Fringe Review: The Connie Converse Universe

The Connie Converse Universe. Starring Hope Levy. Produced by Zipperbug Music. Directed by Tom Lavagnino.

One day in August 1974, Connie Converse packed her belongings and disappeared. Up to this day, no one knows what happened to her. Connie was considered the first person to be labeled singer/songwriter. She performed for close friends during the early 1950s. Her exceptional talent as a singer/songwriter however, did not reach the popularity she wanted.

Hope Levy pays tribute to Connie in her Fringe production The Connie Converse Universe, performing some of Connie’s most iconic songs. The main value of this production is remembering the implicit messages of Connie’s music. Levy elaborates on the possibilities that contributed to Connie’s disappearance.

Connie performed in 1954 on The Morning Show with Walter Cronkite, her only known public appearance. Despite her talent as a singer/songwriter, she seemed to be ahead of her time, not to mention her activism against racism and being considered a communist agent for her writings in the Journal for Conflict Resolution, where she worked as a writer and managing editor. These factors might have contributed to her lack of popular appeal back then.

Hope Levy is a folk and pop singer/songwriter, aligning with Connie’s musical artistry. Levy’s voice fits her folksy style, and has an evocative and rich texture that integrates smoothly with the introspective nature of Connie’s lyrics.

The Connie Converse Universe is insightful; it’s a documentary and a homage to an artist who deserved more attention in her lifetime. Fortunately, fellow artists like Levy continue to keep Connie’s legacy alive, introducing her poetry and music to new generations. The audience reacted enthusiastically to Levy’s outstanding performance, giving her a well-deserved ovation.

The Connie Converse Universe

Actors Company (The Little Theatre)
916 N. Formosa Ave.
Los Angeles, Ca 90046

Sunday June 23 @11am

Friday June 28th @5:30pm

Sunday June 30th @12:30pm

Ticketshollywoodfringe.org/projects/10248

Starring Hope Levy. Produced by Zipperbug Music. Directed by Tom Lavagnino.

5-STAR THEATRICALS presents THE SOUND OF MUSIC

5-STAR THEATRICALS

presents one of the most beloved family musicals of all time!

 THE SOUND OF MUSIC

Music by Richard Rodgers   
Lyrics by Oscar Hammerstein II
Book by Howard Lindsay and Russel Crouse
Suggested by “The Trapp Family Singers” by Maria Augusta Trapp
Musical Direction by Anthony Lucca
Choreography by Christopher Albrecht
Directed by Richard Israel 

“The Hills are Alive” starting Friday, July 19

at the Bank of America Performing Arts Center!

 

OPENS: FRIDAY, JULY 19 at 7:30pm (press opening) and runs through 

SUNDAY, JULY  28 at 1:00pm

 

Performances are Fridays at 7:30pm; Saturdays at 1:00pm and 7:30pm; Sundays at 1:00pm; with an added performance on Thursday, July 25 at 7:30pm.

 

BANK OF AMERICA PERFORMING ARTS CENTER – KAVLI THEATRE

2100 Thousand Oaks Blvd, in Thousand Oaks

Tickets range from $17 – $90

For tickets, please call (805) 449-2787. 

 

For theatre information, call (805) 449-ARTS (2787) or buy online at www.5startheatricals.com.  

Student, Senior and Group discounts are available.

Jane Austen’s Emma, The Musical

Jane Austen’s Emma, The Musical

WHAT: Jane Austen’s Emma, The Musical

Jane Austen’s enduring love story is brought to life as a romantic-comedy musical. The story revolves around Emma, a well-meaning, but disaster-prone matchmaker, who ignores her own romantic feelings while setting out to find a suitor for her friend Harriet. Her efforts go awry, of course, leading to comic complications. We invite you to fall in love again with one of Jane Austen’s most adored characters, featuring an intelligent and buoyant score from Tony-nominated composer Paul Gordon (Jane Eyre).

