I N T E R N A T I O N A L   C I T Y   T H E A T R E

International City Theatre honored as
‘Long Beach Legacy Business’

LONG BEACH, Calif. (November 18, 2024) – International City Theatre has been honored as a “Long Beach Legacy Business” by the City of Long Beach’s Long Beach Heritage, a title conferred on organizations that contribute to a sense of history in the surrounding neighborhood, support the cultural life, diversity or identity of Long Beach, and actively work to create a more equitable, inclusive and sustainable community.

International City Theatre has been part of the Long Beach community since 1985, when Shashin Desai opened a 99-seat black box theater on the campus of Long Beach City College where he was chairman of the drama department. From the beginning, the fledgling company attracted critical acclaim and multiple awards – including the Los Angeles Drama Circle’s prestigious Margaret Harford Award for “Sustained Excellence in Theater.” In 1996, determined to build a high quality professional, mid-size theater company in the City of Long Beach, Desai began producing simultaneous seasons on the college campus and at the Center Theater in the Long Beach Performing Arts Center. In 1999, the Long Beach City Council proclaimed International City Theatre the “Professional Resident Theater Company” at the Long Beach Performing Arts Center. A year later, ICT made the choice to invest entirely in the downtown, mid-size theater with an annual five-play season. When Desai retired in 2011, ICT’s board of directors unanimously approved caryn desai, ICT’s general manager since 1990, to take the reins as producing artistic director.

In 2025, ICT will celebrate its 40th anniversary in what is now known as the Beverly O’Neill Theater in the Long Beach Convention & Entertainment Center. The season of five premieres will include the Los Angeles premiere of Desperate Measures, a foot-stompin’, knee-slappin’ musical inspired by Shakespeare’s Measure for Measure, with a score by David Friedman and book and lyrics by Peter Kellogg; the American premiere of The Violin Maker by Lisa Pearl Rosenbaum and Ronda Spinak, a powerful and uplifting new play,based on the stories of Violins of Hope, that tells the true story of Israeli violin maker Amnon Weinstein who gathered and restored violins damaged during the Holocaust; the Los Angeles premiere of The Angel Next Door, a screwball romantic comedy by Paul Slade Smith; the world premiere of Masala Dabba, the newest family drama by Los Angeles playwright Wendy Graf; and the Los Angeles premiere of Ms. Holmes & Ms. Watson–Apt. 2B by Kate Hamill, an irreverent, darkly comic, modern take on Sir Arthur Conan Doyle’s famous sleuth and sidekick that re-examines the world’s most famous detective story through a bold new feminist lens.

In addition to its professional theater productions, ICT offers six community and educational outreach programs each year. The company’s commitment to the community also includes ongoing collaborations with Long Beach’s African American community and other groups and organizations. Former Los Angeles County Supervisor Don Knabe called ICT “a cultural treasure.”

For more information about ICT’s 2025 season and to purchase subscriptions or single tickets, call (562) 436-4610 or visit www.InternationalCityTheatre.org

Raymond O. Caldwell selected to succeed
Stephen Sachs as artistic director of Fountain Theatre

LOS ANGELES (November 18, 2024) — The Fountain Theatre hosted a gala event Saturday night, November 16, at the Hollywood Roosevelt Hotel to celebrate the legacy of retiring founding artistic director Stephen Sachs, during which the board of directors announced the selection of Raymond O. Caldwell as Sachs’ successor.

“After a deep, nationwide search, the board is confident that Mr. Caldwell is the leader who will burnish the Fountain’s traditions and bring the creative and innovative energy needed to ensure a vibrant future,” stated board chair Dorothy Wolpert. “We congratulate him and eagerly anticipate a thrilling partnership.”

Caldwell’s appointment follows a national search led by an internal search committee comprised of members of the Fountain Theatre’s board of directors. The Fountain engaged Artistic Logistics to assist with the ten-month search, application, and hiring process. Artistic Logistics partners with non-profit arts organizations to facilitate strategic planning, implement structural changes and leadership succession grounded in an organization’s values.

Sachs will stay on through March 31 to assist Caldwell in the transition. Caldwell will assume duties as sole artistic director on April 1, the anniversary of the Fountain’s founding by Sachs and the late Deborah Culver Lawlor.

“As an admirer of the work the Fountain Theatre has committed to for the past 34 years, I’m deeply honored and humbled to have been chosen to be the next artistic director,” said Caldwell. “I’m excited to continue creating work that celebrates Los Angeles’ incredible diversity, asks vital questions, provokes new ideas, and inspires civic engagement and action. It’s my belief that community-driven spaces like the Fountain Theatre are vital as we confront the greatest pandemic of our times: loneliness.”

Now living in Los Angeles, Caldwell has spent the last 16 years in Washington, DC as a director, writer, producer, and educator. He is the 2023 SDCF Zelda Fichandler Award recipient for his creativity and deep investments in the community. He has received Helen Hayes awards for directing, writing, and producing and was a regular recipient of the DC Commission on the Arts and Humanities Artist Fellowship.

