Theatre Review: Last Summer at Bluefish Cove

Posted on June 22, 2023June 22, 2023 by Glamour

The Fountain Theatre presents a revival of Last Summer at Bluefish Cove. Written by Jane Chambers. Directed by Hannah Wolf. Produced by The Fountain Theatre.

With a naturalistic and beautiful scenic design by accomplished designer Desma Murphy, The Fountain Theatre celebrates the 40th anniversary of Last Summer at Bluefish Cove at the parking lot next to the theatre. In a unique setup, this production is staged outdoors with headphones to listen to the actors, the music, and the sound effects.

It’s 1974 and Lil (Ann Sonneville) is fishing at Bluefish Cove, a remote community where queer women spend their summers together. Suddenly, Eva (Lindsay LaVanchy), a straight woman who just separated from her husband, arrives in town unaware of the lesbian nature of the community. After a brief interaction, Eva declares that she has rented one of the properties. Lil immediately feels attracted to Eva. Later at a party, Eva gets into an argument with hot-headed Donna (Stephanie Pardi), who is dating Sue (Stasha Surdyke). After learning that the women at the community are lesbians, Eva feels out of place. However, Lil’s mesmerizing personality awakens something new in Eva, something that will change their lives forever. Rae (Ellen D. Williams), Rita (Tamika Katon-Donegal), and swing (Allison Husko) are also part of the close circle of friends staying at Bluefish Cove.

The fascinating script by Jane Chambers presents meaty characters that defy the traditional and limited depiction of queer women in mainstream media. The women in the play exude fascinating layers of strengths, insecurities, and charming characteristics that brings them closer to the audience’s own experiences. One of the characters that excels in the portrayal of true friendship and caring personality is Annie (Noelle Messier), Lil’s best friend. Annie is seating next to Lil when Kitty (Sarah Scott Davis), a gynecologist turned feminist author, delivers some devastating news to Lil.

Kitty, by the way, is a character that somehow reflects the positions of lesbian groups like the Radicalesbians and The Furies Collective, which were a response to the exclusion of lesbians by feminist organizations in the 1970s. At the time, some feminists excluded lesbians from their agendas and labeled them as the “Lavender Menace”, a homophobic term first used by Betty Friedan, president of the National Organization of Women (NOW).

LaVanchy and Sonneville deliver stellar performances portraying the transition from initial resistance to ultimate surrender to their feelings, a contrasting and irresistible situation that creates remarkable drama and magnetic romanticism. Of course, the superb acting and the outstanding success of this staging is a manifestation of the fine direction by Hannah Wolf, who worked from an external approach for this project. The results show what happens when a director pays careful attention to details and creates a poignant and touching production that enhances the already captivating script.

But this play has even more substance than just a sentimental story. It captures the little known safe heavens where lesbians have retreated for support and reaffirmation of their values. It is also a snapshot of the challenging post-Stonewall times when the LGBT communities were fighting for equality in a society that persistently excluded them from their agendas. These stories need to be told to really comprehend the diversity of the human condition and, hopefully, serve as a channel for mutual respect and understanding.

Last Summer at Bluefish Cove

Outdoor Stage
The Fountain Theatre
5060 Fountain Ave.
Los Angeles CA 90029
(Fountain at Normandie)

Performances: June 17 – Aug. 27
• Fridays at 7 p.m.: June 23, 30; July 7, 14, 21, 28; Aug. 4, 11, 18, 25
• Saturdays at 7 p.m.: June 17 (opening), 24; July 1, 8, 15, 22, 29; 12, 19, 26 (dark Aug. 5)
• Sundays at 7 p.m.: June 25; July 2, 9, 16, 23, 30; 13, 20, 27 (dark Aug. 6)
• Mondays at 7 p.m.: June 26; July 3, 10, 17, 24, 31; Aug. 7, 14, 21

Tickets: fountaintheatre.com

Written by Jane Chambers. Directed by Hannah Wolf. Starring Sarah Scott Davis, Allison Husko, Tamika Katon–Donegal, Lindsay LaVanchy, Noelle Messier, Stephanie Pardi, Ann Sonneville, Stasha Surdyke, Ellen D. Williams. Produced by The Fountain Theatre. Creative team: Scenic designer Desma Murphy; lighting designer R. S. Buck, sound designer Andrea Allmond, costume designer Halei Parker, prop master Rebecca Carr and intimacy director Savanah Knechel. The production stage manager is Chloe Willey, and Gina DeLuca is assistant stage manager.

