FOUR TOP at Lonny Chapman Theatre

A World Premiere Comedy
FOUR TOP
October 17 – November 17, 2024
Thursdays at 7pm, Saturdays at 4pm & Sundays 7pm. Running time: 90 mins., no
intermission
“After the Show Talkbacks with cast, author & staff” Sundays 10/20 & 10/27
Lonny Chapman Theatre – Upstairs Stage (Second Floor)
10900 Burbank Blvd. North Hollywood 91601

The Group Rep is proud to present the world premiere of Michael B. Kaplan’s new comedy FOUR TOP, directed by Kathleen R. Delaney and produced by Denise Downer.

FOUR TOP is a relationship comedy about the sometimes confused, sometimes desperate and sometimes farcical search for love and meaning, and the realization that it is better to have loved and lost than never to have been bitten by a ferret at your ex’s engagement party.

The cast features the talents of Rosie Byrne (Megan), Cassidy LeClair (Server), Jack Menzies (Brian), Luke Rampersad (Tony) and Jackie Shearn (Liz).

FOUR TOP runs October 17th through November 17th , Thursdays at 7:00pm, Saturdays at 4pm, and Sundays at 7pm. Running time: 90 minutes. No intermission. General Admission: $30. Seniors & Students with ID: $25. Parties 10+: $20. Purchase Tickets: thegrouprep.com Reservations & Information: 818-763-5990. Free street and early bird parking for several cars in the lot to the left of the venue.

Sierra Madre Playhouse Receives Largest Grant in Its History

Sierra Madre Playhouse

Receives Largest Grant in Its History,

a $450,000 General Operating Support Grant from

the Perenchio Foundation

(Sierra Madre, CA, October 9, 2024) The historic Sierra Madre Playhouse, an intimate performing arts center noted for its eclectic programming, is proud to announce that it is the recipient of 2024 General Operating Support Grant from the Perenchio Foundation. The $450,000 grant is the largest in Sierra Madre Playhouse’s history.

 

Perenchio Foundation’s General Operating Support Grants provide flexible funding to Los Angeles County arts organizations to bolster operational resilience. With a commitment for multiple years, these grants aim to help arts organizations address immediate needs, strengthen infrastructure, plan from a place of greater confidence and stability, and build capacity for a long-term future in the region.

 

“Sierra Madre Playhouse is deeply honored and incredibly grateful to receive this extraordinary support from the Perenchio Foundation,” said Matthew Cook, Sierra Madre Playhouse’s Artistic and Executive Director. “This transformative grant will be instrumental in enabling us to build a sustainable infrastructure, allowing us to increase our capacity to serve our community with an expected 162 performances next year. The generous support from the Perenchio Foundation marks a pivotal moment for the Sierra Madre Playhouse, enabling us to expand our team and enhance our operational capabilities, laying a solid foundation for our future. This investment is a testament to the foundation’s belief in Sierra Madre Playhouse’s mission and its role in enriching the region’s cultural landscape.”

 

Perenchio Foundation Chief Executive Officer Stephania Ramirez said, “We are proud to invest in organizations that have been pillars in their communities for years, offering high-quality, meaningful arts experiences that help move their craft forward. This multi-year support will help them to plan strategically and sustain their vital work in Los Angeles County.”

 

The Perenchio Foundation is a private foundation established by the late A. Jerrold “Jerry” Perenchio. The Perenchio Foundation believes that arts play an essential role in building more equitable, culturally vibrant, and inclusive communities, and is guided by a commitment to create a positive, lasting impact in the Los Angeles region through the arts. Learn more at www.perenchiofoundation.org.

 

Sierra Madre Playhouse, a vibrant Southern California cultural hub with a rich history spanning a century, energizes audiences and the community with distinctive theatrical productions and captivating live performances. Hailed as a “jewel” (Pasadena Weekly) and “a landmark theater” (ABC7 Los Angeles), the performing arts center has garnered tremendous accolades for its varied repertoire and thought-provoking education and outreach programs curated with social impact in mind. As one of San Gabriel Valley’s only performing arts center presenting a broad spectrum of performance genres, including theater, music, dance, film, comedy, and family-friendly productions featuring eminent local and national professional artists, the treasured artistic beacon draws audiences from across the Southland.