His most recent directing credits include Romeo & Juliet at Folger Shakespeare Library, Look Both Ways at The Kennedy Center, Poetry for the People at Theater Alliance, Skeleton Crew at The Contemporary Theatre of Ohio, and Passing Strange at Signature Theatre. He has written and adapted new works for Theater Alliance and the Kennedy Center, including Look Both Ways: A Tale Told in Ten Blocks from the book by 2024 MacArthur recipient Jason Reynolds. A national tour is planned for early 2025. Poetry for the People: The June Jordan Experience, which he created alongside renowned composer Adrienne Torf, received the Helen Hayes Award for Outstanding Adaptation.

Caldwell was the artistic director at Washington DC’s Theater Alliance for six seasons, where he directed, developed, and produced socially conscious, thought-provoking programming that transformed the region and had global impact. Under his leadership, Theater Alliance was chosen to lead an American Arts Envoy with the US Department of State. He devised and directed the new work, A Global I.D.E.A., with 23 artists and activists from Bangladesh, Nepal, India, and the U.S. that explores what “Inclusion, Diversity, Equity and Accessibility” mean on the global stage. He’s developed and led similar international programming promoting cultural preservation, LGTBQIA+ rights, disability advocacy, peacebuilding, and countering violent extremism, human trafficking, and gender-based violence. In addition to his international work as an educator, Raymond was a faculty member and resident director at Howard University’s Department of Theatre Arts. He was part of the National Arts Strategy Executive Leadership group at Harvard, holds an MFA in Acting/New Play Development from Ohio State University, and a BFA in Acting from the University of Florida.

The Fountain Theatre creates, develops, and produces new plays that bring to life the urgent social, political, and cultural issues of our time, reflecting the vibrant diversity of Los Angeles and the nation. Its educational outreach programs inspire young people to become engaged citizens and leaders of tomorrow. The L.A. City Council commended the Fountain for “achieving a position of leadership in the Los Angeles theatre community… producing meaningful new plays of social and political importance that enrich the lives of the citizens of Los Angeles.” The Fountain is the recipient of the Los Angeles Drama Critic Circle’s Margaret Harford Award for sustained excellence in theater, presented for “outstanding productions of meaningful new plays and first-class performances spanning three decades.” Los Angeles Times theater critic Charles McNulty hailed the Fountain, stating, “No L.A. theater has done a better job of asking us to reexamine our lives through the lens of acute contemporary drama.” The Fountain Theatre’s most recent world premiere, Fatherland, conceived and directed by Sachs, just closed an off-Broadway run at Manhattan Theatre Club (New York City Center) with the original cast, where it received rave reviews as well as national and international coverage including from The New York Times, MSNBC, NPR and PBS.

For more information about the Fountain Theatre, go to www.fountaintheatre.com.

Theatre Asylum / Combined Artform Presents:
The 30 Minutes or Less Festival

A New Platform for Bite-Sized Storytelling in Los Angeles

LOS ANGELES, CA – Theatre Asylum and Combined Artform are excited to announce the debut of the 30 Minutes or Less Festival, a celebration of storytelling and live performance in a 30-minute format. Applications are being accepted now for this exciting event, which invites artists from all genres to showcase their work in front of a live audience. The festival will take place at the Stephanie Feury Studio Theatre and runs from Jan. 15 to Jan. 26, 2025, with a diverse lineup of performances each night.

The 30 Minutes or Less Festival is open to all types and genres of live performances, as long as each show is 30 minutes or less. Shows may share a slot by pairing two 15-minute performances, and each evening’s lineup will be grouped by categories such as short dramas, comedy scenes, solo performances, TV/film script readings, musicals, and more. Audiences will experience a dynamic lineup of storytelling, featuring multiple performance styles each evening, creating a festival atmosphere perfect for discovering new voices and styles.

Performers will have the chance to compete for several awards across categories, with a grand prize valued at over $800 awarded to the show with the greatest potential to advance in its production journey.

WHERE: Stephanie Feury Studio Theatre – 5636 Melrose Ave., Los Angeles, CA 90038
WHEN: Jan. 15 – 26, 2025
APPLICATION DEADLINE: Participants should apply by Dec. 15, 2024. Application Form.

All applications will be reviewed before acceptance. Performances containing content deemed harmful or unacceptable for public audiences—such as hate speech, bigotry, misogyny, misandry, or other discriminatory content—will not be permitted.

For more information about the festival, please contact Matthew V. Quinn of Theatre Asylum / Combined Artform at mquinn@combinedartform.com or 415-336-0513.

This is an exciting opportunity to explore the art of storytelling in a unique, intimate format. We look forward to welcoming you to The 30 Minutes or Less Festival!

