Tag Archives: IAMA Theatre Company

Theatre Review: The Very Best People

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With a mesmerizing set design by Christopher Scott Murillo, The Very Best People opened up on Sunday at the Atwater Village Theatre.

More than anything else, John Lavelle‘s play is a comedy, a really good one. The exteriorized violence depicted in some of the scenes is hilarious rather than tragic. To match the violence, there is blood. Lots of blood. Dripping blood, broken noses, lodged bullets, and a squirt of ranch dressing are elements that exteriorize the extreme nature of the characters and the anger buildup taking over their lives.

Jak (Bryan Langlitz), owner of Angelina’s Irish Pub, is preparing a plan to take down the Deep State. Joining his insurrection is Joey (James Luster), a friend who is also influenced by the QAnon movement. They’re avid fans of Lara Amanda (Margaux Susi), a TV host that propagates a conservative agenda through her show. Joey has a huge crush on Lara Amanda. So intense is his infatuation that he tends to lock the pub’s doors and fantasize about her, charming the cobra while eating spicy chicken wings. Yes, a strange fetishism for a thirtysomething still living with his mom.

If that’s not bizarre enough, Joey also has a disturbing attraction for Chris’ wife. Chris, a childhood friend of both Jak and Joey, is a NYPD detective who got shot under mysterious circumstances and is now fighting for his life. Two other characters that add tension to the story are Jak’s stepsister Fanny (Andria Kozica) and her obedient boyfriend Brian (Adrián González), an ex-con who is friends with Jak, Joey, and Chris. Fanny is a nurse and is the anti-racist and anti-far right member who keeps everyone in check to guarantee the sanity in the group, although she’s unable to stop Brian from kidnapping Patrick (Seth Leighton Hale), an action instigated by Jak and Joey.

The play shows White men feeling under siege and on the verge of losing their minds due to an influx of radical information. Lavelle takes a clear stance against racism and ultraconservatism, making the premise a one-sided exploration of the current political and social environment. In that sense, The Very Best People is less neutral than plays like Human Error, which explores both sides of the spectrum without taking sides. Lavelle’s point is that men, in this case White men, exhibit an animalistic nature in their behaviour, which oftentimes leads to extreme violence and sexual predation (Joey actually howls like a wolf, or a coyote, depending on who you ask). But the play seems to ask us not to take matters so seriously, even violence can be funny, within a proscenium and using fake blood, of course.

The events that unraveled on January 6, 2021 continue to generate an intense debate on the social and political arenas. The Very Best People is one more piece of the vast legacy of opinions unleashed after the Capitol riot. The play is visceral and fascinatingly executed by this talented group of actors. Director Melissa Coleman-Reed achieves an impressive and highly kinetic production, using all of the elements at her disposal masterfully to serve the story. The fights, the shootings, and the tourniquette may be hard to watch, and you might think twice before using ranch dressing ever again, but the cast and production team make it a one-of-a-kind theatre experience not to be missed.

The Very Best People

Atwater Village Theatre
3269 Casitas Ave, Los Angeles CA

September 29 – October 27, 2024

Thursdays-Saturdays: 8pm (no Thursday, October 17 performance)
Sundays: 2:00pm

Tickets: iamatheatre.com

Written by John Lavelle. Directed by Melissa Coleman-Reed. Quinn O’Connor, Associate Producer.

Cast: Adrián González, Andria Kozica, Bryan Langlitz, James Luster, Margaux Susi, and Seth Leighton Hale.

Creative team: Jordan Bass (Casting Director), Erin Bednarz (Sound Designer), Nicole Bernardini (Properties Designer), Benedict Conran (Lighting Designer), Roella Dellosa (Production Stage Manager), Zander Eckhouse (Video Designer), Samantha Jones (Costume Designer), Lauren Lovett (Dialect Coach), Christopher Scott Murillo (Set Designer), Zachary Phaneuf (Technical Director), and Celina Lee Surniak (Intimacy and Fight Director).