WHEN:

Previews: November 29 – December 6, 2024; Friday 8 p.m., Saturday at 8 p.m.  Sunday 7 p.m.

Performances: November 29 – December 22, 2024

Fridays at 7 p.m. (only Dec 1), Saturdays at 3 p.m. and 8 p.m. & Sundays at 3 p.m., and 6 p.m.

****

RUNNING TIME: 2 hours, 30 minutes with intermission

WHERE: Chance Theater @ Bette Aitken theater arts Center on the Cripe Stage

5522 E. La Palma Ave., Anaheim, CA 92807

TICKETS: $55-59

MORE INFO: www.ChanceTheater.com or call (888) 455-4212

SAM

“SAM”

Premieres at the Hollywood Fringe Festival

Prepare for an unparalleled theatrical experience with “SAM”, a one-woman musical that defies conventions and captivates audiences with its blend of existential comedy, showbiz satire, and meta musical numbers. Join Sam Labrecque, a seasoned actor, singer, and comedian, on a voyage through her career featuring the eclectic voices in her head. Through an inspiring exploration of identity, “SAM” unveils the raw struggles of a pre-successful career as an actor, taking you beyond the glitz of Hollywood. “SAM” opens June 6th for nine performances at the Broadwater Studio.

WHERE: The Broadwater Studio – 1078 Lillian Way, Los Angeles, CA 90038

PERFORMANCE DATES::  Tickets go on sale May 1, 2024

Thursday | June 6th @ 6:30pm (SOLD OUT)

Monday | June 10th @ 8pm (SOLD OUT)

Friday | June 14th @ 7pm (OPENING NIGHT)

Sunday | June 16th @ 12:30pm

Wednesday | June 19th @ 6:30pm

Saturday | June 22nd @7:30pm

Sunday | June 23rd @ 11:00am

Saturday | June 29th @ 2:00pm

Sunday | June 30th @ 8:00pm (Closing Night)

Starring: Sam Labrecque

Composer: Edith Mudge

TICKET INFO: $15.00 –  The Hollywood Fringe Festival – sam

Admission age: 13+ (some profanity use for comedic effect).

Running time 60 minutes.

Theatre Review: Duran DurAntony & Cleopatra

Troubadour Theater Company presents the World Premiere of Duran DurAntony & Cleopatra. Musical Direction by Ryan Whyman. Directed and Adapted by Matt Walker.

Matt Walker rewrites the love story of Mark Antony and Cleopatra, adding the music of Duran Duran to energize the characters and the plot. Based on Shakespeare’s Antony and Cleopatra, this slapstick musical is a fine example of a theatrical form known as commedia dell’arte.

The action on stage is reminiscent of The Carol Burnett Show sketches, with actors occasionally breaking character due to funny dialogue or even hecklers pitching in. And it’s exactly that, audience participation, one of the main attractions of the show.

Antony (Matt Walker) falls in love with Cleopatra (Cloie Wyatt Taylor), but for political convenience, Antony ends up marrying Octavius Caesar’s (Rick Batalla) sister, the sultry Octavia (Philip McNiven). From there, misunderstandings, rage, and killer songs become the norm. The dialogue is peppered with sexual innuendos, adding a mischievous element to match the action on stage. The music, the dances, and the physical comedy make it a highly kinetic play to keep things engaging and entertaining. Walker, Batalla, and Beth Kennedy lead the comedy, delivering an outstanding performance.

The background graphics and the special effects contribute  creativity and comedy to the production. There’s ocean breeze, waves, a shooting where bullets don’t make it to the other side, snake bites (not real), and self-inflicted wounds (not real either). The costumes and live music also capture the exceptional effort of the production to put together a mesmerizing spectacle that combines a classical story and the timeless music of one the most influential rock bands of recent history.

In Duran DurAntony & Cleopatra, tragedy becomes an excuse to unleash mayhem, leaving behind a trail of fun, comedy, and music in an exciting and festive environment.

