LOS ANGELES NEW PLAY PROJECT’S ANNUAL GRANT

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LOS ANGELES NEW PLAY PROJECT ANNOUNCES 2024 RECIPIENTS

OF THE 4th ANNUAL GRANT 

Los Angeles, CA (October 22, 2024) – Celebrating outstanding talent in the Los Angeles theater community, the Los Angeles New Play Project (LANPP) is thrilled to announce this year’s grant recipients whose work pushes boundaries and engages audiences in profound conversations. This will be the fourth annual grant ceremony, which to date has supported thirteen new plays.

Playwright Winners of LANPP Grant 2024.jpgThis year’s recipients are Shualee Cook for CERCLE HERMAPHRODITOS, to be produced by After Hours Theatre Company (Graham Wetterhahn, Artistic Director); Roger Q. Mason for HIDE AND HIDE to be produced by Skylight Theatre Company (Producers Gary Grossman and Armando Huipe); Ankita Raturi for नेहा & NEEL to be produced by Artists at Play (Marie-Reine Velez – Producer); Amy Tofte for RIGHTEOUS AMONG US to be produced by Little Fish Theatre (Suzanne Dean and Stephanie Coltrin, Co-Artistic Directors).

CERCLE HERMAPHRODITOS by Shualee Cook: Set in 1895, a trans man enters an famed underground social club for trans femmes, with the goal to find a wife in order to play the roles expected in public while pursuing the life they want in private. A wry and compelling love letter to the trans community based on true historical events (Scheduled for production in Spring 2025 at LGBT Center in Hollywood).

Shualee Cook has a wide range of work including full-length plays, musicals, plays with music, and opera.. Shualee is the recipient of 2023 Nancy Dean Lesbian Playwriting Award, the 2021 Chesly/Bumbalo Award, The 2020 RAC Artist Fellowship, and the 2019 Parity Commission. She has been a resident playwright in the Confluence Regional Writers Project, Stage Left Theatre, and Tesseract Theatre,  a finalist for the O’Neill National Playwrights Conference and the Bay Area Playwrights Festival. Her work has been developed by About Face Theatre, Breaking the Binary Festival, The New Coordinates, Slightly Askew Theatre Ensemble, Mustard Seed Theatre, The Road Theatre, The Idle Muse Athena Festival, Campfire Theatre Festival, National Queer Theatre, and the St. Louis Shakespeare Festival, among others.

HIDE AND HIDE written by Roger Q. MasonAlong the Coast of California, two lost souls collide while chasing freedom and the right to be an American… a queer rent-boy on the run from Texas police meets Constanza, a Filipina immigrant with a visa about to expire. Hide and Hide is a Homeric Odyssey that disrupts and rebuilds the American Fantasy, an Ironic, funny and dystopian odyssey. (Scheduled for production in Spring, 2025).

Roger Q. Mason (they/them) is a writer who satirizes and revises history to disrupt the biases that separate rather than unite us. Their playwriting has appeared on Broadway; Off/Off-Off-Broadway; and regionally, garnered five Barrymore Award nominations in Philadelphia, a Jeff Award Recommendation in Chicago and the San Francisco Chronicle’s prestigious Datebook Pick. Mason’s Lavender Men, first produced by Playwrights’ Arena & Skylight Theatre Company, was lauded by the Los Angeles Times as “evoking the mingled visions of Suzan-Lori Parks, Jeremy O. Harris and Michael R. Jackson.” They received 2024’s Playwrights’ Center McKnight National Playwright Commission, the inaugural Dramatists Guild Foundation Catalyst Grant Award, a Hermitage Residency, a Lucille Lortel commission, a Kilroys List nod, and the Chuck Rowland Pioneer Award.

नेहा & NEEL written by Ankita RaturiNeha (नेहा) is a single woman raising a son, now 17, in America, who seldom speaks their native Hindi or caring about India’s famed past.  On a cross country college tour, both confront the differences between them and who they want each other to be. B, नेहा and Neel asks what is lost with every generation in America and is it ever too late to connect to one’s roots (Scheduled for production at Latino Theatre Co. in downtown Los Angeles).

Ankita Raturi (she/her) writes hyper-theatrical works in Hindi/Urdu, English, and Bahasa Indonesia, about living between cultural identities and contending with the ongoing legacies of colonization. She grew up in capital cities, pediatric gastroenterology offices, and the bisexual closet. New play development: Theater Mu, New York Theatre Workshop, Roundabout, Ma-Yi Theater Company, South Coast Repertory, Ensemble Studio Theatre, Playwrights Realm, Berkshire Theatre Group, Cygnet Theatre, Artists at Play, The COOP, Atlantic Pacific Theatre, Theater Masters, Fresh Ground Pepper, Hypokrit Theatre Company, New York Shakespeare Exchange, Pete’s Candy Store. She is 2022 Ollie Award Winner.

