Musical Review: Guys and Dolls

Nathan Detroit (Justin Anthony Long) needs money to set up the biggest craps game in New York City, so he turns to fellow gambler Sky Masterson (James Byous). But Sky falls for religious missionary Sarah Brown (Elizabeth Eden). Adding to Nathan’s misfortunes, Adelaide (Margaret Spirito), his girlfriend of 14 years, demands marriage and kids. With the cops closing in on him and his gang of gamblers, the clock is ticking for Nathan to come up with the money and save the day.

Despite a delay due to a technical glitch with the lighting system at the beginning of Act II, the cast deliver an outstanding rendition of the beloved musical that has had a successful run around the world since its opening in 1950. Music Director Chris Wade leads a fantastic band that energizes the music numbers; the “Guys and Dolls (Reprise) at the end of Act II is an eye-catching display of dance and music. For the signature 11 o’clock number “Sit Down, You’re Rockin’ The Boat”, the music sets the tone for a captivating performance by Nicely Nicely (Jalen Friday), showing off his singing and dancing skills.

The customs by Michael Mullen also contribute to the overall feel of the play, bright and dark colors for the guys, and fancy dresses for the dolls. The costumes capture the elegance of the 1920 and 1930s, years that defined a glitzy and glamorous time in fashion.

The chemistry among the actors playing the four main characters is paramount to the success of this musical, as their interactions are the main focus of the story. In that sense, the connection between Sky and Sarah, played by James Byous and Elizabeth Eden is evident from the beginning. Their meeting sets off a moral question and sparks a romance that will change the course of things. Throughout the play, Byous and Eden build up the emotions and conflicting differences between them to create a dynamic relationship that draws the audience into the story. Similarly, the relationship between Nathan and Adelaide, played by Justin Anthony Long and Margaret Spirito, creates conflict and unleashes a series of comedic situations depicting the faithful devotion of the female character and the usual hesitation of the male character. Spirito thrives on her role. Her voice and comedic skills create a delightful character; Her performance is magnetic and memorable.

Director Doug Kreeger revives this musical with a colorful display of costumes, lighting, and excellent acting. The pacing and the music make it a dynamic staging that brings back the hustle and bustle of the underworld during the prohibition era in NYC.

The incipient adventure of Altadena Music Theatre into musicals continues with another well-developed staging of a classic production, showing their commitment to bring successful and meaningful musicals to the local theatre scene. Led by its Founder and Artistic Director Sarah Azcarate, Director Oliver Azcarate, Music Director Chris Wade, and Choreographer Melissa Schade, Altadena Music Theatre is a 501(c)(3) non-profit dedicated to live musical theatre, arts advocacy, and developmental youth programs.

Guys and Dolls

Altadena Music Theatre at the Charles Farnsworth Amphitheater
568 E Mount Curve Ave
Altadena, CA 91001

October 10 – 20, 2024

Thursday – Sunday at 7:00 PM

Tickets: https://www.eventbrite.com/o/altadena-music-theatre-50505137413

Based on the story and characters of Damon Runyon. Book by Jo Swerling and Abe Burrows. Music and Lyrics by Frank Loesser. Directed by Doug Kreeger. Choreographed by Nico O’Connor. Music direction by Chris Wade. Produced by Sarah Azcarate.

Cast: James Byous, Elizabeth Eden, Justin Anthony Long, Margaret Spirito, Jalen Friday, Robert Manion, Scott Van Tuyl, Brian Drummy, Cesario Perez, Will Kohlschrieber, Benita Scheckel, Zach Macdonald, Scarlet Sheppard, Abby Loucks, Kasey Hentz, Courtney Macmillan, Leonel Ayala, Sage Cabos, Andrew Pantazis, Jacob Rushing.

Creative team: Lighting and sound director JC Lara. Sound engineer Brian Celestino. Lighting designer Billie Oleyar. Costumer Michael Mullen. Set designer Andrew Hull. Prop master Darcy Hull. Hair and wing design Carter Thomas. Fight director Gabrielle Perrea. Intimacy coordinator Alexa Lowery.

Musicians: Keys, Bandmaster Chris Wade. Violin Erin Tompkins. Sax/Clarinet/Flute Jordan Guzman. Trombone Rebecca Buringrud. Bass Holly Barber. Keys Genie Cheng. Keys swing Bella Suot. Winds swing Daziel Rodriguez. Trombone swing Carlo Bonelli. Trumpet Andrew Rodman.

Theatre Review: Hair

Altadena Music Theatre presents Hair. Book by Gerome Ragni and James Rado. Music by Galt MacDermot. Director Oliver Azcarate. Producer Sarah Azcarate. 

The flower children are back on stage, this time at the Altadena Music Theatre. This revival, sans the nudity, offers an outstanding choreography and killer musical numbers that bring back memories of a turbulent but hopeful era in American history.

The literary concepts of the Beat Generation eventually merged with the hippie counterculture movement and led to sexual freedom and drug experimentation. Looking for the meaning of life and in opposition to the brutality of war, the generation of the late 60s turned to eastern philosophy, incorporating Hindu and Buddhist beliefs into their lifestyles. Their peace and love values still reverberate today. Did their counterculture movement have a permanent effect on modern society? Or, was it just an ephemeral utopia?

Hair, which opened off-Broadway a few months after the Summer of Love in 1967, offered a controversial way to experience theatre, depicting drug use, nudity, and a defying anti-war message.

The Altadena Music Theatre’s production captures the same powerful message of love, freedom, and experimentation that defined a society dissatisfied with the conservatism of the era and the discouraging news from the American front in Vietnam. The Tribe, lead by Claude (Daniel Hartman), Berger (Steve Mazurek), and Sheila (Sarah Azcarate) believe to be tuned in to the Age of Aquarius, experiencing a higher state of consciousness. This, of course, with the aid of drugs like LSD and marihuana. Director Oliver Azcarate recreates the effects of psychedelics in a sensuous choreography and soft lighting for a dramatic effect. The choreography, by the way, is a relevant element in Hair. Melissa Schade‘s expressive choreography paired up with Chris Wade‘s fantastic music direction is a combination that delivers a fluid, energetic, and captivating performance. Sexuality is also an important feature in Hair. It is a defiance and a symbol of acceptance and experimentation, a common practice in the hippie communes. Azcarate also uses choreography and lighting to depict what togetherness meant for the hippies.

The extraordinary acting of secondary characters like Margaret Meade (Michael Mullen) and Woof (Cruz St. James, Cabaret) add to the overall quirkiness of the play. This staging highlights prominently Claude’s mixed emotions. He has to make a decision. There are only two options: Either to relent to the pressure and go to Vietnam or stick to the Tribe’s firm opposition to the war. The consequences of his choice are portrayed poignantly, extracting the spirit of the play in a powerful manner.

This is an exceptional group of talented actors, singers, and dancers that engage the audience in a magical night under the stars in the historic Charles S. Farnsworth Park.

Hair

Charles Farnsworth Amphitheater

568 Mount Curve Ave. E

Altadena, CA 91001

September 14-24th, 2023 Thurs – Sun

SHOWTIME: 8:00 PM

Special Pre-Show Experience @ 7:30PM

Ticketsaltadenamusictheatre.com/hair2023

Book by Gerome Ragni and James Rado. Music by Galt MacDermot. Producer Sarah Azcarate. Director Oliver Azcarate. Choreographer Melissa Schade. Music Direction Chris Wade