Black Bastard

“BLACK BASTARD”

Takes Audiences on a Poetic, Comedic Odyssey of Identity

A humorous, heartfelt solo performance set in 1990s Houston. Playing over ten characters, Gentry explores themes of identity, masculinity, and self-discovery through a coming-of-age tale filled with nostalgic references and artful techniques.

WHO: Written and Performed by Jon Joseph Gentry. Directed by Shinelle Azoroh.

WHERE: Stephanie Feury Studio Theatre (5636 Melrose Ave, Los Angeles, CA 90038)

PERFORMANCES
June 6th at 7pm
June 19th at 8:30pm
June 30th at 4pm

TICKETS: $20 at https://www.hollywoodfringe.org/projects/7367.
Ages 18+, 55 minutes.

Theatre Review: Mix-Mix: The Filipino Adventures of a German Jewish Boy

Latino Theater Company and Playwrights’ Arena present epic Mix-Mix: The Filipino Adventures of a German Jewish Boy. Written by Boni B. Alvarez. Directed by Jon Lawrence Rivera. Lead producer Olga Garay–English. Produced by Latino Theater Company and Playwrights’ Arena.

Thanks to the generosity of president Manuel L. Quezon, 1,300 European Jews entered the Philippines as refugees during WWII. By issuing Proclamation No. 173 on August 21, 1937, President Quezon encouraged Filipinos to welcome the refugees and instructed government officials to assist them.

Mix-Mix: The Filipino Adventures of a German Jewish Boy tells the story of Rudolph “Rudy” J. Preiss (Casey J. Adler), one of the German Jew refugees that lived in the Philippines. As one of those ironies of life, the Preiss family escapes the Nazi persecution in Germany only to find another persecution in the Philippines, this time in the hands of the brutal Japanese army. Along with his father Isaac (Mark Doerr), his mother Lena (Jill Remez, Deathtrap), and others, Rudy had to run to the mountains and hide from the Japanese.

The story is told from the perspective of a young Rudy and his two Filipino friends Zar (Alexis Camins) and Mousie (Angelita Esperanza), all around the same age. In the middle of the jungle and surviving bombardments, the three kids symbolize the union of the Jewish and Filipino cultures.

To depict the walking through the mountains, Playwright Boni B. Alvarez and Director Jon Lawrence Rivera used dance movements. To depict Mousie’s frustration after the death of her mother Dorna (Myra Cris Ocenar), a choreographed martial arts sequence ensues between Mousie and her father Ramil (Kennedy Kabasares). Other creative elements used to tell the story are projection for the flashbacks and lighting effects for the rain and the bombardments.

Rudy tells stories to his Filipino friends to recount his life back in Germany, his life in the Philippines as a chaperone to movie star Paloma Palma (Giselle “G Tongi), and his dream of becoming an engineer in America attending MIT.

The performances feel a bit overacted at times, but in general, the play is entertaining and has moving moments that reveal how humans need each other to survive. Rudy and his friends become adults under extreme circumstances, and telling stories to each other is one of the ways to keep their sanity and innocence intact. One of the highlights of the play is the Jewish and Catholic prayers and their comforting effect when everything else seems lost. In general, the pacing of the play and the comedy keep the audience engaged till the end.

As a side note, the real Rudy left Germany at age 9 and left the Philippines at age 19 to study at MIT in the US. His parents stayed in the Philippines for 30 years.

The Los Angeles Theatre Center
514 S. Spring Street
Los Angeles CA 90013

Performances: May 18–June 16
• Thursdays at 8 p.m.: May 30; June 6; June 13
• Fridays at 8 p.m.: May 24; May 31; June 7; June 14
• Saturdays at 8 p.m.: May 18 (opening); May 25; June 1; June 8; June 15
• Sundays at 4 p.m.: May 26; June 2; June 9; June 16

Ticketslatinotheaterco.org

Written by Boni B. Alvarez. Directed by Jon Lawrence Rivera. Lead producer Olga Garay–English. Produced by Latino Theater Company and Playwrights’ Arena.

Cast: Casey J. AdlerAlexis Camins, Mark DoerrAngelita EsperanzaKennedy KabasaresMyra Cris OcenarJill RemezGiselle “G TongiMark McClain Wilson.

Creative team: Choreography by Reggie Lee and fight choreography by Alvin Catacutan. The scenic designer is Christopher Scott Murillo; lighting design is by Azra King-Abadi; sound design is by Jesse Mandapat; video design is by Nick Santiago; costume design is by Mylette Nora; and the prop master is Lily Bartenstein. The stage management team includes production stage manager Letitia Chang, assistant stage manager Sam Pribyl and wardrobe assistant Manee Leija.

