“THE PRINCESS STRIKES BACK: ONE WOMAN’S SEARCH FOR THE SPACE COWBOY OF HER DREAMS”

“THE PRINCESS STRIKES BACK: ONE WOMAN’S SEARCH FOR THE SPACE COWBOY OF HER DREAMS”

Makes Its Los Angeles Debut at the Hollywood Fringe Festival

Hollywood, CA. May 11, 2024. In 1997, 13-year-old Victoria Montalbano was introduced to her perfect man, Han Solo, and she’s been looking for him ever since. Watch her grow from awkward theatre kid to professional out of work actress while swiping her way through a galaxy far, far away! “I’ve spent the last three years touring this show in the Midwest and East Coast”, says Montalbano. “Bringing it to Los Angeles and San Diego Fringes will be a new experience. I’m so excited to introduce the show to a whole new part of the country!”

WHO: Written and performed by: Victoria Montalbano, Directed by Vincent J. Greco, Costume Design by Emily Nelson

WHERE: Asylum @ Stephanie Feury Studio Theatre, 5636 Melrose Los Angeles, CA. 90038

WHEN:

Saturday, June 8 at 4:00 PM  (Press Preview)

Thursday, June 13 at 10:00 PM

Sunday, June 16 at 1:00 PM

Friday, June 21 at 8:30 PM

Sunday, June 23 at 2:00 PM

Thursday, June 27 at 7:00 PM

Saturday, June 29 at Midnight

TICKETS:  $12.00 The Hollywood Fringe Festival – the princess strikes back: one woman’s search for the space cowboy of her dreams

Running time 60 Minutes

Admission age: 13+

Disney’s THE LITTLE MERMAID

Disney’s THE LITTLE MERMAID

Book by Doug Wright

Music by Alan Menken
Lyrics by Howard Ashman and Glenn Slater

Musical Direction by Brent Crayon

Choreography by John MacInnis
Direction by Glenn Casale

 

OPENS: Saturday, June 1 at 8 pm (Press Opening)

and runs through Sunday, June 23 at 6:30 pm

 

PREVIEWS: Friday, May 31 at 8 pm & Saturday, June 1 at 2 pm

 

PERFORMANCES: Thursdays at 7:30 pm; Fridays at 8 pm; 

Saturdays at 2 pm & 8 pm; Sundays at 1:30 pm & 6:30 pm.

 

There is no performance on Sunday, June 2 at 6:30 pm. 

 

There will be an Open-Captioned performance on Saturday, June 15 at 

2:00 pm.  

 

Talkbacks with the cast and creative team will be on Thursday, June 6 at

7:30 pm and Thursday, June 20 at 7:30 pm.   

               

LA MIRADA THEATRE FOR THE PERFORMING ARTS

14900 La Mirada Blvd. in La Mirada, CA 90638.  

Arrive Early to Find Best Parking — It’s Free!

Tickets range from $22 – $129 (prices subject to change).

$19 Student Tickets are available.

Children under 3 will not be admitted into the theatre.

 

For tickets, please call (562) 944-9801 or (714) 994-6310 or buy online at LaMiradaTheatre.com.  Group and military discounts are available.

“WHERE Y’ALL FROM?”

WHAT: Theater Performance: “WHERE Y’ALL FROM?”

DESCRIPTION: Yelba Zoe McCourt’s solo play, “WHERE Y’ALL FROM?” delves into identity, culture, and the immigrant narrative. Audiences follow Zoe, daughter of Latin American immigrants, through her life, marked by the question: “Where are you from?” Encountering iconic figures like Big Bird, Zoe grapples with the contrast between ideals and reality. Moved by a viral video, she explores her family’s immigrant journey, prompting reflections on race and the American Dream. McCourt’s storytelling blends humor and pathos, creating an unforgettable experience.

WHO: Written and performed by: Yelba Zoe McCourt. Directed by: Jessica Lynn Johnson.

WHERE: Zephyr Theatre – 7456 Melrose Avenue

WHEN:

Thursday June 6, 2024, 8:15 PM

Saturday June 15, 2024

Sunday June 23, 2024, 9:00 PM

Ages 14+. Show runs 75 minutes

TICKETS: $15.00 The Hollywood Fringe Festival – “Where Y’all From?”

Admission Age:  14+.

Running time: 75 minutes.

Contact information: Yelba Zoe McCourt – yelbazoe@gmail.com

 

Theatre Review: Alma

Chance Theater presents the Orange County premiere of Alma. Written by Benjamin Benne. Directed by Sara Guerrero. Produced by Steven & Louise Koch.

