LAGUNA PLAYHOUSE Announces its 2024-2025 SEASON OF SHOWS!

LAGUNA PLAYHOUSE 

announces its

2024-2025 SEASON OF SHOWS!

The Legendary Musical – “Lerner & Loewe’s CAMELOT,” (Bonus Option)

A Hilarious Classic Comedy – “DON’T DRESS FOR DINNER,” 

An Unforgettable Drama – “A VIEW FROM THE BRIDGE,” 

An Evening with an Extraordinary First Lady – “ELEANOR,” 

A Musical Comedy Whodunit – “THE REMARKABLE MISTER HOMES,” 

The Pulitzer Prize winner August Wilson’s “FENCES,”

 A World Premiere Whodunit Mystery – “PERIL IN THE ALPS,”

& The Country Music Musical “HONKY TONK ANGELS”

 

March 12, 2024…Laguna Beach, Calif….LAGUNA PLAYHOUSE is thrilled to announce its 2024-2025 season of shows! This sensational season begins with a special bonus production of the legendary musical,  Lerner & Loewe’s CAMELOT; followed by an uproarious comedy, DON’T DRESS FOR DINNER; next is one of Arthur Miller’s most powerful plays, A VIEW FROM THE BRIDGE; then spend some time with one of America’s greatest first ladies in the tour-de-force play, ELEANOR; followed by everyone’s favorite detective in a new musical comedy whodunit, THE REMARKABLE MISTER HOLMES; then the Pulitzer Prize and Tony Award-winning masterwork, August Wilson’s FENCES; a world premiere whodunit, PERIL IN THE ALPS, from Steven Dietz, the writer/director of the 2023 smash-hit Murder on the Links,; and the Playhouse will close the season with the heartfelt country music musical, HONKY TONK ANGELS!  Other special bonus events this season include the annual holiday Panto with the world premiere of RAPUNZEL’S HOLIDAY WISH: A HAIR-LARIOUS TANGLED TALE; everyone’s favorite “Sister” will be back as we celebrate her Easter & Christmas “Catechisms;” the return of the wildly popular “Comedy Nights at the Playhouse;” two Youth and Education program productions, and so much more!  Celebrate an exceptional new season of shows at your Laguna Playhouse. Comments Artistic Director David Ellenstein “This is going to be an unforgettable season of plays and musicals that our subscribers and audiences are not going to want to miss. We are so looking forward to welcoming you to what we truly believe is going to be our best season ever at the Playhouse!”                                                                                                                                                      

 
THE LAGUNA PLAYHOUSE 2024-2025 SEASON:

SPECIAL BONUS PRODUCTION!

Lerner & Loewe’s

CAMELOT

July 24 – August 11, 2024 (Press Opening July 28 at 5:30pm)

Book & Lyrics by Alan Jay Lerner  

Music by Frederick Loewe 

Original Production Directed and Staged by Moss Hart 

Based on The Once and Future King by T.H. White 

Book Adapted by David Lee 

New Orchestrations by Steve Orich 

Directed by Jeffrey B. Moss 

 

Prepare for an evening of enchantment in Lerner & Loewe’s CAMELOT, brilliantly adapted for intimate theatres. This Tony Award-winning fairy-tale musical resounds with such memorable songs as, “I Loved You Once in Silence,” “If Ever I Would Leave You,” and the title song, “Camelot.” Based on the King Arthur legend, it features the iconic characters King Arthur, Guinevere, Sir Lancelot, and the Knights of the Round Table. This epic story centers on the quest for democracy, justice, and the tragic struggle between passion, aspiration, and kingdoms. Transport yourself to a world of romance, revelry, and magic.   

 

Camelot is not included in 2024-2025 season subscription packages, but can be added by subscribers at a special discounted rate.  This production is licensed by Music Theatre International.

     
                             

THE HILARIOUS COMEDY… 

DON’T DRESS FOR DINNER

September 4 – September 22, 2024 (Press Opening September 8 at 5:30pm)

 

Written by Marc Camoletti
Adapted by Robin Hawdon
Directed by Christopher Williams

 

This wildly successful comedy was first produced at Laguna Playhouse in 1997 and is back by popular demand! This outrageous farce has all the right ingredients for a delicious and sexy night of laughter. There’s a not-so-happily married couple, a cook mistaken for a mistress, a mistress who can’t cook, and enough mistaken identities and confused alibis to have audiences in stitches. 

 
AN UNFORGETTABLE CLASSIC!

A VIEW FROM THE BRIDGE

October 30 – November 17, 2024 (Press Opening November 3 at 5:30pm)

 

Written by Arthur Miller

Directed by David Ellenstein

 

This stunning drama from one of America’s greatest playwrights is set in 1950’s Brooklyn where Eddie Carbone wrestles with the complexities of family, assimilation, and the American Dream. Ultimately, desire and jealousy collide in this modern classic, sure to be remembered as a powerful night of theatre.

     
                       

A REMARKABLE LOOK AT AN EXTRAORDINARY FIRST LADY!

ELEANOR

January 15 – February 2, 2025 (Press Opening January 19 at 5:30pm)  

Written by Mark St. Germain
Directed by David Ellenstein

 

A tour-de-force solo performance by Kandis Chappell brings to life the dynamic and iconic First Lady, Eleanor Roosevelt. Both strong and vulnerable, both public and private, Eleanor Roosevelt’s fascinating story will sweep you away. Learn more about the passionate and unforgettable woman at the heart of her husband’s presidency whose impact on history cannot be understated.

 
 

A MUSICAL COMEDY ABOUT THE WORLD’S GREATEST DETECTIVE!

THE REMARKABLE 

MISTER HOLMES

March 5 – March 23, 2025 (Press Opening March 9 at 5:30pm)

Book by Omri Schein & David Ellenstein
Lyrics by Omri Schein
Music by Daniel Lincoln
Directed by David Ellenstein

  

Sherlock Holmes is back with an all-new madcap mystery to solve…and a new sidekick! In this fast-paced, wildly comedic musical. Holmes must solve a series of baffling crimes without the help of his trusted partner. Packed with wild wordplay, red herrings, and zany surprises, this over-the-top rollercoaster of musical mayhem is perfect for fans of Arthur Conan Doyle, Mel Brooks, musical theater, or anyone who loves a fun night out.

 

 

THE PULITZER PRIZE & TONY AWARD-WINNING PLAY!

August Wilson’s FENCES

April 30– May 18, 2025 (Press Opening May 4 at 5:30pm)

 

Troy Maxson was a star of the Negro baseball leagues, but now it’s 1957 and he’s a garbage man in Pittsburgh. In one of August Wilson’s best and most well-known plays, we see one man struggle with disappointment and the effect it has on his marriage and relationship with his sons. This powerful Pulitzer Prize-winning play is both epic and intimate and a must-see theatrical event.

 

Presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.  www.concordtheatricals.com.

From the Writer/Director of the Smash-Hit Murder on the Links!

PERIL IN THE ALPS

A New Hercule Poirot Comic Mystery!