RIGHTEOUS AMONG US written by Amy TofteAn African American researcher working at a civil rights museum collecting oral histories from ancestors who saved Jewish children during the Holocaust has to set straight a hero legend,coming to terms with the urgent need to follow the truth and her own need to find heroes among regular people. (Scheduled for production in Spring 2025 at Shakespeare by the Sea, in Redondo Beach).

Amy Tofte received a Nicholl Fellowship in screenwriting from the Academy of Motion Picture Arts and Sciences. Her play Righteous Among Us (2020 Todd McNerney Award) had a staged reading at Urban Stages (off-Broadway) in 2023. She was recently a playwright with the Evolving Playwrights Group at Circle X Theatre (Los Angeles) where she completed a new play, Rain Dog War, about the climate crisis. Amy is currently developing her new play, BloodSuckingLeech, at Nashville Repertory Theatre as part of their Ingram New Works Project.  Residences at the Autry Museum of the American West, Brush Creek, Monson Arts, The Kennedy Center, Headlands Center for the Arts, and Yaddo with work produced and developed throughout the United States, Australia, the United Kingdom, and twice at the Edinburgh Fringe Festival.

Los Angeles New Play Project supports new and original works presented on small stages within Los Angeles County. Each playwright receives a grant of $20,000. Each of the submitting producers will receive an additional $20,000 to help offset the cost of producing. But there are many steps in between that rely on the facilities and input of the various theatres within the LA theatre community. Clearly, it takes a village!

By helping to support new and original work with the financial grants, LANPP is hoping to help usher in quality new writing for the vibrant and evolving Los Angeles small and midsize theatre community, and to encourage the production of exciting, untried plays.

LANPP was founded in 2021 by director Paula Holt. For information regarding the Los Angeles New Play Project please consult the website: http://lanpp.org/

‘The Children’ Takes the Stage at The Wayward Artist

The Children Takes the Stage at The Wayward Artist

In the aftermath of a nuclear disaster three friends come together

 

SANTA ANA, CA, October 8, 2024 – The Wayward Artist, Santa Ana’s own ensemble theatre company, will present The Children from November 8th through the 17th at its exclusive theater venue at the Grand Central Art Center in Downtown Santa Ana, 125 N. Broadway #E.

 

The Children, by Lucy Kirkwood, is a thought-provoking play that  delves into the complexities of accountability, guilt, morality, and human actions. Set in the aftermath of a nuclear disaster, the story centers on two retired nuclear physicists, Hazel and Robin, who have isolated themselves in a remote cottage on the British coast. Their quiet life is disrupted when Rose, a former colleague, arrives, forcing them to confront the unresolved issues of their past and an uncertain future. As the play unfolds in real-time over the course of 90 intense minutes, they grapple with the ethical implications of their choices—both personal and professional—and how those decisions shape not only their own lives but the future of humanity itself.

 

“As we explore The Children, we’re reminded of the delicate balance between personal responsibility and the collective good,” said Director Craig Tyrl. “This play is not just about the consequences of the past but the decisions we make now, and how they ripple through the lives of those around us. It’s a haunting and powerful reflection on the choices we face in an uncertain world.”

 

CAST:

Juliet Schulein as Rose

Shelly Day as Hazel

Kelly Franett as Robin

WHERE:

The Wayward Artist

Grand Central Art Center

125 N. Broadway

Santa Ana, CA 92701

WHEN:

Friday November 8 at 7:30pm

Saturday November 9 at 7:30pm

Sunday November 10 at 2:00pm

Thursday November 14 at 7:30pm

Friday November 15 at 7:30pm

Saturday November 16 at 7:30pm

Sunday November 17 at 2:00pm

TICKETS:

https://www.thewaywardartist.org/children

ABOUT THE WAYWARD ARTIST:

The work of The Wayward Artist is edgy and unafraid to push the envelope of politeness, political correctness, and propriety. It doesn’t shy away from adult content, language and mature subject matter. It’s about innovation and re-invention and, wherever possible, delight in showing audiences a mirror to challenge pride, prejudices, and point-of-view. Its mission is to be the home for wayward artists – the lost, the naked, the vulnerable and to produce wayward works of a professional quality – works that are new, edgy and reimagined.