Duran DurAntony & Cleopatra

The Colony Theatre

555 N Third St.

Burbank, CA 91502

June 7th through June 16th

Thursdays and Fridays at 8:00 pm, Saturdays at 4:00 pm & 8:00 pm, and Sundays at 4:00 pm & 7:30 pm.

Ticketstroubie.com

Musical Direction by Ryan Whyman. Directed and adapted by Matt Walker.

Cast: Beth Kennedy, Rick Batalla, Mike Sulprizio, Rob Nagle, Cloie Wyatt Taylor, John Paul Batista, Katie Kitani, Mark McCracken, Philip McNiven, Suzanne Jolie, and adaptor/director Matt Walker. Troubadorchestra: Kevin Stevens on drums, Ryan Whyman on piano/MD, Carlos Rivera on bass, and Mike Abraham on guitar.

Creative team: Lighting Design by Bo Tindell; Sound Design by Robert Arturo Ramirez; Projection Design is by Rick Batalla; Costumer: Suzanne Narbonne (Using designs by Sharon McGunigle); Wig Design is by Suzanne Jolie Narbonne. The Music Supervisor is Eric Heinly. The Production Stage Manager is Corey Womack.

Hold Me Down

HOLD ME DOWN

Get Wrapped Up in a Healing Journey of Kink and Bondage at This Year’s Hollywood Fringe; Knot One to Miss!

Los Angeles, CA. May 29, 2024. Jackie Yangyuen presents “Hold Me Down,” a one-woman musical debuting at this year’s Hollywood Fringe. This autobiographical musical explores a woman’s journey to healing through bondage and kink. In “Hold Me Down,” Jackie Yangyuen performs original music, embodies multiple characters, and showcases captivating choreography, all set against a backdrop of ropes symbolizing her emotional freedom.

VENUE:  Asylum @ Stephanie Feury Studio Theatre – 5636 Melrose Ave, Los Angeles, CA

PERFORMANCES:
Sun, June 9, 5:30 PM (Preview Show)
Sat, June 15, 7:30 PM
Mon, June 17, 8:30 PM
Sat, June 22, 10:00 PM (Plus an additional 30 min Q&A segment)
Sun, June 30, 2:30 PM

TICKET PRICES:
$15 (regular)
$20 (ticket + bondage plushie)
$22 (ticket + bondage earrings)

TICKET LINKhttps://www.hollywoodfringe.org/projects/10490

Content Warning: 18+ (rape/sexual assault, verbal abuse, gambling addiction, mental health (depression, suicide), bondage and fetish)

Theatre Review: Fancy Nancy, The Musical

Chance Theater presents Fancy Nancy, The Musical. Book & lyrics by Susan DiLallo. Music by Danny Abosch. Music direction by Robyn Manion. Based on the popular “Fancy Nancy” books by Jane O’Connor and illustrated by Robin Preiss Glasser. Based on original staging by Kelly Todd. Directed by Laura M. Hathaway.

The most fancy Francophile (that’s fancy for a person who loves everything French) is back in Anaheim at the Chance Theater. Joining Nancy (Jillian Batt) on stage are her friends Bree (Juliet Parker), Lionel (Matt Takahashi), Rhonda (Fiona Burrows), Wanda (Alyssa Corella), and of course, her favorite doll Marabelle Lavinia Chandelier. Overseeing the little rascals is Nancy’s mom, Mrs. Clancy (Katelyn Spurgin).

Nancy and Bree get excited about the upcoming school dance titled “Deep Sea Dances”, in which they wish to play the main character of the dance, a fancy mermaid. However, the role goes to another girl. When that girl gets injured and is unable to play the role, Nancy hopes to be the replacement. What happens next will challenge her sense of true friendship, and with the help of her mom, Nancy will learn an important life lesson.

