Harry Shum Jr. To Play “Jesus” for Two Performances Only!

KRISTEN BELL, CHRISTIAN CAMPBELL, ALAN CUMMING, ANDY FICKMAN, 

KEVIN MURPHY, AMERICA OLIVO and DAN STUDNEY 

ARE FILLED WITH “GLEE” 

AS THEY WELCOME “EVERYTHING EVERYWHERE ALL AT ONCE” STAR

HARRY SHUM JR

TO THE ROLE OF “JESUS” FOR TWO PERFORMANCES ONLY!

SATURDAY, SEPTEMBER 28 & SUNDAY SEPTEMBER 29

IN THEIR CRITICALLY ACCLAIMED, SMASH-HIT PRODUCTION OF

REEFER MADNESS 

THE MUSICAL

Book by Kevin Murphy & Dan Studney

Lyrics by Kevin Murphy    Music by Dan Studney

Musical Direction by David Lamoureux

Direction and Choreography by Spencer Liff

 

The “MADNESS” CONTINUES through 

SUNDAY, OCTOBER 27 at the Whitley Theatre in Hollywood!

 

PERFORMANCES: Wednesdays, Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm.

 Arrive up to 2 hours early to enjoy food and libations in the theatre adjacent “Victory Garden” restaurant and also enjoy a post-show live music in “The Reefer Den.”

 

The Historic Whitley Theatre

6555 Hollywood Blvd., Hollywood, CA  

 

Ticket Prices: $39 – $175 (with limited premium seats available)

Prices subject to change; Special group rates available for parties of 8 or more.  

 

For tickets – visit www.reefermadness.com

Rubicon Theatre of Ventura presents “ONCE”

Rubicon Theatre of Ventura Announces Creative Team and Cast 

For the Grand Finale of the Company’s 25th Anniversary Season, 

the Tony Award-Winning Musical

ONCE

September 11 – October 6, 2024

Book by Enda Walsh

Music and Lyrics by Glen Hansard and Markéta Irglová

Directed by Michael Michetti with 

Musical Direction by Julia Hoffman and Choreography by Kitty McNamee

Rubicon Theatre celebrates the company’s 25th Anniversary Season through September 30, 2024 at the theatre’s home The Karyn Jackson Theatre, located at 1006 E. Main Street, Ventura, CA  93001. The season includes five comedies, dramas and musicals.  

 

ONCE | September 11 – October 6, 2024 (Low-Priced Previews Sept. 11 – 13/Press Opening Sept 14)

Perf. Schedule: Wed. at 2 and 7 p.m., Thurs. at 7 p.m., Fri. at 7 p.m., Sat. at 2 and 7 p.m., Sun at 2 p.m. 

Prices: $30 – $89.50; Discounts for Subscribers, Students, Military and Equity

Tickets: (805) 667-2900 www.rubicontheatre.org  

Book by Enda Walsh

Music and Lyrics by Glen Hansard and Markéta Irglová

 Set in Dublin, an Irish busker and a Czech immigrant are drawn together by their shared love of music. Over the course of one fateful week, an unexpected friendship quickly evolves into a powerful but complicated love story, underscored by compelling, emotionally rich music. Featuring songs from the critically acclaimed film, including the Academy Award-winning song “Falling Slowly,” this achingly beautiful, joyously uplifting show strikes an unforgettable chord in the hearts of audiences and speaks to the power of music to connect us all. 

  “The show wins its standing ovations the old-fashioned way: with a love story, great songs, compelling characters and inventive stagecraft. At this point in Broadway history, this feels downright revolutionary.”