For most of the people, a knock on the door is nothing to worry about; it could be the neighbor or a salesperson. For Alma (Marta Portillo) and her daughter Angel (Heather Lee Echeverria), however, it could mean the dreadful time to say goodbye.

Director Sara Guerrero uses the small stage to bring the audience closer to the emotions of the characters. Together with Portillo and Echeverria, Guerrero translates the humor and drama of the script into an intimate display of courage, fear, and unconditional love.

In Alma, Playwright Benjamin Benne explores the dynamics of mother-daughter relationships, politics, and the American Dream. The character of Alma is the face of countless immigrants pursuing a dream that sounds great on paper but is evasive in practice. In her particular case, Alma is more invested in creating a dream for her daughter; a dream of opportunities and a better life. In the undocumented immigrants narrative, Benne emphasizes the human factor, the sacrificial love of a mother. Due to the fear of deportation, Alma and Angel are pushed to the limits, taking a toll on their emotional and mental health.

Alma crossed the desert and was already pregnant when she arrived in the US. As the only provider, she takes menial jobs to secure food and shelter for Angel. Alma’s dream is to send Angel to UC Davis to become a veterinarian. Trying to achieve that goal is a point of nurturing and contention between them, something that could break their relationship and change the course of their lives.

Alma is a mother with the usual worries. She needs to work hard to provide for both of them. In addition, she is also concerned about Angel’s future. To Alma, a degree from UC Davis is the key to unlock a world of opportunities and she is determined to ensure that Angel stays on track to achieve that goal. What stands on the way is her condition as an undocumented immigrant. Her potential deportation could throw everything off, a devastating end to her sacrifices.

Angel is in that phase where she is derailing to explore other things in life besides school and homework. Angel takes in her surroundings and questions the validity of authority. Not just the authority imposed by her mom, but the one imposed by society as well. For Angel, her mom’s immigration status and the possibility of getting separated is taking over her life, a fact that is influencing her decisions.

Alma has different layers. One of them is about broken dreams. This is linked to a political commentary.  As controversial as it was back then, former president Barack Obama was seen by many immigrants as a hope, an opportunity to regularize their immigration status. However, by the end of his term, he was called by some activists Deporter-In-Chief due to the millions deported during his administration. On the other hand, President Donald Trump‘s tough stance on immigration sent shock among immigrants for the fear of massive deportations. Alma delves into the fact that a president, whether Democrat or Republican, could mean hope or fear. Oftentimes, it is just another broken dream.

What exactly is the American Dream? Is it money, a college degree, a house, a green card? Who has the right to achieve that dream? The play does not answer those questions. What Alma does is to bring forward issues that are relevant in the immigration narrative. For the approximately 10.5 million undocumented immigrants living in the US, family separation is a real fear. This play explores what that means and how it affects the daily lives of those living in the shadows of legality.

Alma opens up another conversation: Is all that sacrifice worth it if families are separated?

Alma

Chance Theater @ Bette Aitken Theater Arts Center on the Fyda-Mar Stage
5522 E. La Palma Ave.,
Anaheim, CA 92807

— 

Fridays at 8 p.m., Saturdays at 3 p.m. & 8 p.m., Sundays at 3 p.m.

Ticketschancetheater.com

Written by Benjamin Benne. Directed by Sara Guerrero. Produced by Steven & Louise Koch.

Cast: Marta Portillo and Heather Lee Echeverria.

Creative team: Scenic designer Christopher Scott Murillo, costume designer Jeanette Godoy, lighting designer Kara Ramlow, sound designer Melanie Falcón, stage manager
Cynthia C. Espinoza, and dramaturg Karli Jean Lonnquist. Bette & Wylie Aitken are Executive Season Producers for the entire 2024 schedule. Laurie Smits Staude is Associate Producer, and The Family of Mary Kay Fyda-Mar is this year’s Associate Season Producers.

Stalin’s Master Class Extended!

NEWS RELEASE

Comic, music-filled Stalins Master Class
extends through June 2 at the Odyssey
 

WHAT:
Odyssey Theatre Ensemble has extended Stalins Master Class, a wildly comic, music-filled drama by British playwright David Pownall, through June 2. Politics collide with art when “Father of the People” Joseph Stalin and Soviet cultural minister Andrei Zhdanov summon composers Sergei Prokofiev and Dmitri Shostakovich to the Kremlin for a vodka-fueled “music lesson.” Can artistic expression be forced to conform to political ideology?