The musical has been played at the Chance Theater since 2015. For the 2024 performance, Director Laura M. Hathaway uses a colorful stage design to highlight Nancy’s fancy world. The lyrics by Susan DiLallo and the music by Danny Abosch set a playful and energetic tone, infusing fun and movement to the play with the catchy songs and the amusing dances. The energy on stage is contagious and the audience—both kids and adults—ends up singing and dancing to the tunes.

The musical is based on the book Fancy Nancy and the Mermaid Ballet, one in a series of books about Nancy. The play captures the fantastical world of the six-year-old and her friends. It’s a fun and simple story with a heartfelt message at the center, an ideal excuse to get out of the house and bring the kids to the theatre to experience a live performance of one the most famous and loved characters in recent history.

Fancy Nancy, The Musical

Chance Theater @ Bette Aitken Theater Arts Center on the Cripe Stage
5522 E. La Palma Ave.,
Anaheim, CA 92807

Performances: May 24 – June 9, 2024

Fridays 7 p.m (only May 24), Saturdays at 11 a.m., 1 p.m., 4 p.m., and 6 p.m. & Sundays at 1 p.m., 4 p.m., and 6 p.m.

Ticketschancetheater.com

Book & lyrics by Susan DiLallo. Music by Danny Abosch. Directed by Laura M. Hathaway. Music direction by Robyn Manion. Based on the popular “Fancy Nancy‘ books by Jane O’Connor and illustrated by Robin Preiss Glasser. Based on original staging by Kelly Todd. Executive Season Producers: Bette & Wylie Aitken. Associate Season Producers: The Family of Mary Kay Fyda-Mar.

Cast: Jillian Batt/Kristin Cortines (Nancy), Juliet Parker/Zoe Godfrey-Grinage (Bree), Fiona Burrows/Cecily Dowd (Rhonda), Alyssa Corella/Claire Manson (Wanda), Matt Takahashi/Elijah Douglas (Lionel), Katelyn Spurgin/Haley Katherine (Mrs. Clancy).

Creative team: Scenic Designer: Megan Hill. Costume Designer: Christina Marie Perez. Lighting Designer: Masako Tobaru. Stage Manager: Ben Green.

Theatre Review: The Last Five Years

Sierra Madre Playhouse presents The Last Five Years. Book, lyrics, and music by Jason Robert Brown. Directed by Josh Shaw. Music Director is Joshua Foy.

The last Five Years is the story of Playwright Jason Robert Brown‘s first marriage. The play is so much his personal experience that he was sued by his first wife and the lawsuit had to be settled just before the New York premiere back in 2002. The story is simple, two characters, Cathy (Jackie Bonsignore) and Jamie (Jayde Mitchell) get married. He becomes a successful novelist while Cathy continues to be a struggling actress. His success and her failure take a toll on their marriage and start to drift them apart.

As simple as it might sound, the story travels because relationships are a central part of our lives, so all of us can easily relate to the characters and start feeling for them. Jamie and Cathy sing their story separately except for “A Miracle Would Happen/When You Come Home to Me”, where they sing together. The musical contains 14 songs in total.

Brown used a clever storytelling tool to make the musical even more appealing. Cathy tells the story backwards, beginning the play with “Still Hurting”, a song about the end of their marriage. Jamie, on the other hand, tells the story in chronological order beginning with “Shiksa Goddess”, a song about his happiness find a girl like Cathy. The contrast in emotions of those two first songs sets the tone of the play.

Bonsignore shows her soprano skills and delivers a magnetic performance. She is able to portray the nuances of a woman in love and the devastating crash that comes after a stagnant career and marital failure. Her voice effectively communicates the emotional states of excitement and sadness, the two ironic elements of her character.

As for Mitchell, his voice sounds full and rich, matching the attributes of his character. He blends with ease the transition from an optimistic novelist to a man consumed in his own success, unable to resist the temptations of fame.

