Theatre Review: The Spy Who Went Into Rehab

The Spy Who Went Into Rehab is presented by Pacific Resident Theatre. Written by Gregg Ostrin. Directed by Cyndy Fujikawa.

Simon Cross (Satiar Pourvasei) is sent to the most challenging mission to date: Cure his addiction to women, gambling, drinking, and killing the most dangerous criminals. Will he be able to survive the grueling therapy at the rehab center?

Under the strict guidance of therapist Stella (Jill Renner), Simon will go through a radical transformation. At the rehab center, Simon will interact with other addicts that will teach him a lesson on sensitivity and empathy. There is Gary (Stuart W. Howard), Yvonne (Rachel Townsend), and Pixie (Alondra Andrade). Insensitive to their feelings, Simon’s macho attitude triggers the trauma on these three addicts, a signal that he needs an urgent intervention to change his toxic masculinity.

Playwright Gregg Ostrin has created a mesmerizing and relatable play that gives a new look at the typical spy character that has been so popular in movies and TV. One of the most interesting features of this play is not only Simon’s transformation through his interaction with the other characters, but also how he is able to help the other addicts to overcome their fears and achieve a positive transformation for themselves.

Pourvasei’s performance is one of a kind. His nonchalant demeanor and clueless notion of his negative behavior at the beginning of the play heightens the comedic aspect of his character. Overall, the dialogue and physical comedy delivered by the rest of the cast combine perfectly to treat the audience to an exhilarating performance. Director Cyndy Fujikawa is able to translate the text effectively into an energetic visual experience that highlights the comedy and the intriguing aspects of the story. Fujikawa also acts in this production as Z, the person behind the organization that sends Simon to special missions.

The story and the plot get the audience invested in the characters. Will Simon manage to complete his therapy? Is he still relevant, or is he just a toxic relic from the past? Is therapy working for the other addicts? And how about Stella, the therapist?

The play has comedy, suspense, addiction, a Mexican standoff, and a surprise visit of Simon’s nemesis, Lazarus (with a cat). The question is, who will save the world if Simon retires?

The Spy Who Went Into Rehab

Pacific Resident Theatre
703 Venice Blvd.
Venice, CA 90291

Opening: 8pm on Friday, June 7, 2024
Schedule: 8pm Fridays, Saturdays; 3pm Sundays
Closing: July 7, 2024
Written by Gregg Ostrin. Directed by Cyndy Fujikawa.
Cast: Satiar Pourvasei, Jill Renner, Stuart W. Howard, Rachel Townsend, Alondra Andrade, and Cyndy Fujikawa.
Creative team: Michael Franco (Lighting Design), Jason Culp (Sound Design), Rachel Townsend (Choreography).

Theatre Review: A Permanent Image

Pacific Resident Theatre presents A Permanent Image. Written by Samuel D. Hunter. Directed by Andrew Wayman.

Viola, Idaho. December, 2011. Bo (Scott Jackson) and Ally (Dalia Vosylius) visit their mom Carol (Terry Davis), after the passing of their dad Martin (Phil Cass). Nothing seems that unusual, except that Martin died of suicide. Oh, and that Carol painted the house with brushstrokes of white paint, including the furniture.

As the recriminations intensify, the family dynamics start to unveil the complexities of their lives. Education, negligence, and the despair of feeling left behind all play a role in the way the characters treat each other.

The busy schedules of Bo and Ally have prevented them from visiting their parents more often, taking a toll on Martin and Carol’s emotional state. It is the lack of formal education what seems to push Martin and Carol to get involved in some esoteric beliefs about cosmology. That philosophy leads them to some extreme views about life and death. It is now time for Bo and Ally to either accept or reject Carol’s decision about her own choices following Martin’s death.

Director Andrew Wayman uses the exposition of the character’s lives to convey the dramatic consequences of growing apart as a family and the psychological scars left by that fracture. In A Permanent Image, Samuel D. Hunter explores the effects of isolation and the efforts of family members to reconnect with each other. It is, however, the topic of voluntary euthanasia that raises the most ethical and philosophical questions. If life has no more value for someone, should that person be allowed to commit suicide with some assistance?

The four actors portray the vulnerabilities and resilience necessary to trigger deep and emotive reactions from the audience. Throughout the play, they build up the tension for that very last scene. It’s intimate. It’s emotional. It’s powerful.