 

The intimate 99-seat Sierra Madre Playhouse offers an up-close and personal connection to performances that resonate deeply, earning multiple Ovation Awards, NAACP Awards, and LA Times Critics’ Choice honors. Retaining its distinctive movie theater façade and instantly recognizable marquee, the structure has undergone numerous transformations since opening in 1910, from furniture emporium to silent movie theatre to the artistic institution that now stands as a vibrant embodiment of the region’s rich cultural legacy. The Sierra Madre Playhouse fosters creativity that aspires to bridge divides and spark dialogue, all while celebrating the rich tapestry of the American experience and the enduring pursuit of shared understanding.

 

For information on the Sierra Madre Playhouse, please call 626.355.4318 or visit www.sierramadreplayhouse.orgSierra Madre Playhouse is located at 87 West Sierra Madre Boulevard, Sierra Madre, CA 91024.

DRACULA: A COMEDY OF TERRORS at The New Vic

DRACULA: A COMEDY OF TERRORS

Written by Gordon Greenberg & Steve Rosen

Directed by Jamie Torcellini

 

Previews: Wednesday, October 9 (special “Community Pay-What-You-Can” added performance), Thursday, October 10 at 7:30pm & Friday, October 11 at 8:00pm

Opens: Saturday, October 12 at 8:00pm (Press Opening)

Runs: Wednesday, October 9 – Sunday, October 27, 2024

 

Performances are Wednesdays and Thursdays at 7:30pm, Fridays and Saturdays at 8:00pm, and Sundays at 2:00pm.

 

Added performances on Tuesday, October 15 at 7:30pm, Saturday, October 19 at 3pm, Wednesday, October 23 at 2pm, and Saturday, October 26 at 3:00pm.

 

A special “Pride Night” celebration performance with specialty drinks will perform on Thursday, October 24 at 7:30pm.

 

Ticket Prices range from $25 – $94

 

All Patrons 35 and under are always $35. Student tickets are $25. Prices subject to change.

 

Ensemble Theatre Company at The New Vic
33 W. Victoria Street in Santa Barbara 

The Drop: Orville Peck at GRAMMY Museum L.A. Live

Country superstar Orville Peck was interviewed by Tomás Mier as part of the GRAMMY Museum‘s The Drop program. This exclusive event took place on Tuesday Sep 17, 2024. It was an intimate conversation with Orville, where he talked about his beginnings in the music industry, his passion for country music, and his collaborations with other music stars. The event included a live acoustic performance by Orville, with an inspiring orange Harvest Moon shining in the sky and LA’s colorful downtown in the background.

Orville went over his beginnings, when he toured nonstop for 15 years for practically no money. His passion for music kept him going until he achieved the success and recognition he currently enjoys. He also mentioned his experiences collaborating with established and upcoming stars such as legend Willie Nelson, Kylie Minogue, and Noah Cyrus, among others.

With his impressive and alluring vocal range, Orville’s music has the nostalgic sound of the 60s and 70s, and his evocative voice and magnetic presence bring memories of an ebullient and captivating Elvis Presley. One of the hottest country stars out there, Orville is poised to become a trailblazer as one of the few openly gay singers in the scene, mirroring the winds of change in country music, a genre that is becoming more open to alternative voices.

Orville Peck continues to create and push boundaries in country music and beyond. Expect more surprises coming up and don’t miss the opportunity to experience the sensual and powerful voice of one of the most iconic superstars in the music scene today.

Links

Orville Peck: orvillepeck.com

GRAMMY Museum: grammymuseum.org

Dracula: A Comedy of Terrors at The New Vic

ENSEMBLE THEATRE COMPANY 

Presents the First Production of its 46th Season,

THE HILARIOUS COMEDY WITH BITE, THE FANGTASTIC OFF-BROADWAY SMASH HIT…

DRACULA:

A COMEDY OF TERRORS

 Written by Gordon Greenberg & Steve Rosen

Directed by Jamie Torcellini

 

Performances begin Thursday, October 10 

at The New Vic Theatre in Santa Barbara!

 

Previews: Thursday, October 10 at 7:30pm & Friday, October 11 at 8:00pm

Opens: Saturday, October 12 at 8:00pm (Press Opening)

Runs: Thursday, October 10 – Sunday, October 27, 2024

 

Performances are Wednesdays and Thursdays at 7:30pm, Fridays and Saturdays at 8:00pm, and Sundays at 2:00pm.