– New York Post

RACHEL BLOOM & MATTHEW MORRISON to play “JESUS” in “REEFER MADNESS THE MUSICAL”

KRISTEN BELL, CHRISTIAN CAMPBELL, ALAN CUMMING, ANDY FICKMAN, 

KEVIN MURPHY, AMERICA OLIVO and DAN STUDNEY 

PRAISE “JESUS” AS THEY WELCOME

RACHEL BLOOM 

WEDNESDAY, SEPTEMBER 4 – SUNDAY, SEPTEMBER 8

& MATTHEW MORRISON

WEDNESDAY, SEPTEMBER 11 – SUNDAY, SEPTEMBER 15

TO THE ICONIC ROLE IN UPCOMING PERFORMANCES

OF THEIR CRITICALLY ACCLAIMED, SMASH-HIT PRODUCTION OF

REEFER MADNESS 

THE MUSICAL

Book by Kevin Murphy & Dan Studney

Lyrics by Kevin Murphy    Music by Dan Studney

Musical Direction by David Lamoureux

Direction and Choreography by Spencer Liff

 

The RAPTUROUS Theatrical HIT of the Summer has EXTENDED through 

SUNDAY, OCTOBER 27 at the Whitley Theatre in Hollywood!

REEFER MADNESS THE MUSICAL

Book by Kevin Murphy & Dan Studney

Lyrics by Kevin Murphy

Music by Dan Studney

Musical Direction by David Lamoureux

Direction and Choreography by Spencer Liff

 

EXTENDED through SUNDAY, OCTOBER 27, 2024

 

PERFORMANCES: Wednesdays, Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm.

 

RACHEL BLOOM (Crazy Ex-Girlfriend) will play the role of “Jesus” this weekend only:  Wednesday, September 4 through Sunday, September 8 (with the exception of Friday, September 6).

 

MATTHEW MORRISON (“Glee) will play the role of “Jesus” Wednesday, September 11 through Sunday, September 15.

 

Arrive up to 2 hours early to enjoy food and libations in the theatre adjacent “Victory Garden” restaurant and also enjoy a post-show live music in “The Reefer Den.”

 

The Historic Whitley Theatre

6555 Hollywood Blvd., Hollywood, CA  

 

Ticket Prices: $39 – $175 (with limited premium seats available)

Prices subject to change; Special group rates available for parties of 8 or more.  

 

For tickets – visit www.reefermadness.com

Musical Review: Reefer Madness, The Musical

The war on drugs, whether real or imaginary, is not a new concept in America. Reefer Madness, the original film, was premiered in 1936 as a cautionary tale. In 1937, the Marihuana Tax Act came into effect, leading to the criminalization of the drug. With this federal prohibition in mind, Reefer Madness, The Musical takes the audience back in time, presenting the use of cannabis not as a moral lesson, but as a parody of the general panic of the 1930s.

With a few tweaks here and there, the musical sticks pretty much to the original story. Jack (David T. Crane) and Mae (Nicole Parker) are pushing marijuana out of their home, marked with the number 420. Hanging out at their place is Ralph (Andre Joseph Aultmon), a college dropout hooked on weed. Another character in the house is Sally (Jane Papageorge), also addicted to marijuana. She ends up selling her kid while heavily stoned. Jimmy (Anthony Norman) and Mary (Darcy Rose Byrnes) are the lovebirds who also succumb to the Devil’s lettuce.

The choreography is energetic, including tap dancing and some disco moves during Jesus’ (Rory O’Malley) number, “Listen to Jesus, Jimmy”. The inclusion of Jesus and the Devil as the two moral opposites give the musical an edge and a satirical element to the core of the story.

The red lighting symbolizing the sexual awakening and the dangers of criminal activity conveys effectively the situation of the characters: Living in the fast lane; tragedy just around the corner. The innuendos of BDSM and the presence of the Devil make the musical numbers even more sinful and attractive.

In terms of text, the book by Kevin Murphy & Dan Studney is playful and gives the actors plenty of opportunities to shine through the delivery of their lines and the physical comedy involved in the action. The two characters showing the most important transformations are Mary and Jimmy, but it is Mary who changes more dramatically. From a naïve girl to the vixen sadist with a whip, she embodies the aggressive loss of inhibitions, all thanks to the use of marijuana. The text pays homage to Mae West as well. Sally delivers one of West’s most famous lines involving feet and inches, but backwards.