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June 11 – June 29, 2025 (Press Opening June 15 at 5:30pm)

 

Written and Directed by Steven Dietz

Based in part on “Poirot Investigates” by Agatha Christie

 

The thrilling follow-up to Murder on the Links makes its anticipated debut! This new Hercule Poirot story leads the famed Belgian detective on a thrilling journey into the treacherous snow-capped Alps to solve a kidnapping before it becomes a murder. Will he finally meet his match in the mountains? Fortunately for the audience, the journey to the satisfying conclusion is filled with clever twists and turns and plenty of laughter as Poirot encounters dozens of eccentric characters and clever suspects – all played by six actors!

 

    

A COUNTRY MUSIC MUSICAL!

HONKY TONK ANGELS

July 30– August 17, 2025 (Press Opening August 3 at 5:30pm)

Written by Ted Swindley

 

This feel-good, boot stompin’ musical celebrates the enduring power of music and friendship. Armed with only their dreams and a bus ticket, three sassy gals leave their thankless lives behind and head to Nashville to become country music singers. Revisit dozens of pop-country favorites like “Stand By Your Man,” “Ode To Billy Joe”, “Delta Dawn,” and many more.

 

ABOUT THE SCHEDULE AND PRICING
 

Season subscriptions are now on sale.  Seven-play season packages (with Lerner & Loewe’s CAMELOT as an add-on bonus option) start at $233 and can be purchased online at www.lagunaplayhouse.com or by calling (949) 497-ARTS (2787).  Single tickets go on sale Tuesday, June 18, 2024. Subscribers can save up to 30% and receive first access to seats and other exclusive benefits. 

                                                                                                                      

The box office is open Tuesdays – Sundays: 12pm to 4pm; Mondays open 2 hours prior to show time and until 15 minutes after curtain.  Open until showtime on all performance days.

 

For more information on all shows and programming visit www.lagunaplayhouse.com.  LAGUNA PLAYHOUSE is located at 606 Laguna Canyon Road in Laguna Beach.  

 

#     #    #

Founded in 1920, the historic Laguna Playhouse (David Ellenstein, Artistic Director/Bill Kerlin, Managing Director) is one of the oldest continuously-operating not-for-profit theatres on the West Coast and is proud to be an active participant in the celebrated Laguna Beach arts community. From classic plays and musical comedies to the current off-Broadway smash, cutting edge and traditional music exhibitions, dance festivals and stand-up comedy performances, Laguna Playhouse brings the magical experience of the performing arts direct to over 80,000 patrons each season.

 

Laguna Playhouse educational programming includes year-round classes, productions by and for children and teens (Youth Theatre) and is one of the few companies in the region that offer a curriculum-based professional theatre-touring program, TheatreReach, which aligns with the California State Standards for literature, history and performing arts curriculum.      

 

Laguna Playhouse has been recognized in for the past five years as one of Orange County Register’s “Best of OC” in the category of Live Theatre. The Laguna Playhouse has featured many talented performers on stage, including Ed Asner, Leslie Caron, Hershey Felder, Harrison Ford, Melanie Griffith, Val Kilmer, Gregory Harrison, Dan Lauria, Hal Linden, Wendie Malick, Rita Rudner, Peter Strauss, Jobeth Williams, Joely Fisher, Charles Shaughnessy, French Stewart, Loretta Swit, and Bette Davis.

 

Learn What’s Going On at www.lagunaplayhouse.com.

SAM Premieres at the Hollywood Fringe Festival

“SAM”

Premieres at the Hollywood Fringe Festival

Hollywood CA. April 26, 2024. Prepare for an unparalleled theatrical experience with “SAM”, a one-woman musical that defies conventions and captivates audiences with its blend of existential comedy, showbiz satire, and meta musical numbers. Join Sam Labrecque, a seasoned actor, singer, and comedian, on a voyage through her career featuring the eclectic voices in her head. Through an inspiring exploration of identity, “SAM” unveils the raw struggles of a pre-successful career as an actor, taking you beyond the glitz of Hollywood. “SAM” opens June 6th for nine performances at the Broadwater Studio.

WHERE: The Broadwater Studio – 1078 Lillian Way, Los Angeles, CA 90038

PERFORMANCE DATES::  Tickets go on sale May 1, 2024

Thursday | June 6th @ 6:30pm (Preview)

Monday | June 10th @ 8pm (Preview)

Friday | June 14th @ 7pm (Opening Night)

Sunday | June 16th @ 12:30pm

Wednesday | June 19th @ 6:30pm

Saturday | June 22nd @7:30pm

Sunday | June 23rd @ 11:00am

Saturday | June 29th @ 2:00pm

Sunday | June 30th @ 8:00pm (Closing Night)

Starring: Sam Labrecque

Composer: Edith Mudge

TICKET INFO: $15.00 –  The Hollywood Fringe Festival – Sam

Admission age: 13+ (some profanity use for comedic effect); Running time 55 minutes

Appealing to fans of “La La Land”, “Schmigadoon!”, and Bo Burnham’s “Inside”, “SAM” delights with its meta narrative, blending improv, parody, stand-up comedy, and original music. Experience Sam’s journey through the entertainment industry, from uproarious laughter to poignant introspection. With over two decades in the business, the star of “SAM” brings authenticity and depth to her portrayal of internal and external battles faced throughout her time in Hollywood.

More than a musical, “SAM” celebrates resilience, creativity, and the pursuit of authenticity in an industry often defined by its superficiality. Featuring interactive elements, “SAM” promises an unforgettable theatrical experience that will leave you laughing, pondering, and cheering for more.

ABOUT THE PRODUCTION TEAM:

Sam Labrecque (Actor, Writer & Lyricist, Director, Producer) Sam’s journey in the entertainment industry began at the age of 5 when her first director, Gloria Watts, recognized her talent and cast her in numerous youth theatre musicals, defying gender norms with comedic roles. Fast forward 20 years, Sam discovers her non-binary identity, believing Gloria had known all along. Opting for a serving job over college, Sam spent her adulthood exploring various creative avenues, from performing on stage and screen to working behind the scenes and founding her production company, SamSkape Productions Inc.

Despite claiming she lacked time to hone her skills, Sam eventually wrote, produced, and starred in SamSkape’s debut film, “Trying,” showcasing a team of thirty and an all-woman crew. Trained in acting, improvisation, and singing, Sam is now developing a semi-autobiographical TV series combining elements of “Trying” and her solo stage show, “SAM.”

Edith Mudge (Composer) Edith “Emmy” Mudge is a Los Angeles-based composer, songwriter, producer, orchestrator, and music editor. Her music can be found in thousands of TV episodes and films, including Booksmart, Saturday Night Live, Sam Labrecque’s 2021 short Trying, and – almost guaranteed – your guilty pleasure reality show. She worked as an assistant at Hans Zimmer’s Remote Control Productions and Bleeding Fingers for 3 years, composed in-house at Jingle Punks for 2 years, and has been a freelancer since 2019, often as a lead orchestrator at Joy Music House. She recently returned from a songwriting camp with Ben Folds, and is thrilled to return to live performance after a decade in windowless rooms.

https://www.samlabrecque.com/samshow

Instagram: @sluhbrek

Am I Really Jewish?

“Am I Really Jewish?”

