RAPUNZEL AND HER HOLIDAY WISH at Laguna Playhouse

RAPUNZEL AND HER HOLIDAY WISH

Written by Kris Lythgoe
Produced by Lythgoe Family Productions

Directed by Becky Lythgoe

Supervising Director Bonnie Lythgoe

Musical Direction by Andy Street

Choreography by Becca Sweitzer

Laguna Playhouse presents Lythgoe Family Productions ninth “Panto at the Playhouse” with Darcy Rose Byrnes as “Rapunzel,” L.J. Benet as “Prince Sebastian,” and Larry Saperstein as “Simple Simon,” joining the previously announced Sally Struthers (“All In The Family”)  as “Madame Gothel,” in the world premiere of RAPUNZEL AND HER HOLIDAY WISH, produced by Lythgoe Family Productions, written by Kris Lythgoe, directed by Becky Lythgoe, supervising director Bonnie Lythgoe, choreography by Becca Sweitzer and musical direction by Andy Street.  RAPUNZEL AND HER HOLIDAY WISH will begin performances on Saturday, December 7; (with a press opening on Sunday, December 8 at 5:30 pm); and runs through Sunday, December 29 at the Laguna Playhouse, 606 Laguna Canyon Road in Laguna Beach.  

 Prepare for a spellbinding journey as Rapunzel tries to escape from her tower and the wicked Madame Gothel with the help of Prince Sebastian of Newport Beach, all the while learning her true identity and making her way to the Kingdom of Laguna for the Festival of Lights. Get set for Laguna’s favorite holiday event, filled with laughter, pop music from Taylor Swift to Stevie Wonder and of course snow! 

 

Preview: Saturday, December 7 at 7:00pm

 Opens: Sunday, December 8 at 5:30pm

 Runs: Saturday, December 7 – Sunday, December 29, 2024

 Performances will be Wednesdays at 6:00pm; Thursdays & Fridays at 7:00pm; Saturdays & Sundays at 12:00pm & 4:00pm (Saturday, December 21 will perform at 11:00am; 3:00pm & 7:00pm).  

There will no performances on Weds., Dec. 25 or Friday, Dec. 27 at 7:00pm.        

There will be added performances on Monday, December 23 at 12:00 pm & 4:00pm; Thursday, December 26 at 3:00PM & Friday, December 27 at 12:00 pm & 4:00pm.

LAGUNA PLAYHOUSE

606 Laguna Canyon Rd. in Laguna Beach, CA

Tickets range from $44 – $84 (for adult tickets); 

$37 – $69 (for children 2 – 14) 

There is a $50 “Golden Ticket” add-on option for a special onstage sing-along experience during the performance and a gift bag with special surprises!  

Tickets can be purchased online at www.lagunaplayhouse.com or by calling (949) 497-ARTS (2787). Group discounts are available by calling 949-497-2787 ext. 229.  Prices subject to change.

 For tickets – visit www.lagunaplayhouse.com or call 949-497-2787

‘Fancy Nancy, Splendiferous Christmas’ at the Chance Theater

WHAT COULD BE FANCIER FOR CHRISTMAS?!
Fancy Nancy, Splendiferous Christmas

THE HIT BASED ON THE BEST-SELLING BOOK SERIES IS BACK AT THE CHANCE!

WHAT: Fancy Nancy, Splendiferous Christmas
Presents with elegant wrapping paper, festive decorations, Christmas cookies with sprinkles – and who could forget the tree? After all, there is no such thing as too much tinsel. Ooh, la la! This year, Nancy is especially excited. After selling some of her old gowns and accessories, she has enough money to buy a brand-new sparkly tree topper. She simply cannot wait to decorate the Christmas tree. But when things don’t turn out the way Nancy planned, does Christmas still stand a chance of being splendiferous?

WHEN:
Previews: December 6-8, 2024; Friday 7:00 p.m., Saturday at 11 a.m. & 1 p.m., Sunday at 4 p.m.
Opening Night: Sunday, December 8 at 6 p.m.
Performances: December 6 – 22, 2024
Wednesdays, Thursdays, Fridays 7 p.m., Saturdays at 11 a.m., 1 p.m., 4 p.m., and 6 p.m., Sundays at 1 p.m., 4 p.m., and 6 p.m.