The music direction by Joshua Foy is fantastic. The musicians bring an air of romanticism and fill the stage with a magical score that transmits the ebbs and flows of an intense relationship. Director Josh Shaw put together an excellent group of artists dedicated to their craft who deliver a fascinating production in the iconic Sierra Mare Playhouse. This musical with relatable topics engages and entertains to make it an excellent experience in an intimate theater. Due to the length of the run, the show is double cast. Margaret Berkowitz and Jackie Bonsignore play Cathy and Jayde Mitchell and Bryan Mittelstadt play Jamie. Bonsignore and Mitchell performed on Saturday May 25, the day we attended to review the play.

The Last Five Years

Sierra Madre Playhouse
87 West Sierra Madre Boulevard
Sierra Madre, CA 91024

May 17 – June 16, 2024 (see Sierra Madre Playhouse’s website for full schedule)

Tickets: sierramadreplayhouse.org

Book, lyrics, and music by Jason Robert Brown. Directed by Josh Shaw. Music Director is Joshua Foy.

Cast (double cast): Cathy: Margaret Berkowitz. Cathy: Jackie Bonsignore. Jamie: Jayde Mitchell. Jamie: Bryan Mittelstadt.

Musicians: Jon Lee Keenan (Bass), Jessica Chen (Violin), Alexander Elliott Miller (Guitar), Betsy Rettig (Cello 2), and Derek Stein (Cello 1).

Creative team: Set/Props: Josh Shaw. Costume Design: Hailey Springer. Lighting Design: Grace Berry. Stage Manager: Bri Westad. Assistant Stage Manager: Carolyn Wasson. Substitute Stage Manager: Colton Bassett.

Fancy Nancy, The Musical

Chance Theater is bringing fantabulous back with…

Fancy Nancy, The Musical

The wildly popular musical adaptation of the best-selling book series is back for the 7th time!

WHAT: Fancy Nancy, The Musical

This TYA favorite returns to the Chance for the seventh time. Bring the family and watch as Fancy Nancy and her friends Bree, Rhonda, Wanda, and Lionel get ready to perform in their very first show, “Deep Sea Dances.” Nancy is positive, that’s fancy for 100 percent sure, that she and Bree will be picked to be mermaids. When another girl wins the coveted role of the mermaid, Nancy is stuck playing a dreary, dull tree. Can Nancy bring fancy flair to her role, even though it isn’t the one she wanted?

WHEN:

Previews: May 24-26, 2024; Friday 7 p.m., Saturday at 4 p.m. & 6 p.m., Sunday at 1 p.m. & 4 p.m.

Performances: May 24 – June 9, 2024

Fridays 7 p.m (only May 24), Saturdays at 11 a.m., 1 p.m., 4 p.m., and 6 p.m. & Sundays at 1 p.m., 4 p.m., and 6 p.m.

RUNNING TIME: 1 hour, 10 minutes

WHERE: Chance Theater @ Bette Aitken theater arts Center on the Cripe Stage

5522 E. La Palma Ave., Anaheim, CA 92807

TICKETS: $31-35

MORE INFO: www.ChanceTheater.com or call (888) 455-4212

ALICE, FORMERLY OF WONDERLAND

ENSEMBLE THEATRE COMPANY 

Presents the Capstone Production of its 2023-24 Season,

A WORLD PREMIERE MUSICAL!

ALICE, FORMERLY OF WONDERLAND

 Written by Mark Saltzman

Musical Arrangements by Jack Lipson

Directed by Jim Fall

 

Performances begin Thursday, May 30 at The New Vic Theatre in Santa Barbara

 

May 6, 2024…Santa Barbara, Calif… Ensemble Theatre Company of Santa Barbara (ETC), Santa Barbara’s only professional theatre company, is proud to announce the capstone production of its 45th season, the world premiere musical, ALICE, FORMERLY OF WONDERLAND, written by seven-time Emmy Award winning writer Mark Saltzman (Romeo and Bernadette) and directed by Jim Fall (Trick), with musical arrangements by Jack Lipson. 