Theatre Review: Arrowhead

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The World Premiere production of Arrowhead is presented by IAMA Theatre Company. Written by Catya McMullen. Directed by Jenna Worsham. Produced by Quinn O’Connor and co-produced by Katharine Means for IAMA Theatre Company. 

Gen (Amielynn Abellera) has a problem: She got drunk, had sex with a guy, and got pregnant. But she’s a lesbian. Well, she decides to abort. It is during this time that Gen and a group of friends get together. Everything looks relatively normal until Levi (Nate Smith) and his friend Brody (Adrián González, Celestial Events, Kiss of the Spider Woman) arrive.

It doesn’t take long for some drama to unfold and turn things upside down. Gen and Levi had a romantic relationship in the past and seeing each other again complicates things even further, as Gen is currently dating Lily (Kathleen Littlefield). Maggie (Kacie Rogers, Celestial Events) is straight. Well, kind of. Cam (Lindsay Coryne) is lesbian and sees the group of friends as family. Stacy (Stefanie Black) is Levi’s sister and develops a special relationship with Brody.

Playwright Catya McMullen creates a world where a reunion of friends unveils the complications of love, sex, and identity. Taking from her own experiences, McMullen gives each character a world of possibilities. Identities, labels, and the struggles to cope with feelings, specially after a breakup, are explored in this play. It is a comedy that presents different points of view of some controversial issues around queerness and feminism.

One of the most valuable aspects of Arrowhead is that the seriousness of the topics exposed in the play are actually presented as a delightful comedy. The writing offers dialogue that gives the actors plenty of opportunities to shine. With the excellent direction of Jenna Worsham, the script is turned into a web of comedic situations that deliver entertainment on every scene.

Each character has a background that reflects the experiences of most of the people in the audience. The play is a journey of self discovery. A leap into the unknown. But you’re not alone—the characters are your co-pilots. They may not have all the answers to your questions, but they make you laugh all the way till the end. Lindsay Coryne, specially, delivers a phenomenal performance. We hope she/him gets nominated for an award this year; it’s a performance to be remembered.  

The attention to detail is always a reflection of the professionalism of the director, and for Arrowhead, Worsham uses the set design, lighting, and special effects as a menagerie of creative elements to enhance the comedic mood of the play. 

A love letter to queerness, Arrowhead is a play that grabs your attention and inspires to ask questions about identity, sex, love, and friendship. With humor, surprises, and a cat lady, what else can you ask for?

Arrowhead

Atwater Village Theatre
3269 Casitas Ave
Los Angeles, CA 90039
• FREE parking in the ATX (Atwater Crossing) lot one block south of the theater. 

Performances: Feb. 8 – March 4
• Thursdays at 8 p.m. Feb. 8 ONLY (Opening Night)
• Fridays at 8 p.m.: Feb. 16; Feb. 23; March 1
• Saturdays at 8 p.m.: Feb. 17; Feb. 24; March 2
• Sundays at 2 p.m.: Feb. 18; Feb. 25; March 3
• Mondays at 8 p.m.: Feb. 19; Feb. 26; March 4 (dark Feb. 12)

Tickets: iamatheatre.com

Written by Catya McMullen. Directed by Jenna Worsham. Starring Amielynn Abellera, Stefanie Black, Lindsay Coryne, Adrián González, Kathleen Littlefield, Kacie Rogers, Nate Smith. Produced by Quinn O’Connor and co-produced by Katharine Means for IAMA Theatre Company. Presented by IAMA Theatre Company, Stefanie Black, artistic director. Creative team: Scenic designer Carolyn Mraz; sound designer Eliza Vedar; associate lighting designer/programmer Erica Ammerman; costume designer Danae Iris McQueen; properties designer Nicole Bernardini; intimacy director Celina Surniak; and casting director Jordan Bass. Rosalind Bevan is associate director; Daniel Cyzpinski is the technical director; and Zaira Paredes–Villegas is the production stage manager alongside assistant stage manager Isabella Gomez and wardrobe supervisor Athena Saxon.

Arrowhead poster
A scene from Arrowhead
A scene from Arrowhead