Takes Center Stage in World Premiere

WHAT: THEATER PLAY: “Am I Really Jewish?” by Art Shulman

DESCRIPTION: In this semi-comedic world premiere solo show, Art fearlessly delves into the question of his Jewish heritage, challenging conventional notions and inviting viewers on a thought-provoking journey. While his name and maternal lineage may suggest a clear answer, Art humorously confronts the contradictions and complexities that shape him. Through witty storytelling and introspective analysis, he presents nine compelling reasons why he may not fit the mold of a “poster boy.”

WHO: Art Shulman (Writer/Performer)

 

WHERE:  Actor’s Company (Other Space Theater), 916 N. Formosa Ave, Los Angeles, CA 90046,323-463-4639

PERFORMANCES:

Sunday, June 9 2024, 7:00 PM

Sunday, June 16 2024, 1:30 PM

Saturday, June 22 2024, 2:00 PM

Friday, June 28 2024, 7:00 PM

Sunday, June 30 2024, 7:30 PM

TICKETS:  $ 12 The Hollywood Fringe Festival – Am I Really Jewish

Running time: 55minutes, Ages 13+

Following his remarkable success with the 2023 Hollywood Fringe Show, Art Shulman brings his distinctive perspective to the stage once again in his latest dramedy, ‘Am I Really Jewish?’ Drawing inspiration from his #1 Amazon Best Seller book, ‘A Kid Grows In Brooklyn’, this production promises to captivate audiences with an exploration of Art’s complex relationship with religion.

‘Am I Really Jewish?’ offers a unique perspective not only for those familiar with Jewish culture, but also for anyone curious about the intersection of personal self and heritage. Art invites audiences to explore the nuances of his experience, providing insight into the challenges and joys of being a Jewish guy from Brooklyn.

The Connie Converse Universe

 

LISTING INFO – May 2024

WHAT: Theater Performance: THE CONNIE CONVERSE UNIVERSE
Exploring the true story of the first female folksinger/songwriter starring Hope Levy.

DESCRIPTION: Before the likes of Bob Dylan and Joan Baez made waves in the folk scene of the 1960s, Connie Converse quietly shared her self-penned songs amongst friends during the early 1950s. However, her mysterious disappearance in August of 1974 left her music veiled in obscurity. It wasn’t until decades later, in 2009, that the world rediscovered her haunting melodies through a viral release of her original 1954 demo recordings on Spotify. Now, Los Angeles-based singer-songwriter Hope Levy steps into the spotlight to breathe new life into Converse’s evocative compositions, offering a captivating glimpse into her enigmatic world.

WHERE: Actors Company (The Little Theatre) – 916 N. Formosa Ave., Los Angeles, Ca 90046

WHEN:

Thursday. June 6 @8:30pm – Preview show

Friday, June 14th @ 8pm

Sunday, June 16th @3:30pm

Thursday, June 20th @7pm

Sunday June 23 @11am

Friday June 28th @5:30pm

Sunday June 30th @12:30pm

TICKET PRICE: $12-$15

Show runs 55 mins.

Ages: 9+

TICKET LINKThe Hollywood Fringe Festival – the connie converse universe starring hope levy

WHO: Starring: Hope Levy. Music and Lyrics by Connie Converse. Directed by Tom Lavagnino.

A Noise Within shows ‘True Grit’ in 2024-25


NEWS RELEASE

A Noise Within shows
True Grit’ in 2024-25

PASADENA, Calif (April 24, 2024) — Acclaimed theater company A Noise Within has announced six-plays for 2024-25 — a family-friendly modern classic; a play from August Wilson’s “American Century Cycle”; a holiday show; a Shakespeare; a new adaptation; and a musical — each of which exhibits “True Grit.”

“All of the plays next season are about people who are resolved to get what they want or need in one way or another, either for themselves or for the people they love,” suggest co-artistic directors Geoff Elliott and Julia RodriguezElliott.

Launching the season on September 7, the two will co-direct The Skin of Our Teeththe Pulitzer Prize-winning play by Thornton Wilder. Set in 20th century New Jersey and the Ice Age, Wilder’s ambitious, funny, wildly unruly story of humankind told through the lives of the Antrobus family uses humor, history and mythology to highlight humanity’s drive to carry on. (September 7 – September 29; previews September 1 – September 6.)

October brings another Pulitzer Prize-winning play along with the continuation of A Noise Within’s commitment to produce all 10 plays in August Wilson’s “American Century Cycle.”  Gregg TDaniel returns to direct Wilson’s The Piano Lesson, following on the heels of critically acclaimed ANW productions of Gem of the Ocean, Seven Guitars, Radio Golf and King Hedley II, each directed by Daniel. In 1936 Pittsburgh, Berniece battles with her brother, Boy Willie, to save a treasured family heirloom: a piano decorated with images of their African ancestors carved by their enslaved grandfather. (October 19 – November 10; previews October 13 – October 18.)

The holidays signify the return of A Noise Within’s festive, musically merry production of Charles Dickens’ A Christmas Carol. In Geoff Elliott’s delightfully faithful adaptation of what might just be the greatest story of redemption ever written, Marley and the ghosts of Christmas past, present and future join forces to save Ebenezer Scrooge from a lonely and terrible fate. (December 7 – December 24; previews December 1 – December 6.)

“What’s done cannot be undone.” Andi Chapman will direct Macbeth by William Shakespeare in February. In the Bard’s grand and gripping tale of murder, treason, ambition and greed, Macbeth and his wife will stop at nothing in their pursuit of wealth and power. (February 15 – March 9; previews February 9 – February 14.)

Adapted by Elizabeth Williamson from the novel by Charlotte BrontëJane Eyre follows the orphaned Jane, who takes a position working as governess at Thornfield Hall for the brooding Edward Rochester. Our strong-willed heroine falls in love with her mysterious employer, but the discovery of a dark secret and its devastating aftermath forces the young governess to make a heart-wrenching decision that changes their lives forever. Geoff Elliott directs. (March 29 – March 28; previews March 23 – March 28.)

Finally, closing out the season in May, Julia Rodriguez-Elliott directs A Man of No Importance featuring music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by the late Terrence McNally. An amateur theater group in Dublin is determined to stage a version of Oscar Wilde’s Salome at their leader’s church despite the objections of church authorities in this intimate musical, a queer coming-out story inspired by the 1994 film starring Albert Finney.  (May 10 – June 1; previews May 4 – May 9.)

A Noise Within has been called “an oasis for those who love classic stories” by the Los Angeles Times and is a leading regional producer based in Pasadena, California. ANW’s award-winning resident company is committed to representing the entire community at its state-of-the-art, 324-seat performance space. In addition to producing world-class performances of classic theater, the organization runs robust education programs with the goal of inspiring diverse audiences of all ages. ANW believes in working hard on its anti-racist practice across the whole organization. By interpreting its mission to fully engage audiences through community and artist-centered work in multiple creative disciplines, ANW is striving to be a theater that better serves the entire community.

For more information about A Noise Within’s 2024-25 “True Grit” season, and to purchase season subscriptions (save up to 28% — subscriptions on sale now) or single tickets (on sale beginning July 9), call (6263563100 or go to www.anoisewithin.org.