RUNNING TIME: 1 hour, 15 minutes

TICKETS: $21-$30, with discounts for children (age 4-12), educators, veterans, seniors and students. Pay-What-You-Can preview performances are also available to ensure that live theater is accessible to everyone.

WHERE: Chance Theater @ Bette Aitken theater arts Center on the Fyda-Mar Stage
5522 E. La Palma Ave., Anaheim, CA 92807

DRIVING DIRECTIONS: Chance Theater @ Bette Aitken theater arts Center is located at 5522 E. La Palma Avenue in Anaheim Hills. Going west on La Palma from Imperial Highway, we are on the left in the front of the industrial park just past the In & Out. There is plenty of free convenient parking in front of the theater.

MORE INFOwww.ChanceTheater.com or call (888) 455-4212

TROUBIES’  HOME ALONE-LY  HEARTS CLUB BAND at The Colony Theatre

TROUBADOUR THEATER COMPANY

presents A World Premiere Holiday Musical Event!

TROUBIES’ 
HOME ALONE-LY 
HEARTS CLUB BAND

Musical Direction by Ryan Whyman

Directed and Adapted by Matt Walker

Limited Engagement begins Thursday, December 5th

at The Colony Theatre in Burbank!

TROUBIES’ HOME ALONE-LY HEARTS CLUB BAND

Directed and Adapted by Matt Walker

 

Featuring the Songs of “Sgt Pepper’s Lonely Hearts Club Band” 

by the Beatles

 

Previews: 

Thursday, December 5, at 8pm

Friday, December 6th at 8pm

Opens: Saturday, December 7 at 4pm (press opening);  

Runs: Saturday, December 7 – Sunday, December 22, 2024

Thursdays & Fridays at 8pm; 

Saturdays at 4pm & 8pm;

Sundays at 4pm & 7:30pm

 

Colony Theatre

555 N. Third St., Burbank, CA  

Tickets: $35.00 – $65.00 

Tickets available online at www.troubie.com

or by calling the box office at (818) 558-7000 

Musical Review: ¡Pasaje!

In a Hallmark or La Rosa de Guadalupe style, ¡Pasaje! brings a story of identity and self-discovery to the stage. Playwright J Quiroz sets the characters and story in South El Monte.

18-year-old Andy (Seth Keller) was raised by his single mom Angela (Sandra Dar) in Flagstaff, Arizona. Angela has never told him anything about his father. Believing they’re White, Andy decides to find out who his father is. Finding a letter and an address, Andy ends up in South El Monte, California, where he comes across a series of peculiar characters that help him find and embrace his newfound relatives and identity, once the family secrets are revealed.

The musical deals with topics of race, identity, and culture assimilation. Marcelina (Ixchel Valiente), Andy’s love interest, explains the discrimination she experienced when trying to become a ballerina. Hustlers Uno (Karol Avila) and Dos (Daniel Moises) pull tricks on people to survive, although their surprising goals are revealed at the end. Don Miguel (Joshua Duron) turns out to be the piece that links Andy to his past.

¡Pasaje! is a developmental work, so it’s a musical that still needs some work. The imagery, the costumes, and some of the attitudes exhibited by the Hustlers and Huicho (Noah Peralta) come off as trite and derogatory, especially for an educated Latino or Hispanic audience—the play also mentions the controversy around which term is the accurate one.

The musical might divide opinions in its current form. For a non-Latino audience, we’ll use Latino for simplicity, the production might seem like a light comedy with a happy ending. For a Latino audience, however, the story might be just another production with the never-ending stereotypes, although with some positive depictions: Angela is a lawyer, Marcelina doesn’t give up, and the Hustlers are not simple thugs.

Director Benjamin Perez works with what he has available and tries to present a positive message. Again, this is a developmental work, so is expected to have some flaws. The tense situations have a quick resolution without much conflict, like when Huicho and Freddy (Maximiliano Garcia) are arrested. Such scenes require more elaboration to get the audience invested in the characters and their perils. According to the information provided, the musical is on its way to Broadway. With this in mind, it is understood that J Quiroz will go back to the drawing board and rework the details. The intention is honest, and bringing South El Monte to Broadway would be a phenomenal achievement, so depicting a relegated community in a more developed manner will be far more meaningful and have a greater impact for sure.

¡Pasaje!

