Theatre Review: Tick, Tick… BOOM!

When to quit? When to keep fighting? Luc Clopton shines as Jon, the struggling artist pursuing a career in musical theatre in Jonathan Larson‘s Tick, Tick… BOOM!

Director H. Adam Harris has a script and three actors to create a full production. Throughout the play, he demonstrates a special talent to make his actors radiate the excitement of big dreams and the unnerving desperation of unrealized success. The three actors show their mastery in singing, dancing, and acting, delivering a dazzling performance to remember.

Clopton digs deep into Jon’s insecurities, making the audience feel the anguish of a latent failure that would shatter his dreams into pieces. As music and singing are instruments to express and amplify the hopes and insecurities of the human race, Clopton hits all the notes to display the conflicting emotions inside an artist who feels his success so close, but so far at the same time. As for Lena Ceja as Susan and Mario Houle as Michael, their performances exhibit the richness of Larson’s skills to elevate the main character, giving him the encouragement and the challenges needed to develop the drama and get the audience emotionally invested. Ceja is exceptionally lively, adding dynamism to her character. An actress ready to take a protagonist role on stage.

Harris succeeds in building the crescendo to reach the pivotal scenes where Susan tells Jon she’s leaving and Michael reveals he’s dying. Those circumstances push Jon to the limit and forces him to make a decision. This is a master class on getting the audience drawn into the story and invested in the characters. By the time Jon sings “Why”, the audience is already fully immersed in Jon’s struggles, rooting for him. A consolidation of the great work of writer, director, and actor.

Much of the success of this production is the direction. Harris connects all the elements to create a seamless flow, giving the three characters the necessary richness to form a solid case to make them interesting and likable.

The play is moving for a variety of reasons. The story travels. People feel easily identified with the characters. Jon is happy pursuing his dreams, but the elusive success keeps haunting him so much that he’s on the brink of giving up. Susan is a supporting girlfriend, but she’s also getting older and wants to settle down. Although Michael gives up his acting dreams, he is a great friend to Jon, always there for him to help him and encourage him to keep fighting. But as it happens often, life can be a cruel irony. Theatre reflecting life.

Although the themes of fighting for a dream and losing someone dear make this story highly relatable, it’s Harris’ direction what ensures that the artistic elements are finely calibrated to capture the emotions, anxieties, and hopes of the characters, mirroring the captivating integration of song and story as written so effectively in Larson’s poignant script. This production is another example of the Chance Theater’s commitment to bring meaningful and exceptional stories to the stage.

Tick, Tick… BOOM!

CHANCE THEATER
Bette Aitken theater arts Center on the Cripe Stage
5522 E La Palma Ave
Anaheim, CA 92807

Opening Night: Saturday, February 1 at 8 p.m.
Performances: January 24 – February 23, 2025
Fridays at 8 p.m., Saturdays at 3 p.m. and 8 p.m. & Sundays at 3 p.m.

Ticketschancetheater.com

Book, Music & Lyrics by Jonathan Larson
Script Consultation by David Auburn
Vocal Arrangements and Orchestrations by Stephen Oremus

Direction by H. Adam Harris, with music direction by Lex Leigh and choreography by Niko
Montelibano
Executive Producers are Susan Bowman & Freddie Greenfield and Steven & Louise Koch

Cast: Luc Clopton as Jon. Lena Ceja as Susan. Mario Houle as Michael.

Creative team: Scenic Designers Fred Kinney and Mio Okada. Costume Designer Bruce Goodrich. Lighting Designer Jacqueline Malenke. Sound Designer Hunter Moody. Stage Manager Jordan Jones. Dramaturg and Assistant Director Jane Broderson. Sound Engineer James Markoski.  Assistant Director Aaron Lipp. Intimacy Coordinator Shinshin Yuder Tsai.

Theatre Review: Rent

Chance Theater presents the Pulitzer Prize winning musical Rent. Book, Music, and Lyrics by Jonathan Larson. Directed by Matthew McCray. Music directed by Lex Leigh. Choreographed by Mo Goodfellow.

One of the most iconic stories to reflect the lives of struggling artists, Rent adds another dramatic layer when some of the characters have to survive in a big metropolis like New York while grappling with HIV at the same time. Without a doubt, this is a moving musical that continues to inspire audiences every single time. For anyone who has seen the progression of the disease from HIV to AIDS and the devastating consequences, Rent is a significant portrayal of the hardships and the uncertainty of the heartbreaking ordeal, specially in the early waves of the epidemic.

