Theatre Review: The Book of Will

A Noise Within presents The Book of Will. Written by Lauren Gunderson. Directed by Julia Rodriguez-Elliott and Geoff Elliott. The Producing Sponsors are Terri Murray and Patricia Hoppe.

It is incredible to think that the literary legacy of William Shakespeare could’ve been lost if it hadn’t been for the dedication of the playwright’s closest friends and associates. Two fellow actors and members of Shakespeare’s theatrical company the King’s Men, Henry Condell (Jeremy Rabb, Animal Farm) and John Heminges (Geoff Elliott Animal Farm, Metamorphoses), worked tirelessly to put together Shakespeare’s collection of plays and poetry in a high-end format known as a folio, a broadsheet folded once to make serious tomes or luxury books. Previously, most of Shakespeare’s plays were printed in quartos, a smaller and cheaper format.

According to Professor Linda Woodbridge, up to 90% of plays written in Shakespeare’s days didn’t survive, they just perished without trace. Many of those plays were performed, but never printed. Thus, the importance of ensuring Shakespeare’s legacy by printing the First Folio, a cultural capital for the subsequent generations to enjoy.

The First Folio contains 36 of Shakespeare’s plays and some short poems. Even though all of the details of the whole process to get the folio done are not fully known, Lauren Gunderson imagines what it was like to undertake such an expensive and arduous task. In the play, a jealous Ben Johnson (played on Friday by an extraordinary Alex Morris) finally agrees to write two poems in the Folio’s preface to honor Shakespeare’s talent. Money, of course, was a factor to make it almost impossible to publish the book. Throughout the process, Elizabeth (Trisha Miller, Metamorphoses, Animal Farm) Alice, (Nicole Javier, Metamorphoses, Animal Farm), and Rebecca (Deborah Strang, Animal Farm) encourage Condell and Heminges to keep going when everything seems lost.

The characters of Condell, Heminges, and Richard Burbage (Frederick Stuart, Much Ado About Nothing) reference Shakespeare’s phrases in many of their conversations, a sign of their deep admiration for the playwright’s witty poetry and the close relationship they all enjoyed as fellow actors. To make the story even more appealing, the secondary character Ralph Crane (a fascinating Kasey Mahaffy, Metamorphoses) delivers outstanding comedy to the play to keep things amusing as the Folio starts to take shape.

The set design and lighting are stunning. Scenic designer Frederica Nascimento and lighting designer Ken Booth play with soft, directional, and natural colors and textures that add an emotional atmosphere to the ample stage, and in the case of the props, give co-Directors Julia Rodriguez-Elliott and Geoff Elliott plenty of space to have the actors move around the stage freely.

The Book of Will is a celebration of one of the greatest writers of all time, the Swan of Avon, William Shakespeare. And just like Shakespeare’s plays, putting together the Folio becomes an experience of loss, dedication, and a sacrificial love for such a noble expression called theatre. The survival King’s Men understand that although a performance is a sizzling and titillating experience, it is ephemeral by nature. A book, on the other hand, can transcend centuries and generations.

The Book of Will

A Noise Within
3352 E Foothill Blvd.
Pasadena, CA 91107

Performances May 13–June 7
• Thursdays at 7:30 p.m.: May 25; June 1 (dark May 18)
• Fridays at 8 p.m.: May 26**; June 2**
• Saturdays at 2 p.m.: May 27; June 3
• Saturdays at 8 p.m.: May 13 (Opening Night); May 20; May 27; June 3
• Sundays at 2 p.m.: May 28; June 4
**Post-performance conversations with the artists every Friday (except the preview) and on Sunday, May 21 (included in ticket price).

An INsiders Discussion Group will be held on Tuesday, May 16, from 6 p.m.–8 p.m. on Zoom ($38 per individual or $45 per household).

There will be three student matinees at 10:30 a.m. on TuesdayMay 16WednesdayMay 17; and ThursdayMay 18. Interested educators should email education@anoisewithin.org.

Tickets: www.anoisewithin.org

Written by Lauren Gunderson. Directed by Julia Rodriguez-Elliott and Geoff Elliott. Starring Geoff Elliott, Stanley Andrew JacksonNicole JavierKasey MahaffyTrisha MillerKelvin MoralesAlex MorrisJeremy RabbDeborah Strang, and Frederick Stuart. Producing Sponsors Terri Murray and Patricia Hoppe. Sponsored by Kathy and Jim Drummy. Presented by A Noise Within, Geoff Elliot and Julia Rodriguez-Elliott, producing artistic directors. Creative team: Scenic designer Frederica Nascimento; lighting designer Ken Booth; sound designer Robert Oriol; video designer Nicholas Santiago; costume designer Angela Balogh Calin; wig and make up designer Shelia Dorn; dialect coach Andrea Odinov; and dramaturg Miranda Johnson-Haddad. The rehearsal stage manager is Deena Tovar.

Theatre Review: Much Ado About Nothing

A Noise Within presents Much Ado About Nothing. Written by William Shakespeare. Directed by Guillermo Cienfuegos.

Much Ado About Nothing is an English Renaissance comedy by the Elizabethan playwright William Shakespeare. It was written in 1598, ten years after the defeat of the Spanish Armada and one year before the construction of the Globe Theatre.

