I N T E R N A T I O N A L   C I T Y   T H E A T R E

International City Theatre honored as
‘Long Beach Legacy Business’

LONG BEACH, Calif. (November 18, 2024) – International City Theatre has been honored as a “Long Beach Legacy Business” by the City of Long Beach’s Long Beach Heritage, a title conferred on organizations that contribute to a sense of history in the surrounding neighborhood, support the cultural life, diversity or identity of Long Beach, and actively work to create a more equitable, inclusive and sustainable community.

International City Theatre has been part of the Long Beach community since 1985, when Shashin Desai opened a 99-seat black box theater on the campus of Long Beach City College where he was chairman of the drama department. From the beginning, the fledgling company attracted critical acclaim and multiple awards – including the Los Angeles Drama Circle’s prestigious Margaret Harford Award for “Sustained Excellence in Theater.” In 1996, determined to build a high quality professional, mid-size theater company in the City of Long Beach, Desai began producing simultaneous seasons on the college campus and at the Center Theater in the Long Beach Performing Arts Center. In 1999, the Long Beach City Council proclaimed International City Theatre the “Professional Resident Theater Company” at the Long Beach Performing Arts Center. A year later, ICT made the choice to invest entirely in the downtown, mid-size theater with an annual five-play season. When Desai retired in 2011, ICT’s board of directors unanimously approved caryn desai, ICT’s general manager since 1990, to take the reins as producing artistic director.

In 2025, ICT will celebrate its 40th anniversary in what is now known as the Beverly O’Neill Theater in the Long Beach Convention & Entertainment Center. The season of five premieres will include the Los Angeles premiere of Desperate Measures, a foot-stompin’, knee-slappin’ musical inspired by Shakespeare’s Measure for Measure, with a score by David Friedman and book and lyrics by Peter Kellogg; the American premiere of The Violin Maker by Lisa Pearl Rosenbaum and Ronda Spinak, a powerful and uplifting new play,based on the stories of Violins of Hope, that tells the true story of Israeli violin maker Amnon Weinstein who gathered and restored violins damaged during the Holocaust; the Los Angeles premiere of The Angel Next Door, a screwball romantic comedy by Paul Slade Smith; the world premiere of Masala Dabba, the newest family drama by Los Angeles playwright Wendy Graf; and the Los Angeles premiere of Ms. Holmes & Ms. Watson–Apt. 2B by Kate Hamill, an irreverent, darkly comic, modern take on Sir Arthur Conan Doyle’s famous sleuth and sidekick that re-examines the world’s most famous detective story through a bold new feminist lens.

In addition to its professional theater productions, ICT offers six community and educational outreach programs each year. The company’s commitment to the community also includes ongoing collaborations with Long Beach’s African American community and other groups and organizations. Former Los Angeles County Supervisor Don Knabe called ICT “a cultural treasure.”

For more information about ICT’s 2025 season and to purchase subscriptions or single tickets, call (562) 436-4610 or visit www.InternationalCityTheatre.org

Raymond O. Caldwell selected to succeed
Stephen Sachs as artistic director of Fountain Theatre

LOS ANGELES (November 18, 2024) — The Fountain Theatre hosted a gala event Saturday night, November 16, at the Hollywood Roosevelt Hotel to celebrate the legacy of retiring founding artistic director Stephen Sachs, during which the board of directors announced the selection of Raymond O. Caldwell as Sachs’ successor.

“After a deep, nationwide search, the board is confident that Mr. Caldwell is the leader who will burnish the Fountain’s traditions and bring the creative and innovative energy needed to ensure a vibrant future,” stated board chair Dorothy Wolpert. “We congratulate him and eagerly anticipate a thrilling partnership.”

Caldwell’s appointment follows a national search led by an internal search committee comprised of members of the Fountain Theatre’s board of directors. The Fountain engaged Artistic Logistics to assist with the ten-month search, application, and hiring process. Artistic Logistics partners with non-profit arts organizations to facilitate strategic planning, implement structural changes and leadership succession grounded in an organization’s values.