‘Golden Shield’ stars Angela Lin, Fang Du, Jenapher Zheng, Greg Germann, Josh Stamberg in newest audio play from L.A. Theatre Works

LOS ANGELES (November 12, 2024) — L.A. Theatre Works, the world’s foremost producer of audio theater, has released a state-of-the-art recording of Golden Shield by Australian playwright Anchuli Felicia King. Directed by Anna Lyse Erikson and starring Seamus Dever, Fang Du, Greg Germann, Belinda Gosbee, Angela Lin, Mardy Ma, Eon Song, Josh Stamberg, Zhan Wang, Joanne Whalley and Jenapher Zheng, this riveting tale of technology, international intrigue and the delicate art of translation was recorded as part of LATW’s acclaimed Relativity Series of science-themed plays.

In this tense drama, a Chinese-American lawyer leads a class action lawsuit to expose an American tech giant’s involvement with the Chinese government’s “Golden Shield,” the firewall used to monitor and censor what can and cannot be seen online in China. With only one of the Chinese plaintiffs willing to testify, attorney Julie Chen hires her strong-minded sister Eva to translate. But what compromises will they make in order to win? And can they put aside their past differences to speak the same language?

“This marvelous work explores the urgent and timely issues that arise when technology and personal relations collide,” says L.A. Theatre Works producing director Susan Loewenberg.

LATW’s recording of Golden Shield is available in two different versions: a sound-rich version that can be listened to anywhere, and an “Enhanced Edition,” designed for headphones-only listening to give a truly immersive experience.

L.A. Theatre Works, the world’s foremost producer of audio theater, stands apart in its approach to making great theater widely accessible and affordable, bringing recordings of plays into homes and classrooms of millions of theater lovers, teachers and students each year. The company’s catalog of nearly 600 recorded plays is the largest archive of its kind in the world. LATW’s syndicated audio theater series broadcasts weekly on public radio stations across the U.S. (locally, in Southern California, on KPFK 90.7 FM); can be downloaded wherever you get your podcasts; and can be streamed on demand at latw.org. AudioFile magazine calls L.A. Theatre Works productions “the gold standard for fine audio theater recordings.”

L.A. Theatre Works’ Relativity Series of science-themed plays is sponsored by the Alfred P. Sloan Foundation.

Golden Shield is available at latw.org and at retailers and libraries everywhere.

Chance Theater proudly announces a bold and inspiring

2025 Season

PREMIERES, GROUNDBREAKING MUSICALS, AND FAMILY FAVORITES

ANAHEIM, CA – Chance Theater proudly announces its highly anticipated 2025 season, showcasing a compelling array of celebrated productions. The lineup features bold, groundbreaking musicals, regional premieres, a world premiere from our inaugural resident playwright, and beloved holiday and family classics. Each production reflects Chance Theater’s dedication to innovative storytelling and diverse perspectives, promising a season filled with unforgettable performances for the entire community.

“Our 2025 season offers something for everyone—from acclaimed musicals to powerful new voices,” said Founding Executive Artistic Director Oánh Nguyễn. “With shows that challenge, inspire, and celebrate, we’re excited to bring stories that resonate on a deeply personal level, whether through the heart-pounding energy of Tick, Tick… Boom!, the poignant memories in Such Small Hands, or the thought-provoking journey of What the Constitution Means to Me. We can’t wait for audiences to experience this season and the connections each show will spark.”

2025 Season

Tick, Tick… BOOM!
Book, Music & Lyrics by Jonathan Larson

Script Consultation by David Auburn,

Vocal Arrangements and Orchestrations by Stephen Oremus

tick, tick…BOOM! was originally produced off-Broadway in June 2001 by

Victoria Leacock, Robyn Goodman, Dede Harris, Lorie Cowen Levy, & Beth Smith
January 24 – February 23, 2025
On the Cripe Stage

Get ready to experience the electrifying mind behind Rent! Before Jonathan Larson revolutionized Broadway, he was a young man struggling to make his mark. This autobiographical musical, set in 1990, is a raw, humorous, and heartfelt journey of a composer on the brink of turning 30—waiting tables and wondering if he’ll ever write that soaring song that will change everything. His girlfriend wants to get married and move out of the city, and his best friend is making big bucks on Madison Avenue. Will he give up his dream and sell out just to keep the lights on? Will he lose the love of his life? Scored by music that redefined a genre, Tick, Tick… BOOM! takes you on the writer’s journey that led to a Broadway blockbuster. It’s a must-see for anyone who’s ever chased a dream. If you loved Rent, this show will speak to your soul. Don’t miss the chance to experience the genius of Pulitzer Prize and Tony Award-winning composer Jonathan Larson in a whole new way!

Direction by H. Adam Harris, with music direction by Lex Leigh and choreography by Niko Montelibano

Executive Producers are Susan Bowman & Freddie Greenfield and Steven & Louise Koch.

