Interview with Dr. Paul J. Zak (aka “Dr. Love” from “The Bachelor”), David Ihrig, and Eloise Coopersmith

Irvine Theater Company and Dr. Paul J. Zak (aka “Dr. Love” from “The Bachelor”) have teamed up to create a wholly unique theatrical experience this summer for lovers, those in search of love, and fans of all things cheesy (like Hallmark movies). Utilizing Zak’s cutting edge Tuesday App, attendees can test their compatibility with other theatergoers in attendance and find a real connection. Welcome to the world of My (unauthorized) Hallmark Movie Musical and “Dr. Love’s Rom-Com Experience”. 

Below is the interview with Dr. Paul J. Zak, David Ihrig, and Eloise Coopersmith.

Dr. Paul J. Zak

What need that wasn’t addressed motivated you to create the Tuesday App?
Most of my professional life has focused on developing knowledge and technologies so that people can live longer, happier, and healthier lives. Tuesday is the result of this 30 years of effort.

Your body of work includes different disciplines like neuroeconomics, neuromanagement, and neuromarketing. How can they all help an individual to achieve success and happiness?
Happiness depends on the choices we make. Tuesday identifies the choices and activities that provide the most value neurologically to people and thereby guides them to be happier. This is true for individuals, patients, customers, and employees and businesses that focus on creating extraordinary experiences are extraordinarily profitable.

What role do neurotransmitters dopamine and oxytocin play in reaching a state of immersion?
Immersion–the brain’s valuation network for social-emotional experiences–is primarily driven by the actions of dopamine and oxytocin. Dopamine binding to the brain’s prefrontal cortex keeps us present, while oxytocin captures the emotional resonance of an experience. Tuesday measures the electrical activity these neurochemicals induce in the nervous system second by second so people can see what truly creates value for them.

Technology was supposed to make it easier for humans to connect with each other.    Instead, we see an alarming increase of isolation due to excessive internet use. What failed? And how can we make it fun again to interact with other people?
This is the key question! With hybrid work, fear of infection, and smaller families we are losing the ability to get together, have fun and socialize. This is where entertainment, including plays and movies, comes in. Immersion is always higher when there are more people involved–we laugh more watching a movie in a theater with others than watching at home. My hope is that the Tuesday app will show users objectively how important it is to have enjoyable experiences with others, to form new connections and friends, and even to fall in love. Human thriving requires that we spend time with, and connect to, others.

David Ihrig

What did you find attractive about My (unauthorized) Hallmark Movie Musical?
Well, I was looking for a show that explored themes of love and relationships with the specific intent of using Paul Zak’s technology, and Eloise’s charming musical that deals with themes of love and empowerment was a perfect fit. I knew from experience that using Paul’s Tuesday app was great fun for people, because it often provides surprising personal insights–the brain never lies! We want to offer audiences a new expanded experience that goes beyond the curtain call. We are going to be using prompt stations around the light-hearted content of the show so people can observe their own unfiltered reactions in real time through the Tuesday app.

And what truly attracted me to Eloise’s play was an observation she shared from her previous performances. She noticed that people didn’t want to leave at the end of her show. People would sort of linger in the lobby. And I thought, well heck, this is exactly how we can give them what they want. “Dr. Love’s Rom-Com Experience” will spark conversations and enhance the sense of community that already exists from having just watched a show together.

Years ago, I learned from my neuroscience community about the pitfalls of self-reporting. I have since found Paul’s technology to be a great teaching tool because the brain never lies. For example, during scene study classes, I would ask my acting students why they had a certain reaction. And they would earnestly answer me, with what I now know were confabulations. In other words, they made up explanations in retrospect. The reality is that we have many, many brain processes working all the time that are outside of our awareness and we simply do not have the capability of consciously knowing why we behaved in one way or another. So, the more fruitful approach to self-discovery is to guide people through specific experiences while monitoring brain activity and read the brain’s response in relation to chosen prompts.

