Theatre Review: Exorcistic The Rock Musical

HRS Productions and Orgasmico Theatre present Exorcist The Rock Musical. Book, lyrics, and music by Michael Shaw Fisher. Directed by Chadd McMillan and Alli Miller-Fisher. Produced by Emma Hunton, Alli Miller-Fisher, and Chadd McMillan.

Directly from the bottom of hell, the characters of the original 1973 film come to life in a majestic spectacle of blasphemy, light, and rock ‘n’ roll. Megan (Emma Hunton) and her mom Kate (Leigh Wulff) continue the original story with a parody that brings laughter and electric performances to an engaged audience.

Sizzling demons, horny priests, and possessed humans come together to pay homage to one of the most influential horror films in cinema history. This musical resumes the ancient dichotomy of good vs evil that has intrigued the minds of people since the beginning of times. Exorcistic puts a spin on the topic with a display of irreverent dialogue and suggestive imagery to enhance the musical experience. The live band plays rock, hip hop, and jazzy tunes to accompany the sensational voices of the eclectic ensemble.

The fog, lighting, and costumes create powerful visuals to match the thrilling performances. Exorcistic is a stimulating revival of The Exorcist, a film that became a cultural reference point around the world. The rotating cast delivers a miscellaneous parade of talent to surprise the audience on every show, making it an exciting and dynamic production.

Exorcistic

Three Clubs

1123 Vine Street

Los Angeles, CA 90038

June 30- July 22, 2023

Fridays and Saturdays at 8 PM

Ticketsexorcistic-the-rock-musical-tickets

Book, lyrics and music by Michael Shaw Fisher. Directed by Chadd McMillan and Alli Miller-Fisher. Produced by Emma Hunton and Alli Miller-Fisher. Starring Emma Hunton (CLUELESQUE), Brian Logan Dales, Leigh Wulff, Frankie Grande, Gabby Sanalitro, Jesse Merlin, Janaya Mahealani Jones, Carly Jibson (CLUELESQUE), Garret Clayton, Jeff Sumner, Marissa Jaret Winokur, Elle Deran, Michael Sheppard (A Midsummer Night’s Dream, Valley Song), Nick Bredosky, Mitchell Johnson, Kim Dalton, Briana Cuoco, Richardson Cisneros-Jones, Choreographed by: Camal Pugh, Musical Director/Arrangements by Michael Teoli.

Theatre Review: Starmites

Starmites is presented by Open Fist Theatre Company. Music and lyrics by Barry Keating. Book by Stuart Ross and Barry Keating. Directed by Scott Peterman. Music direction by Jan Roper.

A shy Eleanor (Talia Gloster) is usually immersed in her world of comic books, but her mom (Cat Davis) is concerned about Eleanor’s obsession with her comics. In her fantasies, however, Eleanor becomes the superhero that can save the entire galaxy with the help of Space Punk (Bradley Sharper), the Starmites (Rieves BowersAlex Hogy and Jasper Wong), and lizard man Trinkulus (Brendan Mulally). Their mission is to fight the evil forces of Shak Graa (Brendan Mulally) and The Banshees (Elle EngelmanLindsey Moore FordSarah Martellaro and Sophie Oda), led by Diva (Cat Davis).

All Eleanor and her friends have to do is go to the forest, find Shak Graa and The Banshees, fight them, win, and save the entire galaxy. Simple, but when love and jealousy get in the way…

Scott Peterman selected a young group of actors and paired them up with Cat Davis, a fantastic singer, actress, and comedian. The result is a fun and energetic performance for this revival of the Tony-nominated sci-fi fantasy musical. The excellent music is performed live by a three-piece band, directed by Jan Roper. Peterman’s expereince as a show and content director for world-class acts such as the Smashing Pumpkins and Bon Jovi is evident in this carefully curated visual explosion of music and kinetics. The visuals really add to the whole experience. The colors, graphics, and costumes contribute to the nostalgic and extravagant look of the comics from the 80s.

Starmites is a simple story where the dances, music, and cutting edge performance technology take center stage to offer a fun experience to delight the audience in a family-friendly musical.