Opening Night: Saturday, February 1, 2025

Such Small Hands
By Resident Playwright Adam Szymkowicz
February 28 – March 23, 2025
On the Fyda-Mar Stage
* World Premiere

Paul and Marie wake in the morning, Marie makes coffee, black, Paul asks for sugar, Marie says the sugar is out of reach, and they drink it black, Paul questions, “do we drink it black because the sugar is out of reach or because we like it that way?” And so begins the daily routine of this long-married couple, filled with small quibbles, but an extraordinary amount of love, laughter, and memories. This hilarious and moving world premiere play about love, aging, selfishness, and selflessness from Chance Theater’s Resident Playwright Adam Szymkowicz, is sure to resonate with audiences with its laughter and heart.

Direction by Matthew McCray.

Executive Producers are David & Judy Joss, with Associate Producers David & Danice Limberg.

Opening Night: Saturday, March 8, 2025

The Chinese Lady
By Lloyd Suh
May 16 – June 8, 2025
On the Cripe Stage
* Regional Premiere

In 1834, 16-year-old Afong Moy, the first Chinese woman to set foot in America, sailed into New York Harbor to be featured in a museum. She sees herself as a representative of China, here to educate and entertain. Or, in the eyes of the paying public, is she merely a mesmerizing display? Moving and sharply funny, this play follows the idealistic Moy as she travels through America as a living exhibit for decades. Over the course of her travels, Moy shares her impressions of a young country struggling to define itself. Inspired by a true story, Lloyd Suh’s critically acclaimed play is a poetic, whimsical tale that paints a unique portrait of the United States as seen through the eyes of this remarkable young Chinese woman.

Direction by Producing Associate Shinshin Yuder Tsai.

Executive Producers are Gus & Mary Chabre, Sophie & Larry Cripe, Sally Ann Catering, and Samuel & Tammy Tang.

Opening Night: Saturday, May 24, 2025

Spring Awakening
Music by Duncan Sheik
Book & Lyrics by Steven Sater

Based on the play by Frank Wedekind
July 11 – August 10, 2025
On the Cripe Stage

* Orange County Regional Premiere

Based on Frank Wedekind’s groundbreaking play, Steven Sater and Duncan Sheik’s brilliant rock score and searingly emotional book bring the story of sexual awakening, youth revolt, and self-discovery into a new century. It’s 1891, and the grown-ups hold all the cards. Headstrong Melchior and naive Wendla stumble into each other’s arms, passionate and curious, while anxious Moritz struggles to live up to the stringent expectations of society. With only each other for guidance, this group of young men and women travel the fraught and rocky path of adolescence, discovering their bodies, their minds, and themselves along the way. Winner of eight Tony Awards, Spring Awakening features an electrifying fusion of morality, sexuality, and rock and roll, delivering a story that packs a powerful emotional punch.

Direction by Associate Artistic Director Jocelyn A. Brown, with music direction by Resident Artist Robyn Manion, and choreography by Mo Goodfellow

Executive Producers are Susan Bowman & Freddie Greenfield, Rachelle Menaker & Eddie Schuller, and Laurie Smits Staude.

Opening Night: Saturday, July 19, 2025

SPRING AWAKENING is presented through special arrangement with Music Theatre International (MTI).

All authorized performance materials are also supplied by MTI. www.MtiShows.com

What the Constitution Means to Me
By Heidi Schreck
October 3 – October 26, 2025
On the Cripe Stage

*Pulitzer Prize Finalist

Heidi Schreck’s timely, hilarious, and deeply felt play breathes new life into our country’s most important document. Fifteen-year-old Heidi paid her college tuition by speaking in (and winning) debate competitions across the country. Now older, she resurrects her teenage self to tell the story of four generations of extraordinary women in her family whose lives were shaped by the Constitution. Nominated for two Tony Awards and a Pulitzer Prize finalist, Schreck’s boundary-breaking play reimagines our founding document and considers how it will shape the next generation of Americans.

Directed by Katie Chidester.

Executive Producers are Louise & Steven Koch, Rachelle Menaker & Eddie Schuller, and Linda & Tod White.

Opening Night: Saturday, October 11, 2025

What the Constitution Means to Me” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.ConcordTheatricals.com

Anne of Green Gables
Book by Joseph Robinette
Music & Lyrics by Evelyn D. Swensson
November 28 – December 21, 2025
On the Cripe Stage

Back by popular demand, this musical adaptation of the classic novel brings Anne Shirley’s beloved story to life. Watch as the red-headed orphan girl makes her mark on Avonlea and captures the hearts of everyone she meets. A perfect holiday treat for the entire family, Anne of Green Gables is a heartwarming journey of friendship, growth, and imagination.