A scene from Last Summer at Bluefish Cove

Theatre Review: The Lifespan of a Fact

Posted on March 3, 2023March 3, 2023 by Glamour

The Fountain Theatre presents the West Coast premiere of the Broadway hit play, The Lifespan of a Fact, written by Jeremy Kareken, David Murrell, and Gordon Farrell. Directed by Simon Levy.

What is fake news? Where do journalists draw a line between facts and a good story? In The Lifespan of a Fact, Jim Fingal (Jonah Robinson) is a young intern who has to fact check the essay written by famous author John D’Agata (Ron Bottitta, Wakings!). The essay is the the story of a young men who jumped to his death from a building in Las Vegas. The editor, Emily Penrose (Inger Tudor) needs to have the essay ready for publishing within a few days.

Fingal, a Harvard graduate, is overtly meticulous and starts to find a handful of inaccuracies in D’Agata’s essay. What happens next is a series of hilarious situations that show Fingal’s obsession with minute details and D’Agata’s tendency to twist the facts to fit his rhythm.

The play focuses on the competitive world of journalism, where the accuracy of information might be a suggestion and not the rule. Penrose expresses the pressure from investors, advertisers, and the diminishing readership in general as a determining factor to approve stories on her magazine. Penrose and D’Agata are characters that capture the complicated relationship between the interests of the owners of the media and the ethics of a journalist.

In the play, D’Agata’s essay is a metaphor of spin and cherry picking, tactics used to make the story more appealing. In a larger context, those tactics are used by governments and corporations to influence public opinion and advance their own interests. In a society where freedom of speech is paramount, the information relayed to the public can be easily manipulated to deceive or serve particular agendas. Rafael Correa, the former president of Ecuador, once said: “Since the invention of the printing press, the freedom of the press is dictated by the will of the owner of the printing press”. The characters in the play portray that conflictive triangle of freedom of speech, media business interests, and journalism as an elemental tenet of truth.

The Lifespan of a Fact is a captivating play that makes us take a closer look at the avalanche of information to which we are exposed. Media interests, personal opinions, personal experiences, and ethics are all displayed on stage in an entertaining and thought-provoking theatrical experience.

The Lifespan of a Fact

The Fountain Theatre
5060 Fountain Ave.
Los Angeles CA 90029
(Fountain at Normandie)

Performances: February 18 – April 2
• Fridays at 8 p.m.: March 3; March 10; March 17; March 24; March 31
• Saturdays at 8 p.m.: Feb. 18 (opening); March 4; March 11; March 18; March 25; April 1
• Sundays at 2 p.m.: March 5; March 12; March 19; March 26; April 2
• Mondays at 8 p.m.: March 6; March 20; March 27 (dark March 13)

Tickets: fountaintheatre.com

Written by Jeremy Kareken, David Murrell, and Gordon Farrell. Based on the book by John D’Agata and Jim Fingal. Directed by Simon Levy. Starring Ron Bottitta, Jonah Robinson, and Inger Tudor. Presented by The Fountain Theatre.

The creative team includes scenic designer Joel Daavid, lighting designer Alison Brummer, sound designer Marc Antonio Pritchett, costume designer Michael Mullen, video designer Nicholas Santiago and properties designer Joyce Hutter. The production stage manager is Hannah Raymond. Stephen Sachs and James Bennett produce for the Fountain Theatre.

Theatre Review: If I Forget

Posted on July 27, 2022July 27, 2022 by Glamour

The Fountain Theatre presents the Los Angeles premiere of If I Forget written by Steven Levenson and directed by Seinfeld actor and Tony-Award winner Jason Alexander.

Michael Fischer (Leo Marks) is being sued for writing a book deemed antisemitic and his tenure as a professor is on hold, putting a strain on his finances. His sister Holly Fischer (Valerie Perri) continues with her drinking and self medicating habits, not to mention the secret her husband Howard Kilberg (Jerry Weil) is hiding from her. And then there’s Sharon Fischer (Samantha Klein), Michael and Holly’s sister who is falling for a guy that might not be the best option for her. All of this while the siblings are trying to figure out how to take care of their ailing father Lou Fischer (Matt Gottlieb).

