Theatre Review: The Beautiful People

Rogue Machine presents the world premiere of The Beautiful People, a play written by Tim Venable and directed by Guillermo Cienfuegos.

A sleepover takes a sinister turn in the basement of a typical American house. The story is set in the 90s, a period where hate, frustration, and a mental health crisis started to take shape and became a pressure cooker ready to explode.

E (Alexander Neher) hosts the sleepover, where he manipulates, humiliates, and comforts an insecure, depressed, and angry D (Justin Preston). Venable’s play is an exploration of where the new wave of violence started and where we are now. The continuous reference to pop icons is an accurate depiction of some of the root causes of the extreme acts of violence committed by some disillusioned youngsters who have no further expectations of a better life. The references to incels and the devastation caused by social rejection also paints a grim picture of the other factors that are building up in the hearts and minds of the new generation of Americans.

Much has been said about gun control, but that alone will not fix the underlying issues of isolation, loneliness, and mental issues experienced in America. The play digs deep into those elements that are pushing a great number of people to the limit. The intricate web of cause and effect is explored in Venable’s writing, where only two characters project the many issues affecting American society at large. The exposition of the characters’ backgrounds and frustrations poses an uncomfortable question that lingers in the air: Have mass shooters failed society, or has society failed them?

The brave performances of Neher and Preston are a testament of the dedication to their craft; Neher is brilliant as the cold bully and Preston is a tour de force as the vulnerable teenager, imploring compassion, but ready to commit great damage. David Mauer (Production Design) does a great job with the set and lighting to represent not only the basement of a house, but also what is happening underneath American society.

The Beautiful People is a pungent and radical play that will get you out of your comfort zone and place you in the character’s world. A world where survival of the fittest is the only way. The topics presented might make the skin crawl, but the play offers an opportunity to start a conversation that could prevent a tragedy that might be around the corner.

The Beautiful People

Written by Tim Venable. Directed by Guillermo Cienfuegos. Starring Alex Neher and Justin Preston. Produced by John Flynn, Rebecca Larsen (A Rogue Machine Production).

Rogue Machine 
7657 Melrose Ave, Los Angeles, CA 90462

For tickets: https://www.roguemachinetheatre.net/

Theatre Review: The West Side Waltz

Will Geer’s Theatricum Botanicum presents the revival of the original play commissioned in 1981. The playwright is Academy Award-winning writer Ernest Thompson and the director is Mary Jo DuPrey.

The story is placed in a New York’s Upper West Side apartment building. Margaret Mary Elderdice (Ellen Geer) is an aging pianist who lives alone and likes to play music with her younger neighbor Cara Varnum (Melora Marshall, The Merry Wives of Windsor), a violinist who, despite her best efforts, plays out of tune at times. The two neighbors are visited occasionally by the building’s super Serge America (Miguel Perez), an immigrant with an affable attitude. Margaret decides to hire a much younger Robin Bird (Willow GeerThe Merry Wives of Windsor ) as a companion, creating some friction with Cara, who wanted to be Margaret’s companion.

As time goes by, Robin reveals that she was married for 7 years, but her husband left her for someone else. She is also an aspiring actress that needs to practice her audition skills. It’s in Margaret’s apartment that the three women fight, laugh, and grow closer together. Three generations with similar and dissimilar views on life, but somehow connected by the same need, the need of human connection.

The story is placed in 1985, when the AIDS epidemic was ravaging the world, specially the gay community. It’s in those circumstances that Robin’s worst fears are exposed. At the same time, Margaret’s ability to walk declines one day at a time. Cara reveals that her beloved cat has died. Margaret reveals the loss of her brother during the Spanish flu. The pain, the memories, and New York’s cold weather, makes Margaret’s apartment a refuge, and the music becomes the medicine to soothe the soul.

With Robin’s surprising engagement to boyfriend Glen Darson (Charles Lin, The Merry Wives of Windsor), and Serge’s surprising firing as the building’s super, Margaret and Cara have to make a decision as what they will do as two lonely women in the twilight of their lives.

Marshall’s performance as a naive and witty Cara is extraordinary. Ellen Geer shows her fantastic skills in this season as both an excellent director (The Merry Wives of Windsor) and a passionate performer. The stage, music, and lighting create a warmth and homely background to depict the center of this drama.

The West Side Waltz

Written by Ernest Thompson. Directed by Mary Jo DuPrey. Presented by Will Geer’s Theatricum Botanicum. Starring Ellen GeerWillow GeerMelora Marshall, Charles Lin, and Miguel Pérez.

Will Geer’s Theatricum Botanicum
1419 N. Topanga Canyon Blvd.
Topanga CA 90290
(midway between Pacific Coast Highway and the Ventura Freeway)

For tickets and dates: https://theatricum.com/