Tell us more about the Irvine Theater Company and its immersive theatrical experiences.
Irvine Theater Company was primarily founded as a hub to practice a brain-based approach to the dramatic arts. We believe that our new attention-based methods will do for ITC in Irvine what Stanislavski’s system did for the Moscow Art Theater. Stanislavski’s productions became popular because his methods created a new style of live performance, which was prompted by advances in the technology of his day. For him, it was advances in lighting that allowed for smaller indoor performances which arguably led to the shift to realism in theater. I see an evolving genre of live performance in response to today’s evolving technology. This evolution has already begun, and the industry is currently taking baby steps. But in my opinion, the industry can’t fully embrace the potential of today’s technology in storytelling until they embrace new mental models. ITC’s attention-based models put us in the position to be leaders in creating tomorrow’s entertainment. Our goal is to build the Theater of Tomorrow at the Great Park in Irvine and use our methodologies and today’s advanced technology to develop productions that will enhance the audience’s experience.

What kind of classes and workshops are provided at Irvine Theater?
As you might imagine, we teach a brain-based approach to the dramatic arts. The models we use were developed in collaboration with a team of neuroscientists at UCI. These new ideas are quite simple, but they turn the conventional wisdom surrounding acting on its head, and look at a practical approach for today’s actors based on contemporary knowledge from the cognitive sciences. My new book is The Actor’s Algorithm–Seven Brain-Based Steps to Embody Character. And we will offer classes this Fall to teach our system of character embodiment.

Something really exciting is the 10-minute Play Festival. Who can submit their work and what are the dates of the festival?
I love your excitement. Irvine is home to 330,000 residents. We have a highly educated population that appreciates culture. We have prolific theater departments in our high schools and colleges and our graduates have no professional outlets in which to ply their crafts.

ITC’s 10-minute play festival seeks to provide an outlet for local dramatic artists. The plan is to hold the first festival in the summer of 2025.

Of course, ITC will put our own spin on the standard festival model. One of the benefits of our brain-based methodology is it provides an efficient method for writers. The plan is to gather all participating artists together four weeks prior to the performance, teach a workshop in brain-based story development, and then see what these brain-based teams come up with afterwards. Perhaps we should also have a traditional category and then compare the two creative processes?

Eloise Coopersmith

What is so special about romantic movies?
Last year, 80 million viewers watched a Hallmark Christmas movie, according to Forbes.com. I can’t be alone in saying these movies make you feel happy, safe, and hopeful that the world is a better place. What’s not to love?

How did you develop the idea for My (unauthorized) Hallmark Movie Musical?
During COVID I worked my other job as Residential Real Estate Appraiser- I was inspecting many houses and homeowners would ask me, “ Why aren’t you dead?” I took their trauma home with me. One day. I turned on the television. Truthfully, until then I had never seen a Hallmark movie. I became obsessed (these movies are positive and predictable and make you feel good) so I started to write my own Hallmark movie about an essential worker reigniting her romantic flame while crafting her own Hallmark Movie. She’s an inveterate Hallmark Channel viewer, battling pandemic burnout with dark chocolate, red wine, and a craving for uplifting escapism. Writing this show got me through some dark times. My mission is to spread positivity and make others feel good. My production company rented Chance Theater, cast actors, rehearsed over Zoom and shot for 6 days. We opened in Los Angeles in December 2021 to rave reviews, took the show to Edinburgh the next year (where everyone LOVED the rom-com magic), and spent last year touring in upstate New York and Virginia, finishing with 6 weeks in San Francisco (The city by the Bay said, “Hurray”!).

How did you connect with Dr. Zak?
The producer of the event, David Ihrig at the Irvine Theater Company is the brainchild for this collaboration. My show is a one-woman show with 8 actors through the magic of multimedia and David’s theater loves technology. When I read the description of Paul Zak’s Tuesday App – “Track and compare what you love so you can do more of those things and less of the stuff that brings you down” – I was excited to connect!