 

Added performances on Tuesday, October 15 at 7:30pm, Saturday, October 19 at 3pm, Wednesday, October 23 at 2pm, and Saturday, October 26 at 3:00pm.

 

Ticket Prices range from $25 – $94

 

All Patrons 35 and under are always $35. Student tickets are $25. Prices subject to change.

 

Ensemble Theatre Company at The New Vic
33 W. Victoria Street in Santa Barbara 

‘Walking the Beat’ at UCLA Nimoy Theater

Teens and cops unite for Fountain Theatres Walking the Beat’ in new
partnership with Design for Sharing, CAP UCLA’s K-12 arts education program

The Fountain Theatre joins forces with Design for SharingCAP UCLA’s K-12 arts education program, to showcase the culminating performance of Walking the Beat, the Fountain’s transformative community-building program that sees cops and teens working together to create theater. One public performance of In the Crossfirea new multimedia work created by 15 teens and eight police officers, will take place on Sunday, Sept. 22 at 7 p.m. at the UCLA Nimoy Theater. Admission is free, but reservations are required (subject to availability). A free student matinee will follow on Monday, Sept. 23, allowing 250 students from across Los Angeles County to experience the finished work and talk with the cast and creators.

Written by Fountain Theatre arts education manager Nathan JamesIn the Crossfire was devised by students and police officers based on their own writings, conversations and improvisations about the effects of gun violence on them, personally, and within their communities.

Students this year represent five local high schools, including Hollywood High SchoolValley Oaks Center for Enriched Studies, Orthopaedic Hospital Medical Magnet High SchoolRamón C. Cortines School of Visual and Performing Arts and Hawthorne High School.

Now in its fifth year at the Fountain, Walking the Beat provides a life-changing experience for underserved youth. Founded by the Elizabeth Youth Theater Ensemble and led by executive and artistic director Theo Perkins, participants in the hands-on program are guided by facilitator and director Angela Kariotis and teaching artists ReSheda Terry and Alex Ubokedom.

Walking the Beat supporters include The Araxia and Vladimir Buckhantz Foundation, Mary Jo and David VolkThe Audrey and Sydney Irmas Charitable Foundation, Maggi PhillipsJennifer SimchowitzAnne-Marie SpataruJason Zelin and Allison Stein and the L.A. County Department of Probation.

The UCLA Nimoy Theater is located 1262 Westwood Blvd.Los AngelesCA 90024. Parking is $3 (flat rate) after 5 p.m. in the structure located at 10866 Wilshire Blvd. For more information, call (323) 663-1525 or go to www.FountainTheatre.com.

LITTLE SHOP OF HORRORS at Scherr Forum Theatre at the Bank of America Performing Arts Center

5-STAR THEATRICALS

presents

A DEADLY THREAT TO THE HUMAN RACE’S VERY EXISTENCE!

LITTLE SHOP OF HORRORS

Music by Alan Menken

Book and Lyrics by Howard Ashman

Musical Direction by Ryan O’Connell

Choreography by Dana Solimando

Directed by Brian Kite

 

“Everybody Better Beware” Beginning Friday, October 4 in the intimate

Scherr Forum Theatre at the Bank of America Performing Arts Center!

LITTLE SHOP OF HORRORS

Music by Alan Menken

Book and Lyrics by Howard Ashman

Musical Direction by Ryan O’Connell

Choreography by Dana Solimando

Directed by Brian Kite

 

OPENS: FRIDAY, OCTOBER 4 at 7:30pm (press opening) and runs through 

SUNDAY, OCTOBER 20 at 1:00pm

 

Performances are Thursdays & Fridays at 7:30pm; Saturdays at 1:00pm and 7:30pm; Sundays at 1:00pm

 

BANK OF AMERICA PERFORMING ARTS CENTER – 

SCHERR FORUM THEATRE

2100 Thousand Oaks Blvd, in Thousand Oaks

Tickets range from $37 – $67

For tickets, please call (805) 449-2787. 

 

For theatre information, call (805) 449-ARTS (2787) or buy online at www.5startheatricals.com

 

Student, Senior and Group discounts are available.

