Will Geer’s Theatricum Botanicum presents the world premiere of Trouble the Water, freely adapted by Ellen Geer from the 2019 award-winning historical novel by Rebecca Dwight Bruff. The play is lead and directed by Gerald C. Rivers.
Robert Smalls (Terrence Wayne, Jr.) was called “Trouble” because his mother told him that he was born in a day full of trouble. His mother, Lydia Polite (Earnestine Phillips The Merry Wives of Windsor), was a slave in the house of Jane (Robyn Cohen) and Henry (Alistair McKenzie The Merry Wives of Windsor) McKee. Henry treated Robert more leniently than the rest of his slaves, at times creating doubts on Jane about the possibility of Robert being Henry’s son. As slaves were constantly raped by their White owners, Jane had her reasons to believe in that possibility.
The social conditioning instilled in the enslaved people was so pervasive that Lydia asked Henry to send Robert to Charleston so he could be exposed to tougher conditions as a slave. Lydia was concerned that Robert would grow up as a “spoiled” slave without experiencing the hardships of his fellow Black slaves.
The play also deals with conditions that were parallel to slavery at the time. As Jane wrote her journal, she questioned her own position as a faithful and submissive wife, willing to bear children to fulfill her husband’s desires. Despite her comfortable life as the wife of a prosperous White man, Jane experienced the social oppression imposed on women during that era.
The move to Charleston proved to be an opportunity to Robert to get the inspiration needed to embark on the opportunity of his life—to be free and fight for the freedom of his people. Even though Robert was still owned by Henry, he managed to buy the freedom of his first wife, Hanna Jones (Tiffany Coty, A Midsummer Night’s Dream). During this time, he was influenced by the growing dissident voices coming from the Union states, including abolitionist Frederick Douglass. Robert worked in the ships of Charleston Harbor, an experience that proved pivotal in his escape on board of the confederate ship CSS Planter to the Union territory.
Bear in mind that some of the details and characters of this play are fictional. Robert’s life has been hidden in mystery for decades. Author Rebecca Dwight Bruff has written this story to focus the attention on the documented facts surrounding Robert Smalls’ accomplishments. His escape piloting the CSS Planter, his service in the US Army and Navy, and his service in the state legislature and five terms in the US Congress are all well documented in the history of the United States. Bruff’s intention is to show the extraordinary contributions of this American hero.
Gerald C. Rivers’ direction is outstanding (Rivers also plays Robert Smalls in his later years). The amazing cast as well as the excellent use of the stage creates an engaging theatre experience. Saturday’s opening night was a full house, so there were great expectations for this play. The dedicated actors and creative team did not disappoint. This play has exhilarating action, specially the escape sequence where the tension escalates very quickly and the sense of danger creates a fast-paced scenario. Gerald C. Rivers, Terrence Wayne, Jr., Earnestine Phillips, Alistair McKenzie, and Robyn Cohen are a testament to the magnificent craft of the actors in the LA theatre scene. These five thespians lead an extraordinary cast that includes Justin Blanchard, Ethan Haslam The Merry Wives of Windsor, Rodrick Jean-Charles, Michelle Merring, Clarence Powell, Franc Ross, Fallon Heaslip, Joelle Lewis, Susan Stangl, Elliott Grey Wilson, and Sage Michael Stone. The ensemble includes Michaela Molden The Merry Wives of Windsor, Matthew Clair, Danezion Mills, Frank Krueger, Emerson Haller, Joseph Darby, Eden Lederer, Tariq Mieres, Kenneth Montley, Venice Mountain-Zona, and Monique Thompson.
Lighting Designer Hayden Kirschbaum, Sound Designer Marshall McDaniel, and Costume Designer Yuanyuan Liang added realistic elements to the play that enhanced the dramatic effects of the production.
This play is a great opportunity to revisit the facts that made the US what it is today. As uncomfortable as some episodes of history might be, the formidable actions of great people both Black and White continue to inspire and reaffirm the commitment to live in a civil society. Bruff, Geer, and Rivers show us that it can be a reality rather than a chimera. On opening night, the audience seemed to agree.
Trouble the Water
Freely Adapted by Ellen Geer from the novel by Rebecca Dwight Bruff, Directed by Gerald C. Rivers. Performing the Spirituals a cappella is the Street Corner Renaissance.
Will Geer’s Theatricum Botanicum
1419 N. Topanga Canyon Blvd.
Topanga CA 90290
(midway between Pacific Coast Highway and the Ventura Freeway)
Performances: July 23– October 2:
Saturday, July 23 at 7:30 p.m.
Sunday, July 31 at 3:30 p.m.
Friday, Aug. 5 at 7:30 p.m.
Sunday, Aug. 14 at 7:30 p.m.
Saturday, Aug. 20 at 7:30 p.m.
Friday, Aug. 26 at 7:30 p.m.
Sunday, Sept. 4 at 3:30 p.m.
Sunday, Sept. 11 at 7:30 p.m.
Friday, Sept. 16 at 7:30 p.m.
Saturday, Sept. 24 at 7:30 p.m.
Sunday, Oct. 2 at 7:30 p.m.
Tickets: theatricum.com