THE CIVIL TWILIGHT at the Broadwater Studio Theatre

Plays With People Productions
in association with the Road Theatre Company
present the World Premiere of
THE CIVIL TWILIGHT
Written by Shem Bitterman
Directed by Ann Hearn Tobolowsky
Limited Engagement begins Friday, October 18
at the Broadwater Studio Theatre in Los Angeles

September 3, 2024…Los Angeles, CA…Plays With People Productions in association with the
Road Theatre Company present a world premiere play, THE CIVIL TWILIGHT, written by
Shem Bitterman, directed by Ann Hearn Tobolowsky (Mercury, Through the Eye of A Needle)
and starring Taylor Gilbert and Andrew Elvis Miller. THE CIVIL TWILIGHT will preview
on Wednesday, October 16 & Thursday, October 17 at 8pm; will open on Friday, October 18
at 8pm and run through Sunday, November 24 at the Broadwater Studio Theatre, 1076 Lillian
Way in Los Angeles.
A twisty thriller that takes place over a single night during a once in a century storm, THE
CIVIL TWILIGHT tells the story of what happens when a popular a.m. radio personality
winds up trapped in a motel room in the Midwest with his biggest fan.

Opens: Friday, October 18 at 8pm
Runs: Friday, October 18 – Sunday, November 24, 2024
Fridays at 8pm; Saturdays at 8pm; Sundays at 3pm.
Previews: Wednesday, October 16 &
Thursday, October 17 at 8pm
The Broadwater Studio Theatre
1076 Lillian Way., Los Angeles, CA
Tickets: $45.00
Previews: $20.00
Seniors: $25
Students: 20.00
For tickets – theciviltwilight.ludus.com or email
ctbroadwaterstudio@gmail.com for more information.

ENCUENTRO 2024 We Are Here: PRESENTE! at LATC

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Encuentro 2024:
We Are Here – Presente!

19 theater companies from 12 cities across 8 states and Puerto Rico in residence at the multi-venue The Los Angeles Theatre Center, with performances running simultaneously in six different spaces over the course of three weeks.

October 24 through November 10
Find the complete performance schedule here.

(Schedule subject to change: check back for updates.)

The Los Angeles Theatre Center
514 S Spring St.
Los Angeles, CA 90013

Thursday Oct. 24
• 8 p.m.: Theater 1: The Red Rose (Pregones/Puerto Rican Traveling Theater, Bronx, NY)
• 8 p.m.: Theater 2: A Girl Grows Wings (Latino Theater Company, Los Angeles, developed and devised by Organización Secreta Teatro, Ciudad de México, MX)
• 8 p.m.: Theater 3: Whittier Boulevard (Latino Theater Company, Los Angeles)
• 8 p.m.: Theater 4: The Delicate Tears of the Waning Moon (Water People Theater, Chicago, IL)
• 8 p.m.: Theater 5: CABAREX 2: RevoLUZiones (ProyectoTEATRO, Austin, TX)
• 8 p.m.: Theater 6: ODD MAN OUT (Pitchblack Immersive, New York, NY)

Friday, Oct. 25
• 5 p.m.: Theater 4: Memorabilia (La Vuelta Ensemble, Chicago, IL)
• 5 p.m.: Theater 5: Your Healing is Killing Me (Cara Mía Theater Company, Dallas, TX)
• 8 p.m.:Theater 1: The Red Rose (Pregones/Puerto Rican Traveling Theater, Bronx, NY)
• 8 p.m.: Theater 2: Blanco Temblor (Teatro Público, San Juan, PR)
• 8 p.m.: Theater 3: Whittier Boulevard (Latino Theater Company, Los Angeles)
• 8 p.m.: Theater 4: Stone Heart (Camino23 Collective, San Diego, CA)
• 8 p.m.: Theater 5: Ayotzinapa (Grupo de Teatro SINERGIA, Los Angeles, CA)