Chalk Repertory Theatre & Ensemble Studio Theatre/LA Present World Premiere Companion Productions PANG SPA & TWO STOP

Chalk Repertory Theatre & Ensemble Studio Theatre/LA

Present
World Premiere Companion Productions
PANG SPA & TWO STOP

Written by David Johann Kim

Community collaboration centered around themes related to the 1992 L.A. Uprising Presented during AAPI Heritage Month at Atwater Village Theatre

Details for Calendar Listings

Two Stop & Pang Spa

WHAT: TWO STOP
On the verge of the ’92 LA Uprising. A Korean market. A murder scene. A store owner and a neighborhood teenage girl face off. When her wild card mother arrives, secrets from the past explode in this tiny store. History and histories go head-to-head as LA starts to burn. Together they reach back decades and across the globe through war, strife, love and life, finding connection and even hope…but will it be enough?

WHO:
• Written by David Johann Kim
• Directed by Tracey A. Leigh
• Starring Suzen BarakaJuneSoo Ham, and Iyanna Lott
• Presented by EST/LA, Tracey A. Leigh, Artistic Director

WHEN:
Previews: May 2 – May 3
Performances: May 4 – June 9
• Thursdays at 8 p.m.: May 2 (preview); May 9; May 16; May 23; May 30; June 6
• Fridays at 8 p.m.: May 3 (preview); May 10; May 17 (Hapa Night); May 24; May 31; June 7
• Saturdays at 8 p.m.: May 4 (opening); May 11; May 18; May 25; June 1; June 8
• Sundays at 3 p.m.: May 5; May 12; May 19; June 2
• Sundays at 7 p.m.: May 26 (AAPI Day); June 9

HOW:
– 
https://www.estlosangeles.org/

– https://www.facebook.com/EnsembleStudioTheatreLA/
– 
https://www.instagram.com/estlosangeles/
– 
https://twitter.com/EST_LA
– 
https://www.youtube.com/@estlosangeles9117/videos

WHAT: PANG SPA

Daniel Pang returns home to LA’s Koreatown stepping into an unexpected life. Twenty years after the LA Uprising, the family business is gone, his brother is gone, and his parents are disappearing with dementia. As Daniel juggles his parents’ care and idiosyncratic neighbors a flinty young army vet arrives on a mission forcing him to confront his past. Pang Spa is a Los Angeles, K-town dramedy celebrating family, memory and identity through a journey of healing.

WHO:
• Written by David Johann Kim
• Directed by Reena Dutt
• Starring Christopher CallenBen CarrollHahn ChoEdward HongJasmine KimikoDian Kobayashi
• Presented by Chalk Repertory Theatre, Amy Ellenberger, Artistic Producing Director

WHEN:
Previews: May 16 – May 18
Performances: May 19 – June 9
• Thursdays at 8 p.m.: May 16 (preview); May 23; May 30; June 6
• Fridays at 8 p.m.: May 17 (Hapa Night); May 24; May 31; June 7
• Saturdays at 8 p.m.: May 18 (preview): May 25; June 1; June 8
• Sunday at 6 p.m.: May 19 (opening)

• Sundays at 2 p.m.: May 26 (AAPI Day); June 9

• Sunday at 7 p.m.: June 2

• Monday at 8 p.m.:  June 3

HOW:
– 
https://www.chalkrep.com/
– 
https://www.facebook.com/chalkrep
– 
https://www.instagram.com/chalkrep/

SPECIAL DOUBLE-FEATURE PERFORMANCE DAYS:
For those who would like to attend both PANG SPA and TWO STOP on one day, there is a discount of $25 per performance on either Sunday, May 26, June 2, or June 9, use Code 2spa at checkout.

WHERE:
Atwater Village Theatre
3269 Casitas Ave
Los Angeles, CA 90039

• FREE parking in the ATX (Atwater Crossing) lot one block south of the theater.

TICKET PRICES:

●     $35

●     Previews: $25

●     Students, Veterans, Seniors $25

OTHER:
Appropriate for ages 12+

#  #  #

LOS ANGELES (April 1, 2024) Los Angeles theater survives and thrives on community collaboration now more than ever. In conjunction with AAPI Heritage Month, Chalk Repertory Theatre will present the world premiere of PANG SPA directed by Reena Dutt in collaboration with EST/LA’s world premiere production of TWO STOP directed by Tracey A. Leigh. Penned by David Johann Kim, these two world premieres are companion pieces centered around themes related to the 1992 L.A. Uprising. Both plays will be presented during AAPI Heritage Month between May 2 and June 9, 2024, at Atwater Village Theatre. This collaboration is a part of Center Theatre Group’s L.A. Artist Residency program, a division of the new CTG:Forward initiative.

“In the wake of George Floyd’s murder, it was clear to me that TWO STOP not only had characters I’d never seen before onstage, but as a story of transformation, it would be perfect for EST/LA’s first full production since the pandemic,” explained TWO STOP director Tracey A. Leigh. “I’m constantly surprised by TWO STOP’s immediacy; the writing is superb – the play crackles with intensity while being grounded in the deep humanity of each character. I am so excited to share our production alongside Chalk Rep’s production of David Johann Kim’s other multi-award-winning play, PANG SPA.”

TWO STOP takes place on the verge of the ’92 L.A. Uprising. A Korean market. A murder scene. A store owner and a neighborhood teenage girl face off. When her wild card mother arrives, secrets from the past explode in this tiny store. History and histories go head-to-head as L.A. starts to burn. Together they reach back decades and across the globe through war, strife and love, finding connection and even hope.

In PANG SPA, Daniel Pang returns home to L.A.’s Koreatown stepping into an unexpected life. Twenty years after the L.A. Uprising, the family business is gone, his brother is gone, and his parents are disappearing with dementia. As Daniel juggles his parents’ care and idiosyncratic neighbors a flinty young army vet arrives on a mission forcing him to confront his past. PANG SPA is a Los Angeles, K-town dramedy celebrating family, memory and identity through a journey of healing.

“1992 was a defining year for Angelinos. It’s a part of our history that illustrates camaraderie as well as conflict across communities. What PANG SPA does is acknowledge the repercussions of those choices, and bring the aftermath to light through a complex, compelling, and often funny slice of life.” said PANG SPA director Reena Dutt.

In the Korean American community, the 1992 Los Angeles Uprising is remembered as Sai-i-gu (April 29 in Korean). Also known as the 1992 Los Angeles Riots or the 1992 Rodney King Riots, the L.A. Uprising was a major outbreak of violence, looting and arson that began on April 29, 1992. The L.A. Uprising was a response to two events: the acquittal of four white L.A. policemen on all but one charge connected to the severe beating of Rodney King, an African American motorist in March of 1991; and the fatal shooting of African American teenager Latasha Harlins by Korean convenience shop owner Soon Ja Du thirteen days after the beating of Rodney King. Korean Americans suffered extremely high economic losses as 2,300 Korean American businesses were looted or burned and suffered over $400 million in property damages. During the L.A. Uprising, Korean Americans received very little aid or protection from police authorities due to disparities in social status and language barriers.

TWO STOP stars Suzen BarakaJuneSoo Ham, and Iyanna Lott.