Sierra Madre Playhouse
87 W Sierra Madre Blvd
Sierra Madre, CA 91024

October 4, 2024 – November 3, 2024

Ticketssierramadreplayhouse.org

Written by J Quiroz. Music by Asdru Sierra. Directed by Benjamin Perez. Music director is Greg Porée.

Cast: Itzel Ximena Gonzalez, Lisa Rodriguez, Andrew M. Garcia, Sandra Dar, Ixchel Valiente, Seth Keller, Joshua Duron, Maximiliano Garcia, Daniel Moises, Karol Avila, Luzma Ortiz, Pablo Milla, and Noah Peralta.

Creative team: Choreographer is Tania Possick. Costume Designer is Diana Gomez. Set Designer is Tiffany Anguiano. Lighting Designer is Grace Berry. Script Doctor is Alex Luu. Vocal Director is Rae Shrum.

Band: Greg Porée (guitar), Joey Navarro (keys), Adan Alonso (bass).

Musical Review: The Orphans’ Revenge

All Alice White (Jessica Kent) wants is to find a good man to marry. Instead, she gets a creepy marriage proposal from Victor Van Rooper (Joseph Eastburn), a saloon owner with a questionable reputation, who offers to save the orphanage if Alice takes his offer.

The revival of this musical, originally produced by the Rep Group more than 40 years ago, is an excitingly crafted production with a creative way to allow audience participation. The story, which might seem like a devastating drama, turns into an epic melodrama where even death is fun to watch.

Orphans in dire need, a saloon troupe lead by a villain, and even a preacher are some of the odd characters that turn Alice’s world upside down. There’s also a character that appears to be the hero, Jack (Tack Sappington), who has the money to save the orphanage. But just as Alice contemplates the possibility of a happy life with him, Jack loses the money to a card game with Victor, and after a few drinks, falls prey to the evil ways of seductive vixen Carlotta (Kristin Towers Rowles), a performer with the troupe. The next morning, broke and regretful for betraying Alice, Jack becomes a pathetic image of utter defeat, with a blistering hangover, to add insult to injury. A hero no more. Virtuous Alice is then left to the whims of sinister Victor, with the risk of losing the orphanage as well.

At this point, the story becomes a race against time. Will Rose (Janet Wood), Victor’s companion, feel pity for Alice? Can half-hero Jack become a full hero? Maybe Uncle Ned (Brad Kahn) can help. To move the story along and bring the saloon feel to the stage, the musical numbers add a whimsical tone to the play. The actors get a chance to shine with their voices and dance moves. Likewise, Director Stan Mazin gets creative with the special effects. The snow might give you chills, the beer might get you thirsty, and watch out for the incoming train. Also pay attention to Uncle Ned’s speed, you blink and you might miss him. 

Mazin combines the creative elements effectively to present an appealing musical that is fun and lively. The cast is an amalgam of seasoned performers and newcomers. Once again, Joseph Eastburn graces the stage with his magnificent performance. He is a thespian with rich qualities and a valuable asset for the Group Rep. His comedy verging on sinisterness and vice versa is something you need to experience live to fully appreciate it. Also impressive is the sizzling Kristin Towers Rowles in her role of Carlotta Valdez, a Spaniard femme fatale who endangers the happiness of the hero and heroine. 

Mazin also introduces new faces: The orphans Arden Shia, Scarlett Strauss, Jackson Bethel, and Hannah Sun offer solid performances; a new generation of thespians in the making. Experiencing this musical with its melodramatic style is like going back in time to the 1800s, when this type of theatre was so popular. It is refreshing to see the Group Rep’s efforts to revive one of their most successful productions in their 50-year history.    

The Orphans’ Revenge

Lonny Chapman Theatre – Main Stage
10900 Burbank Blvd., North Hollywood 91601

October 4 — November 10, 2024
Fridays and Saturdays at 8:00pm; Sunday Matinees at 2:00pm

Ticketsthegrouprep.com

Book by Suzanne Buhrer and Gene Casey. Music by Gene Casey, Suzanne Buhrer and Jan Casey. Directed by Stan Mazin. Music direction by Andy Howe. Produced for The Group Rep by Linda Alznauer.

Cast: Sean Babcock, Jackson Bethel, George Bufford, Joseph Eastburn, Lareen Faye, Brad Kahn, Jessica Kent, Hisato Masuyama, Casey Murray, Tack Sappington, Rob Schaumann,
Kyra Schwartz, Arden Shia, Suzan Solomon, Abigail Stewart, Melissa Strauss, Scarlett Strauss, Hannah Sun, Kristin Towers Rowles, and Janet Wood.