The inability to predict for sure if HIV will progress to AIDS is like a ticking bomb that may go off at any time, taking a physical and mental toll on those with the disease and their loved ones. Jonathan Larson observed those challenges and imagined a universe where a very diverse group of people comes together to build a community to fight the AIDS stigma and find love along the way. Within that amalgam of personalities, a special character with HIV, Angel (Adam Leiva), irradiates kindness and the ability to teach and share love, even after his death of AIDS. He navigates the adversities with a positive attitude until the very last moment.

Some of the topics in the play are discrimination, poverty, living the moment, survival mechanisms, the sense of community, drug addiction, and the inability of the characters to stop it. For Roger (Gavin Cole), Mimi’s (Lena Ceja) heroin addiction and an HIV condition prolongs the agony of an impending disaster. Roger knows that falling for Mimi means that, at one point, he will be left alone once again—his former girlfriend committed suicide after learning that she was HIV positive and had infected Roger.

But beyond her addiction, Mimi has depth. Perhaps as a consequence of her HIV condition and accepting her fate, she encourages Roger to forget about his anticipatory anxiety and live the moment without worrying about the past or the future. No religion, no heavens, no hell, only us.

There are fifteen characters in Director Matthew McCray‘s production, each one with their own story and motivations. There is Roger’s roommate, Mark (Luc Clopton), a filmmaker who was dumped by his girlfriend. Together with Roger, Mark struggle to stay warm in their cold apartment. We also see Joanne (Frankie Ripley), a lesbian lawyer, Maureen (Lily Targett), a bisexual performer and Joanne’s girlfriend, Tom (JoeJoe McKinney), a gay anarchist with AIDS and Angel’s partner, and Benjamin (Christopher D. Baker), Mark and Roger’s landlord. All of the characters have important roles and a story to tell. They all contribute to build a cohesive community and bond even more after Angel’s death. But it is Roger the center of attention. His depressive state at the beginning, his initial resistance to a new relationship with Mimi, and his willingness to open up his heart make it the most transformative character of the play. Throughout the story, Roger is silent, loud, visible, invisible. He is myth, life, death, tragedy, hope. He is America. He touches the bottom and rises like a phoenix. At the end, he still believes in love.

Scenic Designer Joe Holbrook captures the grittiness and the underground vibes of the script in a fascinating manner. The colors and textures create a contrast that reflect the spirit of the story. The color palette of the lighting (Zach Moore, Lighting Designer) is also an element to highlight. Reds, whites, ambers, purples, and blues are all used masterfully to evoke emotions and intensities, as if dancing rhythmically to the palpitations of the characters. McCray had a talented group of artisans and performers to honor and elevate the legacy of Larson in the always difficult world of musicals. This particular production of Rent shows that a talented director can make a revival as fresh and exciting as the original one.

The story is raw, passionate, energetic, and a testament of the powerful effect of human connections. It’s a picture of the rough and excruciating road to the entertainment industry. It is also a homage to the ones that lost the battle, to the ones that are still trying, to the ones that never ever give up. 

Rent

Chance Theater
Bette Aitken Theater Arts Center
5522 E La Palma Ave.
Anaheim, CA 92807

Dates: — 

Ticketschancetheater.com

Book, Music, & Lyrics by Jonathan Larson. Directed by Matthew McCray. Music directed by Lex Leigh. Choreographed by Mo Goodfellow. Executive Producers Linda and Tod White. Season Producers Bette & Wylie Aitken. Associate Producers Rachelle Menaker & Eddie Schuller. Associate Producer Laurie Smits Staude. Associate Season Producers Family of Mary Kay Fyda-Mar. Cast: Luc Clopton, Gavin Cole, Lena Ceja, JoeJoe McKinney, Adam Leiva, Lily Targett, Frankie Ripley, Christopher D. Baker, Jack Thomas Aitken, Micah K. Blanks, Ayani Dorsey, Autumn Kirkpatrick, Patrick McCormick, Mikey Miro, and Gemma Pedersen. Creative team: Lighting Designer Joe Holbrook, Costume Designer Bradley Allen Lock, Projection Designer Nick Santiago, Lighting Designer Zach Moore, and Sound Designer Dave Mickey