STAGE RAW TOP 10… RECOMMENDED” — Stage Raw

INTELLECTUALLY DELICIOUS” — Broadway World

THOUGHT PROVOKING… A SUPERB ENSEMBLE CAST.” —Splash Magazines

THE ACTING IS SUPERB” — People’s World

EXTREMELY TIMELY” — Hollywood Progressive

ENTERTAINING” — Glamgical

MAGNETIC” — The Hollywood Times

COMPELLINGINTRIGUING” — LA Theatrix

A FIRST-RATE CAST” — Larchmont Chronic

DELIVERS” — The Tvolution

WHO:
• Written by David Pownall
• Directed by Ron Sossi
• Music Direction by Nisha Sue Arunasalam
• Starring John KaytonRandy LowellJan Munroe, Ilia Volok
• Produced by Beth Hogan
• Presented by the Odyssey Theatre EnsembleRon Sossi Artistic Director, in association with Isabel and Harvey Kibel

WHEN:
Extended through June 2
Remaining performances:
• Wednesday at 8 p.m.: May 15* ONLY
• Fridays at 8 p.m. (wine nights**): May 10, May 17, May 24; May 31
• Saturdays at 8 p.m.: May 11, May 18, May 25; June 1
• Sundays at 2 p.m.: May 12, May 19, May 26; June 2
*There will be a post-performance discussion on Wednesday, May 15
**Wine Night Fridays: Enjoy complimentary wine and snacks following all Friday night performances.

WHERE:
Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

TICKET PRICES:
• Wednesday, Saturdays and Sundays: $20$40
• Fridays: Pay-What-You-Can (reservations open online and at the door starting at 5:30 p.m.)

PHOTOS:
Click here to download high-resolution photos.

HOW:
OdysseyTheatre.com
(310) 477-2055 ext. 2

A Noise Within Offers Close Captioning


NEWS RELEASE

A Noise Within offers closed captioning
at select performances via GalaPro 

PASADENA, Calif (May 9, 2024) — A Noise Within is delighted to be the first regional theater in Southern California to offer access to closed captioning at select performances using GalaPro.

The GalaPro app (available on iOS and Android devices) provides closed captions for patrons to view on their own mobile devices. GalaPro operates on a closed internal network via “airplane mode,” preventing sounds, texts and emails from disturbing other patrons during use.

The service was rolled out at A Noise Within during closing weekend of the company’s most recent production, King Hedley II. Audience member Virlyn Grant, who lives with hearing loss, was able to give it try.

“GalaPro is outstanding,” Grant says. “I didn’t miss a minute of the show.”

GalaPro is available at A Noise Within thanks to funding from the Perenchio Foundation. Audiences will be able to experience GalaPro during performances of Misalliance on SaturdayJune 8 at 8 p.m. and SundayJune 9 at 2 p.m.

For more information and to download the GalaPro app, go to anoisewithin.org/galapro/

Antaeus Announces 2024-25 Season of Three Beloved Classics

 


NEWS RELEASE

 

GLENDALE, Calif. (May 6, 2024) — Antaeus Theatre Company has announced three beloved classics for its 2024-25 season at the Kiki & David Gindler Performing Arts Center in Glendale. Subscriptions are now on sale at antaeus.org.

Opening the season, Gigi Bermingham (You Can’t Take It With You) directs The Importance of Being Earnest, Oscar Wilde’s “Trivial Comedy for Serious People,” with its sparkling wit, quotable lines and unforgettable characters. When bachelors Jack and Algernon both create alter egos named “Ernest” the lies quickly spiral into chaos, hilarity, cucumber sandwiches and Victorian handbags. (October 19 through November 18, 2024; previews begin October 13)

In February, the company will delve into William Shakespeare’s comic masterpiece, Twelfth Night, directed by Armin Shimerman (The Crucible, Measure For Measure). Separated from her twin brother in a shipwreck, Viola is forced to make her own way in the kingdom of Illyria — where, disguised as a man, she discovers unrequited passion, double-crossings, hilarity, and yellow stockings. (February 15 through March 17, 2025; previews begin February 9)

The season will close with The Glass Menagerie, Tennessee Williams’ indelible portrait of the dysfunctional Wingfield family. Fading southern belle Amanda, and her two grown children — aspiring poet Tom and desperately shy Laura — pin their hopes on the long-awaited appearance of a Gentleman Caller in this unsparing study of memory, responsibility, and illusion. Carolyn Ratteray is set to direct. (May 3 – June 2, 2025; previews begin April 27)

“We are excited to offer these three brilliant classic plays that will showcase the superb and varied capabilities of our acting Company,” said artistic director Bill Brochtrup and producing executive director Ana Rose O’Halloran. “We know all three of these plays will thrill our audiences with their diverse and timeless themes that leap through time.”