Starmites

Atwater Village Theatre
3269 Casitas Ave
Los Angeles, CA 90039
• FREE parking in the ATX (Atwater Crossing) lot one block south of the theater.

Performances: June 2–July 8
• Fridays at 8 p.m.: June 2 (opening); June 16; June 23; June 30; July 7 (dark June 9)
• Saturdays at 3 p.m.: June 24
• Saturdays at 8 p.m.: June 10; June 17; July 1; July 8 (no evening performance June 24)
• Sundays at 3 p.m.: June 18; June 25; July 2 (no matinee June 4 or June 11)
• Sundays at 7 p.m.: June 11

Ticketsopenfist.org

Music and Lyrics by Barry Keating. Book by Stuart Ross and Barry Keating. Directed by Scott Peterman. Music Direction by Jan Roper. Choreography by Becca Sweitzer. Fight Choreography by Jacob GrigoliaRosenbaum. Starring Rieves BowersCat DavisElle EngelmanLindsey Moore FordTalia GlosterAlex HogySarah MartellaroBrendan Mulally, Sophie OdaJack David SharpeBradley Sharper, and Jasper Wong. Presented by Open Fist Theatre Company, Martha Demson, artistic director. Creative team: Scenic and projection design by Scott Peterman and Linda Strawberry, lighting design by Gavan Wyrick, and costume design by Linda Muggeridge. The production stage manager is John Dimitri.

Theatre Review: Cabaret

Altadena Music Theatre presents Cabaret. Written by Joe Masteroff, based off the play by John Van Druten and The Berlin Stories of Christopher Isherwood. Directed by Oliver Azcarate and Sarah Azcarate. Produced by Sarah Azcarate.

The girls and boys at the Kit Kat Klub are back, this time at the historic Charles S. Farnsworth Amphitheater in Altadena. The story is based on the lives of the residents of Berlin in the late 1920s and the characters that work in a cabaret, one of the defining features of the Jazz Age. Known as a symbol of spending, decadence, and hedonism, the cabaret was a place where customers could eat, drink, watch a show, and dance the night away. Once the strict rules of the monarchy were over, the newly found freedom allowed Germans to express themselves liberally, and what better place to show that relaxed attitude than the cabaret. Straights, gays, lesbians, and transvestites partied together in these places, where sex and politics were the main topics. Many of  the patrons, however, were aware that this extravagance was artificial and temporary.

Cliff Bradshaw (Michael Thomas Grant), a young American writer, arrives in Berlin to write a novel. He meets Ernst Ludwig (Sean York), a Nazi and black market operator who offers him a job bringing contraband from Paris. Ernst tells Cliff of a place to stay, a boarding house run by Fraulein Schneider (Ursula Gueringer), who is the love object of Herr Schultz (Craig Wright), a Jewish fruit vendor. Another resident of the house is Fraulein Kost (Skye Marie Sena), a friendly character that keeps bringing sailors and other men to her room, much to the disapproval of Schneider. Cliff then meets Kit Kat Klub singer Sally Bowles (Emily Lopez) and both fall in love with each other. Meanwhile, everything is business as usual at the burlesque theatre Kit Kat Klub. The enigmatic Master of Ceremonies (Cruz St. James) and the dancers deliver performances that reflect the liberal atmosphere of the city and the fiercely experimental nature of the avant garde.

This production features some young talent worth noting. Cruz St. James has a dazzling stage presence that is magnetic and hints stardom at every move. Not only is he a fantastic singer and dancer, he also delivers a powerful and emotional performance that captures so vividly the height and demise of an era. Lopez, Grant, Wright, and Gueringer depict masterfully the debauchery, hopes, and somber panorama of a society that is witnessing the contrast between the cultural renaissance during the Weimar Republic and the chimeric expectations of Nazism.

Directors Oliver Azcarate, Sarah Azcarate, and choreographer Melissa Schade have achieved a phenomenal production that allows the actors/dancers to shine and deliver high-energy performances. The costumes are sexy and flamboyant, an accurate picture of the extravagant lifestyle of the times. Cabaret is barely their second production, but they demonstrate their commitment to offer entertaining and high-quality shows. 