Director and choreographer Spencer Liff does a fantastic job utilizing the excellent elements at his disposal. He unifies the talent and creative components of this production to present a kinky, hilarious, and engaging performance. The limits of legality and the temptation of illegality contribute to create an alluring story that becomes timeless and reflects our complicated relationship with a humble plant that has been used by humans for thousands of years.

Reefer Madness, The Musical

The Historic Whitley Theatre

6555 Hollywood Blvd., Hollywood, CA

Extended through Sunday, October 27

Wednesdays, Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm.

Ticketsreefermadness.com

Book by Kevin Murphy & Dan Studney. Lyrics by Kevin Murphy. Music by Dan Studney. Musical Direction by David Lamoureux. Direction and Choreography by Spencer Liff. REEFER MADNESS THE MUSICAL is executive produced by Wendy Parker and co-produced by Maia Falconi-Sachs, Madison Mohn, Nick Padgett, Matthew A. Rosenthal, Jason Turchin, Amirose Eisenbach, Josie Yount, and Raji Kalra. Presented by Kristen Bell, Christian Campbell, Alan Cumming, Andy Fickman, Kevin Murphy, America Olivo, and Dan Studney.

Cast: Anthony Norman, Darcy Rose Byrnes, J. Elaine Marcos, Nicole Parker, Thomas Dekker, Bryan Daniel Porter, Andre Joseph Aultmon, Claire Crause, Jane Papageorge, Alex Tho, David T. Crane, Rory O’Malley, and Natalie Holt MacDonald.

Creative team: Production Design by Mark A. Dahl; Lighting Design by Matt Richter; Sound Design by Charles Glaudini; Costume Design by Pinwheel Pinwheel. The Casting is by Michael Donovan, CSA and Richie Ferris, CSA. The Production Stage Manager is Melissa Ritcher. The Company Manager is Paul Nygro.

Music band: David Lamoreaux (Conductor/Drums), Jordan Lamoreaux (Bass), Max Wagner (Guitar), Andrew Lederman (Keyboard 1), and David Catalan (Keyboard 2).

¡Pasaje! a New Musical about a Young Man who Discovers Family Secrets

Sierra Madre Playhouse
Presents the World Premiere of

¡Pasaje!
a New Musical about a Young Man who Discovers Family Secrets

Written by San Gabriel Valley Native and First-Generation Salvadoran American J. Quiroz

Music and Lyrics by Multi-GRAMMY Award-Winning LA Native Asdru Sierra
Directed by Hacienda Heights Raised Benjamin Perez

 The Two-Act Musical Is a Riveting Coming-of-Age Story
Deeply Rooted in LA and Celebrating Southern California’s Vibrant Latiné Community.

October 4 – November 3, 2024

WHAT:

Sierra Madre Playhouse Presents
¡Pasaje!
Book by J. Quiroz

Music by Asdru Sierra

 

PRODUCTION TEAM:

Director: Benjamin Perez

Music Director: Greg Poree

Choreographer: Tania Possick

Costume Designer: Diana Gomez

 

CAST:

Seth Keller (Andy Martin)

Kayla Christine Quiroz (Marcelina)

Karol Avila (Hustler Uno)

Daniel Moises (Hustler Dos)

Sandra Dar (Angela Martin)

Lisa Rodriguez (Beatriz Gonzalez)

Noah Peralta (Guicho)

Andrew M. Garcia (Ensemble/Andy Understudy)

Pablo Milla (Ensemble/Hustler Dos Understudy)

Ixchel Valiente (Ensemble/Marcelina Understudy)

Itzel Ximena Gonzalez (Ensemble/Hustler Uno Understudy)

Joshua Duron (Don Miguel)

Maximiliano Garcia (Freddy)

 

WHEN:

Friday, October 4, 8:00 PM

Saturday, October 5, 8:00 PM

Sunday, October 6, 4:00 PM

Friday, October 11, 8:00 PM

Saturday, October 12, 8:00 PM

Sunday, October 13, 4:00 PM

Friday, October 18, 8:00 PM

Saturday, October 19, 8:00 PM

Sunday, October 20, 4:00 PM

Friday, October 25, 8:00 PM

Saturday, October 26, 8:00 PM

Sunday, October 27, 4:00 PM

Friday, November 1, 8:00 PM

Saturday, November 2, 8:00 PM

Sunday, November 3, 4:00 PM

 

WHERE:

Sierra Madre Playhouse
87 West Sierra Madre Boulevard
Sierra Madre, CA 91024

 

RUN TIME:

Approximately 2 hours with intermission.
ADVISORY:
some language

 

TICKETS & INFORMATION:

Tickets are $12 – $45

626.355.4318

www.sierramadreplayhouse.org

“REEFER MADNESS The Musical” Extended

Tony Nominee RORY O’MALLEY 

WILL PLAY “JESUS” FOR TWO WEEKENDS ONLY –

AUGUST 21 – 25 & AUGUST 28 – SEPTEMBER  1 

IN THEIR CRITICALLY ACCLAIMED, SMASH-HIT PRODUCTION OF

REEFER MADNESS 

THE MUSICAL

Book by Kevin Murphy & Dan Studney

Lyrics by Kevin Murphy    Music by Dan Studney

Musical Direction by David Lamoureux

Direction and Choreography by Spencer Liff

 

The Smash HIT Theatrical Event of the Summer has EXTENDED through 

SUNDAY, SEPTEMBER 15 at the Whitley Theatre in Hollywood!

 

PERFORMANCES: Wednesdays, Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm.

 

RORY O’MALLEY (The Book of Mormon) will play the role of “Jesus” for just two weekends only:  August 21 – August 25 & August 28 – September 1

 

Arrive up to 2 hours early to enjoy food and libations in the theatre adjacent “Victory Garden” restaurant and also enjoy a post-show live music in “The Reefer Den.”

 

The Historic Whitley Theatre

6555 Hollywood Blvd., Hollywood, CA  

 

Ticket Prices: $59 – $94 (with limited premium seats available)

Prices subject to change; Special group rates available for parties of 8 or more.  

 

For tickets – visit www.reefermadness.com

Guys & Dolls, A Musical

EARLY BIRD
TICKETS ON SALE
Altadena Music Theatre will be back this October for theatre in the park at Farnsworth! We have been preparing all year to bring a classic comedy to the stage that we all know and love. The goal? To laugh with our neighbors in community while enjoying a top tier production in our own backyard.

TICKETS NOW ON SALE!

For TWO WEEKS only we will have an EARLY BIRD ticket discount of 30% off. This will be the largest discount we will offer for the entire run of our production. Getting your ticket early helps us financially prepare for this show. So buy early and SAVE while supporting your local arts non-profit.

PURCHASE TICKETS NOW: eventbrite.com/cc/guys-dolls

SEE YOU AT THE THEATRE!

GREASE IS THE WORD… 22nd ANNUAL BROADWAY IN THE PARK!

TUSTIN AREA COUNCIL FOR FINE ARTS (TACFA)

announce Recording Artist MARY DESMOND as “Sandy” 

& HAYDEN KHARRAZI as “Danny” starring in

GREASE 

Book, Music and Lyrics by Jim Jacobs & Warren Casey

Directed by Barry Pearl

Choreography by Becca Sweitzer

Musical Direction by Michael Sobie

Opens: Tuesday, August 6 at 7:45pm                                                   

 Closes: Saturday, August 10, 2024

 PEPPERTREE PARK, 

230 W First Street, Tustin, CA.

 Tickets start from $15  

Tickets can be purchased online at www.tacfa.org

Prices subject to change.

Theatre Review: Sweeney Todd, The Demon Barber of Fleet Street

Chance Theater presents Sweeney Todd, The Demon Barber of Fleet Street. Book by Hugh Wheeler. Music and lyrics by Stephen Sondheim. Based on an adaptation by Christopher Bond. Directed by James Michael McHale. Music direction by Lex Leigh. Produced by Rachelle Menaker and Eddie Schuller.