THE PIANO LESSON at A Noise Within


 

 A Noise Within continues commitment to August Wilsons ‘American Century Cycle’ with ‘The Piano Lesson 


WHAT:
A Noise Within continues its commitment to August Wilson’s “American Century Cycle” with The Piano Lessonthe fourth play in Wilson’s extraordinary 10-play cycle that explores the Black experience in 20th century America decade-by decade. A captivating story about legacy, identity and cultural heritage unfolds in 1930s Pittsburgh, where a brother and sister are locked in a bitter dispute. At the center of their debate is a precious family heirloom—a piano with the faces of their ancestors carved into it. While one sees an important history worth preserving, the other sees the key to unlocking a brighter future. In Wilson’s enthralling prose, this Pulitzer Prize-winning play weaves together elements of history and spirituality, creating a haunting story about reckoning with a complicated past.

• Written by August Wilson
• Directed by Gregg T. Daniel
• Starring LeShay Tomlinson BoyceJernard BurksKai A. EalyMadison KefferAlex Morris, Nija OkoroGerald C. Rivers, Evan Lewis Smith
• Presented by A Noise Within, Geoff Elliot and Julia Rodriguez-Elliott, producing artistic directors

WHEN:
Previews Oct. 13 – Oct. 18
Performances Oct. 19 – Nov. 10
• Wednesday at 7:30 p.m.: Oct. 16 ONLY (preview)
• Thursdays at 7:30 p.m.: Oct. 17 (preview), Oct. 24**, Nov. 7 (dark Oct. 31)
• Fridays at 7:30 p.m.: Oct. 18 (preview), Oct. 25Ŧ, Nov. 1Ŧ, Nov. 8Ŧ
• Saturdays at 2 p.m.: Oct. 26, Nov. 2, Nov. 9 (no matinee on Oct. 19)
• Saturdays at 7:30 p.m.: Oct. 19 (Opening Night), Oct. 26, Nov. 2, Nov. 9
• Sundays at 2 p.m.: Oct. 13 (preview); Oct. 20*, Oct. 27**, Nov. 3, Nov. 10
*A one-hour INsiders Discussion Group will take place prior to the matinee on SundayOct. 20 beginning at 12:30 p.m.
**The performance on ThursdayOct. 24 is “Black Out Night,” an opportunity for an audience self-identifying as Black to experience the performance together; tickets include a post-show reception (non-Black-identifying patrons are welcome to attend, or to select a different performance).
Ŧ Postperformance conversations with the artists take place every Friday (except the preview) and on SundayOct. 27

Student matinees are scheduled on select weekdays at 10:30 a.m. Interested educators should email education@anoisewithin.org.

WHERE:
A Noise Within
3352 E Foothill Blvd.
Pasadena, CA 91107

TICKETS:
• Tickets start at $51.50 (including fees)
• Student tickets start at $20
• Wednesday, Oct. 16 and Thursday, Oct. 17 (previews): Pay What You Choose starting at $10 (available online beginning the Monday prior to that performance)
• Discounts available for groups of 10 or more

HOW:
www.anoisewithin.org
(626) 356-3100

‘Music at the Odyssey’ presents ‘Music of Motown’

Image

Music at the Odyssey’ presents
Music of Motown’ on Saturday, Aug. 10

WHAT:
Odyssey Theatre Ensemble’s ‘Music at the Odyssey’ series, curated, directed and emceed by bass player John Snow, celebrates the Music of Motown with a roster of sensational vocalists backed by a live, four-piece band. Featured performers include GRAMMY®-nominated vocalist, pianist, music director and arranger Tehillah AlphonsoKenton Chen, seen on NBC’s Perfect Harmony and HBO’s Room 104; singer-songwriter Malia Civetz, who has been championed by Ryan Seacrest and Taylor Swift; actor-singer Bella Hicks, whose credits include national tours of Waitress, Beehive and Rudolph the Musical; and gospel/jazz pianist, singer, arranger and songwriter Princeton Parker, The band includes Nathan Heldman on piano and keys, Mike Cottone on trumpet, Greg Webster on drums and music director John Snow on bass.

WHEN:
Saturday, Aug. 10 at 8.p.m.