Antaeus is an actor-driven theater company that explores and produces timely and timeless works, grounded in its passion for the classics. The company illuminates diverse human experiences through performance, training and outreach. It believes in the transformative power of live theater.

For more information about Antaeus Theatre Company and the 2024-25 season, call 818-506-5436 or visit online at antaeus.org.

MY LITTLE PHOBIA

Los Angeles, CA. May 9, 2024. In this world premiere production, Emily Markoe presents “My Little Phobia,” a comedic exploration of her deepest fear (vomit…gross, sorry!). “My Little Phobia,” directed by Julie Pearson, opens at the Hollywood Fringe Festival with performances on June 8th, 19th and 27th at the Broadwater Studio.

Emily wrote a comedy show that’s not about vomit. How could it be? She has emetophobia, the extreme and debilitating fear of vomit! Watch Emily perform her totally normal comedy show while things start going off the rails. Visited by an array of characters including her deranged meditation guru, a demanding Titanic victim, and of course her childhood therapist, Dr. My Little Pony®, Emily tries to keep things under control. But, as it turns out, Emily doesn’t have control over anything: not her show, not her audience, and perhaps most alarming: not even herself.

In this unique production, Emily brings her blend of humor and vulnerability to the stage as she navigates the downs and ups of living with emetophobia. Director Julie Pearson (The Boxcar Adults, The Girls on the Bus) says, “Any of us anxious folks can relate to the uncomfortable weirdness of having to exist in a body, and creating this show has been a fun, thought-provoking journey through neuroses of all kinds.” From hilarious anecdotes to existential crises, My Little Phobia asks how far you would go to avoid the things you fear.

WHAT: Theater Performance: “My Little Phobia.

DESCRIPTION: Emily Markoe wrote a comedy show about cleaning her childhood bedroom. Her show is not about vomit — how could it be? She has emetophobia, the extreme and debilitating fear of vomit. Watch Emily perform her show without any interruptions from anxiety-producing characters, stories of recovered memories, or obsessive-compulsive rituals getting in the way. And there definitely won’t be a visit from her childhood therapist, Dr. My Little Pony®. Emily stopped seeing her years ago! Everything’s normal here.

Please note: vomiting at this show is strictly forbidden.

WHO: Presented and Performed by: Emily Markoe. Directed by: Julie Pearson

WHERE: The Broadwater Studio, 1078 Lillian Way

WHEN:
Saturday, June 8, 2024 @ 4:30PM – Preview
Wednesday, June 19, 2024 @ 11PM
Thursday, June 27, 2024 @ 9:30PM

Running Time: 50min
TICKETS: $12 – hollywoodfringe.org/projects/10438
Recommended admission age: 16+

Photo by Zack Arch Photography

HOLMES & WATSON

LAGUNA PLAYHOUSE PRESENTS THE FINAL PRODUCTION

OF OUR 2023-2024 SEASON…

HOLMES & WATSON

Written by Jeffrey Hatcher

Directed by David Ellenstein

 

THE “WHODUNIT” GUESSING GAME BEGINS

WEDNESDAY, MAY 29 AT THE LAGUNA PLAYHOUSE!

 

“Tight and clever and full of suspense!” – Arizona Daily Star

  

May 6, 2024…Laguna Beach, CA…LAGUNA PLAYHOUSE presents HOLMES & WATSON, written by Jeffrey Hatcher and directed by Laguna Playhouse artistic director David Ellenstein. HOLMES & WATSON will begin previews on Wednesday, May 29 (with a press opening on Sunday, June 2 at 5:30pm) and run through Sunday, June 16 at the Laguna Playhouse, 606 Laguna Canyon Dr. in Laguna Beach.
 
Prepare yourself for a fast-paced, thrilling, suspenseful story that will keep you guessing until its final moments. In this worthwhile addition to the Sherlock Holmes canon, there are more twists and turns than a rollercoaster! The legendary Sherlock Holmes is dead. Or so it is assumed. When a telegram arrives informing his loyal companion Dr. Watson that there are three men who each claim to be Holmes, it’s left up to the famous sidekick to take on the case and try to discover if one of the mad men is actually the real Sherlock Holmes.  
 