Is it easier to find love using technology?
That is what we will find out. Per David Ihrig- the brain doesn’t lie. So, we will all come face to face with others and with our true selves. I like to think we are re-inventing the meet-cute! (“Meet-cute” = two characters in a film or television show have an amusing or charming first encounter that leads to the development of a romantic relationship.) We will see….

Romance and music, that sounds like a winning combination, How much fun will the audience have when they come to the show?
How much fun? More fun than a bodega cat on a tuna truck! More fun than belting ‘Singing in the Rain’ during a downpour! More fun … so much fun you will want to come back and play again and again. It’s a magical journey, and who can’t use more magic in their life.

Fringe Review: The Connie Converse Universe

The Connie Converse Universe. Starring Hope Levy. Produced by Zipperbug Music. Directed by Tom Lavagnino.

One day in August 1974, Connie Converse packed her belongings and disappeared. Up to this day, no one knows what happened to her. Connie was considered the first person to be labeled singer/songwriter. She performed for close friends during the early 1950s. Her exceptional talent as a singer/songwriter however, did not reach the popularity she wanted.

Hope Levy pays tribute to Connie in her Fringe production The Connie Converse Universe, performing some of Connie’s most iconic songs. The main value of this production is remembering the implicit messages of Connie’s music. Levy elaborates on the possibilities that contributed to Connie’s disappearance.

Connie performed in 1954 on The Morning Show with Walter Cronkite, her only known public appearance. Despite her talent as a singer/songwriter, she seemed to be ahead of her time, not to mention her activism against racism and being considered a communist agent for her writings in the Journal for Conflict Resolution, where she worked as a writer and managing editor. These factors might have contributed to her lack of popular appeal back then.

Hope Levy is a folk and pop singer/songwriter, aligning with Connie’s musical artistry. Levy’s voice fits her folksy style, and has an evocative and rich texture that integrates smoothly with the introspective nature of Connie’s lyrics.

The Connie Converse Universe is insightful; it’s a documentary and a homage to an artist who deserved more attention in her lifetime. Fortunately, fellow artists like Levy continue to keep Connie’s legacy alive, introducing her poetry and music to new generations. The audience reacted enthusiastically to Levy’s outstanding performance, giving her a well-deserved ovation.

The Connie Converse Universe

Actors Company (The Little Theatre)
916 N. Formosa Ave.
Los Angeles, Ca 90046

Sunday June 23 @11am

Friday June 28th @5:30pm

Sunday June 30th @12:30pm

Ticketshollywoodfringe.org/projects/10248

Starring Hope Levy. Produced by Zipperbug Music. Directed by Tom Lavagnino.

5-STAR THEATRICALS presents THE SOUND OF MUSIC

5-STAR THEATRICALS

presents one of the most beloved family musicals of all time!

 THE SOUND OF MUSIC

Music by Richard Rodgers   
Lyrics by Oscar Hammerstein II
Book by Howard Lindsay and Russel Crouse
Suggested by “The Trapp Family Singers” by Maria Augusta Trapp
Musical Direction by Anthony Lucca
Choreography by Christopher Albrecht
Directed by Richard Israel 

“The Hills are Alive” starting Friday, July 19

at the Bank of America Performing Arts Center!

 

OPENS: FRIDAY, JULY 19 at 7:30pm (press opening) and runs through 

SUNDAY, JULY  28 at 1:00pm

 

Performances are Fridays at 7:30pm; Saturdays at 1:00pm and 7:30pm; Sundays at 1:00pm; with an added performance on Thursday, July 25 at 7:30pm.

 

BANK OF AMERICA PERFORMING ARTS CENTER – KAVLI THEATRE

2100 Thousand Oaks Blvd, in Thousand Oaks

Tickets range from $17 – $90

For tickets, please call (805) 449-2787. 