Creative team: Mareli Mitchel-Shields (Set Design), Shon LeBlanc (Costume Design), Frank McKown (Lighting Design), Nick Foran (Sound Design).

Harry Shum Jr. To Play “Jesus” for Two Performances Only!

KRISTEN BELL, CHRISTIAN CAMPBELL, ALAN CUMMING, ANDY FICKMAN, 

KEVIN MURPHY, AMERICA OLIVO and DAN STUDNEY 

ARE FILLED WITH “GLEE” 

AS THEY WELCOME “EVERYTHING EVERYWHERE ALL AT ONCE” STAR

HARRY SHUM JR

TO THE ROLE OF “JESUS” FOR TWO PERFORMANCES ONLY!

SATURDAY, SEPTEMBER 28 & SUNDAY SEPTEMBER 29

IN THEIR CRITICALLY ACCLAIMED, SMASH-HIT PRODUCTION OF

REEFER MADNESS 

THE MUSICAL

Book by Kevin Murphy & Dan Studney

Lyrics by Kevin Murphy    Music by Dan Studney

Musical Direction by David Lamoureux

Direction and Choreography by Spencer Liff

 

The “MADNESS” CONTINUES through 

SUNDAY, OCTOBER 27 at the Whitley Theatre in Hollywood!

 

PERFORMANCES: Wednesdays, Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm.

 Arrive up to 2 hours early to enjoy food and libations in the theatre adjacent “Victory Garden” restaurant and also enjoy a post-show live music in “The Reefer Den.”

 

The Historic Whitley Theatre

6555 Hollywood Blvd., Hollywood, CA  

 

Ticket Prices: $39 – $175 (with limited premium seats available)

Prices subject to change; Special group rates available for parties of 8 or more.  

 

For tickets – visit www.reefermadness.com

Rubicon Theatre of Ventura presents “ONCE”

Rubicon Theatre of Ventura Announces Creative Team and Cast 

For the Grand Finale of the Company’s 25th Anniversary Season, 

the Tony Award-Winning Musical

ONCE

September 11 – October 6, 2024

Book by Enda Walsh

Music and Lyrics by Glen Hansard and Markéta Irglová

Directed by Michael Michetti with 

Musical Direction by Julia Hoffman and Choreography by Kitty McNamee

Rubicon Theatre celebrates the company’s 25th Anniversary Season through September 30, 2024 at the theatre’s home The Karyn Jackson Theatre, located at 1006 E. Main Street, Ventura, CA  93001. The season includes five comedies, dramas and musicals.  

 

ONCE | September 11 – October 6, 2024 (Low-Priced Previews Sept. 11 – 13/Press Opening Sept 14)

Perf. Schedule: Wed. at 2 and 7 p.m., Thurs. at 7 p.m., Fri. at 7 p.m., Sat. at 2 and 7 p.m., Sun at 2 p.m. 

Prices: $30 – $89.50; Discounts for Subscribers, Students, Military and Equity

Tickets: (805) 667-2900 www.rubicontheatre.org  

Book by Enda Walsh

Music and Lyrics by Glen Hansard and Markéta Irglová

 Set in Dublin, an Irish busker and a Czech immigrant are drawn together by their shared love of music. Over the course of one fateful week, an unexpected friendship quickly evolves into a powerful but complicated love story, underscored by compelling, emotionally rich music. Featuring songs from the critically acclaimed film, including the Academy Award-winning song “Falling Slowly,” this achingly beautiful, joyously uplifting show strikes an unforgettable chord in the hearts of audiences and speaks to the power of music to connect us all. 

  “The show wins its standing ovations the old-fashioned way: with a love story, great songs, compelling characters and inventive stagecraft. At this point in Broadway history, this feels downright revolutionary.”