Comments David Ellenstein, “Some years back, I had a great time directing Jeffrey Hatcher’s Holmes & Watson. It is a thrilling mystery that keeps you guessing right up until the last moment. It was as exhilarating for those of us that worked on the production as it was for the audience that experienced it and overwhelmingly cheered for the wild ride that they had. Years later, audiences that saw that show still tell me what a great time they had.          
 
Before I directed this play, I was not a huge Sherlock Holmes enthusiast, but the play led me to read the Conan Doyle source material and I gained a new understanding for the lasting appeal of the detective. These stories are extremely well written. I became captivated by the detail and specificity of the character and literary style. I became a Sherlock fan. There is a reason Mr. Holmes endures through all sorts of adaptations and across time. 
 
Jeffrey Hatcher is such an accomplished and skillful playwright. His specialty is exactly this genre – so this play bristles with intrigue, humor and verve. It truly captures the Holmesian style and mystery. The idea of a new production of Holmes & Watson at Laguna Playhouse fills me with eager anticipation. I am so excited by the exemplary cast we have assembled and the amazing design plans that will lift this play to its full potential. I believe Laguna Playhouse audiences are going to have a great time with this one.”

 

ABOUT THE CREATIVE TEAM AND CAST 

 

DAVID ELLENSTEIN (Director) Born into a theatrical family, David Ellenstein has been working in professional theatre for the better part of five decades. In May 2023, he was named Artistic Director of Laguna Playhouse, after filling the role in an interim capacity since September 2023. In addition, he has been the Artistic Director of North Coast Repertory Theatre in Solana Beach, CA since 2003.  At Laguna Playhouse, credits include directing A Shayna Maidel, The Angel Next Door, Chapatti, Alexandros and playing “Einstein” in Picasso at The Lapin Agile. Other directorial credits include The Chosen at Paper Mill Playhouse; Halpern and Johnson and Sonia Flew at Coconut Grove Playhouse; The Glass Menagerie, Rocket City and Honky Tonk Angels at Alabama Shakespeare Festival; His Royal Hipness at 59E59 in NYC; and Long Day’s Journey into Night at Renaissance Theatre. As Artistic Director at North Coast Repertory Theatre in Solana Beach since 2003, over 60 Directorial credits including Way Down River, The Tempest, A Moon for the Misbegotten, The Outsider and The Homecoming. His career includes acting credits of playing the title roles in Hamlet at LA Theatre Center and LA Rep; Richard III at California Shakespeare Festival; Tevye in Fiddler on the Roof at Moonlight Stage; Jonathan in Sight Unseen, Max in Laughter on the 23rd Floor and Matt in Talley’s Folly at North Coast Rep as well as over three dozen film and television episodes.

 

JEFFREY HATCHER (Playwright) His Broadway credits include: Never Gonna Dance (book). Off-Broadway credits include: Three Viewings and A Picasso at Manhattan Theatre Club; The Government Inspector at Red Bull Theater; Scotland Road and The Turn of the Screw at Primary Stages; Lucky Duck (book w/ Bill Russell) at the New Victory Theater; Tuesdays With Morrie (w/ Mitch Albom) at the Minetta Lane Theatre; Murder By PoeThe Turn of the Screw, and A Connecticut Yankee At King Arthur’s Court at the Acting Company; Ten Chimneys at Peccadillo Theater Company; Neddy at American Place; and Fellow Travelers at Manhattan Punchline. Other theatre credits include: Compleat Female Stage BeautyMrs. Mannerly, Murderers, Mercy Of A Storm, Smash, Armadale, Korczak’s ChildrenWork Song (w/ Eric Simonson), To Fool The Eye, Sherlock Holmes And The Suicide Club, Jeffrey Hatcher’s HamletThe Scarecrow And His Servant, Dr. Jekyll And Mr. Hyde, The Critic, Holmes And Watson, and others at the Guthrie, the Old Globe, Yale Rep, the Geffen, Seattle Rep, Huntington Theatre Company, the Shakespeare Theatre, Cincinnati Playhouse, Cleveland Playhouse, South Coast Rep, Arizona Theatre Company, San Jose Rep, the Empty Space, Indiana Rep, Children’s Theatre Company, History Theatre, Madison Rep, Intiman Theatre, Illusion Theater, Denver Center, Oregon Shakespeare Festival, Alabama Shakespeare Festival, Milwaukee Rep, Repertory Theatre of St. Louis, Actors Theatre of Louisville, Philadelphia Theatre Company, Asolo Repertory Theatre, City Theater, Studio Arena, and dozens more in the US and abroad. FILM/TV: “Stage Beauty,” “Casanova,” “The Duchess,” “Mr. Holmes,” “The Good Liar,” “Columbo,” “Murder at the Cannes Film Festival,” and “The Mentalist.” GRANTS/AWARDS: NEA, TCG, Lila Wallace Fund, Rosenthal New Play Prize, Frankel Award, Charles MacArthur Fellowship Award, McKnight Foundation, Jerome Foundation, Barrymore Award (Best New Play), and the 2013 Ivey Lifetime Achievement Award. 