 

For theatre information, call (805) 449-ARTS (2787) or buy online at www.5startheatricals.com.  

Student, Senior and Group discounts are available.

Jane Austen’s Emma, The Musical

Jane Austen’s Emma, The Musical

WHAT: Jane Austen’s Emma, The Musical

Jane Austen’s enduring love story is brought to life as a romantic-comedy musical. The story revolves around Emma, a well-meaning, but disaster-prone matchmaker, who ignores her own romantic feelings while setting out to find a suitor for her friend Harriet. Her efforts go awry, of course, leading to comic complications. We invite you to fall in love again with one of Jane Austen’s most adored characters, featuring an intelligent and buoyant score from Tony-nominated composer Paul Gordon (Jane Eyre).

WHEN:

Previews: November 29 – December 6, 2024; Friday 8 p.m., Saturday at 8 p.m.  Sunday 7 p.m.

Performances: November 29 – December 22, 2024

Fridays at 7 p.m. (only Dec 1), Saturdays at 3 p.m. and 8 p.m. & Sundays at 3 p.m., and 6 p.m.

****

RUNNING TIME: 2 hours, 30 minutes with intermission

WHERE: Chance Theater @ Bette Aitken theater arts Center on the Cripe Stage

5522 E. La Palma Ave., Anaheim, CA 92807

TICKETS: $55-59

MORE INFO: www.ChanceTheater.com or call (888) 455-4212

SAM

“SAM”

Premieres at the Hollywood Fringe Festival

Prepare for an unparalleled theatrical experience with “SAM”, a one-woman musical that defies conventions and captivates audiences with its blend of existential comedy, showbiz satire, and meta musical numbers. Join Sam Labrecque, a seasoned actor, singer, and comedian, on a voyage through her career featuring the eclectic voices in her head. Through an inspiring exploration of identity, “SAM” unveils the raw struggles of a pre-successful career as an actor, taking you beyond the glitz of Hollywood. “SAM” opens June 6th for nine performances at the Broadwater Studio.

WHERE: The Broadwater Studio – 1078 Lillian Way, Los Angeles, CA 90038

PERFORMANCE DATES::  Tickets go on sale May 1, 2024

Thursday | June 6th @ 6:30pm (SOLD OUT)

Monday | June 10th @ 8pm (SOLD OUT)

Friday | June 14th @ 7pm (OPENING NIGHT)

Sunday | June 16th @ 12:30pm

Wednesday | June 19th @ 6:30pm

Saturday | June 22nd @7:30pm

Sunday | June 23rd @ 11:00am

Saturday | June 29th @ 2:00pm

Sunday | June 30th @ 8:00pm (Closing Night)

Starring: Sam Labrecque

Composer: Edith Mudge

TICKET INFO: $15.00 –  The Hollywood Fringe Festival – sam

Admission age: 13+ (some profanity use for comedic effect).

Running time 60 minutes.

Theatre Review: Duran DurAntony & Cleopatra

Troubadour Theater Company presents the World Premiere of Duran DurAntony & Cleopatra. Musical Direction by Ryan Whyman. Directed and Adapted by Matt Walker.

Matt Walker rewrites the love story of Mark Antony and Cleopatra, adding the music of Duran Duran to energize the characters and the plot. Based on Shakespeare’s Antony and Cleopatra, this slapstick musical is a fine example of a theatrical form known as commedia dell’arte.

The action on stage is reminiscent of The Carol Burnett Show sketches, with actors occasionally breaking character due to funny dialogue or even hecklers pitching in. And it’s exactly that, audience participation, one of the main attractions of the show.