Saturday, Oct. 26
• 2 p.m.: Theater 2: A Girl Grows Wings (Latino Theater Company, Los Angeles, developed and devised by Organización Secreta Teatro, Ciudad de México, MX)
• 2 p.m.: Theater 4: La Vida es Sueño (Bilingual Foundation of the Arts, Los Angeles, CA)
• 2 p.m.: Theater 5: Quarter Rican (Gabriel Diego Hernández, Jersey City, NJ)
• 4 p.m.: Theater 1: Interview with a Mexican (Su Teatro, Denver, CO)
• 4 p.m.: Theater 3: Yamel Cucuy (Glass Half Full, Austin, TX)
• 5 p.m.:Theater 4: Stone Heart (Camino23 Collective, San Diego, CA)
• 5 p.m.: Theater 5: Your Healing is Killing Me (Cara Mía Theater Company, Dallas, TX)
• 8 p.m.: Theater 1: Interview with a Mexican (Su Teatro, Denver, CO)
• 8 p.m.: Theater 2: Blanco Temblor (Teatro Público, San Juan, PR)
• 8 p.m.: Theater 3: The 22+ Weddings of Hugo Multiple (GALA Hispanic Theatre, Washington, DC)
• 8 p.m.: Theater 4: Memorabilia (La Vuelta Ensemble, Chicago, IL)
• 8 p.m.: Theater 5: CABAREX 2: RevoLUZiones (ProyectoTEATRO, Austin, TX)
• 8 p.m.: Theater 6: ODD MAN OUT (Pitchblack Immersive, New York, NY)

Sunday, Oct. 27
• 2 p.m.: Theater 1: La Golondrina (Repertorio Español/Tantai Teatro PR, New York, NY)
• 2 p.m.: Theater 3: Yamel Cucuy (Glass Half Full, Austin, TX)
• 4 p.m.: Theater 2: Antigona 3.0 (Borderlands Theater Company, Tuscon, AZ)
• 4 p.m.: Theater 4: The Delicate Tears of the Waning Moon (Water People Theater, Chicago, IL)
• 4 p.m.: Theater 5: Quarter Rican (Gabriel Diego Hernández, Jersey City, NJ)
• 5:30 p.m.: Theater 1: La Golondrina (Repertorio Españo/Tantai Teatro PR, New York, NY)
• 5:30 p.m.: Theater 3: The 22+ Weddings of Hugo Multiple (GALA Hispanic Theatre, Washington, DC)
• 7 p.m.: Theater 2: Antigona 3.0 (Borderlands Theater Company, Tuscon, AZ)
• 7 p.m.: Theater 4: La Vida es Sueño (Bilingual Foundation of the Arts, Los Angeles, CA)
• 7 p.m.: Theater 5: Ayotzinapa (Grupo de Teatro SINERGIA, Los Angeles, CA)

Thursday. Oct. 31
• 5 p.m. Theater 4: Stone Heart (Camino23 Collective, San Diego, CA)
• 5 p.m. Theater 5: Ayotzinapa (Grupo de Teatro SINERGIA, Los Angeles, CA)
• 8 p.m.: Theater 1: Interview with a Mexican (Su Teatro, Denver, CO)
• 8 p.m.: Theater 2: Antigona 3.0 (Borderlands Theater Company, Tuscon, AZ)
• 8 p.m.: Theater 3: The 22+ Weddings of Hugo Multiple (GALA Hispanic Theatre, Washington, DC)
• 8 p.m.: Theater 4: La Vida es Sueño (Bilingual Foundation of the Arts, Los Angeles, CA)
• 8 p.m.: Theater 5: Your Healing is Killing Me (Cara Mía Theater Company, Dallas, TX)

Friday, Nov. 1
• 5 p.m. Theater 4: The Delicate Tears of the Waning Moon (Water People Theater, Chicago, IL)
• 5 p.m. Theater 5: CABAREX 2: RevoLUZiones (ProyectoTEATRO, Austin, TX)
• 8 p.m.: Theater 1: La Golondrina (Repertorio Español/Tantai Teatro PR, New York, NY)
• 8 p.m.: Theater 2: Antigona 3.0 (Borderlands Theater Company, Tuscon, AZ)
• 8 p.m.: Theater 3: The 22+ Weddings of Hugo Multiple (GALA Hispanic Theatre, Washington, DC)
• 8 p.m.: Theater 4: Memorabilia (La Vuelta Ensemble, Chicago, IL)
• 8 p.m.: Theater 5: Quarter Rican (Gabriel Diego Hernández, Jersey City, NJ)
• 8 p.m.: Theater 6: ODD MAN OUT (Pitchblack Immersive, New York, NY)