Executive Producer Sally Ann Catering

Opening Night: Saturday, December 6, 2025

Fancy Nancy: Splendiferous Christmas, The Musical
Book by Cara Lustik and Matthew Hardy
Music by Randy Klein
Lyrics by Matthew Hardy
Orchestrations and Vocal Arrangements by Randy Klein
Based on the popular book series by Jane O’Connor
and Illustrated by Robin Preiss Glasser
December 5 – 21, 2025
On the Fyda-Mar Stage

Back by popular demand, it’s a holiday season filled with elegant wrapping paper, festive decorations, Christmas cookies with sprinkles—and, of course, the tree!  After all, there is no such thing as too much tinsel. Ooh, la la! This year, Nancy is especially excited. After selling some of her old gowns and accessories, she’s finally able to buy a brand-new sparkly tree topper. She simply cannot wait to decorate the Christmas tree. But when things don’t go as planned, can Nancy still make Christmas as splendiferous as she dreamed?

Executive Producer Robert Berman

Opening Night: Sunday, December 7, 2025

Fancy Nancy, The Musical
Book & Lyrics by Susan DiLallo
Music by Danny Abosch
Based on the popular “Fancy Nancy” books
by Jane O’Connor and illustrated by Robin Preiss Glasser
March 28 – April 13, 2025
On the Cripe Stage

Making a triumphant return to the Chance, Nancy is back for another delightful adventure! Bring the family and watch as Nancy and her friends– Bree, Rhonda, Wanda, and Lionel– prepare for their very first show, Deep Sea Dances. Nancy is absolutely certain (that’s fancy for 100% sure) that she and Bree will be chosen as mermaids. But when another girl lands the coveted mermaid role, Nancy is stuck playing a dull, dreary tree. Can she bring her signature fancy flair to the role, even if it’s not the one she had in mind?

Executive Producer Robert Berman

Opening Night: Sunday, March 30, 2025

TICKETS
Season tickets for the 2025 season are available now. Individual show tickets go on sale starting December 2024. For more information and to purchase tickets, visit ChanceTheater.com or call (888) 455-4212.

INTERACT THEATRE COMPANY
in partnership with the
LOS ANGELES PUBLIC LIBRARY

presents 

THE PRIZE WINNERS
Season IV
A Staged Reading Series of Pulitzer Prize & Tony Award®-Winning Plays
Presented January through May, 2025
Free to the Public – at the Studio City Branch Library

November 8, 2024 – Studio City, CA…Prepare for an unforgettable season of exceptional theatre as INTERACT THEATRE COMPANY (ITC), honored with the 2023 Best Ensemble Award from the Los Angeles Drama Critics Circle, partners with the LOS ANGELES PUBLIC LIBRARY to proudly present its fourth season of The Prize Winners — a series of free staged readings featuring Pulitzer Prize and Tony Award®-winning plays. Produced by Barry Heins and Kristen Egermeier, this acclaimed program is a highlight of the LA MADE cultural enrichment initiative, generously supported by Friends of the Studio City Library, and made possible in part by the City of Los Angeles Department of Cultural Affairs. Building on last season’s standout performances by celebrated actors like Frankie Faison and Joshua Malina, this series offers theatre enthusiasts a rare opportunity to experience top-tier dramatic works performed by some of the finest actors in Los Angeles — all at no cost. Each performance will include a post-show talk-back.

Performances will take place monthly, from January 2025 through May 2025, on the second Saturday of each month at 2 p.m. at the Studio City Branch Library, located at 12511 Moorpark Street, Studio City, CA. Admission is free on a first-come, first-served basis, and to secure seating at this popular event, audiences are encouraged to arrive early. Doors open at 1:30 p.m. 

When: January 11, 2025 ­– May 10, 2025 at 2 pm.

FULL SCHEDULE:

January 11, 2025 at 2pm – WIT by Margaret Edson, directed by Rob Adler.

February 8, 2025 at 2pm – TRUE WEST by Sam Shepard, 

directed by Rob Brownstein.

March 8, 2025 at 2pm – GOD OF CARNAGE by Yasmina Reza and translated by Christopher Hampton, directed by Christina Carlisi.

April 12, 2025 at 2pm – RABBIT HOLE by David Lindsay-Abaire, 

directed by Cate Caplin.

May 10, 2025 at 2pm ­– AUGUST WILSON’S FENCES, 

directed by Michael A. Shepperd.

Where: Studio City Branch Library, 12511 Moorpark Street, Studio City, CA, 91604.

Sierra Madre Playhouse
Announces 2025 Season,
Featuring a Record Number of World-Class Programs
Across a Wide Array of Genres

The Historic Performing Arts Venue
Offers 70 Entertaining and Compelling
Music, Jazz, Theater, Dance, Cinema, and Family Events
from January 2025 to December 2025

Highlights Include:

• Debut of a Multi-Week Lunar New Year Celebration;
• Expanded Dance and Music Programming;
• World Premiere of a New Theatrical Work in Development;
• Silent Film Classics Reimagined with Alt Rock Soundtracks;
• New Artistic Partnerships with East West Players, Street Symphony, and Silents Synced and Continuing Partnerships with Wild Up and Bob Baker Marionette Theater.