 

This enchanting new musical tells the true story of the secret romance between the real-life Alice, and Prince Leopold, son of Queen Victoria and great-granduncle of Prince Harry. As a child, Alice was Lewis Carroll’s inspiration for the girl who fell down the rabbit hole, but now Alice is falling in love, despite the furious objections of the Queen. To honor the a cappella traditions at Oxford, the music of ALICE, FORMERLY OF WONDERLAND is performed without accompaniment. ALICE, FORMERLY OF WONDERLAND will perform from Thursday, May 30 through Sunday, June 16, 2024 (with a press opening on Saturday, June 1 at 8:00pm) at The New Vic Theatre, 33 W. Victoria Street.

 

“The creation of unique pieces of living art is at the heart of what we do every day at ETC,” said Scott DeVine, ETC’s executive director. “Every production at ETC is original from the costumes we create to the scenery we build and the casting decisions we make. That process is never more exciting, dynamic or engaging as when we are working on a world premiere production. The ability to partner with a playwright in developing the script, and presenting the production to an audience for the very first time anywhere, is a special experience with an energy unlike anything else. I can’t wait to share this remarkable new story with our community and the world.”

“I’m deeply delighted to see this long-gestating project of mine come to life at the Ensemble Theatre Company of Santa Barbara,” comments writer Mark Saltzman. “The relationship of Alice Liddell and Prince Leopold first appeared on my radar when commentators began analyzing the Harry-Meghan love match and mentioned that Harry’s great-granduncle Leopold was similarly in love with a celebrity. I endeavored to bring a 21st century sensibility to this story of 1872 Oxford, and folded in references to the racism, sexism and colonialism of society of that time. I’m also pleased to present on stage, with historical accuracy, a character with a disability as a romantic lead.”

 

ABOUT THE CREATIVE TEAM AND CAST

JIM FALL (Director) has had a diversified directing career spanning over 35 years, including theatre, film and TV. His recent theatre directing credits include the world premieres of: Mark Saltzman’s musical about Rodgers and Hart; Falling for Make Believe at the Colony Theater, Primal Scream, The Musical, music by David Foster, book and lyrics by Arthur Janov, at the Smothers Theater, Pepperdine University, Howard Skora’s comedies Miserable With and Ocean View and Damaged Furniture at the Whitefire Theater, and Gary Lennon’s The Interlopers at the Bootleg Theater. His TV movie credits include: “Wedding Wars” starring John Stamos and James Brolin, “Holiday Engagement” starring Shelley Long, “Holly’s Holiday,” and “Kristin’s Christmas Past.” He also directed episodes of “Grosse Pointe,” and “So NoTORIous,” VH1’s scripted comedy starring Tori Spelling and Zachary Quinto. His feature film credits include: Trick, starring Christian Campbell and Tori Spelling, which premiered at the Sundance Film Festival, and Disney’s The Lizzie McGuire Movie, starring Hilary Duff. He is currently developing “The Lord Won’t Mind,” a TV series based on Gordon Merrick’s 1971 New York Times bestseller, Hate: A Love Story, a feature film based on the true story of Al Snyder who took the Westboro Baptist Church to the Supreme Court after they protested his military son’s funeral, and Out In The Vineyard, an original movie musical set in Sonoma, CA, shooting in early 2025.