Director James Michael McHale keeps the thriller and dark elements in this new production of Sweeny Todd. The scenic design by Fred Kinney and Mio Okada honors the grittiness and thriller vibes of the story. The stage features an industrial and dystopian design that reflects the cannibalistic and aggressive tendencies of the characters. Adding to the atmosphere is the excellent lighting design by Jacqueline Malenke. The lighting serves as an effective character to convey the lingering danger of Sweeny Todd’s hunger for revenge.

Another characteristic of this production is the costume design by Gwen Sloan. Gothic and Victorian, the costumes depict the roughness of London life back in the 1800s. The costumes match the vampiric bent of Sweeny and the inhabitants of the city in their lust for blood, consciously or unconsciously.

Sweeney Todd (Winston Peacock) and Judge Turpin (Justin Ryan) bring the animalistic attributes of the protagonist and antagonist. Both of them excel in their portrayal of corruption and maddening thirst for revenge. Ryan’s operatic voice adds a Machiavellian tone to Judge Turpin’s personality. This plays very well in the song “Joanna (Mea Culpa)”, where Turpin’s sexual attraction to Joanna is revealed.

Then there is Mrs. Lovett. Jocelyn A. Brown delivers a superlative performance with her fascinating devilish humor that adds a touch of comedy and tragedy to the play. Despite the roughness of the character, Brown is able to infuse Mrs. Lovett with the vulnerability of a woman that falls hard for an unrequited love.

McHale’s production is long, about three hours, but the acting, music, and the other creative elements make the time go fast. The attention to detail is extraordinary and the cast delivers a memorable performance. McHale highlights the romance, danger, and tragedy in a way that keeps the audience engaged the whole time.

This is a story of life, death, and revenge. McHale is able to unify all of the dramatic and creative elements at the end to accentuate that powerful dramatic tool called irony. The phantasmagoric aspect of the story is well executed, giving that aura of mysticism to the resolution, transporting the characters to that space where life and death converge.

By the way, don’t miss the pool of blood on the stage when you exit, it gives a touch of realism to the experience, almost like witnessing a crime scene.

Sweeney Todd, The Demon Barber of Fleet Street

Chance Theater @ Bette Aitken theater arts Center on the Cripe Stage
5522 E. La Palma Ave.
Anaheim, CA 92807
Performances: July 12 – August 11, 2024
Thursdays 7:30pm, Fridays 8 pm, Saturdays at 3 and 8 pm, & Sundays at 3 pm and 7 pm only for July 14)
Book by Hugh Wheeler. Music and lyrics by Stephen Sondheim. Based on an adaptation by Christopher Bond. Directed by James Michael McHale. Music direction by Lex Leigh. Choreography by Mo Goodfellow.
Cast: Winston Peacock, Jocelyn A. Brown, Naya Ramsey-Clarke, Dylan August, Justin Ryan, Adam Leiva, Abel Miramontes, Emmanuel Madera, and Laura M. Hathaway.
Creative team: Scenic design by Fred Kinney and Mio Okada. Costume design by Gwen Sloan. Lighting design by Jacqueline Malenke. Sound design by Lia Weed. Projection design by Nick Santiago. Produced by Rachelle Menaker and Eddie Schuller. Bette & Wyllie Aitken are Executive Season Producers. Sophie & Larry Cripe are Associate Producers. Family of Mary Kay Fyda-Mar are Associate Season Producers.

 

Interview with Dr. Paul J. Zak (aka “Dr. Love” from “The Bachelor”), David Ihrig, and Eloise Coopersmith

Irvine Theater Company and Dr. Paul J. Zak (aka “Dr. Love” from “The Bachelor”) have teamed up to create a wholly unique theatrical experience this summer for lovers, those in search of love, and fans of all things cheesy (like Hallmark movies). Utilizing Zak’s cutting edge Tuesday App, attendees can test their compatibility with other theatergoers in attendance and find a real connection. Welcome to the world of My (unauthorized) Hallmark Movie Musical and “Dr. Love’s Rom-Com Experience”. 