The creative team for TWO STOP includes Ashley Weaver, Stage Manager; Maria Hong, Costume Design; Justin Huen, Set Design; Xinyuan Li, Light Design; Austin Quan, Sound and Video Design; and Chuma Gault, Video Effects Design.

PANG SPA stars Christopher CallenBen CarrollHahn ChoEdward HongJasmine Kimiko, and Dian Kobayashi.

The creative team for PANG SPA includes Roella Dellosa, Stage Manager; Maria Hong, Costume Design; Justin Huen, Set Design; Xinyuan Li, Light Design; and Austin Quan, Sound Design.

David Johann Kim (playwright) fell hard for dramaturgy when working on new plays with powerhouse dramaturgs, Mame Hunt (at Berkeley Rep) and Morgan Jenness (NYSF’s New Works Now Festival and NY Theatre Workshops Dartmouth retreat) as an actor. Mabou Mines Ruth Malaczech asked David to be part of the writers’ group when she was devising A Drop in the Ocean in residence at NYTW. Les Waters selected David to be part of the devising team for their Joint Stock-style production, Act 3 Sc 2 of Life at UC San Diego. Kim holds an MFA from UC San Diego and is a member of The Dramatists Guild, EST/LA’s Playwrights Unit, Chalk Rep’s Writers group, Playwrights ThinkTank and cofounder of EST/LA’s Ignite Project. His play PANG SPA was a semifinalist for the 2018 O’Neill National Playwrights Conference, Ashland New Play Festival and Bay Area Playwrights Festival and the final round of Dennis and Victoria Ross Foundation Playwrights Program. Both of his plays PANG SPA and TWO STOP were awarded the Los Angeles New Play Project Grant in November 2022.

Tracey A. Leigh (TWO STOP director and EST/LA artistic director) is an Obie Award and NAACP Theatre Award-winning actor. She has an extensive career in theatre-making and new work development. She has appeared on stages throughout the U.S. and internationally, including a Broadway National Tour and performances Off-Broadway at New York Theatre Workshop, Primary Stages, Signature Theatre, Soho Rep, P.S. 122 and La Mama Experimental Theatre Club; regionally at San Francisco’s American Conservatory Theatre, Milwaukee Repertory Theatre, the Guthrie Theatre, The National Theatre in Washington DC, The Denver Center, Indiana Repertory Theatre, Arizona Theatre Company and ACT in Seattle; and at Southern California’s South Coast Repertory Theatre, The Old Globe Theatre, The La Jolla Playhouse, San Diego Repertory Theatre, Boston Court Pasadena, Sacred Fools, Echo Theater Company, Lower Depth Theatre and Rubicon Theatre Company.

A member of Ensemble Studio Theatre Los Angeles since 2011, Tracey became Associate Artistic Director in 2012, then served as Co-Artistic Director with Gates McFadden from 2013-2014. During that time, she produced and directed numerous projects and festivals for the company while working at USC as a dramaturg for second year MFA playwrights. After stepping away from the company for several years, she became Artistic Director in 2021. Tracey continues to work as an actor, recently appearing in the co-production of American Son at Ensemble Theatre Company Santa Barbara/The English Theatre of Frankfurt and the Playwright’s Arena/LGBT Center co-production of THREE, an adaptation of Anton Chekov’s Three Sisters. She is also a proud member of Artistic Directors of Color Alliance, Greater Los Angeles.

Reena Dutt (PANG SPA director) is dedicated to new and reimagined texts that catapult polarizing conversations through unexpected stories with the bodies, voices and life experiences of the underheard. Her Broadway debut was on The Collaboration at MTC as Assistant Director to Kwame Kwei-Armah of the Young Vic in London, and she most recently assisted Leigh Silverman on Merry Me at NYTW. Upcoming: An Experiment with an Airpump (CalArts), Pang Spa (World Premiere, Chalk Rep), Galileo’s Daughter (WAM). New York: Columbia University, Playwrights Realm, A.R.T. West Coast: UC Riverside, Artists at Play, Coeurage Ensemble, UC Riverside, Greenway Court Theatre, East West Players, Sacred Fools. Script Development Highlights: The Public, Boston Court, Playwrights Realm. Assistant/Associate Director: MTC, NYTW, The Public, The Fountain Theatre, Geffen Playhouse. Theatre Fellowships: Drama League NY Directing Fellow, LCT Directors Lab, Directors Lab West.

Reena is also a film director and producer having screened films at over 80 festivals worldwide including Sundance, LAFF, Outfest, Frameline, Cucalorous, NBCUniversal, BET, PBS/Latino and HBO. Reena was the first South Asian Community Liaison at the Ford Amphitheatre in Los Angeles and served on the board of Theatre of NOTE. She produced panel discussion connecting 99-seat theater to large theatre houses in the LA area at the Hollywood Fringe Festival and acted as an Associate Producer for Directors Lab West/Connects during the pandemic. Theatre Fellowships: Drama League NY Directing Fellow, LCT Directors Lab, Directors Lab West. Film Fellowships: Project Involve at Film Independent, SFFilm, and Trans Atlantic Partners with the Goethe Institut (Berlin). More Info: reenadutt.com

TWO STOP runs May 2 (opens May 4) through June 9, with performances taking place on Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. on May 5, 12, 19 and June 2; and Sundays at 7 p.m. on May 26 and June 9. There is a Hapa Night performance on May 17, and an AAPI Day celebration performance on May 26. To purchase tickets and for more information please visit  https://www.estlosangeles.org/.

PANG SPA runs May 16 (opens May 19) through June 9, with performances taking place on Thursdays, Fridays and Saturdays at 8 p.m.; Sundays at 2 p.m. on May 26 and June 9; and Sunday at 6 p.m. on May 19 and Sunday at 7pm on June 2. There is a Hapa Night performance on May 17, and an AAPI Day celebration performance on May 26. To purchase tickets and for more information please visit https://www.chalkrep.com/.

General admission to all performances are $35, with $25 tickets available to seniors, veterans, and students. There are three special double-feature performance days for those who would like to attend both PANG SPA and TWO STOP on one day with a discount of $25 per performance on either Sunday, May 26, June 2, or June 9, by using Code 2spa at checkout.  Atwater Village Theatre is located at 3269 Casitas Ave in Los AngelesCA 90039. Parking is free in the ATX (Atwater Crossing) parking lot one block south of the theater.

David Johann KimChalk Rep, and EST/LA are proud recipients of the Los Angeles New Play Project award. The world premiere productions of PANG SPA and TWO STOP are funded in part with the support of this grant. LANPP is a newly established grant program, launching in 2021, that helps support original work presented on small and mid-size stages in Los Angeles. In addition to LANPP, Chalk Rep and EST/LA are recipients of the Venturous Theater Fund grant, a fund of Tides Foundation, for each production. Both companies are grateful for the continued support of the Los Angeles County Arts Commission and its Organizational Grant Program. Without the generous support of these grants and individual donors, the productions of PANG SPA and TWO STOP would not be possible.