Saturday, Nov. 2 (Dia de Los Muertos)
• 2 p.m.: Theater 1: La Golondrina (Repertorio Español/Tantai Teatro PR, New York, NY)
• 2 p.m.: Theater 3: Whittier Boulevard (Latino Theater Company, Los Angeles)
• 4 p.m.: Theater 2: Blanco Temblor (Teatro Público, San Juan, PR)
• 4 p.m.: Theater 4: Memorabilia (La Vuelta Ensemble, Chicago, IL)
• 4 p.m.: Theater 5: CABAREX 2: RevoLUZiones (ProyectoTEATRO, Austin, TX)
• 5 p.m.:Theater 1: La Golondrina (Repertorio Español/Tantai Teatro PR, New York, NY)
• 5 p.m.: Theater 3: Yamel Cucuy (Glass Half Full, Austin, TX)
• 8 p.m.: Theater 1: Interview with a Mexican (Su Teatro, Denver, CO)
• 8 p.m.: Theater 2: A Girl Grows Wings (Latino Theater Company, Los Angeles, developed and devised by Organización Secreta Teatro, Ciudad de México, MX)
• 8 p.m.: Theater 4: La Vida es Sueño (Bilingual Foundation of the Arts, Los Angeles, CA)
• 8 p.m.: Theater 5: Your Healing is Killing Me (Cara Mía Theater Company, Dallas, TX)

Sunday, Nov. 3
• 2 p.m.: Theater 2: A Girl Grows Wings (Latino Theater Company, Los Angeles, developed and devised by Organización Secreta Teatro, Ciudad de México, MX)
• 2 p.m.: Theater 4: The Delicate Tears of the Waning Moon (Water People Theater, Chicago, IL)
• 2 p.m.: Theater 5: Ayotzinapa (Grupo de Teatro SINERGIA, Los Angeles, CA)
• 4 p.m.: Theater 1: The Red Rose (Pregones/Puerto Rican Traveling Theater, Bronx, NY)
• 4 p.m.: Theater 3: Yamel Cucuy (Glass Half Full, Austin, TX)
• 4 p.m.: Theater 6: ODD MAN OUT (Pitchblack Immersive, New York, NY)
• 5:30 p.m.:Theater 2: Blanco Temblor (Teatro Público, San Juan, PR)
• 5:30 p.m.:Theater 4: Stone Heart (Camino23 Collective, San Diego, CA)
• 5:30 p.m.: Theater 5: Quarter Rican (Gabriel Diego Hernández, Jersey City, NJ)
• 7 p.m.: Theater 1: The Red Rose (Pregones/Puerto Rican Traveling Theater, Bronx, NY)
• 7 p.m.: Theater 3: Whittier Boulevard (Latino Theater Company, Los Angeles)

Thursday Nov. 7
• 5 p.m.: Theater 4: La Vida es Sueño (Bilingual Foundation of the Arts, Los Angeles, CA)
• 5 p.m.: Theater 5: Your Healing is Killing Me (Cara Mía Theater Company, Dallas, TX)
• 8 p.m. Theater 1: Carlota: Alhajero de Secretos (Teatro Alebrijes, San Jose, CA)
• 8 p.m. Theater 2: Blanco Temblor (Teatro Público, San Juan, PR)
• 8 p.m. Theater 3:Yamel Cucuy (Glass Half Full, Austin, TX)
• 8 p.m. Theater 4: Stone Heart (Camino23 Collective, San Diego, CA)
• 8 p.m. Theater 5:Ayotzinapa (Grupo de Teatro SINERGIA, Los Angeles, CA)

Friday, Nov. 8
• 6 p.m. Theater 1: Interview with a Mexican (Su Teatro, Denver, CO)
• 6 p.m. Theater 4: Memorabilia (La Vuelta Ensemble, Chicago, IL)
• 6 p.m. Theater 5: Quarter Rican (Gabriel Diego Hernández, Jersey City, NJ)
• 8 p.m. Theater 2: Blanco Temblor (Teatro Público, San Juan, PR)
• 8 p.m. Theater 3: Yamel Cucuy (Glass Half Full, Austin, TX)
• 8:30 p.m. Theater 1: Carlota: Alhajero de Secretos (Teatro Alebrijes, San Jose, CA)
• 8:30 p.m. Theater 4: The Delicate Tears of the Waning Moon (Water People Theater, Chicago, IL)
• 8:30 p.m. Theater 5: CABAREX 2: RevoLUZiones (ProyectoTEATRO, Austin, TX)