Sachs will stay on through March 31 to assist Caldwell in the transition. Caldwell will assume duties as sole artistic director on April 1, the anniversary of the Fountain’s founding by Sachs and the late Deborah Culver Lawlor.

“As an admirer of the work the Fountain Theatre has committed to for the past 34 years, I’m deeply honored and humbled to have been chosen to be the next artistic director,” said Caldwell. “I’m excited to continue creating work that celebrates Los Angeles’ incredible diversity, asks vital questions, provokes new ideas, and inspires civic engagement and action. It’s my belief that community-driven spaces like the Fountain Theatre are vital as we confront the greatest pandemic of our times: loneliness.”

Now living in Los Angeles, Caldwell has spent the last 16 years in Washington, DC as a director, writer, producer, and educator. He is the 2023 SDCF Zelda Fichandler Award recipient for his creativity and deep investments in the community. He has received Helen Hayes awards for directing, writing, and producing and was a regular recipient of the DC Commission on the Arts and Humanities Artist Fellowship.

His most recent directing credits include Romeo & Juliet at Folger Shakespeare Library, Look Both Ways at The Kennedy Center, Poetry for the People at Theater Alliance, Skeleton Crew at The Contemporary Theatre of Ohio, and Passing Strange at Signature Theatre. He has written and adapted new works for Theater Alliance and the Kennedy Center, including Look Both Ways: A Tale Told in Ten Blocks from the book by 2024 MacArthur recipient Jason Reynolds. A national tour is planned for early 2025. Poetry for the People: The June Jordan Experience, which he created alongside renowned composer Adrienne Torf, received the Helen Hayes Award for Outstanding Adaptation.

Caldwell was the artistic director at Washington DC’s Theater Alliance for six seasons, where he directed, developed, and produced socially conscious, thought-provoking programming that transformed the region and had global impact. Under his leadership, Theater Alliance was chosen to lead an American Arts Envoy with the US Department of State. He devised and directed the new work, A Global I.D.E.A., with 23 artists and activists from Bangladesh, Nepal, India, and the U.S. that explores what “Inclusion, Diversity, Equity and Accessibility” mean on the global stage. He’s developed and led similar international programming promoting cultural preservation, LGTBQIA+ rights, disability advocacy, peacebuilding, and countering violent extremism, human trafficking, and gender-based violence. In addition to his international work as an educator, Raymond was a faculty member and resident director at Howard University’s Department of Theatre Arts. He was part of the National Arts Strategy Executive Leadership group at Harvard, holds an MFA in Acting/New Play Development from Ohio State University, and a BFA in Acting from the University of Florida.

The Fountain Theatre creates, develops, and produces new plays that bring to life the urgent social, political, and cultural issues of our time, reflecting the vibrant diversity of Los Angeles and the nation. Its educational outreach programs inspire young people to become engaged citizens and leaders of tomorrow. The L.A. City Council commended the Fountain for “achieving a position of leadership in the Los Angeles theatre community… producing meaningful new plays of social and political importance that enrich the lives of the citizens of Los Angeles.” The Fountain is the recipient of the Los Angeles Drama Critic Circle’s Margaret Harford Award for sustained excellence in theater, presented for “outstanding productions of meaningful new plays and first-class performances spanning three decades.” Los Angeles Times theater critic Charles McNulty hailed the Fountain, stating, “No L.A. theater has done a better job of asking us to reexamine our lives through the lens of acute contemporary drama.” The Fountain Theatre’s most recent world premiere, Fatherland, conceived and directed by Sachs, just closed an off-Broadway run at Manhattan Theatre Club (New York City Center) with the original cast, where it received rave reviews as well as national and international coverage including from The New York Times, MSNBC, NPR and PBS.

For more information about the Fountain Theatre, go to www.fountaintheatre.com.