Chalk Repertory Theatre is a non-profit performing arts company with a 16-year tradition of revealing the spaces and stories of Los Angeles in all its beautiful, complex diversity. The company was founded on principles of equity, diversity, and inclusion, anti-racist practices, and identity-conscious casting. It is dedicated to making Los Angeles theatre expansive, inclusive, non-traditional and rule breaking while partnering with a variety of spaces as intimate as a living room and as public as an iconic landmark. Founded in 2008 by five graduates of the MFA Theatre program at the University of California, San Diego, Chalk Rep has become a leader in site-specific theatre garnering awards and partnering with iconic institutions such as L.A.’s Natural History Museum, the Page Museum, the William Andrews Clark Library, Saint John’s Episcopal Cathedral, Columbia Memorial Space Center, and Hollywood Forever Cemetery. In addition to play productions, Chalk Rep fosters artist development and community through its Writer’s Group, FLASH Festival, and a salon series called Open Circle.

Ensemble Studio Theatre Los Angeles (EST/LA) is a company of artists who collaborate to develop original, bold, risk-taking theatre. Through the telling of diverse stories, we challenge our artists and our audiences to meet the moment; to see the world through a new lens and explore our shared humanity. As an incubator for dynamic and audacious new theatre, EST/LA provides a space where artists across all aspects of identity, perspective, and experience feel safe to create daring work that shakes people up. As a company, EST/LA is dedicated to the discovery and development of new voices while continuing to support our member artists. We encourage all of our theatre makers to practice openness and curiosity; to wrestle with the things that make us uncomfortable; to delve into complex issues; to challenge the status quo by questioning assumptions; and to lift up those who’ve been traditionally marginalized as a result of those assumptions. It is long overdue for our membership to accurately reflect the city in which we live and create. Ensuring that the broader LA community sees itself represented in our work and in who we are is essential for meaningful and transformational engagement — with both our audiences and each other as artists. Embracing the enormous variety of human experience is imperative not only for the creation of impactful theatre, but for the future of EST/LA.

Ensemble Theatre Company Announces  its 2024-2025 “Legends and Legacies” Season of Shows

Ensemble Theatre Company Announces 

its 2024-2025 “Legends and Legacies” Season of Shows 

 

Dracula: A Comedy of Terrors

Million Dollar Quartet

Hamlet

Hershey Felder as George Gershwin Alone

Justice

 

April 1, 2024… Santa Barbara, Calif. –– Ensemble Theatre Company of Santa Barbara (ETC), Santa Barbara’s only professional theatre company and a member of the League of Resident Theatres (LORT), announces its 2024-2025 season: “Legends and Legacies.” Featuring an electrifying lineup of timeless classics and contemporary masterpieces sure to captivate audiences!  Opening with the recent Off-Broadway hit comedy, Dracula: A Comedy of Terrors, followed by a celebration of four musical legends in, Million Dollar Quartet. In February, one of the most iconic tales of all time, written 425 years ago by William Shakespeare, Hamlet will hit the stage of The New Vic with a modern feel. Spring will have the incomparable Hershey Felder performing his amazing show about one of America’s greatest composers, George Gershwin, in George Gershwin Alone. And, ETC’s 46th season will close with Justice, about the first female justices appointed to the highest court in our nation.

 

“In planning the 46th season, I was inspired by the idea of legends and legacies, and I found myself contemplating the hallmarks that make a legend or legendary tale,” said Scott DeVine, ETC’s executive director. “Certainly, some legendary tales involve such profound imagination that you wonder how someone came up with the idea.  But it’s the individual legends that stood out to me, as many of them never realized the impact they would have on the world in their own lifetimes. My hope for this season is that audiences will experience these stories and consider the mark they will leave on their own families, community, and world. As a theater community, we have an obligation to tell new stories of inspiration, while keeping timeless classics alive for future generations.  For ETC, I believe our legacy will center around our ability to continue bringing high-quality theater to Santa Barbara that entertains long-time theater lovers while attracting new theater goers who will discover their own passion for this four-thousand-year-old art form while experiencing one of these legendary tales.”

 

ETC’s 2024-25 season begins with the recent Off-Broadway hit, Dracula: A Comedy of Terrors by Gordon Greenberg and Steve Rosen. Ever wondered what would happen if you took Bram Stoker’s legendary vampire tale and put in into a blender with the comedic influences of Mel Brooks, and Monty Python? That’s just what happens in this lightning-fast, laugh-out-loud 90-minute quick-change magical romp. Dracula: A Comedy of Terrors runs October 10 – 27, 2024.

 

Next, the Tony® Award-nominated musical, Million Dollar Quartet, by Colin Escott and Floyd Mutrux. Step back in time to December 4, 1956 for one of the greatest jam sessions ever recorded when a twist of fate brought together four music icons: Elvis Presley, Johnny Cash, Jerry Lee Lewis, and Carl Perkins. Experience the magic of their impromptu jam session as they redefine rock ‘n’ roll history, featuring an incredible score of rock ‘n’ roll, gospel, R&B and country hits, performed live onstage by world-class actor/musicians. Showcasing hit songs including “Blue Suede Shoes,” “Walk the Line,” “Great Balls of Fire,” “Folsom Prison Blues,” “Whole Lotta Shakin’ Goin’ On,” “Hound Dog,” and more. Million Dollar Quartet runs December 5 – 22, 2024.

The most famous thriller ever written is given a visceral, frightening, and moving new modern dress production when it hits the stage of The New Vic in February. ETC’s modern production of the timeless classic, Hamlet, will reinvent Shakespeare’s tragedy for the 21st century, drawing new resonance from this 425-year-old play’s investigation of family, madness, murder, and forgiveness. Young Hamlet returns home from university to find his father dead, his inheritance stolen, and his mother remarried to his uncle. When the ghost of his father returns from the grave and pressures his son into a mission of revenge, Hamlet jump starts a chain of events that will redefine his relationship to his parents, his mortality, his nation, and himself.  Hamlet runs February, 6 – 23, 2025.                                                                                                                                                   

 

ETC welcomes the incomparable Hershey Felder as George Gershwin Alone in April. The story of America’s great composer who, with the groundbreaking “Rhapsody in Blue,” made a “Lady out of Jazz.” The show incorporates the composer’s best-known songs from “The Man I Love” and “Someone to Watch Over Me”, through the hits of An American In Paris and Porgy and Bess, to a complete performance of “Rhapsody In Blue”. George Gershwin was born in 1898 to Russian-Jewish immigrant parents in Brooklyn. Together, he and his brother, Ira, wrote standards such as “The Man I Love,” “Someone to Watch Over Me,” “Embraceable You,” “Fascinating Rhythm,” “I Got Rhythm,” “‘S Wonderful” and “They Can’t Take That Away from Me.” His groundbreaking opera, Porgy and Bess, is now considered an American classic. All told, George Gershwin wrote more than 1,000 songs for the stage and screen as well as works for the opera house and the symphony orchestra. In 1937, Gershwin died of an undiagnosed brain tumor at the age of 38, never knowing how famous and beloved he and his work would become. George Gershwin Alone runs April 3 – 20, 2025.