Saturday, Nov. 9
• 2 p.m.: Theater 2: Antigona 3.0 (Borderlands Theater Company, Tuscon, AZ)
• 2 p.m.: Theater 4: Memorabilia (La Vuelta Ensemble, Chicago, IL)
• 2 p.m.: Theater 5: Your Healing is Killing Me (Cara Mía Theater Company, Dallas, TX)
• 4 p.m.: Theater 1: The Red Rose (Pregones/Puerto Rican Traveling Theater, Bronx, NY)
• 4 p.m.: Theater 3: The 22+ Weddings of Hugo Multiple (GALA Hispanic Theatre, Washington, DC)
• 5 p.m.:Theater 2: Antigona 3.0 (Borderlands Theater Company, Tuscon, AZ)
• 5 p.m.: Theater 4: The Delicate Tears of the Waning Moon (Water People Theater, Chicago, IL)
• 5 p.m.: Theater 5: CABAREX 2: RevoLUZiones (ProyectoTEATRO, Austin, TX)
• 8 p.m.: Theater 1: The Red Rose (Pregones/Puerto Rican Traveling Theater, Bronx, NY)
• 8 p.m.: Theater 2: A Girl Grows Wings (Latino Theater Company, Los Angeles, developed and devised by Organización Secreta Teatro, Ciudad de México, MX)
• 8 p.m.: Theater 3: Whittier Boulevard (Latino Theater Company, Los Angeles)
• 8 p.m.: Theater 4: Stone Heart (Camino23 Collective, San Diego, CA)
• 8 p.m.: Theater 5: Quarter Rican (Gabriel Diego Hernández, Jersey City, NJ)
• 8 p.m.: Theater 6: ODD MAN OUT (Pitchblack Immersive, New York, NY)

Sunday, Nov. 10
• 2 p.m.: Theater 1: Carlota: Alhajero de Secretos (Teatro Alebrijes, San Jose, CA)
• 2 p.m.: Theater 3: The 22+ Weddings of Hugo Multiple (GALA Hispanic Theatre, Washington, DC)
• 4 p.m.: Theater 2: A Girl Grows Wings (Latino Theater Company, Los Angeles, developed and devised by Organización Secreta Teatro, Ciudad de México, MX)
• 4 p.m.: Theater 4: La Vida es Sueño (Bilingual Foundation of the Arts, Los Angeles, CA)
• 4 p.m.: Theater 5: Ayotzinapa (Grupo de Teatro SINERGIA, Los Angeles, CA)
• 6 p.m.: Theater 1: Interview with a Mexican (Su Teatro, Denver, CO)
• 6 p.m.: Theater 3: Whittier Boulevard (Latino Theater Company, Los Angeles)
• 6 p.m.: Theater 6: ODD MAN OUT (Pitchblack Immersive, New York, NY)

FOUR TOP at Lonny Chapman Theatre

A World Premiere Comedy
FOUR TOP
October 17 – November 17, 2024
Thursdays at 7pm, Saturdays at 4pm & Sundays 7pm. Running time: 90 mins., no
intermission
“After the Show Talkbacks with cast, author & staff” Sundays 10/20 & 10/27
Lonny Chapman Theatre – Upstairs Stage (Second Floor)
10900 Burbank Blvd. North Hollywood 91601

The Group Rep is proud to present the world premiere of Michael B. Kaplan’s new comedy FOUR TOP, directed by Kathleen R. Delaney and produced by Denise Downer.

FOUR TOP is a relationship comedy about the sometimes confused, sometimes desperate and sometimes farcical search for love and meaning, and the realization that it is better to have loved and lost than never to have been bitten by a ferret at your ex’s engagement party.

The cast features the talents of Rosie Byrne (Megan), Cassidy LeClair (Server), Jack Menzies (Brian), Luke Rampersad (Tony) and Jackie Shearn (Liz).

FOUR TOP runs October 17th through November 17th , Thursdays at 7:00pm, Saturdays at 4pm, and Sundays at 7pm. Running time: 90 minutes. No intermission. General Admission: $30. Seniors & Students with ID: $25. Parties 10+: $20. Purchase Tickets: thegrouprep.com Reservations & Information: 818-763-5990. Free street and early bird parking for several cars in the lot to the left of the venue.

Sierra Madre Playhouse Receives Largest Grant in Its History

Sierra Madre Playhouse

Receives Largest Grant in Its History,

a $450,000 General Operating Support Grant from

the Perenchio Foundation

(Sierra Madre, CA, October 9, 2024) The historic Sierra Madre Playhouse, an intimate performing arts center noted for its eclectic programming, is proud to announce that it is the recipient of 2024 General Operating Support Grant from the Perenchio Foundation. The $450,000 grant is the largest in Sierra Madre Playhouse’s history.

 

Perenchio Foundation’s General Operating Support Grants provide flexible funding to Los Angeles County arts organizations to bolster operational resilience. With a commitment for multiple years, these grants aim to help arts organizations address immediate needs, strengthen infrastructure, plan from a place of greater confidence and stability, and build capacity for a long-term future in the region.