Antony (Matt Walker) falls in love with Cleopatra (Cloie Wyatt Taylor), but for political convenience, Antony ends up marrying Octavius Caesar’s (Rick Batalla) sister, the sultry Octavia (Philip McNiven). From there, misunderstandings, rage, and killer songs become the norm. The dialogue is peppered with sexual innuendos, adding a mischievous element to match the action on stage. The music, the dances, and the physical comedy make it a highly kinetic play to keep things engaging and entertaining. Walker, Batalla, and Beth Kennedy lead the comedy, delivering an outstanding performance.

The background graphics and the special effects contribute  creativity and comedy to the production. There’s ocean breeze, waves, a shooting where bullets don’t make it to the other side, snake bites (not real), and self-inflicted wounds (not real either). The costumes and live music also capture the exceptional effort of the production to put together a mesmerizing spectacle that combines a classical story and the timeless music of one the most influential rock bands of recent history.

In Duran DurAntony & Cleopatra, tragedy becomes an excuse to unleash mayhem, leaving behind a trail of fun, comedy, and music in an exciting and festive environment.

Duran DurAntony & Cleopatra

The Colony Theatre

555 N Third St.

Burbank, CA 91502

June 7th through June 16th

Thursdays and Fridays at 8:00 pm, Saturdays at 4:00 pm & 8:00 pm, and Sundays at 4:00 pm & 7:30 pm.

Ticketstroubie.com

Musical Direction by Ryan Whyman. Directed and adapted by Matt Walker.

Cast: Beth Kennedy, Rick Batalla, Mike Sulprizio, Rob Nagle, Cloie Wyatt Taylor, John Paul Batista, Katie Kitani, Mark McCracken, Philip McNiven, Suzanne Jolie, and adaptor/director Matt Walker. Troubadorchestra: Kevin Stevens on drums, Ryan Whyman on piano/MD, Carlos Rivera on bass, and Mike Abraham on guitar.

Creative team: Lighting Design by Bo Tindell; Sound Design by Robert Arturo Ramirez; Projection Design is by Rick Batalla; Costumer: Suzanne Narbonne (Using designs by Sharon McGunigle); Wig Design is by Suzanne Jolie Narbonne. The Music Supervisor is Eric Heinly. The Production Stage Manager is Corey Womack.

Hold Me Down

HOLD ME DOWN

Get Wrapped Up in a Healing Journey of Kink and Bondage at This Year’s Hollywood Fringe; Knot One to Miss!

Los Angeles, CA. May 29, 2024. Jackie Yangyuen presents “Hold Me Down,” a one-woman musical debuting at this year’s Hollywood Fringe. This autobiographical musical explores a woman’s journey to healing through bondage and kink. In “Hold Me Down,” Jackie Yangyuen performs original music, embodies multiple characters, and showcases captivating choreography, all set against a backdrop of ropes symbolizing her emotional freedom.

VENUE:  Asylum @ Stephanie Feury Studio Theatre – 5636 Melrose Ave, Los Angeles, CA

PERFORMANCES:
Sun, June 9, 5:30 PM (Preview Show)
Sat, June 15, 7:30 PM
Mon, June 17, 8:30 PM
Sat, June 22, 10:00 PM (Plus an additional 30 min Q&A segment)
Sun, June 30, 2:30 PM

TICKET PRICES:
$15 (regular)
$20 (ticket + bondage plushie)
$22 (ticket + bondage earrings)

TICKET LINKhttps://www.hollywoodfringe.org/projects/10490

Content Warning: 18+ (rape/sexual assault, verbal abuse, gambling addiction, mental health (depression, suicide), bondage and fetish)

Theatre Review: Fancy Nancy, The Musical

Chance Theater presents Fancy Nancy, The Musical. Book & lyrics by Susan DiLallo. Music by Danny Abosch. Music direction by Robyn Manion. Based on the popular “Fancy Nancy” books by Jane O’Connor and illustrated by Robin Preiss Glasser. Based on original staging by Kelly Todd. Directed by Laura M. Hathaway.