 

The 46th season concludes with the Southern California premiere of Justice, by Lauren Gunderson. Justice explores the first women on the U.S. Supreme Court – Sandra Day O’Connor, Ruth Bader Ginsburg, and Sonia Sotomayor – at the height of their power. Following the fraught confirmation process of Justice Sotomayor, we uncover the true sisterhood of these three iconic Americans as they inspire, challenge, and usher in the next generation of changemakers and trailblazers in American jurisprudence, while fighting private battles of their own. They confront and comfort each other about equal justice under the law, legal strategy, civic responsibility, as well as husbands, motherhood, kids, dreams, and sorrows, all while setting a new course for our country and the world. Justice runs June 5 – 22, 2025.

 

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Subscription renewals to ETC’s 2024-25 “Legends and Legacies” Season will go on sale on Wednesday, April 10 and new subscriptions will go on sale Wednesday, May 15 by calling the Box Office at 805-965-5400 or online at etcsb.org. All shows will perform at The New Vic, 33 W. Victoria Street in Santa Barbara. Five-play season ticket prices range from $190.00 – $435.00.

 

Single tickets will go on sale August 1, 2024 and will range from $40 – $94, with discounts available for seniors. Student tickets are available for only $25 each, and tickets for patrons 35-and-under are just $35 (subscription price is $165.00). Single tickets are available through the ETC box office at (805) 965-5400, or online at etcsb.org. For group sales information, please call (805) 965-5400.  

 

The Box Office is open Tuesday–Saturday 1pm–5pm and one hour prior to all performances. Plays, artists, dates and prices subject to change. 

 

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Ensemble Theatre Company, a member of the League of Resident Theatres (LORT), is Santa Barbara’s sole professional Equity theater company. ETC is committed to producing the highest professional quality theater in Santa Barbara, employing accomplished professional actors and stage managers.ETC has been home to several world, American and West Coast premieres and has received recognition and accolades throughout its enduring history, Including being recognized in an Equity theater company by the Actors’ Equity Association, the labor union for American actors and state managers. As the sole professional Equity theatre company in Santa Barbara, ETC brings a wide range of accomplished theatrical professionals to the region. For more information, visit our website at etcsb.org.

Theatre Review: Tiny Beautiful Things

Tiny Beautiful Things is presented by Chance Theater. Based on the book by Cheryl
Strayed. Adapted for the stage by Nia Vardalos. Co-conceived by Marshall Heyman, Thomas Kail, and Nia Vardalos. Directed by Katie Chidester.

Tiny Beautiful Things is a collage of stories that reflect the challenges and misfortunes in life. Due to the nature of the story, the kinetics are kept at a minimum. This play is mostly an emotional roller coaster. The main ingredients are the details of private lives and the urgent need of enlightening advice. With an excellent stage design, Director Katie Chidester relies on the power of the script and her actors’ skills to keep the audience engaged and entertained. Since the amount of Sugar’s readers is pretty extensive, three actors, Jonathon Lamer, Jennifer Richardson, and Sam Mistry, play the roles of different readers.

When Sugar (Aubrey Saverino, Matinicus: The Story of Abigail Burgess) reads the stories posted on her column, she starts to unlock her own private and painful past experiences. At that point, Sugar joins her readers’ journey on the search for answers, empathy, and healing. She revisits her own past experiences to advise and comfort her audience with honesty, finding her own catharsis in the way. The stories posted on Sugar’s column deal with love, loss, anxiety, sex, faith, etc. It’s like the wild west on steroids. The challenge for Sugar is to figure out how she can contribute to solve some extraordinary complex issues. Married with two children and a rather complicated past, Sugar finds out that her column could be an open book for both her readers and herself. All behind the anonymity of a pen name.

Sexual abuse is another topic highlighted in the play. For Sugar, the sexual abuse stories some readers share with her start to clear the path to her own healing. A victim of sexual abuse herself, Sugar opens up about her own demons and the strategy to cope with the trauma, an extraordinary quest to find the much needed internal peace to sooth her soul.

Some of the experiences shared in Sugar’s column are deeply sorrowful; they are the manifestation of the searing pain of open wounds that refuse to heal. One of the most moving cases is that of Living Dead Dad (played by Lamer), a man whose 22-year-old son was killed by a drunk driver. The private hell of this father seems to be too much to take. The grief is taking over his existence to a point where he no longer enjoys the company of the good and supportive people around him. Having lost her mother to cancer when Sugar was 22, she relates to the pain of this man.

This is the climax of the emotional journey of the play. Saverino and Lamer delve deep into a place of pain and desolation. Captivating the audience, both actors embody the essence of the characters and the heart of the story. It’s a scene where they capture the healing language of everlasting love through the shared experience of loss. It exemplifies Sugar’s transformative journey as a writer and the transformative journey of her readers as a result of her empathy and encouragement.

Visually, the set design concentrates on one color: Orange. In fine arts, orange symbolizes warmth, optimism, and freedom. Widely used in autumn, this color reminds us of the coziness spirit of the season. The stage—Sugar’s home—feels cozy and warm, like a safe place to pour out one’s heart. Similarly, her readers see Sugar’s advice as a fountain of optimism, a key ingredient she uses to reassure her readers that everything will be fine despite their difficulties. And as a result of their mutual nurturing and validation, together they try to achieve the freedom they need to move on with their lives.

This stage adaptation extracts the most moving and disturbing details of the inspirational life of Cheryl Strayed, whose struggles with drugs, the loss of her mother at an early age, and sexual abuse are an inspiration to search deep inside to find the strength to heal and overcome adversities.

Tiny Beautiful Things

Chance Theater @ Bette Aitken Theater Arts Center on the Cripe Stage
5522 E. La Palma Ave., Anaheim, CA 92807

Performances: April 13th – 28th, 2024; Fridays at 8 p.m., Saturdays at 3 p.m. & 8 p.m., Sundays at 3 p.m.

Ticketschancetheater.com

Based on the book by Cheryl Strayed. Adapted for the stage by Nia Vardalos. Co-conceived by Marshall Heyman, Thomas Kail, and Nia Vardalos. Directed by Katie Chidester. Laurie Smits Staude is the Executive Producer for this production. Bette & Wylie Aitken are Executive Season Producers for the entire 2024 schedule. Susan Bowman & Freddie Greenfield and Linda Maggard are Associate Producers, and The Family of Mary Kay Fyda-Mar is this year’s Associate Season Producers.

Cast: Aubrey Saverino, Jonathon Lamer, Jennifer Richardson, and Sam Mistry.

Creative Team: Scenic designer Kristin Campbell Coyne, costume designer Gwen Sloan, lighting designer Jordan “LJ” Curiel, sound designer Darryl B. Hovis, stage manager Bebe Herrera, and dramaturg Jocelyn L. Buckner.

Theatre Review: Stalin’s Master Class

Stalin’s Master Class is presented by the Odyssey Theatre Ensemble, Ron Sossi Artistic Director, in association with Isabel and Harvey Kibel. Written by David Pownall. Directed by Ron Sossi. Produced by Beth Hogan.

Although the meeting depicted by playwright David Pownall didn’t actually happen, the characters and some of the events mentioned were real. During Stalin’s regime, the so-called Zhdanov Doctrine was used as a mechanism to align all artists to the Politburo’s propaganda.