This version of the play takes place in the same region mentioned in Shakespeare’s original play, the city of Messina in Sicily, but set during WWII after the island’s liberation from the fascists by the US troops. This is a brilliant detail to make this story more relatable. Director Guillermo Cienfuegos, The Beautiful People, even allowed the actors to keep the diversity of their Queens, Texas, and Appalachia accents to better connect with the American audience.

The play has two stories about two couples, Claudio (Stanley Andrew Jackson, Animal Farm) and Hero (Alexandra Hellquist, On The Other Hand, We’re Happy), and the story of Benedick (Joshua Bitton) and Beatrice (Erika Soto, Metamorphoses).

A victorious army commander, Don “The Prince” Pedro (Frederick Stuart) is received by Leonato (Tony Pasqualini, A Great Wilderness), Governor of Messina. Don Pedro brings along two of his soldier friends, Claudio and Benedick. Claudio immediately falls in love with Leonato’s daughter, Hero. Meanwhile, Benedick, a bit loud and a bit arrogant, is disliked by Beatrice, Leonato’s niece. In the background, we see John (Rafael Goldstein, Metamorphoses, Animal Farm), Don Pedro’s half-brother, with a disengaged look. With this scene alone, Cienfuegos shows most of the exposition and the character’s conflicts—the love, the tension, and the resentment.

As the story goes, Claudio is trying to marry Hero, while Benedick and Beatrice continue with their verbal jousts despite being deeply in love with each other. The roadblock for Claudio and Hero’s happiness is John’s jealousy and dark disposition. With help from Borachio (Michael Uribes, Detained, Three Tables), John will devise a ploy to stain Hero’s reputation. For Benedick and Beatrice, the impediment is their pride and their fear to vulnerability. However, Don Pedro, Claudio, and Leonato come up with a plan to make Benedick declare his love for Beatrice. Likewise, Hero and her two servants, Margaret (Jeanne Syquia, Hamlet) and Ursula (Nick Petroccione) prepare their own scheme to trick Beatrice into opening up her heart to Benedick.

This production is so impressive that even the secondary characters are delightfully comedic. Dogberry (Wesley Mann), Verges (Rafael Goldstein), and the other two watchmen (Alejandro Hernandez) and (Arely Vianet) contribute memorable dialogue and physical comedy.

A director worth his salt pays careful attention to all of the moving parts of a play. Cienfuegos does it like no other. He curated the elements of Shakespeare’s dramatic structure in a playful and entertaining way scene after scene. Claudio’s rejection of Hero, the transition from dislike to love between Benedick and Beatrice, and the resolution are all cleverly displayed with powerful acting and creative staging to generate an impressive production in only five weeks.

The selection of the technical aspects are worth noting. Lighting Designer Ken Booth, Metamorphoses, Animal Farm, paints the stage with amazing hues and intensities that are a pleasure to watch. The scene where Hero is posing as a sculpture surrounds the stage with a special mysticism, something of a religious experience. The WWII costumes (Christine Cover Ferro, Costume Designer), the beautiful set (Angela Balogh Calin, Scenic Designer, Animal Farm), and the amazing music by the very active and experienced Chris Moscatiello, Sound Designer, Salvage, This Wonderful Life, On The Other Hand, We’re Happy, Wakings!, The Beautiful People, A Great Wilderness, Fam And Yam and The Dumb Waiter) add an exquisite sensory experience to this production. The music includes a tarantella, swing, and 40s hits to give a nostalgic and innovative feel to this updated version.

Erika Soto is a tour de force, delivering a masterpiece of a performance to embody the witty and independent Beatrice. Soto’s convincing stage presence is ideal to portray a woman who has a mind of her own and defies the expectations placed upon women in Elizabethan society. In addition, Soto and Bitton’s chemistry create an irresistible romanticism that energizes the reinvention of a classic love story.

Endearing, playful, and romantic, Cienfuego’s take on Much Ado About Nothing is a gratifying theatre experience not to be missed.

Much Ado About Nothing

A Noise Within
3352 E Foothill Blvd.
Pasadena, CA 91107

Performances February 11–March 12
• Thursdays at 7:30 p.m.: March 9 ONLY
• Fridays at 8 p.m.: Feb. 17**; Feb. 24**; March 3**; March 10**
• Saturdays at 2 p.m.: Feb. 18; Feb. 25; March 4; March 11
• Saturdays at 8 p.m.: Feb. 11 (Opening Night); Feb. 18; Feb. 25; March 4; March 11
• Sundays at 2 p.m.: Feb. 19**; Feb. 26; March 5; March 12

Ticketsanoisewithin.org

Written by William Shakespeare. Directed by Guillermo Cienfuegos. Starring Joshua BittonRafael GoldsteinAlexandra HellquistAlejandro HernandezStanley Andrew Jackson IIIWes MannTony PasqualiniNick PetroccioneErika SotoFredrick StuartJeanne Syquia, Randy ThompsonMichael Uribes, and Arely Vianet. Presented by A Noise Within, Geoff Elliot and Julia Rodriguez-Elliott, producing artistic directors.

The creative team includes scenic designer Angela Balogh Calin; lighting designer Ken Booth; composer and sound designer Christopher Moscatiello; costume designer Christine Cover Ferro; wig and make up designer Tony Valdés; properties designer Stephen Taylor; choreographer Joyce Guy; text coach Susan Wilder; and dramaturg Miranda Johnson-Haddad. The production stage manager is Chloe Willey.