Musical Review: Drat! The Cat!

There’s a cat lady in the play. No, not that kind of lady. This one likes to steal diamonds for fun. To make it worse, the cop who is supposed to catch her, falls head over heels for her. He’s the softie and she’s the tough cookie. It’s so bad that he ends up handcuffed, not the other way around. Not a good thing for the New York Police Department.

It seems as if the play was brought to this side of the country by a turtle. Sixty years later, Drat! The Cat! has finally arrived on the West Coast. The original play premiered on Broadway in 1965. It starred Lesley Ann Warren and Elliot Gould, who was married to Barbara Streisand at the time. And now, The Group Rep is staging this fun musical at the Lonny Chapman Theatre for a one month run.

This new production features two sensational rising stars: Sydney DeMaria as Alice Van Guilder, the audacious catgirl, and Alec Reusch as Bob Purefoy, the naive cop falling madly in love. With a fantastic supporting cast, an excellent band directed by Gerald Sternbach, and a dynamic choreography by Cheryl Baxter, Director Bruce Kimmel stages a vibrant performance that infuses new life to this hidden gem. 

Encouraged by his dying father (Lloyd Pedersen), police officer Bob Purefoy is tasked with finding the thief who has been stealing the diamonds of New York’s high society in the 1890s. Bob is committed to finding the burglar. But he is no match to the cunning Alice, a woman ahead of her time. She wants to be a career woman and get diamonds in her own way, without the help of any man. To achieve that and hide her identity, she uses a catgirl costume, striking at posh events and stealing the diamonds without leaving traces behind. When visiting Alice’s parents to arrange the police operation to find and capture the diamond burglar, Bob meets Alice, unaware that she is the burglar. As they talk, she touches him, and it becomes love at first touch. Poor Bob is hooked and his tribulations begin.   

One of the best decisions by The Group Rep is the casting of the protagonists. The mischievous characteristics of Alice Van Guilder are vivaciously played by DeMaria, who acts with such naturality that her leading performance shapes the narrative of the play and heightens the audience engagement, something that only truly committed thespians can do. DeMaria’s soprano voice, movement, and acting makes this catgirl a rich and exciting character to watch. She shows off her captivating voice in “Wild and Reckless” and “I Like Him”, her two solo music numbers. 

As for Reusch, a tenor, he’s fascinating with his rendition of “She Touched Me”, the song made famous by Barbara Streisand. Reusch is excellent at portraying Bob Purefoy’s conflicting spirit, fighting the dichotomy between law enforcement and uncontrollable infatuation. His awkwardness and naiveness make his character highly likeable and relatable. Reusch and DeMaria develop a convincing chemistry on stage, adding an aura of romanticism and playfulness.       

The connection with the play is not new to Kimmel. In 1997, he produced a new version of the play’s score and he interacted with Playwright Ira Levin and Composer Milton Schafer. Unfortunately, Levin and Schafer are no longer around to see this new production. But this is a special commitment by Kimmel, and he is now able to stage the play at the Lonny Chapman Theatre.

To enhance the production even more, Costume Designer Shon Le Blanc uses an impressive array of period costumes that offer an attractive visual element that shows the careful attention to detail, which is always a demonstration of the level of commitment by the production team.

This is a rare opportunity to see the talent of Ira Levin as a musicals writer. Combined with the fine musical taste of Milton Schafer, Drat! The Cat! is a fantastic display of dance, comedy, and music.        

Drat! The Cat!

The Group Rep Theatre
10900 Burbank Blvd.
North Hollywood 91601

March 21 through April 27
Fridays and Saturdays at 8pm. Sundays at 2pm

Ticketsthegrouprep.com

Book & Lyrics by Ira Levin. Music by Milton Schafer. Directed by Bruce Kimmel. Musical Director Gerald Sternbach. Produced by Koushik Chattopadhyay for The Group Rep.

Cast: Ben Anderson (Patrolman & Ensemble), April Audia (Kate Purefoy), Riley Croman (Ensemble), Sydney DeMaria (Alice Van Guilder), Lareen Faye (Ensemble), Amy Goldring (Ensemble), Lee Grober (Mayor), Doug Haverty (Pincer), Angie Lin (Ensemble), Constance Mellors (Matilda Van Guilder), Hisato Masuyama (Butler & Ensemble), Savanna Mortenson (Maid/Ensemble), Maxwell Oliver (Ensemble), Lloyd Pedersen (Lucius Van Guilder & Roger), Alec Reusch (Bob Purefoy), Rob Schaumann (Mallet), Melissa Strauss (Dowager & Ensemble), Nicole Slatin (Ensemble) and Steve Young (Judge & Ensemble).

Theatre Review: Deathtrap

International City Theatre presents Deathtrap. Written by Ira Levin. Directed by Jamie Torcellini. Produced by caryn desai [sic].

Mystery and humor are combined to create a play with plenty of twists and turns to keep the audience wondering who will be killed next. Since the beginning, Sidney Bruhl (Geoffrey Lower) gives off a strange vibe, an uncomfortable sense of danger and violence. With a devilish sense of humor, that is. His wife Myra (Jill Remez) seems to perceive the same tension in the air. When Clifford Anderson (Coby Rogers), Sidney’s previous student, shows up with the script of what Sydney thinks would be a Broadway hit, things turn upside down and the real danger starts to emerge. 

Playwright Ira Levin also wrote Rosemary’s Baby, a horror novel turned into a famous film in the late 60s. Even tough Deathtrap combines mystery and humor that makes it lighter than Rosemary’s Baby, the play has some pretty intense moments. Lower, Rogers, and Remez do a fantastic job bringing out the violence and humor of the script to make the audience feel on edge in a fun and scary way. 

The writing is excellent; it keeps the sense of wonder all the way through. The direction by Jamie TorricelliThe Legend of Georgia McBride, is on point, with a great use of the space and presenting an amazing scenic (Fred Kinney), music (Dave Mickey), and lighting (Crystal R. Shomph) design to reinforce the mystery of the story. This is a unique opportunity to experience what Dr. Julia Wilkins calls “relief theory”, the phenomenon of getting scared with laughter. It’s the perfect show for this Halloween season.

Deathtrap

International City Theatre
Long Beach Convention & Entertainment Center
330 East Seaside Way
Long Beach, CA 90802

Performances: Oct. 20 – Nov. 5
• Thursdays at 8 p.m.: Oct. 26, Nov. 2
• Fridays at 8 p.m.: Oct. 20 (Opening Night), Oct. 27, Nov. 3
• Saturdays at 8 p.m.: Oct. 28, Nov. 4
• Sundays at 2 p.m.: Oct. 29, Nov. 5

Ticketsictlongbeach.org

Written by Ira Levin Directed by Jamie Torcellini. Starring Michelle HolmesGeoffrey LowerJill RemezCoby Rogers, and Patrick Vest. Produced by caryn desai [sic]. Presented by International City Theatre. Creative team: Set designer Fred Kinney, lighting designer Crystal R. Shomph, costume designer Kim DeShazo, sound designer Dave Mickey and prop designers Patty and Gordon Briles. Casting is by Michael DonovanCSA and Richie FerrisCSA. The production stage manager is Donna R. Parsons.