Below is the interview with Dr. Paul J. Zak, David Ihrig, and Eloise Coopersmith.

Dr. Paul J. Zak

What need that wasn’t addressed motivated you to create the Tuesday App?
Most of my professional life has focused on developing knowledge and technologies so that people can live longer, happier, and healthier lives. Tuesday is the result of this 30 years of effort.

Your body of work includes different disciplines like neuroeconomics, neuromanagement, and neuromarketing. How can they all help an individual to achieve success and happiness?
Happiness depends on the choices we make. Tuesday identifies the choices and activities that provide the most value neurologically to people and thereby guides them to be happier. This is true for individuals, patients, customers, and employees and businesses that focus on creating extraordinary experiences are extraordinarily profitable.

What role do neurotransmitters dopamine and oxytocin play in reaching a state of immersion?
Immersion–the brain’s valuation network for social-emotional experiences–is primarily driven by the actions of dopamine and oxytocin. Dopamine binding to the brain’s prefrontal cortex keeps us present, while oxytocin captures the emotional resonance of an experience. Tuesday measures the electrical activity these neurochemicals induce in the nervous system second by second so people can see what truly creates value for them.

Technology was supposed to make it easier for humans to connect with each other.    Instead, we see an alarming increase of isolation due to excessive internet use. What failed? And how can we make it fun again to interact with other people?
This is the key question! With hybrid work, fear of infection, and smaller families we are losing the ability to get together, have fun and socialize. This is where entertainment, including plays and movies, comes in. Immersion is always higher when there are more people involved–we laugh more watching a movie in a theater with others than watching at home. My hope is that the Tuesday app will show users objectively how important it is to have enjoyable experiences with others, to form new connections and friends, and even to fall in love. Human thriving requires that we spend time with, and connect to, others.

David Ihrig

What did you find attractive about My (unauthorized) Hallmark Movie Musical?
Well, I was looking for a show that explored themes of love and relationships with the specific intent of using Paul Zak’s technology, and Eloise’s charming musical that deals with themes of love and empowerment was a perfect fit. I knew from experience that using Paul’s Tuesday app was great fun for people, because it often provides surprising personal insights–the brain never lies! We want to offer audiences a new expanded experience that goes beyond the curtain call. We are going to be using prompt stations around the light-hearted content of the show so people can observe their own unfiltered reactions in real time through the Tuesday app.

And what truly attracted me to Eloise’s play was an observation she shared from her previous performances. She noticed that people didn’t want to leave at the end of her show. People would sort of linger in the lobby. And I thought, well heck, this is exactly how we can give them what they want. “Dr. Love’s Rom-Com Experience” will spark conversations and enhance the sense of community that already exists from having just watched a show together.

Years ago, I learned from my neuroscience community about the pitfalls of self-reporting. I have since found Paul’s technology to be a great teaching tool because the brain never lies. For example, during scene study classes, I would ask my acting students why they had a certain reaction. And they would earnestly answer me, with what I now know were confabulations. In other words, they made up explanations in retrospect. The reality is that we have many, many brain processes working all the time that are outside of our awareness and we simply do not have the capability of consciously knowing why we behaved in one way or another. So, the more fruitful approach to self-discovery is to guide people through specific experiences while monitoring brain activity and read the brain’s response in relation to chosen prompts.

Tell us more about the Irvine Theater Company and its immersive theatrical experiences.
Irvine Theater Company was primarily founded as a hub to practice a brain-based approach to the dramatic arts. We believe that our new attention-based methods will do for ITC in Irvine what Stanislavski’s system did for the Moscow Art Theater. Stanislavski’s productions became popular because his methods created a new style of live performance, which was prompted by advances in the technology of his day. For him, it was advances in lighting that allowed for smaller indoor performances which arguably led to the shift to realism in theater. I see an evolving genre of live performance in response to today’s evolving technology. This evolution has already begun, and the industry is currently taking baby steps. But in my opinion, the industry can’t fully embrace the potential of today’s technology in storytelling until they embrace new mental models. ITC’s attention-based models put us in the position to be leaders in creating tomorrow’s entertainment. Our goal is to build the Theater of Tomorrow at the Great Park in Irvine and use our methodologies and today’s advanced technology to develop productions that will enhance the audience’s experience.