The most fancy Francophile (that’s fancy for a person who loves everything French) is back in Anaheim at the Chance Theater. Joining Nancy (Jillian Batt) on stage are her friends Bree (Juliet Parker), Lionel (Matt Takahashi), Rhonda (Fiona Burrows), Wanda (Alyssa Corella), and of course, her favorite doll Marabelle Lavinia Chandelier. Overseeing the little rascals is Nancy’s mom, Mrs. Clancy (Katelyn Spurgin).

Nancy and Bree get excited about the upcoming school dance titled “Deep Sea Dances”, in which they wish to play the main character of the dance, a fancy mermaid. However, the role goes to another girl. When that girl gets injured and is unable to play the role, Nancy hopes to be the replacement. What happens next will challenge her sense of true friendship, and with the help of her mom, Nancy will learn an important life lesson.

The musical has been played at the Chance Theater since 2015. For the 2024 performance, Director Laura M. Hathaway uses a colorful stage design to highlight Nancy’s fancy world. The lyrics by Susan DiLallo and the music by Danny Abosch set a playful and energetic tone, infusing fun and movement to the play with the catchy songs and the amusing dances. The energy on stage is contagious and the audience—both kids and adults—ends up singing and dancing to the tunes.

The musical is based on the book Fancy Nancy and the Mermaid Ballet, one in a series of books about Nancy. The play captures the fantastical world of the six-year-old and her friends. It’s a fun and simple story with a heartfelt message at the center, an ideal excuse to get out of the house and bring the kids to the theatre to experience a live performance of one the most famous and loved characters in recent history.

Fancy Nancy, The Musical

Chance Theater @ Bette Aitken Theater Arts Center on the Cripe Stage
5522 E. La Palma Ave.,
Anaheim, CA 92807

Performances: May 24 – June 9, 2024

Fridays 7 p.m (only May 24), Saturdays at 11 a.m., 1 p.m., 4 p.m., and 6 p.m. & Sundays at 1 p.m., 4 p.m., and 6 p.m.

Ticketschancetheater.com

Book & lyrics by Susan DiLallo. Music by Danny Abosch. Directed by Laura M. Hathaway. Music direction by Robyn Manion. Based on the popular “Fancy Nancy‘ books by Jane O’Connor and illustrated by Robin Preiss Glasser. Based on original staging by Kelly Todd. Executive Season Producers: Bette & Wylie Aitken. Associate Season Producers: The Family of Mary Kay Fyda-Mar.

Cast: Jillian Batt/Kristin Cortines (Nancy), Juliet Parker/Zoe Godfrey-Grinage (Bree), Fiona Burrows/Cecily Dowd (Rhonda), Alyssa Corella/Claire Manson (Wanda), Matt Takahashi/Elijah Douglas (Lionel), Katelyn Spurgin/Haley Katherine (Mrs. Clancy).

Creative team: Scenic Designer: Megan Hill. Costume Designer: Christina Marie Perez. Lighting Designer: Masako Tobaru. Stage Manager: Ben Green.

Theatre Review: The Last Five Years

Sierra Madre Playhouse presents The Last Five Years. Book, lyrics, and music by Jason Robert Brown. Directed by Josh Shaw. Music Director is Joshua Foy.

The last Five Years is the story of Playwright Jason Robert Brown‘s first marriage. The play is so much his personal experience that he was sued by his first wife and the lawsuit had to be settled just before the New York premiere back in 2002. The story is simple, two characters, Cathy (Jackie Bonsignore) and Jamie (Jayde Mitchell) get married. He becomes a successful novelist while Cathy continues to be a struggling actress. His success and her failure take a toll on their marriage and start to drift them apart.

As simple as it might sound, the story travels because relationships are a central part of our lives, so all of us can easily relate to the characters and start feeling for them. Jamie and Cathy sing their story separately except for “A Miracle Would Happen/When You Come Home to Me”, where they sing together. The musical contains 14 songs in total.