Psycho Beach Party

WHAT: Psycho Beach Party

Written by Charles Busch
Directed by Tom DeTrinis and Ryan Bergmann
Produced by Brett Aune and Steven Luff
Associate Producers:  Brian Nesbitt and Sami Klein
Presented by HorseChart Theatre Company

DESCRIPTION: Surf’s up and murder’s afoot, as Psycho Beach Party mashes up ’50s psychodramas and ’60s surfer flicks into a truly madcap comedy. Think Gidget meets Mommie Dearest, meets John Waters! It’s 1962 and teenage tomboy Chicklet Forrest desperately wants to be a part of the surfer crowd on Malibu Beach. One thing getting in her way, however, is her unfortunate tendency towards multiple personalities, including a dim checkout girl, an elderly radio talk show hostess, a male model named Steve, and the accounting firm of Edelman and Edelman. And her most dangerous alter ego — sexually voracious vixen Ann Bowman — has nothing less than world domination on her mind! Mischief, madness and the passionate pursuit of the perfect wave (and the perfect man) come crashing over the heads of the audience as beach blankets and Hitchcockian psychological suspense thrillers are tossed around in this rollicking, zany comedy.

WHERE: Matrix Theatre

7657 Melrose Ave, Los Angeles, CA 90046
(Street parking)
WHEN: Previews 7pm on 6/12, 6/13
The show starts at 7pm but the fun starts at 6pm!
Opening: 7pm Friday, June 14, 2024
Schedule: 7pm Thursdays – Sundays
(added performance on Monday, July 1; no performance on Thursday, July 4).
Closing: Sunday, July 7, 2024

HOW: Reservations https://horsechart.ludus.com

More information: (323) 496-3390

HOW MUCH: Previews $30

General Seating: $45
Seniors: $35
Pay-What-You-Can: June 20, July 1 ($10+)

Odyssey adds 3 p.m. matinee for ‘Stalin’s Master Class’

Already extended through June 2, Odyssey announces
added 3 p.m. matinee for 
Stalins Master Class on June 1
 

WHAT:
Due to demand, Odyssey Theatre Ensemble has added an extra matinee performance, at 3 p.m. on SaturdayJune 1, to closing weekend of Stalins Master Class, the company’s hit production of a wildly comic, music-filled drama by British playwright David Pownall. Politics collide with art when “Father of the People” Joseph Stalin and Soviet cultural minister Andrei Zhdanov summon composers Sergei Prokofiev and Dmitri Shostakovich to the Kremlin for a vodka-fueled “music lesson.” Can artistic expression be forced to conform to political ideology?

STAGE RAW TOP 10… RECOMMENDED” — Stage Raw

INTELLECTUALLY DELICIOUS” — Broadway World

THOUGHT PROVOKING… A SUPERB ENSEMBLE CAST.” —Splash Magazines

THE ACTING IS SUPERB” — People’s World

EXTREMELY TIMELY” — Hollywood Progressive

ENTERTAINING” — Glamgical

MAGNETIC” — The Hollywood Times

COMPELLINGINTRIGUING” — LA Theatrix

A FIRST-RATE CAST” — Larchmont Chronic

DELIVERS” — The Tvolution

WHO:
• Written by David Pownall
• Directed by Ron Sossi
• Music Direction by Nisha Sue Arunasalam
• Starring John KaytonRandy LowellJan Munroe, Ilia Volok
• Produced by Beth Hogan
• Presented by the Odyssey Theatre EnsembleRon Sossi Artistic Director, in association with Isabel and Harvey Kibel

WHEN:
Remaining performances:
• Fridays at 8 p.m. (wine nights**): May 24 and May 31
• Saturday at 3 p.m.: June 1 ONLY
• Saturdays at 8 p.m.: May 25 and June 1
• Sundays at 2 p.m.: May 26 and June 2
*There will be a post-performance discussion on Wednesday, May 15
**Wine Night Fridays: Enjoy complimentary wine and snacks following all Friday night performances.

WHERE:
Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

TICKET PRICES:
• Wednesday, Saturdays and Sundays: $20$40
• Fridays: Pay-What-You-Can (reservations open online and at the door starting at 5:30 p.m.)

HOW:
OdysseyTheatre.com
(310) 477-2055 ext. 2

The Spy Who Went Into Rehab

WHAT“The Spy Who Went Into Rehab”

Playwright: Gregg Ostrin
Director: Cyndy Fujikawa
Presented by Pacific Resident Theatre

Graphic SPY.pngDESCRIPTION: What happens when a James Bond-like spy gets sent to rehab because of his drinking, gambling, womanizing and anger issues? A comedic look at how an outdated male relic who still embodies toxic masculinity learns to think differently, courtesy of a colorful group of “woke,” self-aware recovering addicts. His journey to enlightenment gets derailed, however, when his archenemy shows up for a final confrontation.