2025 performances listed in chronological order:

sierramadreplayhouse.org/calendar

LOS ANGELES NEW PLAY PROJECT ANNOUNCES 2024 RECIPIENTS

OF THE 4th ANNUAL GRANT 

Los Angeles, CA (October 22, 2024) – Celebrating outstanding talent in the Los Angeles theater community, the Los Angeles New Play Project (LANPP) is thrilled to announce this year’s grant recipients whose work pushes boundaries and engages audiences in profound conversations. This will be the fourth annual grant ceremony, which to date has supported thirteen new plays.

This year’s recipients are Shualee Cook for CERCLE HERMAPHRODITOS, to be produced by After Hours Theatre Company (Graham Wetterhahn, Artistic Director); Roger Q. Mason for HIDE AND HIDE to be produced by Skylight Theatre Company (Producers Gary Grossman and Armando Huipe); Ankita Raturi for नेहा & NEEL to be produced by Artists at Play (Marie-Reine Velez – Producer); Amy Tofte for RIGHTEOUS AMONG US to be produced by Little Fish Theatre (Suzanne Dean and Stephanie Coltrin, Co-Artistic Directors).

CERCLE HERMAPHRODITOS by Shualee Cook: Set in 1895, a trans man enters an famed underground social club for trans femmes, with the goal to find a wife in order to play the roles expected in public while pursuing the life they want in private. A wry and compelling love letter to the trans community based on true historical events (Scheduled for production in Spring 2025 at LGBT Center in Hollywood).

Shualee Cook has a wide range of work including full-length plays, musicals, plays with music, and opera.. Shualee is the recipient of 2023 Nancy Dean Lesbian Playwriting Award, the 2021 Chesly/Bumbalo Award, The 2020 RAC Artist Fellowship, and the 2019 Parity Commission. She has been a resident playwright in the Confluence Regional Writers Project, Stage Left Theatre, and Tesseract Theatre,  a finalist for the O’Neill National Playwrights Conference and the Bay Area Playwrights Festival. Her work has been developed by About Face Theatre, Breaking the Binary Festival, The New Coordinates, Slightly Askew Theatre Ensemble, Mustard Seed Theatre, The Road Theatre, The Idle Muse Athena Festival, Campfire Theatre Festival, National Queer Theatre, and the St. Louis Shakespeare Festival, among others.

HIDE AND HIDE written by Roger Q. Mason: Along the Coast of California, two lost souls collide while chasing freedom and the right to be an American… a queer rent-boy on the run from Texas police meets Constanza, a Filipina immigrant with a visa about to expire. Hide and Hide is a Homeric Odyssey that disrupts and rebuilds the American Fantasy, an Ironic, funny and dystopian odyssey. (Scheduled for production in Spring, 2025).

Roger Q. Mason (they/them) is a writer who satirizes and revises history to disrupt the biases that separate rather than unite us. Their playwriting has appeared on Broadway; Off/Off-Off-Broadway; and regionally, garnered five Barrymore Award nominations in Philadelphia, a Jeff Award Recommendation in Chicago and the San Francisco Chronicle’s prestigious Datebook Pick. Mason’s Lavender Men, first produced by Playwrights’ Arena & Skylight Theatre Company, was lauded by the Los Angeles Times as “evoking the mingled visions of Suzan-Lori Parks, Jeremy O. Harris and Michael R. Jackson.” They received 2024’s Playwrights’ Center McKnight National Playwright Commission, the inaugural Dramatists Guild Foundation Catalyst Grant Award, a Hermitage Residency, a Lucille Lortel commission, a Kilroys List nod, and the Chuck Rowland Pioneer Award.

नेहा & NEEL written by Ankita Raturi: Neha (नेहा) is a single woman raising a son, now 17, in America, who seldom speaks their native Hindi or caring about India’s famed past.  On a cross country college tour, both confront the differences between them and who they want each other to be. B, नेहा and Neel asks what is lost with every generation in America and is it ever too late to connect to one’s roots (Scheduled for production at Latino Theatre Co. in downtown Los Angeles).

Ankita Raturi (she/her) writes hyper-theatrical works in Hindi/Urdu, English, and Bahasa Indonesia, about living between cultural identities and contending with the ongoing legacies of colonization. She grew up in capital cities, pediatric gastroenterology offices, and the bisexual closet. New play development: Theater Mu, New York Theatre Workshop, Roundabout, Ma-Yi Theater Company, South Coast Repertory, Ensemble Studio Theatre, Playwrights Realm, Berkshire Theatre Group, Cygnet Theatre, Artists at Play, The COOP, Atlantic Pacific Theatre, Theater Masters, Fresh Ground Pepper, Hypokrit Theatre Company, New York Shakespeare Exchange, Pete’s Candy Store. She is 2022 Ollie Award Winner.