Music Director Chris Wade and his band are the cherry on top, offering a vibrant and spectacular musical performance that keeps the energy flow all across the show, with Wade becoming a character on his own in a passionate display of feeling and charisma.

Make sure to bring warm clothes and seat as close as you can to the stage, this will enhance your experience. Let yourself be enchanted by the decadence, dance, and music of the magical atmosphere of the bawdy Kit Kat Klub.         

Cabaret

Charles S. Farnsworth Amphitheater

568 Mount Curve Ave. East

Altadena, CA 91001

May 25th – June 4th

Ticketseventbrite.com/e/cabaret-tickets

Book by Joe Masteroff. Directed by Oliver Azcarate and Sarah Azcarate. Produced by Sarah Azcarate. Cast: Emily Lopez and Cruz St James starring as Sally Bowles and the Emcee. Television’s Michael Thomas Grant playing the role of Cliff Bradshaw. Altadena locals Craig Wright and Ursula Gueringer as Herr Schultz and Fraulein Schneider, Skye Marie Sena as Fraulein Kost and Sean York as Ernst Ludwig. Joining us at the Kit Kat Klub dancers are Lindy Jones, Molly Fowler, Abigail Loucks, Jacqueline Dennis, Bimei Flores, Jeannette Sharp Oakes, Zachariah Griffin, Avery Bass, Cole Elliot and Sebastian Twohey-Jacobs. Creative team: Choreographed by Melissa Schade and music direction by Chris Wade.

Burlesque Review: CLUELESQUE

CLUELESQUE is produced by Cherry Poppins, playing at Tramp Stamp Granny’s.

Who killed Whorchid Fairchild? That’s what the audience will have to figure out in this immersive and highly entertaining burlesque show. Every Wednesday, the group of picturesque characters present themselves and give details of their relationship with Whorchid. As the story builds up, the audience needs to connect the dots and decide who, where, and with what object Whorchid might’ve been killed.

The sensational artists enchant the audience with their charming and dazzling musical numbers, setting the stage on fire with their seductive voices and sexy moves. The energetic ensemble delivers a constant mixture of humor, music, dance, and mystery in an immersive journey of decadent allure, one song at a time.

Every character has a story to tell and every character becomes a suspect, one way or another, in the puzzling murder of Whorchid Fairchild. A creative storyline keeps things entertaining all the way till the end. The spectacular costumes, makeup, and dances add an enigmatic touch to the characters, turning this production into a sultry fantasy of color, music, and action.

From the creative minds of Alli Miller and Sarah Haworth, CLUELESQUE is a musical theatre show not to be missed. This is mystery and sexiness at Tramp Stamp Granny’s, right in the heart of Hollywood, The Entertainment Capital of the World.

CLUELESQUE

Tramp Stamp Granny’s
1638 North Cahuenga Boulevard
Los Angeles, CA, 90028

Wednesdays
Doors and Preshow 7PM, Show 8PM

Tickets: eventbrite.com/e/cluelesque

**Must show proof of Covid Vaccination at the door
General Admission: $45.00 + 2 Drink minimum

Socials@cherrypoppinsla @trampstampgrannys

Cast: Broadsworth the Butler (Alli Miller-Fisher), Yvulva the Maid (Meredith Lim), Bar Chef (Lauren Avon), Whorchid (Heath Butler), Mizz White (Emma Hunton), Penelope Peacock (Carly Jibson), Mister Mustard (Matthew Scott Montgomery), Professor Plumbalina (Shanera Denae’), Mr. Gimby Green (Everjohn Feliciano), and Scarlet O’Harlet (K.C. Lindley).

Producers: Alli Miller-Fisher, Sarah Haworth-Hodges, Chadd McMillan, Mia Von Criss. Written by: Alli Miller-Fisher. Directed by: Alli Miller-Fisher, Chadd McMillan, Sarah Haworth-Hodges. Choreographed by: Alli Miller-Fisher, Sarah Wines, Lauren Avon, Camal Pugh, Jen Udgen. Musical Director: Laura Wiley. Vocal Director: Emma Hunton.