 

The cast of HOLMES & WATSON features (in alphabetical order): Richard Baird (The Rainmaker at Laguna Playhouse) as “Watson,” Matt Koenig (Cabaret at La Mirada Theatre) as “Holmes #2,” Matthew Floyd Miller (Sleuth at Ensemble Theatre Company) as “Holmes #1,” Nicholas Mongiardo-Cooper (Oliver at 5-Star Theatricals) as “Dr. Evans,” Mike Peebler (Hamlet at Theatricum Botanicum) as “Orderly/Moriarty/Inspector,” Alice Sherman (Amadeus at North Coast Repertory) as “The Matron/The Woman,” and Christopher M.  Williams (Tartuffe at Laguna Playhouse) as “Holmes #3.”

                                                                                                                                              

The design team for HOLMES & WATSON is as follows: scenic design by Stephen Gifford; costume design by Kate Bergh; lighting design by Jared A. Sayeg; sound design by Ian Scot; props design by Kevin Williams; hair and wig design by Peter Herman.  Casting is by Michael Donovan Casting; Michael Donovan, CSA & Richie Ferris, CSA.  The Production Stage Manager is Vernon Willet.                                    

 

ABOUT THE SCHEDULE AND PRICING

HOLMES & WATSON will preview on Wednesday, May 29 at 7:30pm; Thursday, May 30 at 2:00pm & 7:30pm; Friday, May 31 at 7:30pm; Saturday, June 1 at 2:00pm & 7:30pm; (with a press opening on Sunday, June 2 at 5:30pm) and run through Sunday, June 16, 2024 at the Laguna Playhouse, 606 Laguna Canyon Dr. in Laguna Beach.

 

Performances are Wednesdays through Fridays at 7:30pm; Saturdays at 2:00pm & 7:30pm; Sundays at 1:00pm & 5:30pm. There will be added performances on Thursday, May 30 at 2:00pm; Thursday, June 6 at 2:00pm & Tuesday, June 11 at 7:30pm. There will be no performance on Sunday, June 16 at 5:30pm. There will be a post-show talkback following the Friday, June 7 performance.                   

 

Tickets range from $45 – $84 and can be purchased online at www.lagunaplayhouse.com or by calling (949) 497-2787. Group discounts are available by calling 949-497-2787 ext.229.  Prices subject to change.                                                                                                                                                      

The box office is open Tuesdays – Sundays: 12pm to 4pm; Mondays open 2 hours prior to show time and until 15 minutes after curtain.  Open until showtime on all performance days.

For more information on all shows and programming visit www.lagunaplayhouse.com.  LAGUNA PLAYHOUSE is located at 606 Laguna Canyon Road in Laguna Beach.   

 

 

Founded in 1920, the historic Laguna Playhouse (David Ellenstein, Artistic Director/Bill Kerlin, Managing Director) is one of the oldest continuously-operating not-for-profit theatres on the West Coast and is proud to be an active participant in the celebrated Laguna Beach arts community. From classic plays and musical comedies to the current off-Broadway smash, cutting edge and traditional music exhibitions, dance festivals and stand-up comedy performances, Laguna Playhouse brings the magical experience of the performing arts direct to over 80,000 patrons each season.

 

Laguna Playhouse educational programming includes year-round classes, productions by and for children and teens (Youth Theatre) and is one of the few companies in the region that offer a curriculum-based professional theatre-touring program, TheatreReach, which aligns with the California State Standards for literature, history and performing arts curriculum.      