– New York Post

RACHEL BLOOM & MATTHEW MORRISON to play “JESUS” in “REEFER MADNESS THE MUSICAL”

KRISTEN BELL, CHRISTIAN CAMPBELL, ALAN CUMMING, ANDY FICKMAN, 

KEVIN MURPHY, AMERICA OLIVO and DAN STUDNEY 

PRAISE “JESUS” AS THEY WELCOME

RACHEL BLOOM 

WEDNESDAY, SEPTEMBER 4 – SUNDAY, SEPTEMBER 8

& MATTHEW MORRISON

WEDNESDAY, SEPTEMBER 11 – SUNDAY, SEPTEMBER 15

TO THE ICONIC ROLE IN UPCOMING PERFORMANCES

OF THEIR CRITICALLY ACCLAIMED, SMASH-HIT PRODUCTION OF

REEFER MADNESS 

THE MUSICAL

Book by Kevin Murphy & Dan Studney

Lyrics by Kevin Murphy    Music by Dan Studney

Musical Direction by David Lamoureux

Direction and Choreography by Spencer Liff

 

The RAPTUROUS Theatrical HIT of the Summer has EXTENDED through 

SUNDAY, OCTOBER 27 at the Whitley Theatre in Hollywood!

REEFER MADNESS THE MUSICAL

Book by Kevin Murphy & Dan Studney

Lyrics by Kevin Murphy

Music by Dan Studney

Musical Direction by David Lamoureux

Direction and Choreography by Spencer Liff

 

EXTENDED through SUNDAY, OCTOBER 27, 2024

 

PERFORMANCES: Wednesdays, Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm.

 

RACHEL BLOOM (Crazy Ex-Girlfriend) will play the role of “Jesus” this weekend only:  Wednesday, September 4 through Sunday, September 8 (with the exception of Friday, September 6).

 

MATTHEW MORRISON (“Glee) will play the role of “Jesus” Wednesday, September 11 through Sunday, September 15.

 

Arrive up to 2 hours early to enjoy food and libations in the theatre adjacent “Victory Garden” restaurant and also enjoy a post-show live music in “The Reefer Den.”

 

The Historic Whitley Theatre

6555 Hollywood Blvd., Hollywood, CA  

 

Ticket Prices: $39 – $175 (with limited premium seats available)

Prices subject to change; Special group rates available for parties of 8 or more.  

 

For tickets – visit www.reefermadness.com

Musical Review: Reefer Madness, The Musical

The war on drugs, whether real or imaginary, is not a new concept in America. Reefer Madness, the original film, was premiered in 1936 as a cautionary tale. In 1937, the Marihuana Tax Act came into effect, leading to the criminalization of the drug. With this federal prohibition in mind, Reefer Madness, The Musical takes the audience back in time, presenting the use of cannabis not as a moral lesson, but as a parody of the general panic of the 1930s.

With a few tweaks here and there, the musical sticks pretty much to the original story. Jack (David T. Crane) and Mae (Nicole Parker) are pushing marijuana out of their home, marked with the number 420. Hanging out at their place is Ralph (Andre Joseph Aultmon), a college dropout hooked on weed. Another character in the house is Sally (Jane Papageorge), also addicted to marijuana. She ends up selling her kid while heavily stoned. Jimmy (Anthony Norman) and Mary (Darcy Rose Byrnes) are the lovebirds who also succumb to the Devil’s lettuce.

The choreography is energetic, including tap dancing and some disco moves during Jesus’ (Rory O’Malley) number, “Listen to Jesus, Jimmy”. The inclusion of Jesus and the Devil as the two moral opposites give the musical an edge and a satirical element to the core of the story.

The red lighting symbolizing the sexual awakening and the dangers of criminal activity conveys effectively the situation of the characters: Living in the fast lane; tragedy just around the corner. The innuendos of BDSM and the presence of the Devil make the musical numbers even more sinful and attractive.

In terms of text, the book by Kevin Murphy & Dan Studney is playful and gives the actors plenty of opportunities to shine through the delivery of their lines and the physical comedy involved in the action. The two characters showing the most important transformations are Mary and Jimmy, but it is Mary who changes more dramatically. From a naïve girl to the vixen sadist with a whip, she embodies the aggressive loss of inhibitions, all thanks to the use of marijuana. The text pays homage to Mae West as well. Sally delivers one of West’s most famous lines involving feet and inches, but backwards.

Director and choreographer Spencer Liff does a fantastic job utilizing the excellent elements at his disposal. He unifies the talent and creative components of this production to present a kinky, hilarious, and engaging performance. The limits of legality and the temptation of illegality contribute to create an alluring story that becomes timeless and reflects our complicated relationship with a humble plant that has been used by humans for thousands of years.