Theatre Asylum / Combined Artform Presents:
The 30 Minutes or Less Festival

A New Platform for Bite-Sized Storytelling in Los Angeles

LOS ANGELES, CA – Theatre Asylum and Combined Artform are excited to announce the debut of the 30 Minutes or Less Festival, a celebration of storytelling and live performance in a 30-minute format. Applications are being accepted now for this exciting event, which invites artists from all genres to showcase their work in front of a live audience. The festival will take place at the Stephanie Feury Studio Theatre and runs from Jan. 15 to Jan. 26, 2025, with a diverse lineup of performances each night.

The 30 Minutes or Less Festival is open to all types and genres of live performances, as long as each show is 30 minutes or less. Shows may share a slot by pairing two 15-minute performances, and each evening’s lineup will be grouped by categories such as short dramas, comedy scenes, solo performances, TV/film script readings, musicals, and more. Audiences will experience a dynamic lineup of storytelling, featuring multiple performance styles each evening, creating a festival atmosphere perfect for discovering new voices and styles.

Performers will have the chance to compete for several awards across categories, with a grand prize valued at over $800 awarded to the show with the greatest potential to advance in its production journey.

WHERE: Stephanie Feury Studio Theatre – 5636 Melrose Ave., Los Angeles, CA 90038
WHEN: Jan. 15 – 26, 2025
APPLICATION DEADLINE: Participants should apply by Dec. 15, 2024. Application Form.

All applications will be reviewed before acceptance. Performances containing content deemed harmful or unacceptable for public audiences—such as hate speech, bigotry, misogyny, misandry, or other discriminatory content—will not be permitted.

For more information about the festival, please contact Matthew V. Quinn of Theatre Asylum / Combined Artform at mquinn@combinedartform.com or 415-336-0513.

This is an exciting opportunity to explore the art of storytelling in a unique, intimate format. We look forward to welcoming you to The 30 Minutes or Less Festival!

‘Golden Shield’ stars Angela Lin, Fang Du, Jenapher Zheng, Greg Germann, Josh Stamberg in newest audio play from L.A. Theatre Works

LOS ANGELES (November 12, 2024) — L.A. Theatre Works, the world’s foremost producer of audio theater, has released a state-of-the-art recording of Golden Shield by Australian playwright Anchuli Felicia King. Directed by Anna Lyse Erikson and starring Seamus Dever, Fang Du, Greg Germann, Belinda Gosbee, Angela Lin, Mardy Ma, Eon Song, Josh Stamberg, Zhan Wang, Joanne Whalley and Jenapher Zheng, this riveting tale of technology, international intrigue and the delicate art of translation was recorded as part of LATW’s acclaimed Relativity Series of science-themed plays.

In this tense drama, a Chinese-American lawyer leads a class action lawsuit to expose an American tech giant’s involvement with the Chinese government’s “Golden Shield,” the firewall used to monitor and censor what can and cannot be seen online in China. With only one of the Chinese plaintiffs willing to testify, attorney Julie Chen hires her strong-minded sister Eva to translate. But what compromises will they make in order to win? And can they put aside their past differences to speak the same language?

“This marvelous work explores the urgent and timely issues that arise when technology and personal relations collide,” says L.A. Theatre Works producing director Susan Loewenberg.

LATW’s recording of Golden Shield is available in two different versions: a sound-rich version that can be listened to anywhere, and an “Enhanced Edition,” designed for headphones-only listening to give a truly immersive experience.

L.A. Theatre Works, the world’s foremost producer of audio theater, stands apart in its approach to making great theater widely accessible and affordable, bringing recordings of plays into homes and classrooms of millions of theater lovers, teachers and students each year. The company’s catalog of nearly 600 recorded plays is the largest archive of its kind in the world. LATW’s syndicated audio theater series broadcasts weekly on public radio stations across the U.S. (locally, in Southern California, on KPFK 90.7 FM); can be downloaded wherever you get your podcasts; and can be streamed on demand at latw.org. AudioFile magazine calls L.A. Theatre Works productions “the gold standard for fine audio theater recordings.”

L.A. Theatre Works’ Relativity Series of science-themed plays is sponsored by the Alfred P. Sloan Foundation.

Golden Shield is available at latw.org and at retailers and libraries everywhere.