Brown used a clever storytelling tool to make the musical even more appealing. Cathy tells the story backwards, beginning the play with “Still Hurting”, a song about the end of their marriage. Jamie, on the other hand, tells the story in chronological order beginning with “Shiksa Goddess”, a song about his happiness find a girl like Cathy. The contrast in emotions of those two first songs sets the tone of the play.

Bonsignore shows her soprano skills and delivers a magnetic performance. She is able to portray the nuances of a woman in love and the devastating crash that comes after a stagnant career and marital failure. Her voice effectively communicates the emotional states of excitement and sadness, the two ironic elements of her character.

As for Mitchell, his voice sounds full and rich, matching the attributes of his character. He blends with ease the transition from an optimistic novelist to a man consumed in his own success, unable to resist the temptations of fame.

The music direction by Joshua Foy is fantastic. The musicians bring an air of romanticism and fill the stage with a magical score that transmits the ebbs and flows of an intense relationship. Director Josh Shaw put together an excellent group of artists dedicated to their craft who deliver a fascinating production in the iconic Sierra Mare Playhouse. This musical with relatable topics engages and entertains to make it an excellent experience in an intimate theater. Due to the length of the run, the show is double cast. Margaret Berkowitz and Jackie Bonsignore play Cathy and Jayde Mitchell and Bryan Mittelstadt play Jamie. Bonsignore and Mitchell performed on Saturday May 25, the day we attended to review the play.

The Last Five Years

Sierra Madre Playhouse
87 West Sierra Madre Boulevard
Sierra Madre, CA 91024

May 17 – June 16, 2024 (see Sierra Madre Playhouse’s website for full schedule)

Tickets: sierramadreplayhouse.org

Book, lyrics, and music by Jason Robert Brown. Directed by Josh Shaw. Music Director is Joshua Foy.

Cast (double cast): Cathy: Margaret Berkowitz. Cathy: Jackie Bonsignore. Jamie: Jayde Mitchell. Jamie: Bryan Mittelstadt.

Musicians: Jon Lee Keenan (Bass), Jessica Chen (Violin), Alexander Elliott Miller (Guitar), Betsy Rettig (Cello 2), and Derek Stein (Cello 1).

Creative team: Set/Props: Josh Shaw. Costume Design: Hailey Springer. Lighting Design: Grace Berry. Stage Manager: Bri Westad. Assistant Stage Manager: Carolyn Wasson. Substitute Stage Manager: Colton Bassett.

Fancy Nancy, The Musical

Chance Theater is bringing fantabulous back with…

Fancy Nancy, The Musical

The wildly popular musical adaptation of the best-selling book series is back for the 7th time!

WHAT: Fancy Nancy, The Musical

This TYA favorite returns to the Chance for the seventh time. Bring the family and watch as Fancy Nancy and her friends Bree, Rhonda, Wanda, and Lionel get ready to perform in their very first show, “Deep Sea Dances.” Nancy is positive, that’s fancy for 100 percent sure, that she and Bree will be picked to be mermaids. When another girl wins the coveted role of the mermaid, Nancy is stuck playing a dreary, dull tree. Can Nancy bring fancy flair to her role, even though it isn’t the one she wanted?

WHEN:

Previews: May 24-26, 2024; Friday 7 p.m., Saturday at 4 p.m. & 6 p.m., Sunday at 1 p.m. & 4 p.m.

Performances: May 24 – June 9, 2024

Fridays 7 p.m (only May 24), Saturdays at 11 a.m., 1 p.m., 4 p.m., and 6 p.m. & Sundays at 1 p.m., 4 p.m., and 6 p.m.

RUNNING TIME: 1 hour, 10 minutes

WHERE: Chance Theater @ Bette Aitken theater arts Center on the Cripe Stage

5522 E. La Palma Ave., Anaheim, CA 92807

TICKETS: $31-35

MORE INFO: www.ChanceTheater.com or call (888) 455-4212