 

“Sierra Madre Playhouse is deeply honored and incredibly grateful to receive this extraordinary support from the Perenchio Foundation,” said Matthew Cook, Sierra Madre Playhouse’s Artistic and Executive Director. “This transformative grant will be instrumental in enabling us to build a sustainable infrastructure, allowing us to increase our capacity to serve our community with an expected 162 performances next year. The generous support from the Perenchio Foundation marks a pivotal moment for the Sierra Madre Playhouse, enabling us to expand our team and enhance our operational capabilities, laying a solid foundation for our future. This investment is a testament to the foundation’s belief in Sierra Madre Playhouse’s mission and its role in enriching the region’s cultural landscape.”

 

Perenchio Foundation Chief Executive Officer Stephania Ramirez said, “We are proud to invest in organizations that have been pillars in their communities for years, offering high-quality, meaningful arts experiences that help move their craft forward. This multi-year support will help them to plan strategically and sustain their vital work in Los Angeles County.”

 

The Perenchio Foundation is a private foundation established by the late A. Jerrold “Jerry” Perenchio. The Perenchio Foundation believes that arts play an essential role in building more equitable, culturally vibrant, and inclusive communities, and is guided by a commitment to create a positive, lasting impact in the Los Angeles region through the arts. Learn more at www.perenchiofoundation.org.

 

Sierra Madre Playhouse, a vibrant Southern California cultural hub with a rich history spanning a century, energizes audiences and the community with distinctive theatrical productions and captivating live performances. Hailed as a “jewel” (Pasadena Weekly) and “a landmark theater” (ABC7 Los Angeles), the performing arts center has garnered tremendous accolades for its varied repertoire and thought-provoking education and outreach programs curated with social impact in mind. As one of San Gabriel Valley’s only performing arts center presenting a broad spectrum of performance genres, including theater, music, dance, film, comedy, and family-friendly productions featuring eminent local and national professional artists, the treasured artistic beacon draws audiences from across the Southland.

 

The intimate 99-seat Sierra Madre Playhouse offers an up-close and personal connection to performances that resonate deeply, earning multiple Ovation Awards, NAACP Awards, and LA Times Critics’ Choice honors. Retaining its distinctive movie theater façade and instantly recognizable marquee, the structure has undergone numerous transformations since opening in 1910, from furniture emporium to silent movie theatre to the artistic institution that now stands as a vibrant embodiment of the region’s rich cultural legacy. The Sierra Madre Playhouse fosters creativity that aspires to bridge divides and spark dialogue, all while celebrating the rich tapestry of the American experience and the enduring pursuit of shared understanding.

 

For information on the Sierra Madre Playhouse, please call 626.355.4318 or visit www.sierramadreplayhouse.orgSierra Madre Playhouse is located at 87 West Sierra Madre Boulevard, Sierra Madre, CA 91024.

DRACULA: A COMEDY OF TERRORS at The New Vic

DRACULA: A COMEDY OF TERRORS

Written by Gordon Greenberg & Steve Rosen

Directed by Jamie Torcellini

 

Previews: Wednesday, October 9 (special “Community Pay-What-You-Can” added performance), Thursday, October 10 at 7:30pm & Friday, October 11 at 8:00pm

Opens: Saturday, October 12 at 8:00pm (Press Opening)

Runs: Wednesday, October 9 – Sunday, October 27, 2024

 

Performances are Wednesdays and Thursdays at 7:30pm, Fridays and Saturdays at 8:00pm, and Sundays at 2:00pm.

 

Added performances on Tuesday, October 15 at 7:30pm, Saturday, October 19 at 3pm, Wednesday, October 23 at 2pm, and Saturday, October 26 at 3:00pm.

 

A special “Pride Night” celebration performance with specialty drinks will perform on Thursday, October 24 at 7:30pm.

 

Ticket Prices range from $25 – $94

 

All Patrons 35 and under are always $35. Student tickets are $25. Prices subject to change.

 

Ensemble Theatre Company at The New Vic
33 W. Victoria Street in Santa Barbara 

The Drop: Orville Peck at GRAMMY Museum L.A. Live

Country superstar Orville Peck was interviewed by Tomás Mier as part of the GRAMMY Museum‘s The Drop program. This exclusive event took place on Tuesday Sep 17, 2024. It was an intimate conversation with Orville, where he talked about his beginnings in the music industry, his passion for country music, and his collaborations with other music stars. The event included a live acoustic performance by Orville, with an inspiring orange Harvest Moon shining in the sky and LA’s colorful downtown in the background.