A Permanent Image

Pacific Resident Theatre
703 Venice Blvd.
Venice, CA 90291

Opened December 2, 2023
Closing: February 25, 2024
Schedule:
Saturday, 2/10 – 8 pm
Sunday, 2/11 – 3 pm
Saturday, 2/17 – 3 pm
Sunday, 2/18 – 3 pm
Saturday, 2/24 – 8 pm
Sunday, 2/25 – 3 pm

Ticketspacificresidenttheatre.org

Playwright: Samuel D. Hunter. Director: Andrew Weyman. Assistant Director: Susan Wilder. Presented by Pacific Resident Theatre. Cast: Phil Cass (Martin), Terry Davis (Carol), Scott Jackson (Bo), and Dalia Vosylius (Ally). Creative team: Michael Franco (Lighting Design), Andrew Weyman (Scenic Design), Susan Wilder (Costume Design), Keith Stevenson (Sound Design), and James Morris (Projection Design).

Theatre Review: Fam And Yam and The Dumb Waiter

Pacific Resident Theatre presents Edward Albee’s Fam and Yam, directed by Marilyn Fox and Harold Pinter’s The Dumb Waiter, directed by Marilyn Fox and Elina de Santos. Edward Albee was American, Harold Pinter was British. Pinter was awarded the Nobel Prize in Literature in 2005. Edward Albee received Pulitzer and Tony Awards for five of his plays.

Both plays Fam And Yam and The Dumb Waiter were first produced in 1960, a tumultuous time in which the US and England were still processing the consequences of World II, the Korean War, the crushing of the Hungarian revolt, the Cold War, the Suez crisis, and, in the case of England, the decolonization movements in Asia and Africa. The two plays are examples of the movement called theatre of the absurd.

Albee‘s Fam and Yam is a traditional play where famous playwright Fam (Brad Greenquist, Theatre Review: Guess Who’s Coming to Dinner) is interviewed by Yam (Jason Downs), also a playwright who is not famous. The conversation starts by Yam praising Fam for his apartment, his paintings, and the views from his window. As Fam continues to drink, Yam switches the conversation and starts to lambaste the theatre industry; pretty much no one is spared in his tirade—theatre owners, producers, unions, critics, the pinheads, etc. The play is an early example of Albee’s wit and his aggressive, anti-social stance. For this production, the creative team used high key lighting, appealing and fashionable 60s costumes, and painting on the wall that become alive at the end.     

Pinter‘s The Dumb Waiter is a darker play where two hitmen, Ben (Anthony Foux) and Gus (Jason Downs) are waiting in a claustrophobic room for their victim. The absurdity of the story is exemplified by the box of matches thrown under the door and the food orders in the dumb waiter (the elevator which delivers food) that keep coming. As part of the angry young men group, Pinter’s writings contain elements of violence, volatility, and uncertainty. His plays have moments of dialogue but also moments of silence. As in music, silence is as critical as sound to create a masterpiece.

Pinter was an intuitive writer that was a keen observer of human behavior. The Dumb Waiter is a play with implied violence, characters with not much background stories, suffocating environment (Ben and Gus are in a dark, windowless room), and a sense of latent danger. These elements with loose ends draw the audience into the story and allow them to become part of the action by letting them come up with their own conclusions.

This is a great opportunity to see two plays by two of the most influential playwrights of the 20th century. Their writings are witty, insightful, and poetic. Add to this treat the powerful and superb performances of Brad Greenquist, Anthony Foux, and Jason Downs  and you have a unique and unforgettable experience not to be missed.

Fam And Yam and The Dumb Waiter

Fam And Yam. Written by Edward Albee and directed by Marilyn Fox. The Dumb Waiter. Written by Harold Pinter and directed by Marilyn Fox and Elina de Santos. Cast: Brad Greenquist, Anthony Foux, and Jason Downs. Creative team: William Wilday (Scenic Design), Matt Richter (Lighting Design), Audrey Eisner (Costume Design), Christopher Moscatiello (Sound Design), Teak Piegdon (Stage Manager), Myrna Gawryn (Set Change Movement), and Michael Rothhaar (Consultant). 

Pacific Resident Theatre
705 1⁄2 Venice Blvd.
Venice, CA 90291
Street parking or small lot in back.

September 24 – November 20
8pm Thursdays – Saturdays, 3pm Sundays
Closing: November 20, 2022 (no performance November 19)

Tickets: https://pacificresidenttheatre.org/albee-pinter