Theatre Review: Whittier Boulevard

The World Premiere of Whittier Boulevard is presented by Latino Theater Company. Created by Evelina Fernández, Sal López, Geoffrey Rivas, Lucy Rodriguez, and Jose Luis Valenzuela. Directed by Jose Luis Valenzuela.

In a futuristic world, four characters face the predatory policies of a repressive government that deems elderly people a nuance to society. In a controversial action called the Age of Relief Protocol, law enforcement agencies are delegated the responsibility to detain any unmarried person over the age of 75. This discriminatory policy triggers social unrest and the birth of a mysterious insurgent called “Ramone”.

Due to an anonymous tip, Officer Roger Dimas (Geoffrey Rivas, Celestial Events) visits the residency of faded Chicana star Veronica Del Rio (Evelina Fernández, Sleep with the Angels), who is about to turn 75. Roger is greeted by Pilar (Lucy Rodriguez), Veronica’s nurse. Soon, they’re joined by Pablo (Sal López), a senior neighbor and a poet who is in love with Veronica. Roger explains that even though he must enforce the law, he is also troubled by the injustice of the Age of Relief Protocol. As he expresses his admiration for Veronica Del Rio, he also reveals a secret that would get him arrested and prosecuted. The four characters then need to come up with a plan to save both Veronica and Roger from the draconian policies of the totalitarian government.

In the play, seniors are arrested and taken down Whittier Boulevard. This boulevard has been for Chicanos a symbol of their culture, commerce, and lifestyle. It has also been a banner of their activism and resistance in the face of systemic racism and segregation. It’s been a place for cruising and lowriding, but also for historical demonstrations such as the Chicano Moratorium and the Chicano Blowouts. Organizations like M.E.Ch.A and UMAS have used Whittier Boulevard for political activism, and the art collective ASCO used it for artistic expression. It was in Whittier Boulevard during the Chicano Moratorium that artist, author, and educator Harry Gamboa Jr. was anointed editor of the political and arts magazine Regeneración by activist and journalist Francisca Flores. In the play, however, seniors are taken to Whittier Boulevard for more sinister reasons.

The tribulations of Roger and Veronica are a reflection of the struggles that have become a contentious aspect of many in the Latino community. The label “Latino” has been carried as a badge of honor for generations. Latino, an identification that brings a sense of pride. Latino, a label that carries a mark of exclusion and discrimination, a stark difference between first world and third world. As for the character of Veronica, it has a veiled reference to the Dreamers. Her real identity, revealed in extreme and pressing circumstances, give a sense of urgency. As theatre reflects life, Veronica carries the weight of innumerable individuals, lost and saved in political activism with partial results.

A poet, an angel, an officer, and a star in full decline, all trying to save each other. This is the story of generations that lost, won, failed, and succeeded. But the main highlight is their resilience and the willingness to keep on fighting.

Director Jose Luis Valenzuela achieves a fascinating play with notes of Chicano Noir, Latinx Futurism, magic realism, and a cunning infusion of glamour from the Golden Age of Mexican Cinema. The result is a visually stunning production with special emphasis on lighting and projections (lighting designer Pablo Santiago; projection designers Yee Eun Nam and Yuki Izumihara), bathing the characters with a nostalgic vision that honors those that sacrificed their lives for the ones that followed.

Whittier Boulevard

The Los Angeles Theatre Center
514 S. Spring Street
Los Angeles CA 90013

Performances: April 29 – May 28
• Thursdays at 8 p.m.: May 11; May 18; May 25
• Fridays at 8 p.m.: May 12; May 19; May 26
• Saturdays at 8 p.m.: April 29 (Opening); May 13; May 20; May 27
• Sundays at 4 p.m.: May 14; May 21; May 28
• Monday at 8 p.m.: May 15 ONLY

Tickets: latinotheaterco.org

Created by Evelina FernándezSal LópezGeoffrey RivasLucy Rodriguez, and José Luis Valenzuela. Directed by Jose Luis Valenzuela. Starring Evelina FernándezSal LópezGeoffrey Rivas, and Lucy Rodriguez. Produced by Latino Theater Company. Creative team: Original music and sound design by Robert Revell; choreography by Urbanie Lucero; scenic designer François-Pierre Couture; lighting designer Pablo Santiago; projection designers Yee Eun Nam and Yuki Izumihara; and costume designer Naila Aladdin Sanders. The production managers are Nathan Edelman and May Fei.

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