Orville went over his beginnings, when he toured nonstop for 15 years for practically no money. His passion for music kept him going until he achieved the success and recognition he currently enjoys. He also mentioned his experiences collaborating with established and upcoming stars such as legend Willie Nelson, Kylie Minogue, and Noah Cyrus, among others.

With his impressive and alluring vocal range, Orville’s music has the nostalgic sound of the 60s and 70s, and his evocative voice and magnetic presence bring memories of an ebullient and captivating Elvis Presley. One of the hottest country stars out there, Orville is poised to become a trailblazer as one of the few openly gay singers in the scene, mirroring the winds of change in country music, a genre that is becoming more open to alternative voices.

Orville Peck continues to create and push boundaries in country music and beyond. Expect more surprises coming up and don’t miss the opportunity to experience the sensual and powerful voice of one of the most iconic superstars in the music scene today.

Links

Orville Peck: orvillepeck.com

GRAMMY Museum: grammymuseum.org

Dracula: A Comedy of Terrors at The New Vic

ENSEMBLE THEATRE COMPANY 

Presents the First Production of its 46th Season,

THE HILARIOUS COMEDY WITH BITE, THE FANGTASTIC OFF-BROADWAY SMASH HIT…

DRACULA:

A COMEDY OF TERRORS

 Written by Gordon Greenberg & Steve Rosen

Directed by Jamie Torcellini

 

Performances begin Thursday, October 10 

at The New Vic Theatre in Santa Barbara!

 

Previews: Thursday, October 10 at 7:30pm & Friday, October 11 at 8:00pm

Opens: Saturday, October 12 at 8:00pm (Press Opening)

Runs: Thursday, October 10 – Sunday, October 27, 2024

 

Performances are Wednesdays and Thursdays at 7:30pm, Fridays and Saturdays at 8:00pm, and Sundays at 2:00pm.

 

Added performances on Tuesday, October 15 at 7:30pm, Saturday, October 19 at 3pm, Wednesday, October 23 at 2pm, and Saturday, October 26 at 3:00pm.

 

Ticket Prices range from $25 – $94

 

All Patrons 35 and under are always $35. Student tickets are $25. Prices subject to change.

 

Ensemble Theatre Company at The New Vic
33 W. Victoria Street in Santa Barbara 

‘Walking the Beat’ at UCLA Nimoy Theater

Teens and cops unite for Fountain Theatres Walking the Beat’ in new
partnership with Design for Sharing, CAP UCLA’s K-12 arts education program

The Fountain Theatre joins forces with Design for SharingCAP UCLA’s K-12 arts education program, to showcase the culminating performance of Walking the Beat, the Fountain’s transformative community-building program that sees cops and teens working together to create theater. One public performance of In the Crossfirea new multimedia work created by 15 teens and eight police officers, will take place on Sunday, Sept. 22 at 7 p.m. at the UCLA Nimoy Theater. Admission is free, but reservations are required (subject to availability). A free student matinee will follow on Monday, Sept. 23, allowing 250 students from across Los Angeles County to experience the finished work and talk with the cast and creators.

Written by Fountain Theatre arts education manager Nathan JamesIn the Crossfire was devised by students and police officers based on their own writings, conversations and improvisations about the effects of gun violence on them, personally, and within their communities.

Students this year represent five local high schools, including Hollywood High SchoolValley Oaks Center for Enriched Studies, Orthopaedic Hospital Medical Magnet High SchoolRamón C. Cortines School of Visual and Performing Arts and Hawthorne High School.

Now in its fifth year at the Fountain, Walking the Beat provides a life-changing experience for underserved youth. Founded by the Elizabeth Youth Theater Ensemble and led by executive and artistic director Theo Perkins, participants in the hands-on program are guided by facilitator and director Angela Kariotis and teaching artists ReSheda Terry and Alex Ubokedom.

Walking the Beat supporters include The Araxia and Vladimir Buckhantz Foundation, Mary Jo and David VolkThe Audrey and Sydney Irmas Charitable Foundation, Maggi PhillipsJennifer SimchowitzAnne-Marie SpataruJason Zelin and Allison Stein and the L.A. County Department of Probation.

The UCLA Nimoy Theater is located 1262 Westwood Blvd.Los AngelesCA 90024. Parking is $3 (flat rate) after 5 p.m. in the structure located at 10866 Wilshire Blvd. For more information, call (323) 663-1525 or go to www.FountainTheatre.com.