The Fischers are a Jewish family with diverse opinions on what it means to be a Jew in America, an identity issue specially for the second and third generation American Jews. While Lou was a soldier who helped liberate the prisoners from the Dachau concentration camp and finds Michael’s suggestion to forget about the Holocaust very offensive, Michael is an atheist with more liberal views.

Michael is married to Ellen Manning (Síle Bermingham), a non-Jewish woman who tries to bring some kind of order to the chaotic relationship of the three siblings. Michael and Ellen’s daughter, Abby Fischer (Caribay Franke), is in a trip to Israel to connect with her roots. This trip however, turns into a nightmare for Abby and her parents.

The play is also an examination of the relationship between Jews and other races and the political activism in which the Jews are involved. There are conversations about African Americans, Palestinians, and the misconception of calling any Latino a Mexican. The fact that Michael is married to a gentile is an example of the trend in American Jews to experience interracial marriages without any concerns about the dilution of the Jewish race. Also, Michael’s writings about the Jewish diaspora in America and its active participation in the political scene is a reflection of the reaffirmation or rupture of the community to Israel. Michael’s suggestion to forget about the Holocaust can be seen either as blatant antisemitism or a survival strategy in a world that can turn against Jews on a whim. The contrasting political affiliations of the members of the family prove how diverse the American Jews have become and how connected or disconnected they feel to the motherland. Holly and Howard’s son, Joey Oren (Jacob Zelonky), represents either the confusion or the indifference to take a stance on these issues.

This story goes beyond the Jewish experience. Their story is that of many other immigrant communities as well. This is where this play resonates far beyond synagogues and Shabbat ceremonies. The issues, concerns, fights, hopes, and the love for one’s culture and family is a universal human experience. Levenson was able to write a brilliant story that travels. It’s a mirror reflecting the condition of many people connected or disconnected to their own cultures and the conflicting emotions that this entails. The play is outrageously funny and deeply moving, a topic that will trigger many conversations and self evaluations.

The direction by veteran actor/director Jason Alexander is fantastic. The blocking allows actors to use the space effectively and emphasizes the drama of the play. The decision to have Caribay Franke dancing her story is a unique touch to the production that adds visual poetry to the physical theatre.

The cast lead by an excellent Leo Marks is a real treat for the audience. Their lines were delivered with so much punch that this play will stand out for its intensely hilarious dialogue. The writing, direction, and acting make this play a true gem not to be missed.

If I Forget

Written by Steven Levenson. Directed by Jason Alexander. Starring Síle Bermingham, Caribay Franke, Matt Gottlieb, Samantha Klein, Leo Marks, Valerie Perri, Jerry Weil, and Jacob Zelonky. Presented by The Fountain Theatre.

Creative team: Scenic designer Sarah Krainin, lighting designer Donny Jackson, sound designer Cricket S. Myers, costume designer A Jeffrey Schoenberg, and prop master Katelyn M. Lopez. Assistant director Allison Bibicoff. Production stage manager Shawna Voragen. Assistant stage manager Lexie Seacrest. Simon Levy produces and James Bennett associate produces for the Fountain Theatre. Barbara Herman is executive producer.

The Fountain Theatre
5060 Fountain Ave.
Los Angeles CA 90029
(Fountain at Normandie)

Fridays at 8 p.m.: July 29. Aug. 5, Aug. 12, Aug. 19, Aug. 26, Sept. 2, Sept. 9
Saturdays at 8 p.m.: July 23 (Opening), July 30, Aug. 6, Aug. 20, Aug. 27, Sept. 3, Sept. 10 9 (dark Aug. 13)
Sundays at 2 p.m.: July 24, July 31, Aug. 7, Aug. 21, Aug. 28, Sept. 4 (dark Aug. 14)
Mondays at 8 p.m.: Aug. 1, Aug. 8, Aug. 15, Aug. 22, Aug. 29 (dark July 25. Sept. 5)

Tickets: fountaintheatre.com/