WHERE:
Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

PARKING:
Free in the on-site parking lot

TICKETS:
$30

HOW:
www.OdysseyTheatre.com
(310) 477-2055 ext. 2 or

Interview with Dr. Paul J. Zak (aka “Dr. Love” from “The Bachelor”), David Ihrig, and Eloise Coopersmith

Irvine Theater Company and Dr. Paul J. Zak (aka “Dr. Love” from “The Bachelor”) have teamed up to create a wholly unique theatrical experience this summer for lovers, those in search of love, and fans of all things cheesy (like Hallmark movies). Utilizing Zak’s cutting edge Tuesday App, attendees can test their compatibility with other theatergoers in attendance and find a real connection. Welcome to the world of My (unauthorized) Hallmark Movie Musical and “Dr. Love’s Rom-Com Experience”. 

Below is the interview with Dr. Paul J. Zak, David Ihrig, and Eloise Coopersmith.

Dr. Paul J. Zak

What need that wasn’t addressed motivated you to create the Tuesday App?
Most of my professional life has focused on developing knowledge and technologies so that people can live longer, happier, and healthier lives. Tuesday is the result of this 30 years of effort.

Your body of work includes different disciplines like neuroeconomics, neuromanagement, and neuromarketing. How can they all help an individual to achieve success and happiness?
Happiness depends on the choices we make. Tuesday identifies the choices and activities that provide the most value neurologically to people and thereby guides them to be happier. This is true for individuals, patients, customers, and employees and businesses that focus on creating extraordinary experiences are extraordinarily profitable.

What role do neurotransmitters dopamine and oxytocin play in reaching a state of immersion?
Immersion–the brain’s valuation network for social-emotional experiences–is primarily driven by the actions of dopamine and oxytocin. Dopamine binding to the brain’s prefrontal cortex keeps us present, while oxytocin captures the emotional resonance of an experience. Tuesday measures the electrical activity these neurochemicals induce in the nervous system second by second so people can see what truly creates value for them.

Technology was supposed to make it easier for humans to connect with each other.    Instead, we see an alarming increase of isolation due to excessive internet use. What failed? And how can we make it fun again to interact with other people?
This is the key question! With hybrid work, fear of infection, and smaller families we are losing the ability to get together, have fun and socialize. This is where entertainment, including plays and movies, comes in. Immersion is always higher when there are more people involved–we laugh more watching a movie in a theater with others than watching at home. My hope is that the Tuesday app will show users objectively how important it is to have enjoyable experiences with others, to form new connections and friends, and even to fall in love. Human thriving requires that we spend time with, and connect to, others.

David Ihrig

What did you find attractive about My (unauthorized) Hallmark Movie Musical?
Well, I was looking for a show that explored themes of love and relationships with the specific intent of using Paul Zak’s technology, and Eloise’s charming musical that deals with themes of love and empowerment was a perfect fit. I knew from experience that using Paul’s Tuesday app was great fun for people, because it often provides surprising personal insights–the brain never lies! We want to offer audiences a new expanded experience that goes beyond the curtain call. We are going to be using prompt stations around the light-hearted content of the show so people can observe their own unfiltered reactions in real time through the Tuesday app.

And what truly attracted me to Eloise’s play was an observation she shared from her previous performances. She noticed that people didn’t want to leave at the end of her show. People would sort of linger in the lobby. And I thought, well heck, this is exactly how we can give them what they want. “Dr. Love’s Rom-Com Experience” will spark conversations and enhance the sense of community that already exists from having just watched a show together.

Years ago, I learned from my neuroscience community about the pitfalls of self-reporting. I have since found Paul’s technology to be a great teaching tool because the brain never lies. For example, during scene study classes, I would ask my acting students why they had a certain reaction. And they would earnestly answer me, with what I now know were confabulations. In other words, they made up explanations in retrospect. The reality is that we have many, many brain processes working all the time that are outside of our awareness and we simply do not have the capability of consciously knowing why we behaved in one way or another. So, the more fruitful approach to self-discovery is to guide people through specific experiences while monitoring brain activity and read the brain’s response in relation to chosen prompts.

