Rogue Machine presents the Southern California premiere of Heroes of the Fourth Turning. Written by Will Arbery. Directed by Guillermo Cienfuegos. Produced by Justin Okin and John Perrin Flynn.
Playwright Will Arbery explores deep and philosophical questions in a play with intense dialogue and honest points of view that might diverge from the politically correct message of the mainstream media. The characters in the play show some existential crises that expose their vulnerabilities and lead them to question their positions and commitments as conservative White Catholics. Will they reinforce their positions, or will they try to merge with a world that is leaning more towards inclusion and acceptance?
In Heroes of the Fourth Turning, four young conservatives gather to celebrate Gina (Roxanne Hart), the new president of their Catholic college. Justin (Stephen Tyler Howell) appears self-confident at first. However, by the end of the play, is evident that he is as confused and afraid as the rest. He believes in the Benedict Option, in the safety of seclusion to avoid temptations. He seems more resolute to stay within his bubble of conservatism, contrary to Kevin (Samuel Garnett), who is exploring the possibility of moving to New York to face the temptations of an urban setting to test his commitment to his faith, although one temptation he hasn’t been able to resist is alcohol.
For Emily (Emily James), living with a painful disease is a form of perpetual sacrifice, The Eucharist, the presentation of Christ’s sacrifice on the cross. Maybe something worthy can come out of that pain. Like many artists may agree, beautiful art can be created out of sheer misery. The pain has made her more empathetic for sure, but it has taken a toll on her faith and perception of life. A breaking point seems to be building up.
Teresa (Evangeline Edwards), a fan of Steve Bannon and supporter of Donald Trump, is a determined and hardcore conservative who proclaims that a war is around the corner and White Catholics need to be ready to fight, instilling fear to an already ambivalent Kevin. In her eyes, is a war instigated by liberals to demonize and destroy White America. She is a firm believer of the controversial Fourth Turning, a Strauss-Howe generational theory with four mood eras, or turnings: High, Awakening, Unraveling, and Crisis. Teresa might be perceived as just a racist conservative pundit, but through her lines, she is pursuing something else: “You call us racist, we’ll call you racist. You call us white, we’ll call you black…But you stop doing that,…we’ll stop too.” What she proposes is a forum to exchange opinions, “a republic of ideas,” something more Hegelian: Thesis, antithesis, and synthesis. Maybe with a little bit of cocaine on the side.
Gina on the other hand, lies somewhere in the middle. As time went by, she has changed positions and is now a moderate conservative. She regrets supporting Pat Buchanan in the past and despises Donald Trump. She is considered a leader to the four young conservatives meeting tonight, but clashes with Teresa, who is left surprised and confused with Gina’s moderate conservatism.
Guillermo Cienfuegos continues to deliver impactful productions in his successful directorial endeavors. In Heroes of the Fourth Turning, he turns a script with heavy dialogue into a funny, entertaining, and highly engaging play with a fantastic selection of actors that achieve masterly performances. The five thespians create characters with actions, reactions, and vulnerabilities that bring to life the cleverness and depth of Arbery’s writting.
Whether the characters’ intentions are to create another AFA or a new Orania, that is an open question. But what’s interesting here is that the characters argue and debate, weakening and strengthening their faith. Mainly, it’s a story where White Catholics express their concerns and explore the strategies for their future to ensure their survival. It’s a safe place to nurture their common values while attempting to elevate their consciousness and love to greater heights. Maybe, at the end, they’ll all be able to reach the summit and be united as one. For everything that rises must converge.
Heroes of the Fourth Turning
ROGUE MACHINE (in the Matrix Theatre)
7657 Melrose Ave, Los Angeles, CA 90046
(Street parking)
Opening: 8pm on Saturday, August 19, 2023
Schedule: 8pm Fridays, Saturdays, Mondays, 3pm Sundays
Closing: October 2, 2023
Tickets: https://www.roguemachinetheatre.org/
Written by Will Arbery. Directed by Guillermo Cienfuegos. Cast: Roxanne Hart, Evangeline Edwards, Samuel Garnett, Stephen Tyler Howell, and Emily James. Creative team: Stephanie Kerley Schwartz (Scenic Design), Dan Weingarten (Lighting Design), Chris Moscatiello (Sound Design), Christine Cover Ferro (Costume Design), John Perrin Flynn (Dramaturg), Victoria Hoffman (Casting Director). Produced by: Justin Okin, John Perrin Flynn. A Rogue Machine Production.