WHERE: Pacific Resident Theatre

703 Venice Blvd.
Venice, CA 90291
Street parking or small free lot in back: https://pacificresidenttheatre.org/18272-2/

WHEN:

Opening: 8pm on Friday, June 7, 2024
Schedule: 8pm Fridays, Saturdays; 3pm Sundays
Closing: July 7, 2024

HOW: Reservations online: https://pacificresidenttheatre.org/

Phone: (310) 822-8392

HOW MUCH: Tickets $35

55+ Discount $25; Student Discount $12;
$12 Student rush offered at door.

Facebook: PacificResidentTheatre / X: @PacificResThtr / Instagram: @pacificresidenttheatre

Grape Culture

GRAPE CULTURE

Unmasking the Ugly Truth!

In a tragicomedy unveiling grape culture, comedian and internet sensation Toni Nagy joins forces with performance artist Sarah Buckner. Together, they expose the insidious dominance without consent, peeling away the predatory programming suffocating society. Through comedy, dance, film, storytelling, and clowning, they thrust audiences into a raw exploration of trauma. Integral to the narrative are evocative songs that propel the story forward, weaving together moments of introspection and revelation. Rejecting rationalization, they assert that feeling, not thinking, is the path to healing. With irreverent humor, they unveil the unsettling reality: grape culture isn’t just a part of our culture, it is our culture, challenging viewers to confront uncomfortable truths.

“In this show, we’re not just discussing isolated tragedies; we’re delving into the pervasive nature of rape culture—a phenomenon that affects us all,” asserts Toni. “Many assume it’s an issue that doesn’t directly touch them, but this production exposes how deeply ingrained rapey consciousness permeates society. We’re not here to assign blame but to unveil the power dynamics enabling rape culture’s persistence. Society accepts discussing most crimes openly, yet mentioning ‘rape’ often silences rooms. Victims face discomfort, distrust, and blame when they speak out, while perpetrators are also burdened by silence. By avoiding direct conversation, we perpetuate secrecy and hinder healing. Sweeping rape culture under the rug or relying on high-profile arrests won’t suffice. To heal collectively, we must openly confront rape culture from all angles. This show challenges us all to participate in the dialogue and acknowledges that we’re all part of the solution. Pun intended!”

WHO: Starring: Toni Nagy and Sarah Buckner. Produced by Fringe Management.

WHERE: Broadwater (Second Stage), 6320 Santa Monica Blvd., Los Angeles, CA 90038

WHEN:

Monday June 17 2024, 6:30 PM

Friday June 21 2024, 9:00 PM

Wednesday June 26 2024, 9:30 PM

Saturday June 29 2024, 5:00 PM

Sunday June 30 2024, 12:30 PM

ADMISSION PRICE: $ 15.00

TICKET LINK:  The Hollywood Fringe Festival – grape culture

Appropriate for ages 16+
Running time: 60 minutes

Nora and Jim

WHAT: Theater Performance: NORA AND JIM

DESCRIPTION: “Nora and Jim” by Nora Connolly delves into the passionate romance between James Joyce and Nora Barnacle. Set in 1904, it chronicles their daring elopement from Dublin, embarking on a journey that shaped literary history. Dermot Kiernan, graces the stage with traditional Irish melodies, evoking the era’s ambiance. His live piano performances punctuate pivotal moments. From the opening number to the final monologue, Kiernan’s music enhances the emotional depth of the narrative, making “Nora and Jim” an unforgettable exploration of love, longing, and literary genius.

WHO: Written by Nora Connolly. Directed by Ronan Wilmot. Starring Lisa Dobbyn and Johnny O’Callaghan. Special Musical Guest Dermot Kiernan. Presented by The Irish Sea, in association with the Contemporary Irish Arts Center, Los Angeles (CIACLA) with ongoing guidance and support from Kevin Cronin and Dublin Theatre Productions.

WHERE: The Glendale Room – 127 Artsakh Avenue, Glendale 91206

WHEN: June 6th,7th, 8th,13th, 14th, 15th @ 8:00PM

TICKETS: $25.00 Home | NoraAnd Jim

Admission:18+. The show runs 55 minutes.