 

Laguna Playhouse has been recognized in for the past five years as one of Orange County Register’s “Best of OC” in the category of Live Theatre. The Laguna Playhouse has featured many talented performers on stage, including Ed Asner, Leslie Caron, Hershey Felder, Harrison Ford, Melanie Griffith, Val Kilmer, Gregory Harrison, Dan Lauria, Hal Linden, Wendie Malick, Rita Rudner, Peter Strauss, Jobeth Williams, Joely Fisher, Charles Shaughnessy, French Stewart, Loretta Swit, and Bette Davis.

 

Learn What’s Going On at www.lagunaplayhouse.com.

ALICE, FORMERLY OF WONDERLAND

ENSEMBLE THEATRE COMPANY 

Presents the Capstone Production of its 2023-24 Season,

A WORLD PREMIERE MUSICAL!

ALICE, FORMERLY OF WONDERLAND

 Written by Mark Saltzman

Musical Arrangements by Jack Lipson

Directed by Jim Fall

 

Performances begin Thursday, May 30 at The New Vic Theatre in Santa Barbara

 

May 6, 2024…Santa Barbara, Calif… Ensemble Theatre Company of Santa Barbara (ETC), Santa Barbara’s only professional theatre company, is proud to announce the capstone production of its 45th season, the world premiere musical, ALICE, FORMERLY OF WONDERLAND, written by seven-time Emmy Award winning writer Mark Saltzman (Romeo and Bernadette) and directed by Jim Fall (Trick), with musical arrangements by Jack Lipson. 

 

This enchanting new musical tells the true story of the secret romance between the real-life Alice, and Prince Leopold, son of Queen Victoria and great-granduncle of Prince Harry. As a child, Alice was Lewis Carroll’s inspiration for the girl who fell down the rabbit hole, but now Alice is falling in love, despite the furious objections of the Queen. To honor the a cappella traditions at Oxford, the music of ALICE, FORMERLY OF WONDERLAND is performed without accompaniment. ALICE, FORMERLY OF WONDERLAND will perform from Thursday, May 30 through Sunday, June 16, 2024 (with a press opening on Saturday, June 1 at 8:00pm) at The New Vic Theatre, 33 W. Victoria Street.

 

“The creation of unique pieces of living art is at the heart of what we do every day at ETC,” said Scott DeVine, ETC’s executive director. “Every production at ETC is original from the costumes we create to the scenery we build and the casting decisions we make. That process is never more exciting, dynamic or engaging as when we are working on a world premiere production. The ability to partner with a playwright in developing the script, and presenting the production to an audience for the very first time anywhere, is a special experience with an energy unlike anything else. I can’t wait to share this remarkable new story with our community and the world.”

“I’m deeply delighted to see this long-gestating project of mine come to life at the Ensemble Theatre Company of Santa Barbara,” comments writer Mark Saltzman. “The relationship of Alice Liddell and Prince Leopold first appeared on my radar when commentators began analyzing the Harry-Meghan love match and mentioned that Harry’s great-granduncle Leopold was similarly in love with a celebrity. I endeavored to bring a 21st century sensibility to this story of 1872 Oxford, and folded in references to the racism, sexism and colonialism of society of that time. I’m also pleased to present on stage, with historical accuracy, a character with a disability as a romantic lead.”

 

ABOUT THE CREATIVE TEAM AND CAST

JIM FALL (Director) has had a diversified directing career spanning over 35 years, including theatre, film and TV. His recent theatre directing credits include the world premieres of: Mark Saltzman’s musical about Rodgers and Hart; Falling for Make Believe at the Colony Theater, Primal Scream, The Musical, music by David Foster, book and lyrics by Arthur Janov, at the Smothers Theater, Pepperdine University, Howard Skora’s comedies Miserable With and Ocean View and Damaged Furniture at the Whitefire Theater, and Gary Lennon’s The Interlopers at the Bootleg Theater. His TV movie credits include: “Wedding Wars” starring John Stamos and James Brolin, “Holiday Engagement” starring Shelley Long, “Holly’s Holiday,” and “Kristin’s Christmas Past.” He also directed episodes of “Grosse Pointe,” and “So NoTORIous,” VH1’s scripted comedy starring Tori Spelling and Zachary Quinto. His feature film credits include: Trick, starring Christian Campbell and Tori Spelling, which premiered at the Sundance Film Festival, and Disney’s The Lizzie McGuire Movie, starring Hilary Duff. He is currently developing “The Lord Won’t Mind,” a TV series based on Gordon Merrick’s 1971 New York Times bestseller, Hate: A Love Story, a feature film based on the true story of Al Snyder who took the Westboro Baptist Church to the Supreme Court after they protested his military son’s funeral, and Out In The Vineyard, an original movie musical set in Sonoma, CA, shooting in early 2025.