Reefer Madness, The Musical

The Historic Whitley Theatre

6555 Hollywood Blvd., Hollywood, CA

Extended through Sunday, October 27

Wednesdays, Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm.

Ticketsreefermadness.com

Book by Kevin Murphy & Dan Studney. Lyrics by Kevin Murphy. Music by Dan Studney. Musical Direction by David Lamoureux. Direction and Choreography by Spencer Liff. REEFER MADNESS THE MUSICAL is executive produced by Wendy Parker and co-produced by Maia Falconi-Sachs, Madison Mohn, Nick Padgett, Matthew A. Rosenthal, Jason Turchin, Amirose Eisenbach, Josie Yount, and Raji Kalra. Presented by Kristen Bell, Christian Campbell, Alan Cumming, Andy Fickman, Kevin Murphy, America Olivo, and Dan Studney.

Cast: Anthony Norman, Darcy Rose Byrnes, J. Elaine Marcos, Nicole Parker, Thomas Dekker, Bryan Daniel Porter, Andre Joseph Aultmon, Claire Crause, Jane Papageorge, Alex Tho, David T. Crane, Rory O’Malley, and Natalie Holt MacDonald.

Creative team: Production Design by Mark A. Dahl; Lighting Design by Matt Richter; Sound Design by Charles Glaudini; Costume Design by Pinwheel Pinwheel. The Casting is by Michael Donovan, CSA and Richie Ferris, CSA. The Production Stage Manager is Melissa Ritcher. The Company Manager is Paul Nygro.

Music band: David Lamoreaux (Conductor/Drums), Jordan Lamoreaux (Bass), Max Wagner (Guitar), Andrew Lederman (Keyboard 1), and David Catalan (Keyboard 2).

¡Pasaje! a New Musical about a Young Man who Discovers Family Secrets

Sierra Madre Playhouse
Presents the World Premiere of

¡Pasaje!
a New Musical about a Young Man who Discovers Family Secrets

Written by San Gabriel Valley Native and First-Generation Salvadoran American J. Quiroz

Music and Lyrics by Multi-GRAMMY Award-Winning LA Native Asdru Sierra
Directed by Hacienda Heights Raised Benjamin Perez

 The Two-Act Musical Is a Riveting Coming-of-Age Story
Deeply Rooted in LA and Celebrating Southern California’s Vibrant Latiné Community.

October 4 – November 3, 2024

WHAT:

Sierra Madre Playhouse Presents
¡Pasaje!
Book by J. Quiroz

Music by Asdru Sierra

 

PRODUCTION TEAM:

Director: Benjamin Perez

Music Director: Greg Poree

Choreographer: Tania Possick

Costume Designer: Diana Gomez

 

CAST:

Seth Keller (Andy Martin)

Kayla Christine Quiroz (Marcelina)

Karol Avila (Hustler Uno)

Daniel Moises (Hustler Dos)

Sandra Dar (Angela Martin)

Lisa Rodriguez (Beatriz Gonzalez)

Noah Peralta (Guicho)

Andrew M. Garcia (Ensemble/Andy Understudy)

Pablo Milla (Ensemble/Hustler Dos Understudy)

Ixchel Valiente (Ensemble/Marcelina Understudy)

Itzel Ximena Gonzalez (Ensemble/Hustler Uno Understudy)

Joshua Duron (Don Miguel)

Maximiliano Garcia (Freddy)

 

WHEN:

Friday, October 4, 8:00 PM

Saturday, October 5, 8:00 PM

Sunday, October 6, 4:00 PM

Friday, October 11, 8:00 PM

Saturday, October 12, 8:00 PM

Sunday, October 13, 4:00 PM

Friday, October 18, 8:00 PM

Saturday, October 19, 8:00 PM

Sunday, October 20, 4:00 PM

Friday, October 25, 8:00 PM

Saturday, October 26, 8:00 PM

Sunday, October 27, 4:00 PM

Friday, November 1, 8:00 PM

Saturday, November 2, 8:00 PM

Sunday, November 3, 4:00 PM

 

WHERE:

Sierra Madre Playhouse
87 West Sierra Madre Boulevard
Sierra Madre, CA 91024

 

RUN TIME:

Approximately 2 hours with intermission.
ADVISORY:
some language

 

TICKETS & INFORMATION:

Tickets are $12 – $45

626.355.4318

www.sierramadreplayhouse.org