RIGHTEOUS AMONG US written by Amy Tofte: An African American researcher working at a civil rights museum collecting oral histories from ancestors who saved Jewish children during the Holocaust has to set straight a hero legend,coming to terms with the urgent need to follow the truth and her own need to find heroes among regular people. (Scheduled for production in Spring 2025 at Shakespeare by the Sea, in Redondo Beach).

Amy Tofte received a Nicholl Fellowship in screenwriting from the Academy of Motion Picture Arts and Sciences. Her play Righteous Among Us (2020 Todd McNerney Award) had a staged reading at Urban Stages (off-Broadway) in 2023. She was recently a playwright with the Evolving Playwrights Group at Circle X Theatre (Los Angeles) where she completed a new play, Rain Dog War, about the climate crisis. Amy is currently developing her new play, BloodSuckingLeech, at Nashville Repertory Theatre as part of their Ingram New Works Project.  Residences at the Autry Museum of the American West, Brush Creek, Monson Arts, The Kennedy Center, Headlands Center for the Arts, and Yaddo with work produced and developed throughout the United States, Australia, the United Kingdom, and twice at the Edinburgh Fringe Festival.

Los Angeles New Play Project supports new and original works presented on small stages within Los Angeles County. Each playwright receives a grant of $20,000. Each of the submitting producers will receive an additional $20,000 to help offset the cost of producing. But there are many steps in between that rely on the facilities and input of the various theatres within the LA theatre community. Clearly, it takes a village!

By helping to support new and original work with the financial grants, LANPP is hoping to help usher in quality new writing for the vibrant and evolving Los Angeles small and midsize theatre community, and to encourage the production of exciting, untried plays.

LANPP was founded in 2021 by director Paula Holt. For information regarding the Los Angeles New Play Project please consult the website: http://lanpp.org/

FOR IMMEDIATE RELEASE

Chance Theater is proud to participate in the

impACT Anaheim  Giving Day

driving creativity and community for an inspiring future!

ANAHEIM, CA: Anaheim’s official resident theater company is thrilled to announce its participation in the impACT Anaheim Giving Day, a community-wide event dedicated to supporting local nonprofits and their impactful initiatives. As one of Anaheim’s premier cultural institutions, we are committed to enriching the community through the transformative power of live theater.

Taking place on June 5th, impACT Anaheim Giving Day provides an opportunity for individuals and businesses to unite in support of causes that resonate with them. Known for its commitment to artistic excellence, education, and community engagement, our theater invites supporters to join in this collective effort to make a positive difference in Anaheim and beyond.

By contributing on impACT Anaheim Giving Day, donors play a vital role in sustaining our mission-driven programs and initiatives. These contributions will help us continue to:

Provide Accessible Youth Theater Programs: Our Speak Up programs are a significant part of our educational outreach, designed to give voice to various community members.

Veterans Speak Up offers veterans a platform to share their stories, promoting social healing and deeper community understanding. Participants can record meaningful conversations, and collaborate with theater artists.

Spectrum Speak Up is a free summer theater camp for teens on the Autism Spectrum, focusing on acting, writing, directing, and team-building. This program helps participants find their unique voice and talent, culminating in an original show.

Engage with the Community: Through post-show talkbacks, outreach initiatives, and partnerships with local organizations, we foster meaningful connections and dialogue both on and off the stage.

Support Emerging Artists: By offering mentorship opportunities, collaborative projects, and professional development initiatives, we nurture a vibrant and diverse artistic ecosystem.

Produce Innovative Theatrical Productions: Our upcoming summer musical production is “Sweeney Todd, the Demon Barber of Fleet Street,” directed by James Michael McHale. This thrilling musical masterpiece will captivate audiences with its gripping narrative, intense score, and stellar performances, running from July 20 to August 11, 2024.

“Alma”: This powerful play explores the bond between a mother and daughter as they navigate the complexities of the American Dream. With a litany of amazing reviews and recommendations, this sold out extended production touched the hearts of our community and has stirred numerous patrons to reflect on the society that want to contribute to.

OTR Series: Our On The Radar series showcases new and groundbreaking works, providing a platform for emerging voices in the theater community, including Dustin H. Chinn, the Chance’s 2024 Resident Playwright. Past Resident Playwrights include Keiko Green, Exal Iraheta, B.J. Tindal, Krista Knight, Jessica Huang, Joanna Garner, Ted Malawer, Jenny Connell Davis, Lauren Yee, Nick Jones, Marshall Pailet, Zayd Dohrn, and Adam Szymkowicz.

How to Participate:

To learn more about our participation in impACT Anaheim Giving Day and how to make a donation, visit the Chance Theater Giving Day page. As we navigate the challenges posed by the ongoing pandemic, community support becomes more crucial than ever. By participating in impACT Anaheim Giving Day and contributing to our theater, individuals can directly impact the cultural landscape of Anaheim and contribute to the resilience and vitality of the arts.