Tell us more about the Irvine Theater Company and its immersive theatrical experiences.
Irvine Theater Company was primarily founded as a hub to practice a brain-based approach to the dramatic arts. We believe that our new attention-based methods will do for ITC in Irvine what Stanislavski’s system did for the Moscow Art Theater. Stanislavski’s productions became popular because his methods created a new style of live performance, which was prompted by advances in the technology of his day. For him, it was advances in lighting that allowed for smaller indoor performances which arguably led to the shift to realism in theater. I see an evolving genre of live performance in response to today’s evolving technology. This evolution has already begun, and the industry is currently taking baby steps. But in my opinion, the industry can’t fully embrace the potential of today’s technology in storytelling until they embrace new mental models. ITC’s attention-based models put us in the position to be leaders in creating tomorrow’s entertainment. Our goal is to build the Theater of Tomorrow at the Great Park in Irvine and use our methodologies and today’s advanced technology to develop productions that will enhance the audience’s experience.

What kind of classes and workshops are provided at Irvine Theater?
As you might imagine, we teach a brain-based approach to the dramatic arts. The models we use were developed in collaboration with a team of neuroscientists at UCI. These new ideas are quite simple, but they turn the conventional wisdom surrounding acting on its head, and look at a practical approach for today’s actors based on contemporary knowledge from the cognitive sciences. My new book is The Actor’s Algorithm–Seven Brain-Based Steps to Embody Character. And we will offer classes this Fall to teach our system of character embodiment.

Something really exciting is the 10-minute Play Festival. Who can submit their work and what are the dates of the festival?
I love your excitement. Irvine is home to 330,000 residents. We have a highly educated population that appreciates culture. We have prolific theater departments in our high schools and colleges and our graduates have no professional outlets in which to ply their crafts.

ITC’s 10-minute play festival seeks to provide an outlet for local dramatic artists. The plan is to hold the first festival in the summer of 2025.

Of course, ITC will put our own spin on the standard festival model. One of the benefits of our brain-based methodology is it provides an efficient method for writers. The plan is to gather all participating artists together four weeks prior to the performance, teach a workshop in brain-based story development, and then see what these brain-based teams come up with afterwards. Perhaps we should also have a traditional category and then compare the two creative processes?

Eloise Coopersmith

What is so special about romantic movies?
Last year, 80 million viewers watched a Hallmark Christmas movie, according to Forbes.com. I can’t be alone in saying these movies make you feel happy, safe, and hopeful that the world is a better place. What’s not to love?

How did you develop the idea for My (unauthorized) Hallmark Movie Musical?
During COVID I worked my other job as Residential Real Estate Appraiser- I was inspecting many houses and homeowners would ask me, “ Why aren’t you dead?” I took their trauma home with me. One day. I turned on the television. Truthfully, until then I had never seen a Hallmark movie. I became obsessed (these movies are positive and predictable and make you feel good) so I started to write my own Hallmark movie about an essential worker reigniting her romantic flame while crafting her own Hallmark Movie. She’s an inveterate Hallmark Channel viewer, battling pandemic burnout with dark chocolate, red wine, and a craving for uplifting escapism. Writing this show got me through some dark times. My mission is to spread positivity and make others feel good. My production company rented Chance Theater, cast actors, rehearsed over Zoom and shot for 6 days. We opened in Los Angeles in December 2021 to rave reviews, took the show to Edinburgh the next year (where everyone LOVED the rom-com magic), and spent last year touring in upstate New York and Virginia, finishing with 6 weeks in San Francisco (The city by the Bay said, “Hurray”!).

How did you connect with Dr. Zak?
The producer of the event, David Ihrig at the Irvine Theater Company is the brainchild for this collaboration. My show is a one-woman show with 8 actors through the magic of multimedia and David’s theater loves technology. When I read the description of Paul Zak’s Tuesday App – “Track and compare what you love so you can do more of those things and less of the stuff that brings you down” – I was excited to connect!

Is it easier to find love using technology?
That is what we will find out. Per David Ihrig- the brain doesn’t lie. So, we will all come face to face with others and with our true selves. I like to think we are re-inventing the meet-cute! (“Meet-cute” = two characters in a film or television show have an amusing or charming first encounter that leads to the development of a romantic relationship.) We will see….

Romance and music, that sounds like a winning combination, How much fun will the audience have when they come to the show?
How much fun? More fun than a bodega cat on a tuna truck! More fun than belting ‘Singing in the Rain’ during a downpour! More fun … so much fun you will want to come back and play again and again. It’s a magical journey, and who can’t use more magic in their life.