MARK SALTZMAN (Playwright and Musical Director) began his career in New York with Jim Henson, writing for the Muppets. His Sesame Street sketches and songs (including “Caribbean Amphibian”) earned him seven Emmy Awards, but behind Kermit’s back, Mark was writing shows for Soho Rep, 13th Street Theater, and the Village Gate, where he co-wrote the long-running revue A, My Name is Alice. Later, Mark collaborated with Jerry Herman on the tv movie Mrs. Santa Claus, starring Angela Lansbury.  For the movies, he wrote TheAdventures of Milo and Otis, Three Ninjas Kick Back and has had screenplays commissioned by SONY, Universal, and Disney. His TV movie The Red Sneakers, directed by and starring Gregory Hines was nominated for a Writers Guild Award. His first full-length stage work was The Tin Pan Alley Rag, Pasadena Playhouse 1997, nominated for five Los Angeles Ovation Awards including Best Musical. It went on to play theaters throughout the US, including a run at New York’s Roundabout Theater, nominated as Best Musical by the Outer Critics Circle. Other works for stage: Falling for Make Believe based on the life of Lorenz Hart AT LA’s Colony Theater, directed Jim Fall. Mr. Shaw Goes to Hollywood, Laguna Playhouse and now optioned for a film. Romeo and Bernadette, Off-Broadway in 2022, two Drama Desk Award nominations for lyrics and book as well as a Critic’s Choice nod from the NY Times. Cast album appearing this fall.  Mark is a graduate of Cornell’s English and theater departments.  He runs The Arnold Glassman Fund, which offers grants to worthy documentaries. 

  

ETC has assembled a stellar cast, featuring Matthew Greenwood (The 8th Fold at the The Duchess Theatre, London; Harry in The One Direction Story at The Lyric Theatre, London) as “Caterpillar” & “Alfred Rowston,” Margie Mays (“American Idol,” “Call Me, Kat”) as “Alice Liddell,” Bree Murphy (National Tour of Les Miserables; Musical Theatre West’s 42nd Street) as “Queen Victoria,” “Mrs. Pettigrew,” & “Victor,” Sam O’Byrne (Salvage at the Hudson Theatre; Slings and Arrows at the Broadwater) as “Prince Leopold,” Sawyer Patterson (making his regional theatre debut) as “Edward Brockett,” and Brent Schindele (ETC’s Striking 12, Marry Me A Little) as “Dean Henry Liddell.”

 

The production’s design team includes scenic designer Harry Feiner, lighting designer Michael Rathbun, sound designer Kate Wecker and costume designer Michael Mullen.

 

Producers for ALICE, FORMERLY OF WONDERLAND are Gwen and Henry Baker and Dana White; Associate Producer is Joan Davidson; and Supporting Producers are Paul Longanbach and Donald Polk.

ABOUT THE PERFORMANCE SCHEDULE

ALICE, FORMERLY OF WONDERLAND previews on Thursday, May 30 at 7:30pm & Friday, May 31 at 8:00pm; opens on Saturday, June 1 at 8:00pm (press opening) and runs through Sunday, June 16, 2024 at 2:00pm at The New Vic, 33 W. Victoria Street in Santa Barbara. 

 

Performances are Wednesdays and Thursdays at 7:30pm, Fridays and Saturdays at 8:00pm, and Sundays at 2:00pm; with added performances on Sunday, June 2 at 7:00pm, Tuesday, June 4 at 7:30pm, Saturday, June 8 at 3pm, and Wednesday, June 12 at 2pm.

 

Ticket prices range from $40 – $86. All Patrons 35 and under are always $35. Student tickets are $25. Single tickets are available through the ETC box office at (805) 965-5400, or online at etcsb.org. Prices subject to change. 

#     #     #

 ENSEMBLE THEATRE COMPANY, a member of the League of Resident Theatres (LORT), is Santa Barbara’s sole professional Equity theater company. ETC is committed to producing the highest professional quality theater in Santa Barbara, employing accomplished professional actors and stage managers. 

 

ETC has been home to several world, American and West Coast premieres and has received recognition and accolades throughout its enduring history, Including being recognized in an Equity theater company by the Actors’ Equity Association, the labor union for American actors and state managers. As the sole professional Equity theatre company in Santa Barbara, ETC brings a wide range of accomplished theatrical professionals to the region. For more information, visit our website at etcsb.org

PHOTO CREDIT: Zach Mendez