In 1948, the Soviet Communist Party held the Moscow Composers’ Conference, where six of the leading composers, including Prokofiev and Shostakovich, were censored for being considered formalistic, undemocratic, and their music labeled as a cacophony. In Stalin’s Master Class, Pownall imagines what transpired in a meeting before the 1948 Conference.

Concerned that Soviet music is not patriotic enough, Joseph Stalin (Ilia Volok) and Soviet cultural minister Andrei Zhdanov (John Kayton) summon composers Sergei Prokofiev (Jan Munroe) and Dmitri Shostakovich (Randy Lowell) to the Kremlin.

Stalin decides to introduce socialist realism into Soviet music and tries to teach the two composers a lesson on patriotism, Marxism ideology, and the idyllic image of Georgian pastoral life. Exasperated by their lack of commitment, Stalin instills fear on the two musicians, forcing them to compose a cantata that fits the triumphant spirit of the Soviet proletariat.

Displaying anti-cosmopolitan attitudes as a way to keep any western influences at bay, Stalin despises jazz and other genres popular in the 1940s. After a few glasses of vodka, the psychological and physical abuse starts to take effect. Prokofiev and Shostakovich relent to Stalin and Zhdanov’s requests.

In a production that feels a bit static at the beginning, the action starts to build up right before the intermission. The play is mainly psychological, but Director Ron Sossi manages to turn the script into an entertaining spectacle of music and humor, especially when the four characters try to put their minds together to compose the emblematic cantata intended to inspire an entire generation of faithful communist subjects.

The play delves into the mind of one of the most enigmatic figures in the political scene of recent times. From his poor upbringing to the madness of power, Pownall explores Stalin as a political figure and a human being at the edge of implosion, a characterization captured brilliantly in the last scene.

The music is fantastic and so is the scenic design with its 1940s vibe. The humor helps to move the story forward and it is an excellent contribution to the characters, but then the main theme of the play takes over: A troubled sense of regret and the tragic loss of liberties that marked one of the most tumultuous periods of the 20th century.

Stalin’s Master Class

Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

Ticketsodysseytheatre.com

Performances: April 13 – May 26
• Wednesdays at 8 p.m.: April 17* and May 15* ONLY
• Fridays at 8 p.m. (wine nights): April 19**, April 26* **; May 3**, May 10**, May17**, May 24**
• Saturdays at 8 p.m.: April 13 (Opening Night), April 20, April 27; May 4, May 11, May 18, May 25
• Sundays at 2 p.m.: April 21, April 28; May 5*, May 12, May 19, May 26
*Post-performance discussions on Wednesday, April 17; Friday, April 26; Wednesday, May 15; Sunday, May 5
**Wine Night Fridays: Enjoy complimentary wine and snacks following all Friday night performances.

Written by David Pownall. Directed by Ron Sossi. Music Direction by Nisha Sue Arunasalam. Starring John KaytonRandy LowellJan Munroe, Ilia Volok. Produced by Beth Hogan. Presented by the Odyssey Theatre EnsembleRon Sossi Artistic Director, in association with Isabel and Harvey Kibel.

Creative team: Scenic designer Pete Hickock; lighting designer Jackson Funke; sound designer Christopher Moscatiello; costume designer Mylette Nora; props designer Jenine MacDonald; and graphics designer Luba Lukova. The stage manager is Jennifer Palumbo.

Theatre Review: Can’t Live Without ‘Em

The Group Rep presents the World Premiere of Can’t Live Without ‘Em. Written by Lee Redmond. Directed by Mareli Mitchel-Shields. Produced by Brent Beerman for The Group Rep.

Thomas Axelrod (Bert EmmettAnimal Farm, Motel 66) is in some kind of trouble. He suffered a stroke and is now in a coma. But he is still able to hear. His ex-wife Maureen (Cynthia Payo, Room Service), rushes to the hospital to be with him. So is his current wife Sharon (Daisy Staedler, The Laramie Project). And his previous unknown mistress Chrissy (Jazz Strong). A horny Dr. Payne (Paul Anthony Kelly) is the physician that tries to bring Thomas back to a normal life.

After a brief scare of an incoming nuclear attack, the flickering red lights were nothing more than just a technical glitch, cleverly addressed by Emmett during the performance and candidly addressed by the staff during the intermission. Suddenly, we had a second chance in life.

Back to the story. The play is brilliantly written by Lee Redmond. Emmett plays Thomas as his consciousness, a playful blend of psycho-narration and interior monologue. As Thomas is unable to move, all he can do is listen and reflect on his actions, virtues and vices included. Maureen is the character that tries to hold all the pieces together in the face of adversity. Payo delivers a terrific performance portraying the quirky Maureen: Loud, clueless, and on the verge of a nervous breakdown.

A very peculiar motif in Act II is the palm trees all over the place. In the context of the story, palm trees seem to symbolize femininity, endurance, and peace. Three characteristics that convey Thomas’ life.

He has surrounded himself with women, loving and playing them at the same time. And now, in a helpless situation, he has no other option but to hear what they have to say. That includes dating other men to explore their sexuality, taking back their femininity. As an extra punishment for his philandering, he also has to listen to chatty Tammy (Jessica KentHarold and Maude, Room ServiceMotel 66), his nurse at the long term care facility.

Physically, he needs endurance to survive his stroke. Unable to move, he can only hear his surroundings and worry about the fate of the women in his life. And, of course, the fate of his unborn child.

And lastly, achieving peace as the life cycle is about to end. Thomas and the three women have to decide if this will be an achievable goal. The interactions among the women will be a factor to determine the resolution.

The witty dialogue keeps the audience engaged and invested in the characters. Although the pacing of the second act started to feel a bit slow, the action picked up by the end in a frenetic display of physical comedy. Director Mareli Mitchel-Shields uses the skillful talent of her cast to create rich and three-dimensional characters that are effectively framed by a carefully-curated stage design. The World Premiere of  Can’t Live Without ‘Em is another fine example of the successful Writers Workshop at the Lonny Chapman Theatre, inspiring and nurturing talent to keep live theatre alive for years to come.

Can’t Live Without ‘Em

Lonny Chapman Theatre – Upstairs Stage
10900 Burbank Blvd., North Hollywood 91601

April 11, 2024 – May 12, 2024

Thursdays and Sundays at 7: 00 PM

Saturdays at 4:00 PM

Ticketsthegrouprep.com

Written by Lee Redmond. Directed by Mareli Mitchel-Shields. Produced by Brent Beerman for The Group Rep.

Cast: Bert Emmett (Thomas Axelrod), Paul Anthony Kelly (Dr. Payne), Jessica Kent (Tammy), Holly Seidcheck (U/S Chrissy White performs May 2, 4 & 5), Cynthia Payo (Maureen Axelrod), Danny Salay (U/S Dr. Payne performs April 25, 27, & 28), Daisy Staedler (Sharon Axelrod) and Jazz Strong (Chrissy White).

Creative Team: Set Design Mitchel-Shields/Redmond, Lighting Design Frank McKown, Graphic Design Doug Haverty, Assistant Director/Stage Manager Casey Murray, John Ledley (Tech Operator), Online Marketing Kristin Stancato, Social Media Denise Downer and Jackie Shearn, Promotional Video and Photography Doug Engalla.