Magic for Animals

WHAT: MAGIC FOR ANIMALS

DESCRIPTION: Magician Blends Artistry and Activism to Redefine the Magic Experience. In a vibrant fusion of magic, activism, and entertainment, Liz Toonkel presents “Magic For Animals,” a groundbreaking theatrical experience captivating audiences with humor, wit, and social commentary. As a queer female magician and animal rights activist, Toonkel offers a fresh perspective. The show challenges traditional magic norms, exploring human autonomy, consent, and animal rights. Through seamless tricks and storytelling, it prompts reflection on our relationships with animals and each other. Drawing on Jewish values and feminist art, “Magic For Animals” sparks dialogue on social justice and change.

WHO: Written and performed by Liz Toonkel

WHERE: Los Angeles LGBT Center (Davidson / Valentini Theatre) 1125 North McCadden Place, Los Angeles, CA

PERFORMANCES:

Saturday, June 8, 2024, 9:30 PM

Thursday, June 13, 2024, 8:00 PM

Saturday, June 22, 2024, 5:00 PM

Friday, June 28, 2024, 10:30 PM

Sunday, June 30, 2024, 3:30 PM

TICKET PRICE: $15.00

TICKET LINKThe Hollywood Fringe Festival – magic for animals

Ages 14+. Show runs 60 minutes.

Wendy’s Peter Pan Brings Neverland to Life at Theatricum


NEWS RELEASE

 ‘Wendys Peter Pan’ brings

Neverland to life at Theatricum

WHAT:
Calling all young-at-heart: Will Geer Theatricum Botanicum has transformed its uniquely beautiful outdoor amphitheater into the imaginary isle of Neverland for a magical production of Wendy’s Peter Pan.

WHO:
• Adapted from J.M. Barrie’s 1904 play by Ellen Geer
• Directed by Ellen Geer
• Presented by Will Geer Theatricum Botanicum

WHEN:
Performances: June 22 – October 4
• Saturday, June 22 at 7:30 p.m.
• Saturday, June 29 at 7:30 p.m.
• Saturday, July 6 at 7:30 p.m.
• Sunday, July 14 at 7:30 p.m.
• Sunday, July 21 at 8 p.m.
• Friday, July 26 at 7:30 p.m. * **
• Friday, Aug. 9 at 7:30 p.m.
• Sunday, Aug. 18 at 7:30 p.m.
• Sunday, Aug. 25 at 7:30 p.m.
• Sunday, Sept. 1 at 7:30 p.m.
• Sunday, Sept. 8 at 7:30 p.m.
• Saturday, Sept. 14 at 7:30 p.m.
• Saturday, Sept. 21 at 7:30 p.m.
• Saturday, Sept. 28 at 7:30 p.m.
• Friday, Oct. 4 at 7:30 p.m.
*Prologue (pre-show discussion): FridayJuly 26 from 6:30 p.m.–7 p.m.
**Pay-What-You-Will performanceFriday, July 26

WHERE:
Will Geer Theatricum Botanicum
1419 N. Topanga Canyon Blvd.
Topanga CA 90290
(midway between PCH in Santa Monica Canyon and the 101 in the San Fernando Valley)
Topanga Canyon Blvd is currently closed between the theater and PCHto access Theatricum from the Valley, exit the 101 at Topanga Canyon Blvd. South.

TICKET PRICES:
• Adults: $48 (lower tier); $30 (upper tier); $60 (premium seating)
• Seniors (65+), Students, Military Veterans, Teachers, AEA Members: $35/$20
• Children (5-15): $15
• Children 4 and under: Free
• Friday night, July 26: Pay-What-You-Will (cash only at the door)

OTHER:
• The outdoor amphitheater at Will Geer Theatricum Botanicum is terraced into the hillside of the rustic canyon. Audience members are advised to dress casually (warmly for evenings) and bring cushions for bench seating.
• Patrons are welcome to arrive early to picnic in the gardens before performances.

PHOTOS:
Click here to download photos of Theatricum’s one-of-a-kind outdoor setting in the heart of Topanga Canyon.

HOW:
theatricum.com
(310) 455-3723

The Complete History of the American Musical Theater of the 1960s

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NEWS RELEASE

Music at the Odyssey presents The Complete History
of the 
American Musical Theater of the 1960s

One night only: Saturday, June 1

WHAT:
The Complete History of American Musical Theater” series is back with an evening devoted to the 1960s: a journey through the Broadway musicals that shaped the decade. Featuring Tony nominee Sharon McNight, Broadway and musical veterans Mary Gordon Murray and Scott Harlan, and up-and-comers Sophie Beck and Hayden Kharrazi, along with narrators Dan Fishbach and Mark D. Kaufmann.

WHEN:
Saturday, June 1 at 8.p.m.

WHERE:
Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

PARKING:
Free in the on-site parking lot

TICKETS:
$40

HOW:
www.OdysseyTheatre.com
(310) 477-2055 ext. 2