What kind of classes and workshops are provided at Irvine Theater?
As you might imagine, we teach a brain-based approach to the dramatic arts. The models we use were developed in collaboration with a team of neuroscientists at UCI. These new ideas are quite simple, but they turn the conventional wisdom surrounding acting on its head, and look at a practical approach for today’s actors based on contemporary knowledge from the cognitive sciences. My new book is The Actor’s Algorithm–Seven Brain-Based Steps to Embody Character. And we will offer classes this Fall to teach our system of character embodiment.

Something really exciting is the 10-minute Play Festival. Who can submit their work and what are the dates of the festival?
I love your excitement. Irvine is home to 330,000 residents. We have a highly educated population that appreciates culture. We have prolific theater departments in our high schools and colleges and our graduates have no professional outlets in which to ply their crafts.

ITC’s 10-minute play festival seeks to provide an outlet for local dramatic artists. The plan is to hold the first festival in the summer of 2025.

Of course, ITC will put our own spin on the standard festival model. One of the benefits of our brain-based methodology is it provides an efficient method for writers. The plan is to gather all participating artists together four weeks prior to the performance, teach a workshop in brain-based story development, and then see what these brain-based teams come up with afterwards. Perhaps we should also have a traditional category and then compare the two creative processes?

Eloise Coopersmith

What is so special about romantic movies?
Last year, 80 million viewers watched a Hallmark Christmas movie, according to Forbes.com. I can’t be alone in saying these movies make you feel happy, safe, and hopeful that the world is a better place. What’s not to love?

How did you develop the idea for My (unauthorized) Hallmark Movie Musical?
During COVID I worked my other job as Residential Real Estate Appraiser- I was inspecting many houses and homeowners would ask me, “ Why aren’t you dead?” I took their trauma home with me. One day. I turned on the television. Truthfully, until then I had never seen a Hallmark movie. I became obsessed (these movies are positive and predictable and make you feel good) so I started to write my own Hallmark movie about an essential worker reigniting her romantic flame while crafting her own Hallmark Movie. She’s an inveterate Hallmark Channel viewer, battling pandemic burnout with dark chocolate, red wine, and a craving for uplifting escapism. Writing this show got me through some dark times. My mission is to spread positivity and make others feel good. My production company rented Chance Theater, cast actors, rehearsed over Zoom and shot for 6 days. We opened in Los Angeles in December 2021 to rave reviews, took the show to Edinburgh the next year (where everyone LOVED the rom-com magic), and spent last year touring in upstate New York and Virginia, finishing with 6 weeks in San Francisco (The city by the Bay said, “Hurray”!).

How did you connect with Dr. Zak?
The producer of the event, David Ihrig at the Irvine Theater Company is the brainchild for this collaboration. My show is a one-woman show with 8 actors through the magic of multimedia and David’s theater loves technology. When I read the description of Paul Zak’s Tuesday App – “Track and compare what you love so you can do more of those things and less of the stuff that brings you down” – I was excited to connect!

Is it easier to find love using technology?
That is what we will find out. Per David Ihrig- the brain doesn’t lie. So, we will all come face to face with others and with our true selves. I like to think we are re-inventing the meet-cute! (“Meet-cute” = two characters in a film or television show have an amusing or charming first encounter that leads to the development of a romantic relationship.) We will see….

Romance and music, that sounds like a winning combination, How much fun will the audience have when they come to the show?
How much fun? More fun than a bodega cat on a tuna truck! More fun than belting ‘Singing in the Rain’ during a downpour! More fun … so much fun you will want to come back and play again and again. It’s a magical journey, and who can’t use more magic in their life.