year’s Associate Season Producers.