NEWS RELEASE

 Arts advocates launch campaign urging Governor Newsom to reverse arts funding cuts proposed in May revise

Newsom’s draconian 58% cuts to critical arts programming to have catastrophic consequences on creative industry that supports 847,688 jobs

Rural communities and communities of color to be most impacted

CALIFORNIA (May 15, 2024) — On Friday, May 10, 2024, Governor Gavin Newsom presented his May Revision proposal for the 2024-25 State Budget. With a remaining $27.6 billion dollar deficit in the current year, the arts were among the hardest hit in Newsom’s proposed spending cuts. The May Revise proposes fully cutting the state’s innovative Performing Arts Equitable Payroll Fund ($12.5 million), plus a reduction of 38% in state grant funding for small arts nonprofits through the California Arts Council (CAC).

“In total, we’re looking at budget cuts upwards of 58% that will decimate California’s small nonprofit arts organizations and industry workers reliant on this funding,” said Julie Baker, CEO, CA Arts Advocates. “While we understand that every agency and sector must play their part to balance the budget, the cuts to arts and culture are massively disproportionate. We had hoped we were long past the days when the arts were the first to be cut and undervalued. The state’s recent investments recognized the creative industry’s essential service for bolstering the economic and social health of local communities, especially as an industry still very much in post-pandemic recovery.”

Since 2020, a broad coalition of arts and culture workers, entertainment unions, producers, nonprofits, live entertainment venues, music  film, tv, and movie theater representatives have worked together on public policies and resources to ensure the recovery and sustainability of the creative industries. However, while some parts of the arts and culture ecosystem have recovered from the impact of COVID, many have not, most notably the nonprofit performing arts. The sweep of the $12.5 million intended for the Performing Arts Equitable Payroll Fund, a groundbreaking program that supports live arts workers at smaller, nonprofit companies, was approved just a few years ago with a strong, bipartisan vote from the Legislature. This policy innovation remains critical to stabilizing the performing arts workforce. The Governor’s cut erases five years of building a legislative solution to address the deleterious impacts of both rising labor and operational costs and the pandemic on California’s small performing arts organizations.

“Over the past four years, our small performing arts nonprofits have suffered severe losses. During this time, our coalition urged the Legislature to act or risk decimating the live arts sector. The stakes today remain high: artists make up one of the most vulnerable populations in California and their jobs are crucial to preserve the State’s creative workforce. Last September, pilot funding for the Performing Arts Equitable Payroll Fund (EPF) was welcomed as a strategy to restore sustainability. Though $12.5M won’t balance the state budget, it will save the EPF and many arts workers’ livelihoods,” says Martha Demson, Board President of Theatre Producers of Southern California.

Currently, Arts & Culture production drives 8% of California’s economy, producing over $290 billion in direct impact and supporting 847,688 jobs; it also drives 7.3% of state tax revenues.  Meanwhile, the California Arts Council is already functioning at a cut-level and the performing arts community is facing unprecedented challenges.

“The state’s commitment to the arts through modest investments deliver outsized impacts for California and must be protected to ensure a future that integrates arts and culture into solving civic issues, fostering social cohesion, revitalizing neighborhoods and ensuring access to the tools of creative expression and innovation for all,” says Al Vincent Jr., Executive Director, Actors’ Equity Association. “When people go to see live arts events, they generate economic activity – everything from spending on dinner and drinks to parking and childcare. When there is less arts funding, there is less economic activity in small cities and towns across the state. California has a chance to be a leader that prioritizes the arts and artists, not just when times are easy, but when times are hard. As the budget process proceeds, we look forward to engaging the Newsom Administration and the Legislature to restore this critical funding for the arts.”

In total, the Governor’s proposed $10 million cut to the California Arts Council’s budget for Local Assistance Funding represents a greater than 38% reduction to the $26 million allocation level at which it has been stalled for the past seven years. The highpoint of support for the California Arts Council’s programming was at $30.7 million in the 2000-2001 budget, which in today’s dollars counting for inflation would be $54.7 million. Since 2018-19, general fund support has plateaued at $26 million – just .67 cents per California resident.  At this level, California ranks 36th in the nation in per capita arts spending. In contrast, Florida spends almost $2.00 per resident. The $10 million cut to this program would position California at 45th in the nation in local arts assistance funding, just above Kentucky, Kansas and Georgia.

“It is unthinkable that California would fall to 45^th in the nation when it comes to funding for the arts, trailing behind Alabama and Florida. The California Arts Council’s budget is already too small to meet the needs of this state with close to 850,000 workers employed in the arts and culture industry alone. In the 2023 grant cycle, roughly 54% of applicants were denied due to a lack of available funding. If this program is cut further, this will have a devastating impact on the field, especially in rural communities and communities of color,” says Jennifer Laine, Board President, CA Arts Advocates and Executive Director of the San Benito County Arts Council.