MARK SALTZMAN (Playwright and Musical Director) began his career in New York with Jim Henson, writing for the Muppets. His Sesame Street sketches and songs (including “Caribbean Amphibian”) earned him seven Emmy Awards, but behind Kermit’s back, Mark was writing shows for Soho Rep, 13th Street Theater, and the Village Gate, where he co-wrote the long-running revue A, My Name is Alice. Later, Mark collaborated with Jerry Herman on the tv movie Mrs. Santa Claus, starring Angela Lansbury.  For the movies, he wrote TheAdventures of Milo and Otis, Three Ninjas Kick Back and has had screenplays commissioned by SONY, Universal, and Disney. His TV movie The Red Sneakers, directed by and starring Gregory Hines was nominated for a Writers Guild Award. His first full-length stage work was The Tin Pan Alley Rag, Pasadena Playhouse 1997, nominated for five Los Angeles Ovation Awards including Best Musical. It went on to play theaters throughout the US, including a run at New York’s Roundabout Theater, nominated as Best Musical by the Outer Critics Circle. Other works for stage: Falling for Make Believe based on the life of Lorenz Hart AT LA’s Colony Theater, directed Jim Fall. Mr. Shaw Goes to Hollywood, Laguna Playhouse and now optioned for a film. Romeo and Bernadette, Off-Broadway in 2022, two Drama Desk Award nominations for lyrics and book as well as a Critic’s Choice nod from the NY Times. Cast album appearing this fall.  Mark is a graduate of Cornell’s English and theater departments.  He runs The Arnold Glassman Fund, which offers grants to worthy documentaries. 

  

ETC has assembled a stellar cast, featuring Matthew Greenwood (The 8th Fold at the The Duchess Theatre, London; Harry in The One Direction Story at The Lyric Theatre, London) as “Caterpillar” & “Alfred Rowston,” Margie Mays (“American Idol,” “Call Me, Kat”) as “Alice Liddell,” Bree Murphy (National Tour of Les Miserables; Musical Theatre West’s 42nd Street) as “Queen Victoria,” “Mrs. Pettigrew,” & “Victor,” Sam O’Byrne (Salvage at the Hudson Theatre; Slings and Arrows at the Broadwater) as “Prince Leopold,” Sawyer Patterson (making his regional theatre debut) as “Edward Brockett,” and Brent Schindele (ETC’s Striking 12, Marry Me A Little) as “Dean Henry Liddell.”

 

The production’s design team includes scenic designer Harry Feiner, lighting designer Michael Rathbun, sound designer Kate Wecker and costume designer Michael Mullen.

 

Producers for ALICE, FORMERLY OF WONDERLAND are Gwen and Henry Baker and Dana White; Associate Producer is Joan Davidson; and Supporting Producers are Paul Longanbach and Donald Polk.

ABOUT THE PERFORMANCE SCHEDULE

ALICE, FORMERLY OF WONDERLAND previews on Thursday, May 30 at 7:30pm & Friday, May 31 at 8:00pm; opens on Saturday, June 1 at 8:00pm (press opening) and runs through Sunday, June 16, 2024 at 2:00pm at The New Vic, 33 W. Victoria Street in Santa Barbara. 

 

Performances are Wednesdays and Thursdays at 7:30pm, Fridays and Saturdays at 8:00pm, and Sundays at 2:00pm; with added performances on Sunday, June 2 at 7:00pm, Tuesday, June 4 at 7:30pm, Saturday, June 8 at 3pm, and Wednesday, June 12 at 2pm.

 

Ticket prices range from $40 – $86. All Patrons 35 and under are always $35. Student tickets are $25. Single tickets are available through the ETC box office at (805) 965-5400, or online at etcsb.org. Prices subject to change. 

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 ENSEMBLE THEATRE COMPANY, a member of the League of Resident Theatres (LORT), is Santa Barbara’s sole professional Equity theater company. ETC is committed to producing the highest professional quality theater in Santa Barbara, employing accomplished professional actors and stage managers. 

 

ETC has been home to several world, American and West Coast premieres and has received recognition and accolades throughout its enduring history, Including being recognized in an Equity theater company by the Actors’ Equity Association, the labor union for American actors and state managers. As the sole professional Equity theatre company in Santa Barbara, ETC brings a wide range of accomplished theatrical professionals to the region. For more information, visit our website at etcsb.org

PHOTO CREDIT: Zach Mendez